Karita Mattila is the best Salome all over the world i think...also the choreography of this "veil dance" is great - not simple something like belly dance, but REAL emotions of her desperation,,exaltation,unhappiness, cruelty, sexuality and unfulfilled desire...very good idea not to dance in this usually "dancing piece"..Karita´s great soprano + wonderful gesture = BRAVO !!.
Mattila will do her best to make whatever is given her work-- but the production and scene is ludicrous! Just how does this evoke "Herod the Great" Salome and John the Baptist?? It's sort of like doing the crucifixion and substituting Attica and the electric chair. And for Mattila--- illusion has worked for many a post-teen Salomes. The cabaret outfit lap dance doesn't flatter nor does it create the "illusion" And Karita is a beautiful woman-- this is a disservice to her and Strauss
@dfgrbtr This whole scene is about sex and Salome's discovery of her sexuality. Why shouldn't this acceptable. The music has a grotesque quality to it (I mean it in the best way imaginable). If anything, this is a fully realized depiction of Salome's dance, whereas many other versions only graze the surface.
@dfgrbtr The story calls for it. It's not clearly spelled out in Oscar Wilde play, but it's been traditional in opera for the singer to start covered in veils then remove them one by one. Here the action is moved to our time, so there are no veils. Maria Ewing stripped completely in this dance too. It's here by the way - you have to confirm you are 18 to watch Maria Ewing's dance. I actually prefer Maria Ewing's dance to this one, and I prefer traditional productions.
@JeeRant Yes, I am. And no, I don't think it should be this obvious. Is a woman only sexy to you with absolutely no clothes on???
Sorry for not finding much art in this particular interpretation - and in most way too modern interpretations at all. They're more about sex and scandal than music and art.
@Alloco1937 Maria Ewing was terrific in Salome. I love her. She´s my favourite Salome, well, my second favorite, my first favourite is Katherine Malfitano. Ewing is my favourite Carmen.
This is fantastic. She does a very sexy dance. I saw her as Salome in Paris in 2003 (the Dodin staging) and she was superb. Just the right voice and physique for the role, although she is now getting too old for full credibility. But this Met production looks grotesque.
I think she's very sexy and certainly moves like a young girl (perhaps much more than some of them). She does have mature looks, but I didn't expect something else from a 49-year-old woman. What I did expect, considering this is Mattila, was a thrilling, sexy and flesh-and-blood (I don't know the better adjective in English, but in Portuguese I'd say "pulsante"!) Salome, and I wasn't surprised. What I like the most is that her every movement has to do with the rhythm played by the orchestra!
I definitely noticed her movement with music. Some people can count but have no internal rhythm. Ms. Mattila has both. Great moves and great observation OperaBR.
The last soprano who seemed young enough for the character was Stratas, who sang the role superbly. Mattila is rather youthful, compared to other recent interpreters of this role. Alas, too bad 15 year old sopranos cannot tackle this score.
That makes a lot of sense. Mattila has a very youthful spirit. I definitely agree with Stratas reading very young on stage. Do you thing her small stature has ever limited her being cast? Maybe they looked past her appearance (since she's quite easy on the eyes) and let her voice (huge as it is) make up for her height. Hmm. :)
In her day, Stratas sang a wide repertoire. She also sang every role she wanted to sing; if some were missing from her active repertoire, I suspect it was due to her own decisions in what was appropriate for her. A great artist.
I don't think Stratas has voice big enough to be superb as Salome. Don't forget she sang it only in the studio and has never sung on stage. The suitable look is not enough. In my opinien, the only Salome can both sing and look are nowadays Eilana Lappalainen and Mlada Khudoley. There is also Nadja Michael, but she has too small voice for Salome.
You're very informed as to her career. Thank you so much for your information. It's good to see that woman who could have sung so much was careful not to sing 'too' much. Thanks again.
Karita Mattila is the best Salome all over the world i think...also the choreography of this "veil dance" is great - not simple something like belly dance, but REAL emotions of her desperation,,exaltation,unhappiness, cruelty, sexuality and unfulfilled desire...very good idea not to dance in this usually "dancing piece"..Karita´s great soprano + wonderful gesture = BRAVO !!.
DANILISHINA 2 months ago
@DANILISHINA I've seen Karita and she's wonderful...but have you seen Nadja Michael in London? Staggeringly wonderful.
robjacksontop 3 weeks ago
O:-)
Genieperiode1 2 months ago
Mattila will do her best to make whatever is given her work-- but the production and scene is ludicrous! Just how does this evoke "Herod the Great" Salome and John the Baptist?? It's sort of like doing the crucifixion and substituting Attica and the electric chair. And for Mattila--- illusion has worked for many a post-teen Salomes. The cabaret outfit lap dance doesn't flatter nor does it create the "illusion" And Karita is a beautiful woman-- this is a disservice to her and Strauss
olympicrange 3 months ago
Ma per l'amor di dio...
ugodeste 7 months ago
I love her; she's magnificent. And damn them for making her dance around in the unsexiest of things : the pantsuit.
SchweigsameFrau 8 months ago 3
Que puesta espantosa!
lydiaguarro 9 months ago
Bello
serenopiovoso 10 months ago
The director (Juergen Flimm) beltralys the form but respects the spirit: Salome is not only sensuality, but also decadence. I liked it.
deadlift65 1 year ago
damn I was really lookn forward to some tit (at least) in this one
chrish12345 1 year ago
Succeeded in the near impossible-makes Salome totally sexless. She's the 'darling of the Met' but has a bland stage presence.
MrsPisaroni 1 year ago
For not been so attractive like others, I love her because she´s so secure of what she is, and how she looks. I love this!!!! Brava.
cantanteporsiempre 1 year ago
This is beyond disgusting... Sex sells. Even in opera. How sad.
dfgrbtr 1 year ago
@dfgrbtr This whole scene is about sex and Salome's discovery of her sexuality. Why shouldn't this acceptable. The music has a grotesque quality to it (I mean it in the best way imaginable). If anything, this is a fully realized depiction of Salome's dance, whereas many other versions only graze the surface.
llamasaresmelly 1 year ago
@dfgrbtr The story calls for it. It's not clearly spelled out in Oscar Wilde play, but it's been traditional in opera for the singer to start covered in veils then remove them one by one. Here the action is moved to our time, so there are no veils. Maria Ewing stripped completely in this dance too. It's here by the way - you have to confirm you are 18 to watch Maria Ewing's dance. I actually prefer Maria Ewing's dance to this one, and I prefer traditional productions.
jewelmarkess 1 year ago
Are you familiar with the opera at all? The scene is SUPPOSED to be grotesque and shocking. And sexy.
JeeRant 1 year ago
@JeeRant Yes, I am. And no, I don't think it should be this obvious. Is a woman only sexy to you with absolutely no clothes on???
Sorry for not finding much art in this particular interpretation - and in most way too modern interpretations at all. They're more about sex and scandal than music and art.
dfgrbtr 1 year ago
Very sexy, even more so than Maria Ewing even though Karita never gets completely nude like Maria does
Alloco1937 1 year ago
@Alloco1937 Maria Ewing was terrific in Salome. I love her. She´s my favourite Salome, well, my second favorite, my first favourite is Katherine Malfitano. Ewing is my favourite Carmen.
cantanteporsiempre 1 year ago
Very sexy; even more so than Maria Ewing, even though Karita DOESN'T get completely nude like Maria does.
Alloco1937 1 year ago
@Alloco1937 Karita actually went nude during performances. She just wasn't allowed to be US censors since it was being shown on PBS.
llamasaresmelly 1 year ago
This was one of my favorite nights at the Met.
Composerland 1 year ago
This is fantastic. She does a very sexy dance. I saw her as Salome in Paris in 2003 (the Dodin staging) and she was superb. Just the right voice and physique for the role, although she is now getting too old for full credibility. But this Met production looks grotesque.
philipc67 2 years ago
The choreography is exceptional and K. Mattila is incredibly magnetic, she IS the music...
parpaiounverd 2 years ago
What I like about this Dance is that it seems spontanious and like she is improvising, rather than doing a "choreographed" dance.
tristanchord85 2 years ago
Che brava!!! Avrà studiato danza!
camilla0690 2 years ago
I love at 8:18 she looks like yes daddy you know you want this but cant have it
harpguy18 3 years ago
¿que diria strauss si viviese?
kaifas762 3 years ago
I think she's very sexy and certainly moves like a young girl (perhaps much more than some of them). She does have mature looks, but I didn't expect something else from a 49-year-old woman. What I did expect, considering this is Mattila, was a thrilling, sexy and flesh-and-blood (I don't know the better adjective in English, but in Portuguese I'd say "pulsante"!) Salome, and I wasn't surprised. What I like the most is that her every movement has to do with the rhythm played by the orchestra!
OperaBR 3 years ago 4
Pulsante (throbbing) is an excellent adjective in any language. Mattila baila com a libido pulsante, sublimada pela música e pela dança.
MusicaParola 3 years ago
I definitely noticed her movement with music. Some people can count but have no internal rhythm. Ms. Mattila has both. Great moves and great observation OperaBR.
operamudflower 3 years ago
This one friggin 'mature' Salome.
operamudflower 3 years ago
The last soprano who seemed young enough for the character was Stratas, who sang the role superbly. Mattila is rather youthful, compared to other recent interpreters of this role. Alas, too bad 15 year old sopranos cannot tackle this score.
MusicaParola 3 years ago
That makes a lot of sense. Mattila has a very youthful spirit. I definitely agree with Stratas reading very young on stage. Do you thing her small stature has ever limited her being cast? Maybe they looked past her appearance (since she's quite easy on the eyes) and let her voice (huge as it is) make up for her height. Hmm. :)
operamudflower 3 years ago
In her day, Stratas sang a wide repertoire. She also sang every role she wanted to sing; if some were missing from her active repertoire, I suspect it was due to her own decisions in what was appropriate for her. A great artist.
MusicaParola 3 years ago
I don't think Stratas has voice big enough to be superb as Salome. Don't forget she sang it only in the studio and has never sung on stage. The suitable look is not enough. In my opinien, the only Salome can both sing and look are nowadays Eilana Lappalainen and Mlada Khudoley. There is also Nadja Michael, but she has too small voice for Salome.
Dimitrious8 3 years ago
You're very informed as to her career. Thank you so much for your information. It's good to see that woman who could have sung so much was careful not to sing 'too' much. Thanks again.
operamudflower 3 years ago
Very pretty voice. Thanks for sharing
markNLeona 3 years ago
Yea. Netrebko needs to sing this. and I need to see it. Lol.
Eitlena 3 years ago
Hopefully, Karita Mattila will be available to provide the vocals.
MusicaParola 3 years ago 3
haha good one! Netrebko can't sing this, maybe in a decade or so but doubtful.
droot6681 2 years ago
I'm dying to see Anna Netrebko in this role.
voltape 3 years ago