This is so great. I would love to put together a band like this and play folk, blues, bluegrass and country music. Norman Blake is so inspiring to me.
If that's sloppy I shall pray every night to become as sloppy as all hell.
It's masterful from the arrangement through the execution. His right hand is a model of flexibility and economy of movement. It doesn't get better than Norman Blake when it comes to flatpicking IMO.
With regards to slop, this is anything but. This is pure. It has soul. This is what it's supposed to sound like...before modern, clean, sterilized, anti-septic picking became "desirable." Just take one listen to Nashville Blues from the same set and tell me that isn't the most amazing flatpicking you've ever heard!
Fiddler James Bryan did a splendid CD with Carl Jones: "Two Pictures" - downloadable singles i hear. But the CD player will benefit you should you pop it in anywhere along the back roads of Sand Mountain - or wherever!
@flatopguy Ridiculous and petty remark; musicians don't think like this, which is why Watson and Rice have both played with Norman Blake....get some style or a new hearing-aid.
sorry tweezda, but Norman Blake and Tony Rice made two albums together, Norman is Tony's mentor, Blake and Rice I and II, both excellent work, Norman is a master flatpicker and I KNOW
If you call this man's playing sloppy its only out of ignorance, he is one of the three best flatpickers in the country. The other two are Tony Rice and Doc Watson. But you are entitled to your opinion - Wayne
great tune, you gotta love the sound of that vintage '30s D-28, you can't beat a 12-fret for that "woody" sound, cool sunburst color too, wish they still made em that good.........
Oh hell yeah, rowdy - it is a thing of beauty for sure. I just noticed that he has a higher "lift" than Doc, which cheered me up no end!!
I'm glad you didn't bite my head off - it's was just a so-so players observation of techniques and styles. I'd never have the gall to slag off someone with this much "cred" - unlike some others here
THIS IS NOT a bitch or a put down - but I was watching Doc Watson (here, with Chet) and I can't help but notice how little movement Doc has in his left hand, compared to Normans. Effortless, smooth, almost unnoticed, whereas Norman has a "busy" left hand.
Now, I do too, so it makes me feel I am still in with a chance!! I was trying to "smooth" the left out, a la Doc and it was a cow of a thing! Now I feel better!
Those old Martin 12-fret dreads have wide necks/nuts and string spacings down at the bridge, which would account for some extra swing in the right hand. Amazing how relaxed his hand is even when he's really cooking.
Blake can play as fast as about anyone, but chooses instead to focus on tone, feel and the TUNE
They're still in Rising Fawn last I heard and that was from Norman last time I saw him play live in October 2007 as he made mention of the short drive back to Rising Fawn.
thomas1976, I can understand your point. Check out some of his later work, "Lady's Fancy" or "Jammed If I Do". The former includes an all-star cast including the original NGR). The latter has him playing duets with Watson, Rice, Blake as well as Beppe Gambetta (not my favorite BG picker but a monster in his own right). Hearing them side-by-side might put some perspective on why he is considered so highly.
I agree about Gambetta. Honestly, I think he's way overrated. For "speed" he mostly does lots of triplets (left hand hammer ons/offs). He also mutes a lot of notes. I don't think he holds a candle to Steve Kaufman, Cody Kilby, Josh Williams, David Grier, Norman Blake (who makes picking look effortless), Tony Rice or many others. Gambetta would also have trouble playing in a band due to his style which, to me, defeats the purpose of playing an instrument.
Beppe has a video on youtube with a band called "Redwing." Search for it, it shows Beppe CAN play with a band. Its vintage 1985. His latest CD "Slade Stomp" is a flatpicking monster, albeit alternate tunings. I will be attending class with Beppe in June at Kaufman's flatpik camp.
I found a video entitled "Red Wine." Maybe that's the one you were talking about. If so, it really didn't help your case as the overall performance in that video was no better than I'd see in a local bluegrass jam band. If you like listening to him, more power to you.
The fiddler is James Bryan. Fantastic old time and scottish fiddle player. His daughter also plays several instruments. They still play with Norman and Nancy some. Mostly small festivals.
Actually, James Bryan's daughter, Rachael, is married to an excellent fiddler named Matt Combs. I think it's safe to say that between the two of them that they can play as many fiddle tunes as just about anyone maybe with the exception of Fletcher Bright.
Is she playing a 1/4 bass or a cello? It sounds lower than a cello, and I've never seen anyone play a cello pizz style. any hoo it sounds great. And Norm is God, or a damn fine picker anyway.
lovely to watch and listen to. norman makes it look so easy. Norman has a different approach to his music than most. he just cannot be put in a box labeled bluegrass guitarist# 5 or 6 or whatever. just lean back, or lean fwd into your pc to try and ripsomething off!!
Just a matter of some of your opinions, do you think Norman Blake to be comparable to Dan Crary? I'm just trying to think up a way of ranking bluegrassers in my mind, and this one's been bugging me. If anyone's got an idea, what would your top five bluegrass flatpickers be?
Clarence White, Doc Watson, Norman Blake, Charles Sawtelle and Tony Rice. Each of them was incredibly innovative and immediately recognizable. I only have one Crary album, Bluegrass Guitar I think, and while it's very good, I personally don't rank him up there with the other guys. If you have any recommendations for some good Crary albums, I'd be curious. Of the modern pickers, Bryan Sutton, David Grier, Chris Eldridge and Michael Daves really stand out for me.
The open "B" string in a "G" chord, or a fretted "B" sting on the 3rd fret, (a "D" note,) each have an equal place in the "G" chord.... Norman uses both ... as do many of us working musicians. It's the knowing when to use it that matters. Nice pickin' Norman.. Johnny is proud of you ;o)
The song is alright, but I'm really not a fan of Norman Blake's guitar playing. I can't STAND the sound of open 2nd string (B note) on the G chord. But that's just me.
Well, I must tell you I can't STAND the sound of a G chord with the B string noted on the 3rd fret. That ain't no bluegrass if it is. It's darn good indication that it's some of this modern crap they call bluegrass: almost every group out there now. None of the true bluegrass guitarists(shuffler, carter stanley, red smiley, don reno, bill napier, red allen, etc) used that G chord. So, I say KEEP UP THE GOOD WORK NORMAN!!
This comment has received too many negative votesshow
You are a fucking dork! People like you give all guitarist a bad name. You should consider suicide. Do everyone a favor and end your worthless pathetic life you no good fuck!
Kenny Baker wrote it.
soarby007 1 month ago
Can someone tell me if this traditional or did one of these compose it? Great song either way.
TheBibleWitness 2 months ago
Genius.......
OleBlues 8 months ago
Best damn flatpicker in the country ---Ten++++
46r11 11 months ago
This is so great. I would love to put together a band like this and play folk, blues, bluegrass and country music. Norman Blake is so inspiring to me.
martinman87 1 year ago 2
If that's sloppy I shall pray every night to become as sloppy as all hell.
It's masterful from the arrangement through the execution. His right hand is a model of flexibility and economy of movement. It doesn't get better than Norman Blake when it comes to flatpicking IMO.
bigislander2 1 year ago
The best of them ALL
46r11 1 year ago
With regards to slop, this is anything but. This is pure. It has soul. This is what it's supposed to sound like...before modern, clean, sterilized, anti-septic picking became "desirable." Just take one listen to Nashville Blues from the same set and tell me that isn't the most amazing flatpicking you've ever heard!
fodera6 1 year ago 2
@fodera6 Yeah, Nashville Blues knocked me out. I love the pureness of this music.
martinman87 1 year ago
Nothing sloppy about that!
spyle002 1 year ago
Fiddler James Bryan did a splendid CD with Carl Jones: "Two Pictures" - downloadable singles i hear. But the CD player will benefit you should you pop it in anywhere along the back roads of Sand Mountain - or wherever!
radiootoo 1 year ago
Comment removed
radiootoo 1 year ago
@flatopguy Ridiculous and petty remark; musicians don't think like this, which is why Watson and Rice have both played with Norman Blake....get some style or a new hearing-aid.
clean3 1 year ago
sorry tweezda, but Norman Blake and Tony Rice made two albums together, Norman is Tony's mentor, Blake and Rice I and II, both excellent work, Norman is a master flatpicker and I KNOW
deborahkauffman09 1 year ago
echt gutes video schnur bin so alleine und eingeödet will sanft gekrault werden hab auch bilder
Jessica70ful 1 year ago
If you call this man's playing sloppy its only out of ignorance, he is one of the three best flatpickers in the country. The other two are Tony Rice and Doc Watson. But you are entitled to your opinion - Wayne
46r11 1 year ago
Wonder why Tony Rice likes Norman so much ..... cause he is so good. Let's see your flat picking. Norman is excellent and does it so easy .
oogaboogachiefwalkin 1 year ago
@flatopguy
ok not being mean but can u play this and why is it sloppy? its his style of playing we all have a style of picking if we play guitar banjo etc
edisonphonographfan 1 year ago
Funny, neither Watson nor Rice were too overcome by Blake's "seriously..sloppy" playing to actually make albums with him.
tweezda 1 year ago
When this man plays, it is almost like that guitar has sprung a leak!
saml230 1 year ago
ahey ho bin so einsam jemand lust zu chattn oder so
SharriBoranloxzify 1 year ago
nunjungs aus De? Bin total einsam wer hat lust zu schreibn
Tomainopo 1 year ago
Wow !
hunterv41 1 year ago
Norman is slick as possum fat. He is my
favorite picker. My hands try to emulate his, but with little success. He is an American treasure.
hd28bradley 2 years ago
@hd28bradley Fiddle player's no slouch, either. Really, the trio is so good that they form a seamless whole.
carollizc 1 year ago
great tune, you gotta love the sound of that vintage '30s D-28, you can't beat a 12-fret for that "woody" sound, cool sunburst color too, wish they still made em that good.........
southernsportsman424 2 years ago
Smoooooooooth
46r11 2 years ago
Exellent, good job.
I learn your video.
KabaHiroshi 2 years ago
What is this song called...its wonderful. Anyone? Thanks.
1duck1duck2goose 3 years ago 2
The name of this is Salty. It is on a Tiny Trischka record he and Bela recorded called Fiddle Tunes for Banjo....
David B
fiddler59 3 years ago
Oh hell yeah, rowdy - it is a thing of beauty for sure. I just noticed that he has a higher "lift" than Doc, which cheered me up no end!!
I'm glad you didn't bite my head off - it's was just a so-so players observation of techniques and styles. I'd never have the gall to slag off someone with this much "cred" - unlike some others here
ChomFa 3 years ago
THIS IS NOT a bitch or a put down - but I was watching Doc Watson (here, with Chet) and I can't help but notice how little movement Doc has in his left hand, compared to Normans. Effortless, smooth, almost unnoticed, whereas Norman has a "busy" left hand.
Now, I do too, so it makes me feel I am still in with a chance!! I was trying to "smooth" the left out, a la Doc and it was a cow of a thing! Now I feel better!
ChomFa 3 years ago
I love Norman's left hand. It's what I would describe as "loose". His fingers seem to fly effortlessly over the frets. A very light touch!
rowdyfred 3 years ago
Those old Martin 12-fret dreads have wide necks/nuts and string spacings down at the bridge, which would account for some extra swing in the right hand. Amazing how relaxed his hand is even when he's really cooking.
Blake can play as fast as about anyone, but chooses instead to focus on tone, feel and the TUNE
zenbovine 3 years ago
consider yourself blessed if you possess anything that even remotely resembles norman blake's left hand.
letebaguere 3 years ago
Ain't that the truth. I am trying to learn his style. Difficult
plowhand247 2 years ago
It's his right hand that has the magic:)
WarBeer 2 years ago 2
a lot of Doc's teqnique is because he is blind.....
hawkwood44 2 years ago
Love Norman Blake Guitar work on this song,great job.
cherokee588 3 years ago
I think up around the Chattanooga area now. But don't hol me to that.
tatumed 3 years ago
Norman and Nancy used to live at Rising Fawn Georgia. Where are they living now?
allen090485 3 years ago
They're still in Rising Fawn last I heard and that was from Norman last time I saw him play live in October 2007 as he made mention of the short drive back to Rising Fawn.
jocwalk 3 years ago
that must be a song list on blakes guitar?
1duck1duck2goose 3 years ago
thomas1976, I can understand your point. Check out some of his later work, "Lady's Fancy" or "Jammed If I Do". The former includes an all-star cast including the original NGR). The latter has him playing duets with Watson, Rice, Blake as well as Beppe Gambetta (not my favorite BG picker but a monster in his own right). Hearing them side-by-side might put some perspective on why he is considered so highly.
boyratchet 4 years ago
I agree about Gambetta. Honestly, I think he's way overrated. For "speed" he mostly does lots of triplets (left hand hammer ons/offs). He also mutes a lot of notes. I don't think he holds a candle to Steve Kaufman, Cody Kilby, Josh Williams, David Grier, Norman Blake (who makes picking look effortless), Tony Rice or many others. Gambetta would also have trouble playing in a band due to his style which, to me, defeats the purpose of playing an instrument.
jocwalk 4 years ago
Beppe has a video on youtube with a band called "Redwing." Search for it, it shows Beppe CAN play with a band. Its vintage 1985. His latest CD "Slade Stomp" is a flatpicking monster, albeit alternate tunings. I will be attending class with Beppe in June at Kaufman's flatpik camp.
baddd60 3 years ago
I found a video entitled "Red Wine." Maybe that's the one you were talking about. If so, it really didn't help your case as the overall performance in that video was no better than I'd see in a local bluegrass jam band. If you like listening to him, more power to you.
jocwalk 3 years ago
Who is the fiddler?
UncleCaptainMidnight 4 years ago
The fiddler is James Bryan. Fantastic old time and scottish fiddle player. His daughter also plays several instruments. They still play with Norman and Nancy some. Mostly small festivals.
raytaywoo 4 years ago
Actually, James Bryan's daughter, Rachael, is married to an excellent fiddler named Matt Combs. I think it's safe to say that between the two of them that they can play as many fiddle tunes as just about anyone maybe with the exception of Fletcher Bright.
jocwalk 3 years ago
Is she playing a 1/4 bass or a cello? It sounds lower than a cello, and I've never seen anyone play a cello pizz style. any hoo it sounds great. And Norm is God, or a damn fine picker anyway.
popoaggie 4 years ago
Izzat Norm on the Johnny Cash/John Hartford video on man-dough-lynn?
pylgrym 4 years ago
The best five pickers...are on Norman's hand!
TeamCannabis 4 years ago
Norman Blake .. A master of guitar. Were lucky to have musicians like him.
jegan157 4 years ago
ENTHRALLING!
walsham 4 years ago
lovely to watch and listen to. norman makes it look so easy. Norman has a different approach to his music than most. he just cannot be put in a box labeled bluegrass guitarist# 5 or 6 or whatever. just lean back, or lean fwd into your pc to try and ripsomething off!!
thumbpick1 4 years ago
Just a matter of some of your opinions, do you think Norman Blake to be comparable to Dan Crary? I'm just trying to think up a way of ranking bluegrassers in my mind, and this one's been bugging me. If anyone's got an idea, what would your top five bluegrass flatpickers be?
Revelations 4 years ago
Clarence White, Doc Watson, Norman Blake, Charles Sawtelle and Tony Rice. Each of them was incredibly innovative and immediately recognizable. I only have one Crary album, Bluegrass Guitar I think, and while it's very good, I personally don't rank him up there with the other guys. If you have any recommendations for some good Crary albums, I'd be curious. Of the modern pickers, Bryan Sutton, David Grier, Chris Eldridge and Michael Daves really stand out for me.
thomas1976 4 years ago
The open "B" string in a "G" chord, or a fretted "B" sting on the 3rd fret, (a "D" note,) each have an equal place in the "G" chord.... Norman uses both ... as do many of us working musicians. It's the knowing when to use it that matters. Nice pickin' Norman.. Johnny is proud of you ;o)
gde1111111 5 years ago
For guitar-pc-software see: www lickonizer de
www dot lickonizer dot de
Please make a link in your homepage
WwwLickonizerDe 5 years ago
that's right, gibsonbandit, it's just you.
you're not a fan of Norman Blake, you're not a fan of Steve Kaufmann, you're twenty one and you joined YouTube five days ago.
wtf do you know about flatpicked guitar, open b strings in G chords or anything else?
murrmac 5 years ago
The song is alright, but I'm really not a fan of Norman Blake's guitar playing. I can't STAND the sound of open 2nd string (B note) on the G chord. But that's just me.
thegibsonbanjo 5 years ago
Well, I must tell you I can't STAND the sound of a G chord with the B string noted on the 3rd fret. That ain't no bluegrass if it is. It's darn good indication that it's some of this modern crap they call bluegrass: almost every group out there now. None of the true bluegrass guitarists(shuffler, carter stanley, red smiley, don reno, bill napier, red allen, etc) used that G chord. So, I say KEEP UP THE GOOD WORK NORMAN!!
Jermband 5 years ago
agreed 'bout that G chord
bigkittywilliams 5 years ago
everyone I mean EVERYONE knows who Norman Blake is, and NOBODY knows who the FU** you are, so keep talking crap as if you know anything
michaelinsanantone 4 years ago
This comment has received too many negative votes show
You are a fucking dork! People like you give all guitarist a bad name. You should consider suicide. Do everyone a favor and end your worthless pathetic life you no good fuck!
natasmu 4 years ago
The master of tone...
losthills 5 years ago
Ginseng Sullivan a nice song. Norman Blake one of the several fine down-to-earth gentle pickers who give me hope for the world.
ramblik 5 years ago
Just GREAT. Nothing less...
thefan60 5 years ago
This is one of the best videos on YouTube. Thanks for posting!
GinsingSullivan 5 years ago
Yep, that's a Kenny Baker number and Norman and company do an excellent job at interpreting the song. Wonderful performance.
mountaintyme2000 5 years ago
hey!does anyone know the guitar chords/tabs for "salty" by norman blake
darrell42 5 years ago
Of course, this is James Bryan on fiddle and Nancy Blake on cello.
mandosandradios 5 years ago
Carl Jones and James Bryan's "TWO PICTURES" on Martin: one of my fave CD's to drive to Rising Fawn with.
pylgrym 4 years ago
I think this song is Kenny Baker's fiddle tune called "Salty". Thanks for sharing this.
ec00028 5 years ago
Yup, I've only heard the Bela Fleck version from Trischka, Keith, and Fleck's "Fiddle Tunes for Banjo."
tubulartom 4 years ago