Added: 2 years ago
From: coloraturafan
Views: 7,640
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  • Perhaps the reason for her lack of joy is due to terror that she might escape her dress. (I'd have been scared if I was in such an ill-fitting outfit!)

  • who was the tenor?

  • Decisamente no. Ma se penso ad altre Cenerentole recenti, qui siamo in Paradiso. Ma perchè nessuno le ha insegnato a respirare, a sostenere, a capire quale sia la voce?. E' molto più a suo agio nei La sotto il rigo che nel Si acuto che balla vistosamente (magari solo vibrasse!!!), deve staccare perché fa agilità glissate e non legate. Eppure sarebbe nel suo campo...ma chi l'ha impostata così male, mannaggia

  • A great tragedienne like Antonacci is probably not appropriate for Cenerentola but arguing that this is poorly sung is just wrong headed.

  • mai sentito una cosa così orrenda, vocalmente e stilisticamente. Gravi schiacciati, abbellimenti eseguiti rozzamente, trillo che è solo un vibrato... Ma chi le permette di rovinare Rossini ?

  • @MisterPapageno oscena

  • orrible

  • Agree - No Joy!

  • How can you sing Rossini with that emission, the registers and also single notes from the same register not homogeneous (and this does not mean only colour but also the whole result of the sentences!)? I'm very uneasy with this arid nonsense of style! :(

  • Ma sembra la matrigna di Biancaneve...

  • Buena voz, más cómoda en el registro central y grave que en el agudo. Buena interpretación, aunque falte algo de la "chispa" rossiniana.

  • I have to agree 100% with InBoccaChiusa comments

  • Her performance lacks spontaneity and joy. This is a dramma giocoso, and there is little gioia, particularly in "Non più mesta."

  • I hope Bartoli isn't your reference though!

  • @InBoccaChiusa agreed. I've watched her in La Scala's production of Nina and there is one emotion and it's "scared as hell".

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