One of youtube's most entertaining features is the comments section on videos featuring baroque music. It would seem that every person is an expert on stylistic baroque playing!
To me, this is an interesting take on the work. I can appreciate it is slower than other versions, but surely the LPO went through some sort of deliberate decision making process to choose this tempo - not simply saying 'it's too hard to play fast, we'll slow it down'
Calm down, respect artistic decisions & enjoy music
Handel is quite the composer, especially since he was a composer who absorbed the international currents of his day, such as the German counterpoint, Italian opera, and French overtures such as this one. Gotta love Handel! :)
Creo que en el barroco,huelga hablar de "tempo",mejor considerar la armonía,la instrumentacion e incluso "il vibratto".Además,¿ Quién mejor para interpretar El Mesías que The London Philarmonic Orchestra?.
Händel,(Haendel),es de alguna forma británico,aunque su música sea universal.
Grave - dignified, important; obsolete, .Low in pitch, tone 17th Century - From French grave, from Latin gravis (“heavy, important”). William Bolt had it right!! Marsbreakfast !
This is the correct timing in my opinion; as Händel would have have wanted it performed. An opening to this particualr Oratorio should be somewhat dramatic. The favored 2/2 time with the accompanied pizzicato was not even recognized as a rule of writing during this period, plus this type of dramatic interpretation allows for something larger to unfold...
@SuperheroChuck Overdotting? I have no clue what that is unless of course youre youre talking about DOUBLEdotting. That, someone might know. And its the conductor of the LONDON PHILHAROMONIC. I think there is free reign to do what ever pleases him.
@gloria19995 A music history lesson: "overdotting" means playing the notes as double-dotted even though they're written as single-dotted. The Messiah overture is a French overture, and French overtures are ALWAYS overdotted. As in, that's the way they're supposed to be performed. As in, Handel INTENDED for the overture to be performed that way, but didn't bother to write it that way because (1) it takes more work and (2) they knew that it was going to be performed that way anyway.
@SuperheroChuck I beg to differ. French overtures sound terrible when overdotted and it has never been proven that performers in the Baroque even did it.
@mathiasmas the only way you could have possibly come to this page is if you were previously listening to classical music or know the song, which brings up the question, that if this is crap, then why would you be on this page?
The tempo is grand and unhurried. I think this is one on of Handel's finest moments as a composer. I like the simple straight forward approach without the affected obsession of original instruments and 'composers intentions'. It is the overture of a grand and wonderful work, why make it a museum piece? Handel would have loved this approach and this rendering. W.Taylor
In an age when tempo cannot be too fast and hasty, it is so nice to hear once again an unhurried beautiful overature like this, one of Handel's greatest single works. W.taylor
A beautiful and dignified rendering of a noble work beginning a grand work. Who could argue the simple grandeur of this stunningly beautiful overture. w.taylor
hey chucknorris, way to get your republikluxklan history set in stone! GFHandel 1685-1753; third reich 1933ish-1945...oh well, cheney (the dick) will sort it out somehow
Cool. I'm playing this in orchestra now. :) We're taking the intro a bit slower, but I guess different conductors can have different opinions. This was pretty good otherwise.
The English should play Handel as well as Germans because Handel is English composer too. I think, the conductor of London Philarmonic Orchestra must know more about Handel and style of his music and his style
When it comes to historically informed performance, you bet your ass.
This was recorded when HIP was still being developed. Today, we know alot more about performing this style of music. Believe me, I am sure that the London Philharmonic didn't know very much about Baroque music of the French style, which this overture is in.
Isn't it instead that we have been used to listening to music too fast??
To me this is just right: a piece of music in which you can truly hear each and every note as it should be. I believe this is how Haendel conceived it.
No. The fact of the matter is that the French overture is a fanfare, not a funeral dirge. At this tempo, the piece has no pulse at all, which is inconcievable for music in the French baroque style (and unlikely for the Italian style), as it is all based upon dance.
Tempi in the Baroque era for slower movements were faster than today because the baroque bow has difficulty with holding long notes. You can't even hear the dotted rythm clearly! Plus, you would never ever start a Baroque opera or oratorio with a "largo molto" tempo.
Clearly, nobody here knows much about music of this period.
Beecham and his orchestra perform this in a post-nineteenth century style, without any real knowledge of the aesthetic of the period.
@HARMONICO101 Though this performance of the Messiah (not only the Overture, but, indeed, the entire oratorio) is generally quite poor, as far as the understanding of early music aesthetics is concerned, we must give the credit that is deserved - we know that nowhere near as much about this music was known at the time at which this recording was made, with comparison to what is known now. Far better to hear this work in this form, than not to hear it at all.
I'm am not convinced that anyone has never, due to ignorance or naivety, been attached to a recording that was made by a poorly informed performer/interpreter. This recordng is good for its time. It also seems rather vain to make such a big deal of such things as tempi, so as to prove that one has overlooked more immediately obvious interpretational errors - wrong use of vibrato, etc. ... The interpretation may be excused because of the stylistic ignorance of the time.
Okay, you need to stop being flamboyant with your opinions and showing off your knowledge. It's not productive. As a Curtis Composition and theory graduate, I can say that you most likely have no knowledge of this type of music.
I can't help but agree with what you are saying (although I do feel that we should take advantage of the bows we have), but you can't go around Heralding your opinions as facts.
Okay, you need to stop being flamboyant with your opinions and showing off your knowledge. It's not productive. As a Curtis Composition and theory graduate, I can say that you most likely have no knowledge of this type of music.
I can't help but agree with what you are saying (although I do feel that we should take advantage of the bows we have), but you can't go around Heralding your opinions as facts.
@HARMONICO101 I agree, but it is possible that this conductor wanted to take a different approach to the piece to give it an obviously different feel. Nothing against your comment, just saying.
@HARMONICO101 This is very interesting for someone being a clarinetist like myself that knows nothing about string playing or even much about how to play Baroque music at all.
@HARMONICO101 That is so interesting. I would love to learn more about the subject. I played violin from grade 5 to 12, then sang in the college choir for four years. I've been singing choral music since grade 6, and now sing with a wonderful volunteer adult group in Jacksonville, FL, the Don Thompson Chorale. "How can I keep from singing"?
@HARMONICO101 That is so interesting. I would love to learn more about the subject. I played violin from grade 5 to 12, then sang in the college choir for four years. I've been singing choral music since grade 6, and now sing with a wonderful volunteer adult group in Jacksonville, FL, the Don Thompson Chorale. "How can I keep from singing"? At age 68, I hope to keep doing it for many years to come!
Faaaaaaaaar too slow...it seems so heavy-handed! The fugal part of this piece should be lighter...I agree that some conductors rush it too much, but this is just overdoing it in the other direction.
Isn't it instead that we have been used to listening to music too fast??
To me this is just right: a piece of music in which you can truly hear each and every note as it should be. I believe this is how Haendel conceived it.
Correct me if I'm wrong but I believe this is the Sir Thomas Beecham version who made a life study of Handel and insisted this was the correct and only tempo.
I agree. I'm no critic but this has always been a personal favorite and this version is paced very well. It seems most conductors rush through it like they're trying to cut down on their concert time or something. After being jostled that way, I NEED to hear "Comfort Ye". ;))
This piece sets the tone. These notes were written to be felt in the gut. When it's played at 90mph, all one feels is the bumpy road. :(
Thank God the world if full of three things:
Air - for us to breath
Artists - to inspire us
Arseholes - those who think they're artists but are full of air.
Peace! :-)
richardus1985 1 month ago
After listening to this, I can die in peace...
MadPyrotechnicus 2 months ago
Comment removed
ronrafajko 3 months ago
One of youtube's most entertaining features is the comments section on videos featuring baroque music. It would seem that every person is an expert on stylistic baroque playing!
To me, this is an interesting take on the work. I can appreciate it is slower than other versions, but surely the LPO went through some sort of deliberate decision making process to choose this tempo - not simply saying 'it's too hard to play fast, we'll slow it down'
Calm down, respect artistic decisions & enjoy music
93celliz 3 months ago 3
it could be a tiny bit faster not to fast though cause then it takes the beauti from the music
yoursdiana1 3 months ago
i was about ten when i played this with my orchestra in downtown chicago
Luverxmusicx 4 months ago
@Luverxmusicx me too Orchestra Hall right
yoursdiana1 3 months ago
You should know that the work is called "Messiah."
Not 'The Messiah'
WiltedMoose 5 months ago 2
@raulox Now 18
insidejokeful 7 months ago
Handel is quite the composer, especially since he was a composer who absorbed the international currents of his day, such as the German counterpoint, Italian opera, and French overtures such as this one. Gotta love Handel! :)
byranntherockstar1 7 months ago
17 have no heart and feelings.
raulox71 8 months ago
I've heard your "correct" versions and they sound comical. This is how Handel would've wanted it had they had modern strings back then.
albermarle52 9 months ago
Creo que en el barroco,huelga hablar de "tempo",mejor considerar la armonía,la instrumentacion e incluso "il vibratto".Además,¿ Quién mejor para interpretar El Mesías que The London Philarmonic Orchestra?.
Händel,(Haendel),es de alguna forma británico,aunque su música sea universal.
paradoxicus 9 months ago
gives me goosebumps everytime
sumitvids 9 months ago
gives me goosebubmps everytime
sumitvids 9 months ago
Epic.
PTR131 10 months ago
this tempo is way too slow
eckid1 1 year ago 10
Comment removed
Twizzlleerr 4 months ago
Love Handel. Love the Baroque period. Love the Messiah. 'nuff said. Peace!
probrojeffro 1 year ago
Game over... the times when Handel was performed THIS way is LONG way back...
dschonnie 1 year ago
Grave - dignified, important; obsolete, .Low in pitch, tone 17th Century - From French grave, from Latin gravis (“heavy, important”). William Bolt had it right!! Marsbreakfast !
Arniceous 1 year ago
This is the correct timing in my opinion; as Händel would have have wanted it performed. An opening to this particualr Oratorio should be somewhat dramatic. The favored 2/2 time with the accompanied pizzicato was not even recognized as a rule of writing during this period, plus this type of dramatic interpretation allows for something larger to unfold...
Arniceous 1 year ago
This is Bolt, isn't it?
marsbreakfast 1 year ago
Very odd interpretation. I would hate to have to play it this slow... talk about boring.
TempusFuckit 1 year ago
No no no no no no no no no !!!!!!!
Sorcelette 1 year ago
I wish this performance was overdotted
MrPizzadelivery 1 year ago
playin this at my middle school concert
jazzizrom2 1 year ago
Music is meant to be interpreted. It's up to the conductor to conduct it how they wish. I personally love this recording.
gundyice 1 year ago
Why does this conductor not know anything about overdotting the rhythms?
SuperheroChuck 1 year ago
@SuperheroChuck Overdotting? I have no clue what that is unless of course youre youre talking about DOUBLEdotting. That, someone might know.
gloria19995 1 year ago
@SuperheroChuck Overdotting? I have no clue what that is unless of course youre youre talking about DOUBLEdotting. That, someone might know. And its the conductor of the LONDON PHILHAROMONIC. I think there is free reign to do what ever pleases him.
gloria19995 1 year ago
@gloria19995 A music history lesson: "overdotting" means playing the notes as double-dotted even though they're written as single-dotted. The Messiah overture is a French overture, and French overtures are ALWAYS overdotted. As in, that's the way they're supposed to be performed. As in, Handel INTENDED for the overture to be performed that way, but didn't bother to write it that way because (1) it takes more work and (2) they knew that it was going to be performed that way anyway.
SuperheroChuck 1 year ago
@SuperheroChuck I beg to differ. French overtures sound terrible when overdotted and it has never been proven that performers in the Baroque even did it.
BachScholar 1 year ago
el arreglo de mozart no tiene desperdicio!
demianmaciel8 1 year ago
playing this song for orchestra :) Check it out <------- (high school with band and chorus)
SiEVlla521 1 year ago
playing this song for orchestra :) Check it out <-------
SiEVlla521 1 year ago
we are performing this in my high school orchestra. the whole opera!
violyngirl1 1 year ago
@violyngirl1 How cool what High School. I would have liked attended a school like yours. :}
senoritasaldana 1 year ago
all of you need to stop arguing about this
I've heard it "normal speed", and I've heard it played slower like this
both sides have their merits
I personally like when it is slower like this, but unlike the rest of you, I'm not going to trash anyone who thinks otherwise
acdaced 1 year ago 2
this is crap!!!!
mathiasmas 1 year ago
@mathiasmas the only way you could have possibly come to this page is if you were previously listening to classical music or know the song, which brings up the question, that if this is crap, then why would you be on this page?
mjleach95 1 year ago
@mjleach95 too slow
mathiasmas 1 year ago
Our orchestra is playing this piece so i wanted to hear it. pretty cool.
Jackson45062 1 year ago
The tempo is grand and unhurried. I think this is one on of Handel's finest moments as a composer. I like the simple straight forward approach without the affected obsession of original instruments and 'composers intentions'. It is the overture of a grand and wonderful work, why make it a museum piece? Handel would have loved this approach and this rendering. W.Taylor
wtoutback 1 year ago
the rhythm in the beginning is waayyyy to slow.
momo4895 1 year ago
They're playing the rhythm totally wrong. This is Baroque 101 stuff here.
patsythesquire 1 year ago
@patsythesquire the rhythm was interpreted as double-dotted =)
stiletto929 1 year ago
In an age when tempo cannot be too fast and hasty, it is so nice to hear once again an unhurried beautiful overature like this, one of Handel's greatest single works. W.taylor
wtoutback 1 year ago
A beautiful and dignified rendering of a noble work beginning a grand work. Who could argue the simple grandeur of this stunningly beautiful overture. w.taylor
wtoutback 1 year ago
the tempo is far too slow
eckid1 1 year ago 2
oh happy day
bigjon9934 1 year ago
This is well played, but a bit slow and soft compared to what I have on my cd.
aYankee102587 2 years ago
hey chucknorris, way to get your republikluxklan history set in stone! GFHandel 1685-1753; third reich 1933ish-1945...oh well, cheney (the dick) will sort it out somehow
MST3Kfanatic 2 years ago 2
Cool. I'm playing this in orchestra now. :) We're taking the intro a bit slower, but I guess different conductors can have different opinions. This was pretty good otherwise.
poetryxpianox95 2 years ago
were playing this in our orchestra :)
xheartwithaslash 2 years ago
This comment has received too many negative votes show
Only Germans could ever conceive and create this kind of music.
MICHONSON 2 years ago
The English should play Handel as well as Germans because Handel is English composer too. I think, the conductor of London Philarmonic Orchestra must know more about Handel and style of his music and his style
vanya2309 2 years ago
Thats right
He left Germany in the time of Hitler
ChuckNorris55555 2 years ago
Sry i were wrong
He was a German Britsh
ChuckNorris55555 2 years ago
i hate how i cant find the concert band arrangement of this on youtube.
I love playing this song so much fun beautiful.
enderofworlds89 2 years ago
Waaaaayyy tooooo slooooooow!!!!!!!
This is a French Overture! It must be grand! It must be Majestic! It must be Regal! It must be Light! It must be Dance-like!
HARMONICO101 2 years ago 3
yes. because you know more than the London Philharmonic.
captaincabeman 2 years ago
When it comes to historically informed performance, you bet your ass.
This was recorded when HIP was still being developed. Today, we know alot more about performing this style of music. Believe me, I am sure that the London Philharmonic didn't know very much about Baroque music of the French style, which this overture is in.
HARMONICO101 2 years ago
Isn't it instead that we have been used to listening to music too fast??
To me this is just right: a piece of music in which you can truly hear each and every note as it should be. I believe this is how Haendel conceived it.
Music takes its time.
Listen to it again and thell me what you think
Greetings.
MICHONSON 2 years ago
No. The fact of the matter is that the French overture is a fanfare, not a funeral dirge. At this tempo, the piece has no pulse at all, which is inconcievable for music in the French baroque style (and unlikely for the Italian style), as it is all based upon dance.
HARMONICO101 2 years ago 3
... and yet in its own way it is beautiful
malma1 2 years ago
Tempi in the Baroque era for slower movements were faster than today because the baroque bow has difficulty with holding long notes. You can't even hear the dotted rythm clearly! Plus, you would never ever start a Baroque opera or oratorio with a "largo molto" tempo.
Clearly, nobody here knows much about music of this period.
Beecham and his orchestra perform this in a post-nineteenth century style, without any real knowledge of the aesthetic of the period.
HARMONICO101 2 years ago 33
@HARMONICO101 Though this performance of the Messiah (not only the Overture, but, indeed, the entire oratorio) is generally quite poor, as far as the understanding of early music aesthetics is concerned, we must give the credit that is deserved - we know that nowhere near as much about this music was known at the time at which this recording was made, with comparison to what is known now. Far better to hear this work in this form, than not to hear it at all.
jonorulz 1 year ago
I'm am not convinced that anyone has never, due to ignorance or naivety, been attached to a recording that was made by a poorly informed performer/interpreter. This recordng is good for its time. It also seems rather vain to make such a big deal of such things as tempi, so as to prove that one has overlooked more immediately obvious interpretational errors - wrong use of vibrato, etc. ... The interpretation may be excused because of the stylistic ignorance of the time.
jonorulz 1 year ago
@HARMONICO101
Okay, you need to stop being flamboyant with your opinions and showing off your knowledge. It's not productive. As a Curtis Composition and theory graduate, I can say that you most likely have no knowledge of this type of music.
I can't help but agree with what you are saying (although I do feel that we should take advantage of the bows we have), but you can't go around Heralding your opinions as facts.
demigod1010 1 year ago
This has been flagged as spam show
@HARMONICO101
Okay, you need to stop being flamboyant with your opinions and showing off your knowledge. It's not productive. As a Curtis Composition and theory graduate, I can say that you most likely have no knowledge of this type of music.
I can't help but agree with what you are saying (although I do feel that we should take advantage of the bows we have), but you can't go around Heralding your opinions as facts.
demigod1010 1 year ago
@HARMONICO101 I agree, but it is possible that this conductor wanted to take a different approach to the piece to give it an obviously different feel. Nothing against your comment, just saying.
icampbell921 1 year ago
@HARMONICO101 This is very interesting for someone being a clarinetist like myself that knows nothing about string playing or even much about how to play Baroque music at all.
klarinetta 1 year ago
@HARMONICO101 That is so interesting. I would love to learn more about the subject. I played violin from grade 5 to 12, then sang in the college choir for four years. I've been singing choral music since grade 6, and now sing with a wonderful volunteer adult group in Jacksonville, FL, the Don Thompson Chorale. "How can I keep from singing"?
ckmiller66 1 year ago
@HARMONICO101 That is so interesting. I would love to learn more about the subject. I played violin from grade 5 to 12, then sang in the college choir for four years. I've been singing choral music since grade 6, and now sing with a wonderful volunteer adult group in Jacksonville, FL, the Don Thompson Chorale. "How can I keep from singing"? At age 68, I hope to keep doing it for many years to come!
ckmiller66 1 year ago
@HARMONICO101 well aren't you speeeecial
Thecalyboi 1 year ago
HARMONICO101 knows nothing about anything
nakedBison69 10 months ago
This has been flagged as spam show
@HARMONICO101 You could just listen to the music.
macronaria 5 months ago
Faaaaaaaaar too slow...it seems so heavy-handed! The fugal part of this piece should be lighter...I agree that some conductors rush it too much, but this is just overdoing it in the other direction.
dan144556 2 years ago 2
This has been flagged as spam show
Isn't it instead that we have been used to listening to music too fast??
To me this is just right: a piece of music in which you can truly hear each and every note as it should be. I believe this is how Haendel conceived it.
Music takes its time.
Listen to it again and thell me what you think
Greetings.
MICHONSON 2 years ago
This is a really good arrangement, I could stand it to be just a teensy bit faster, but it's fine as it is. :) Good work.
Ultima1321 2 years ago
Correct me if I'm wrong but I believe this is the Sir Thomas Beecham version who made a life study of Handel and insisted this was the correct and only tempo.
gugenheim84 2 years ago
If so, then the man was an idiot and should have read Paul Henry Lang.
HARMONICO101 2 years ago
I was able to catch a fifteen minute nap listening to this arrangement.
lrbaseball15 2 years ago
¡Grandiosa Obertura a un grandioso oratorio.!El Mesías es una obra maestra de todos los tiempos.Atemporal y Grandiosa.
paradoxicus 2 years ago
Great work. When are you going to post part2?
bluefete77 2 years ago
salute to handel.
jeffreyclaudekevin 2 years ago 2
Finally...a conductor who "gets it"! ;)) Thanks so much for uploading this! I've heard too many bad versions tonight and this was such a relief!
seaweed2007 2 years ago
yeah i agree. Its hard to find good versions of classical songs on youtube but this one is great
TheBlomberFactory 2 years ago
I agree. I'm no critic but this has always been a personal favorite and this version is paced very well. It seems most conductors rush through it like they're trying to cut down on their concert time or something. After being jostled that way, I NEED to hear "Comfort Ye". ;))
This piece sets the tone. These notes were written to be felt in the gut. When it's played at 90mph, all one feels is the bumpy road. :(
seaweed2007 2 years ago 2
This is nice - I enjoy the slower version. It sort of sweeps you away.
yooperlooper 2 years ago
Una excelente obertura para un Oratorio sobrenatural.
paradoxicus 2 years ago
I want this sheet music! anyone know where to find it??
dorkestranerd 2 years ago
Walter Susskind is the conductor.
PrayingforUSA 3 years ago
absolutely beautiful music!
jtew85 3 years ago 3
beautiful music...always to be cherished
GreatLakesGoddess 3 years ago 3
Please tell us who is conducting this noble performance!
billyguns2 3 years ago 8
Walter Susskind
Op139 3 years ago 2
Adding as favorite.
wyliesnyder 3 years ago 4