In the first cadenza give it more space and let it be free. Sounds good though! sometimes, like at the beginning watch out for intonation. I have to perform this soon It's scary!
There are some long phrases you pulled off there excellently. I'm duly impressed with your stamina. The longest phrase I can pull off right now is about 13 seconds, and then I collapse to the floor and my eyeballs pop out and go wondering off like scurrying mice.
Oboe has got to be the hardest instrument on earth to play; requiring massive diaphragm strength, complex articulations and register transitions, and lips of steel!
Thanks for the comments. Esspecialy the one about the emphasis on the beat is true. It's one of my weak points. I'm trying to work on it.
I think the tempo in the seconde theme can be more fast. But for the timebeing I played it slower, because otherwise I wasn't able to play the fast notes to E iii.
Thanks for the notion of the misprints.. This edition sucks.. That's clear.. ;-)
That's very impressive for only one week on that piece. I felt like, in general, you put too much emphasis on each beat. Try to concentrate on the larger phrases and make sure they come through, especially at the beginning. I feel like it should sound more floaty. You could also use a lot more rubato in the cadenza at the beginning-the sextuplet section. By the way, the last note in the first triplet thing after all the sixteenth notes on the second page should be a B, not an A. It's a misprint.
There are a lot of misprints in this piece, actually. The trill two measures before A should be f sharp to g natural, not f sharp to g sharp. The first grace not in the measure before A should be an f sharp instead of a g. The second note in the measure before C should be an a instead of a g. The first grace not in the measure before K should be an f sharp instead of a g sharp, and there should be another set of grace notes, a and b, after the last trill in that measure.
I need the score!!!!
is difficult??
Is beautyful (sorry fot my english u_u)
TengoUnOboe 2 years ago
wow that is amazing
ive een playing for about 3 years now and i am going to start working on that piece
it sounds GREAT!
0o0o0RoBiN0o0o 2 years ago
thats good!
sheridan83522 2 years ago
In the first cadenza give it more space and let it be free. Sounds good though! sometimes, like at the beginning watch out for intonation. I have to perform this soon It's scary!
badgirlsami 3 years ago
great tone,
its a little fast some areas, its supposed to flow, u sped up alot in the cadenza.
SupermansDead93 3 years ago
There are some long phrases you pulled off there excellently. I'm duly impressed with your stamina. The longest phrase I can pull off right now is about 13 seconds, and then I collapse to the floor and my eyeballs pop out and go wondering off like scurrying mice.
Oboe has got to be the hardest instrument on earth to play; requiring massive diaphragm strength, complex articulations and register transitions, and lips of steel!
Great work!
Birdog225 3 years ago
Hi!
Thanks for the comments. Esspecialy the one about the emphasis on the beat is true. It's one of my weak points. I'm trying to work on it.
I think the tempo in the seconde theme can be more fast. But for the timebeing I played it slower, because otherwise I wasn't able to play the fast notes to E iii.
Thanks for the notion of the misprints.. This edition sucks.. That's clear.. ;-)
kimbosch1988 3 years ago
That's very impressive for only one week on that piece. I felt like, in general, you put too much emphasis on each beat. Try to concentrate on the larger phrases and make sure they come through, especially at the beginning. I feel like it should sound more floaty. You could also use a lot more rubato in the cadenza at the beginning-the sextuplet section. By the way, the last note in the first triplet thing after all the sixteenth notes on the second page should be a B, not an A. It's a misprint.
ashesnr 3 years ago
There are a lot of misprints in this piece, actually. The trill two measures before A should be f sharp to g natural, not f sharp to g sharp. The first grace not in the measure before A should be an f sharp instead of a g. The second note in the measure before C should be an a instead of a g. The first grace not in the measure before K should be an f sharp instead of a g sharp, and there should be another set of grace notes, a and b, after the last trill in that measure.
ashesnr 3 years ago
Be careful about the tempo!
marindrinov 3 years ago