Horowitz was successful i my opinion in drawing 'symphonic' sound from he piano. we've lost so many of the "great artists" of music. not only performers, but composers.
so much excitement and energy...the swell from 6:01-6:06 must have been absolutely mindblowing in person...even on this old grainy recording it's unreal!
This pianist is one of the best pianist in the whole world.. One instrument, but the sound of an Orchestra. To bad he is dead..:( but his music lives in my heart
@cirosuperiore Glen Gould also sat "low in the saddle" - but I wouldn't know how that might have affected their sound or technique. I think you'd need a proper scientific study to analyze this properly. It may be something like golfing where some of the best golfers do not conform to the best practices in posture and stroke, but nevertheless they excel.
@cirosuperiore saves on upper and lower arm fatigue. his finger height above the keys is also inexplicable especially considering the force and acuity he was well known for.
@IRIQUOIS227 i tried to sit low myself like VH or Glenn Gould, but that really hurts the fingers in the tendon and muscle region, however it is makes playing more accurate. sitting high makes playing fast but comes with a good amount of missed notes. can't quite make up my mind.
@cirosuperiore my professor of piano sat low and CLOSE to the keyboard. played great. i couldn't do it, but i did try to keep my elbows level with the keyboard.
so is his transcription. this is the 1947 rendition. his second was in 1951. I don't think he played this in public again. Horowitz could symphonic SIZE out of the piano. truly makes one reconsider the worthless nature of mankind!
a very good example to see or better hear the quality of orchestration in Horowitz play. It is hardly to believe one man did play this. But he did. And the quality of sound the different colours in sound its all so perfect. No one can compare this to other pianists. There is only one Horowitz able to do this....
wow no wonder elp stole this clip and made an album out of it this is really classy and frantic with great over tones it has this slow melodic build up and explosive pockets that unravel its great,.,.,.
Orchestral versions just sound too tame and too clean for me in comparison with Horowitz transcription and interpretation. Horowitz makes the work wild, dirty, explosive - just as I like it.
i dunno if its the recording quality but i find the original music written by mussorgsky (especially the one played by evgeny kissin) way better. this one is soo... i dunno the original piece was written for piano, then someone made an orchestral version of it, thats fine, but then re-writing that orchestral version back to piano makes it weird :S the original one is more suited for piano solo (just sharing an opinion)
I actually believe that the Pictures were enriched through this journey - first Muggorsky, then Ravel, and ending with Horowitz. It's a circle beginning from the piano, progressing to the orchestra, and returning to the piano again. In that last transition, Horowitz captures the color and grandeur of the symphony and infuses the original composition with it.
Horowitz's transcription is best in his '47 performance. I suspect his hands were probably giving him some grief by '51. The early performance heard here is clean and melodious unlike any other of the Maestro's performed that I've heard.
@SCHneiDen777 Please permit me to throw in my two cents here by quoting Vladimir himself:
They say I put graffiti on Mussorgsky. Well I don't give a damn. I worked hard on that transcription. The original was a little too introverted, and I think that's because Mussorgsky was a little bit of a dilletante. Ravel orchestrated it, and what I did was "pianostrate" it.
My God! This is like listening to the soul of Russians! Thank you Horowitz. forever indebted to your jaw dropping affinity for soul and ivory.
Those end tremelos are the most glamorous stupendous grandiose bells I have ever heard on a keyboard! Rachmaninov would cry joy. Liszt would definitely! approve!
Thanks for posting this most inspiring music that Horowitz created.
hmmm parts 2 and 3 are labeled as 1951. must be a typo. anyway, this recording is... well, to put it one way, horowitz wasn't a studio pianist. he was a concert pianist. his genius really only shined through on stage. that's not to say that he couldn't make good recordings, but.. his live performances tended to be more captivating.
I attended a Horowitz solo concert performance in Orchestra Hall in Chicago and heard him play Liszt B minor sonata. I walked out the hall with a tremendous emotional feeling like no other pianist recital had given me----and I sat on the cheapest highest tier balcony seats.
Had the exact same experience in Ann Arobor -- also sitting in the absolute cheapest seat, in the last balcony row. My head head was spinning for several days after that concert. Must have been 1976-77...
An incredible technique! NOTHING was diifcult for Horowitz, and yet, I'll take Sviatislav Richter's recording any day. Kissin is also good as is Pletnev.
This comment has received too many negative votesshow
an insipid, vulgar transcription -- such a big sound, such a small mind! to hear the real soul of this piece, listen to Sviatoslav Richter's immortal live 1958 performance.
horowitz's magnificent reworking of mussorgsky's PICTURES in no way takes away from RIchter's version of the original....just a case of apples and oranges
Freeunion - I have never really liked Horowitz, he was always too much power and showmanship in my opinion, and often the music was lost (occasionally though something was also found). However, you're completely wrong on your take on Horowitz's transcription. If you know anything about Mussorgsky's history and growth as a composer, you know he would be absolutely delighted with this flashy over the top rendition.
I have played the Mussorgsky version of this piece and always found that it was missing something - not anything large, but still something. Horowitz finds that something and makes this set of pieces into the composition it was meant to be. Don't get me wrong, the Richter performance is amazing, but this is simply transcendent.
ce qui est interprété ici permet de palper la réalité des tableaux référents, mieux que la version Richter il me semble ! cette version est la plus prodigieuse que je connaisse, en tous cas ! merci encore, Horowitz !!!
Unico !!!!!!
antoniotrovato1 4 months ago
I'm speechless!! Awesome!
pitchfish3 6 months ago
Mad scientist at his finest work.....
I think everyone looking at this are pianists..........haha
maestroanth 7 months ago
Mad scientist at his finest work.....
maestroanth 7 months ago
JUST EX TRA OR DI NA RYYYYYYYYYYY...THANK YOU :))
paulahuchhuch 7 months ago
Horowitz was successful i my opinion in drawing 'symphonic' sound from he piano. we've lost so many of the "great artists" of music. not only performers, but composers.
IRIQUOIS227 8 months ago
Horowitz was successful i my opinion in drawing 'symphonic' sound from he piano.
IRIQUOIS227 8 months ago
Brilliant transcription!
keetner 8 months ago
Comment removed
keetner 9 months ago
so much excitement and energy...the swell from 6:01-6:06 must have been absolutely mindblowing in person...even on this old grainy recording it's unreal!
fledgehog 9 months ago
The cheap seats in orchestra hall Chicago are the best acoustics in the hall for piano.
aardvaark069 1 year ago
This pianist is one of the best pianist in the whole world.. One instrument, but the sound of an Orchestra. To bad he is dead..:( but his music lives in my heart
PianRobert 1 year ago
@PianRobert is he really?
IRIQUOIS227 8 months ago
whether howorwitz ws the greatest ever remains to be answered. but damned that is great piano playing!
sheer power.
what i dont understand is that he sat so low on the piano his elbows so low and his hands to high up and yet he could still play so fast.
cirosuperiore 1 year ago
@cirosuperiore Glen Gould also sat "low in the saddle" - but I wouldn't know how that might have affected their sound or technique. I think you'd need a proper scientific study to analyze this properly. It may be something like golfing where some of the best golfers do not conform to the best practices in posture and stroke, but nevertheless they excel.
ccdg1066 11 months ago
@cirosuperiore saves on upper and lower arm fatigue. his finger height above the keys is also inexplicable especially considering the force and acuity he was well known for.
IRIQUOIS227 8 months ago
@IRIQUOIS227 i tried to sit low myself like VH or Glenn Gould, but that really hurts the fingers in the tendon and muscle region, however it is makes playing more accurate. sitting high makes playing fast but comes with a good amount of missed notes. can't quite make up my mind.
cirosuperiore 8 months ago
@cirosuperiore my professor of piano sat low and CLOSE to the keyboard. played great. i couldn't do it, but i did try to keep my elbows level with the keyboard.
IRIQUOIS227 8 months ago
@IRIQUOIS227 i think your prof is on to something. that may be the best approach, but i'm not holding my breath,.
cirosuperiore 8 months ago
@cirosuperiore maybe. from looking at Horowitz in the picture, he seems to do the same thing.
IRIQUOIS227 8 months ago
Rachmaninoff even let him arrange his third concerto to suit himself. (Horowitz) an uncanny pianist and musician!!
IRIQUOIS227 1 year ago
IRIQUOIS227 - second sonata, actually. :)
kasyapa 1 year ago
@kasyapa i love this transcription. horowitz was a MASTER MUSICIAN!!
IRIQUOIS227 11 months ago
@kasyapa i love this transcription. horowitz was a MASTER MUSICIAN!! there is the 1947, and 1951 performance. i love them both.
IRIQUOIS227 11 months ago
Whoever invented recording device just in time for Horowitz. Thank you.
inazuma3gou 1 year ago 2
Colossal Just Takes Your Breath Away.....Can't break my prozac in half....Not Tonight
sagalat 1 year ago
Wonder why he had to rearrange it. The original was FOR piano.
oracle2world 1 year ago
@oracle2world
He only added some embellishments to the piece because he thought the original version was "too introverted"
GeneralKuno 1 year ago
@GeneralKuno - you think Mussorgsky could play his own piano music he wrote?
oracle2world 1 year ago
@oracle2world
Well, from what I've read, at age 9 he was already playing John Field's Piano Concerto. No doubt that he could play his compositions.
GeneralKuno 1 year ago
@oracle2world
so is his transcription.
IRIQUOIS227 1 year ago
@oracle2world
so is his transcription. this is the 1947 rendition. his second was in 1951. I don't think he played this in public again.
IRIQUOIS227 1 year ago
@oracle2world
so is his transcription. this is the 1947 rendition. his second was in 1951. I don't think he played this in public again. Horowitz could symphonic SIZE out of the piano. truly makes one reconsider the worthless nature of mankind!
IRIQUOIS227 1 year ago
the one and only, VH. no one does it better.
cirosuperiore 1 year ago
powerfull song!! like 04:34 :)
RobertDoormanNL 1 year ago
a very good example to see or better hear the quality of orchestration in Horowitz play. It is hardly to believe one man did play this. But he did. And the quality of sound the different colours in sound its all so perfect. No one can compare this to other pianists. There is only one Horowitz able to do this....
uhartchristian 1 year ago
If you like it, listen, if you don't like it, then don't listen. That a satisfactory enough solution for everyone?
BenMcCormack91 1 year ago
Horowitz did the "Mahler Act" when rewriting the ouverture to Don Giovanni,
he hust wrote a Horowitian Mussorgski. I like it even is not the same,but is a new piece of wonderful music
danyarivw 1 year ago
How come anybody who dares complaining about the way Horowitz butchered this fine piece of music is modded down to oblivion?
There must be a lot of jealous fanboys lurking around...
cracanel1 1 year ago
cracanel, this a typical jewish quality, changing the order of the established things
see Moses, Jesus, Marx, Freud, Einstein for the big revolutions.
danyarivw 1 year ago
Because they're wrong.
demosj 1 year ago
Horowitz simply revised the Mussorgsky piano music, he didn't completely rewrite it from the orchestral score.
MrLoseth 1 year ago
wow no wonder elp stole this clip and made an album out of it this is really classy and frantic with great over tones it has this slow melodic build up and explosive pockets that unravel its great,.,.,.
bruford55 2 years ago
This is pretty fucking sweet.
morvensky 2 years ago 3
Orchestral versions just sound too tame and too clean for me in comparison with Horowitz transcription and interpretation. Horowitz makes the work wild, dirty, explosive - just as I like it.
hymntonight 2 years ago 13
@hymntonight maybe you could listen to some PREDOMINANTLY brass orchestras. With the Brass, it makes it sound unreal! at least i think so
IRIQUOIS227 1 year ago
i dunno if its the recording quality but i find the original music written by mussorgsky (especially the one played by evgeny kissin) way better. this one is soo... i dunno the original piece was written for piano, then someone made an orchestral version of it, thats fine, but then re-writing that orchestral version back to piano makes it weird :S the original one is more suited for piano solo (just sharing an opinion)
IsamuTakekura 2 years ago
I actually believe that the Pictures were enriched through this journey - first Muggorsky, then Ravel, and ending with Horowitz. It's a circle beginning from the piano, progressing to the orchestra, and returning to the piano again. In that last transition, Horowitz captures the color and grandeur of the symphony and infuses the original composition with it.
It's a wonderful tribute to Mussorgsky.
demosj 2 years ago 5
WOW!
No words...no words whatsoever...
SlyFox616 2 years ago 3
Horowitz's transcription is best in his '47 performance. I suspect his hands were probably giving him some grief by '51. The early performance heard here is clean and melodious unlike any other of the Maestro's performed that I've heard.
tedbohne 2 years ago 3
Magnificent, thank you for posting!
PhilPhilUSA 2 years ago 3
absolutely discusting transcription...he destroyed a musical masterpiece...especially in the great gate...i hope this doesnt happen again...
victorTBONE777 2 years ago
wow. victorTBONE777: you are a complete idiot or you are joking. seriously. No one can be this uncreative!
What Horowitz did is called "creating". Maybe you've heard of it. Then again, maybe not.
SCHneiDen777 2 years ago
@SCHneiDen777 Please permit me to throw in my two cents here by quoting Vladimir himself:
They say I put graffiti on Mussorgsky. Well I don't give a damn. I worked hard on that transcription. The original was a little too introverted, and I think that's because Mussorgsky was a little bit of a dilletante. Ravel orchestrated it, and what I did was "pianostrate" it.
JupiterIV 1 year ago
My God! This is like listening to the soul of Russians! Thank you Horowitz. forever indebted to your jaw dropping affinity for soul and ivory.
Those end tremelos are the most glamorous stupendous grandiose bells I have ever heard on a keyboard! Rachmaninov would cry joy. Liszt would definitely! approve!
Thanks for posting this most inspiring music that Horowitz created.
SCHneiDen777 3 years ago 2
It was hard enough as it was originally written!...lol...Horowitz was crazy...
Darklord12356 3 years ago
hmmm parts 2 and 3 are labeled as 1951. must be a typo. anyway, this recording is... well, to put it one way, horowitz wasn't a studio pianist. he was a concert pianist. his genius really only shined through on stage. that's not to say that he couldn't make good recordings, but.. his live performances tended to be more captivating.
(just my opinion..)
asdfgftw 3 years ago 2
I attended a Horowitz solo concert performance in Orchestra Hall in Chicago and heard him play Liszt B minor sonata. I walked out the hall with a tremendous emotional feeling like no other pianist recital had given me----and I sat on the cheapest highest tier balcony seats.
freeqwerqwer 2 years ago 19
Had the exact same experience in Ann Arobor -- also sitting in the absolute cheapest seat, in the last balcony row. My head head was spinning for several days after that concert. Must have been 1976-77...
maradaatra 2 years ago 2
@freeqwerqwer cheep seats are fine. I find i just need to get my ears in there!
IRIQUOIS227 1 year ago
he's a pianist on steriods
I need his transcription
masterflamer123 3 years ago 3
An incredible technique! NOTHING was diifcult for Horowitz, and yet, I'll take Sviatislav Richter's recording any day. Kissin is also good as is Pletnev.
poisednwiped 3 years ago
As far as I'm concerned, he did for the piano what Ravel did for the orchestra. Made it as brilliant as the music called for.
cctunes 3 years ago
This comment has received too many negative votes show
an insipid, vulgar transcription -- such a big sound, such a small mind! to hear the real soul of this piece, listen to Sviatoslav Richter's immortal live 1958 performance.
freeunion 3 years ago
I don't think it's THAT insipid......but then I do drink cold vodka with vermouth and call it a Martini. Maybe that says something about me.
aardvaark069 3 years ago
horowitz's magnificent reworking of mussorgsky's PICTURES in no way takes away from RIchter's version of the original....just a case of apples and oranges
zenmusicguy777 3 years ago
golden apples and oranges if you will.
SCHneiDen777 3 years ago
Freeunion - I have never really liked Horowitz, he was always too much power and showmanship in my opinion, and often the music was lost (occasionally though something was also found). However, you're completely wrong on your take on Horowitz's transcription. If you know anything about Mussorgsky's history and growth as a composer, you know he would be absolutely delighted with this flashy over the top rendition.
dadfurry 3 years ago
I have played the Mussorgsky version of this piece and always found that it was missing something - not anything large, but still something. Horowitz finds that something and makes this set of pieces into the composition it was meant to be. Don't get me wrong, the Richter performance is amazing, but this is simply transcendent.
dadfurry 3 years ago
ce qui est interprété ici permet de palper la réalité des tableaux référents, mieux que la version Richter il me semble ! cette version est la plus prodigieuse que je connaisse, en tous cas ! merci encore, Horowitz !!!
florestankiki 3 years ago
i also played it - its like flying...
mandyschulz 2 years ago
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Amazing! Just amazing!
jero13595 3 years ago