Added: 4 years ago
From: jlgval
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  • this guy is a wild child and a great virtuoso...his Ravel is great too! Here he invokes all of Scriabins demons with relish....the piano is a little too juicy...like a rock piano elton John might use but other wise...Wow!

  • My problem with the song is the recording, when the volume goes up on the high pitches it sounds terrible, i think it is because of the recording, because im sure live the changes in volume should put a lot of emotion to the piece

  • This is really a great performance of this phenomopiece; allowed to build with the momentum carrying through to the conclusion. Better than many recorded versions. A good night for Vitoria-Gasteiz ;)

  • (cont'd)

    The other thing where Scriabin seems not really to be followed is one the last page, in the "Piu vivo." Look closely at the RHYTHM of those last 3 L.H. notes of each measure! It seems this is not being followed ..... Or perhaps it is, but if so, the clarity isn't sufficient ..... I really can't tell which it is.

    But again, I should repeat: This is a TERRIFIC performance.

    Thank you!!!

  • I have always taken the passage leading into the alla marcia as being accel poco a poco, then ritard for the last quarter note before alla marcia. this is in keeping with the mark accel. poco a poco about 10 bars later.

  • Do you know whether his manuscript says so that?

    I am worried about the point for some time; and look for his manuscript.

  • There are a couple of parts where Scriabin's instructions are not followed and which I think suffer for this. Both of them are toward the end:

    (1) The passage leading into the "Alla marcia" is marked (interestingly) "...... poco ...... a ....... poco ......ritard......" It doesn't have to be a CONTINUOUS rit., but -- I do sort of a fluctuation between accel. and rit., with an overall rit., with the "Alla marcia" then being very deliberate and ponderous.

    (cont'd...)

  • It seems to be a habit of how to write scriabin. I understand that I watch sonata No. 7. He seems to have a habit to write a forthcoming word after Poco a poco before. Please for your information.

  • Sorry,it was No. 6 not No.7.

  • CORRECTION to my post about the passage leading up to the "Alla marcia":

    I said it is marked "...... poco ...... a ....... poco ......ritard......"

    I was MISREADING it.

    I thought the "...poco...a...poco..." refers to the "rit" that FOLLOWS it.

    Actually it refers to the "accel" that PRECEDES it.

    Sorry for my error!

  • Hello....This is TERRIFIC. I think the other positive comments are understatements!!

    I am working on this sonata myself right now, and was thrilled to find your recording.

    This is extremely similar to what I am trying to do with the piece. I would say it is very STRAIGHTFORWARD and very CLEAR (we could truly take dictation from it!) as well as highly expressive. The dynamic range is wonderful.

    Thank you for a superb performance!

    [additional comment to follow]

  • very good Scriabin

  • sehr gute interpretation....ich spiele das auch

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