Added: 3 years ago
From: bposton242
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  • Magnifico!!!!!! que bueno es Giacomini!!!!BRAVOOOOO!!!!!!

  • Transposed as it maybe, it suited his voice and came out so powerful..

  • Bravo maestro. Not so many tenors have the stamina to sing this aria so slow and powerful.

    He is certainly not too dramatic for the part.

    All too neglected. Everyone ought to have respect for this brilliant singer.

  • Comment removed

  • wonderful! nowadays tenors who really have voices don´t sing this rolles. But guys like this and del monaco and corelli and pavarotti and domingo have balls to sing everything

  • Meravigliosi entrambi !

  • @AlexanderNievsky

    Could you tell me, oh wise one, what this WORNG technique is?

  • VIDEO A DIR POCO FANTASTICO

  • Very well-sung by both Giacomini and Caballe (well matched in terms of vocal weight); unfortunately, the picture is pitch black!!!!

  • There is no denying that Giacomini has a formidable instrument, but to my ears his massive voice is tragically misapplied here. This role requires tenderness, vulnerability, and plaintive ardor, but I don't hear any of those qualities in this scene. Maybe my own pre-conceptions are at work. Perhaps I am just not accustomed to hearing a dramatic tenor in this role. By the same token, I don't enjoy Carreras trying to sing "Niun mi Tema" (Otello), either.

  • I've been looking this one for so long a time! Thank you for this one..

  • Grande Maestro!

  • Que gran regalo, sabia que Giacomini habia cantado el rol de Rodolfo, pero jamas habia escuchado algo de este rol en vivo, solo el aria que grabo en estudio. Giacomini soberbio como siempre, lastima que el video sea pesimo en imagen :( Mille grazie!!!

    P.D, La soprano es Caballe??

  • Creo que sí es Caballé. Y la interpretación es genial, por parte de ambos.

  • si il soprano era montserrat Caballe

  • OMG!!! Thanks for posting this!!!! This is a phrasing masterclass!!!! As always with Giacomini!!!!

  • i cant imagine, how a basso can singing tenor`s aria .he do it great

  • Giacomini is not a bass! He is a classical "caruso" (or Melocchi low larynx- full respiration) spinto tenor as he really should be.

    A tenor woth a powerfull voice of a man, singing incredeble high notes!

  • there is no lowering of the larynx with giacomini... but yes he is incredible! BTW there's no lowering of the larynx with Corelli and Del Monaco either... it's all BS

  • Hehe of course there is! Read what Maestro Corelli says about it on his famouse interview about a vocal techniqe. About Giacominni - Listen to his long interview here on the Youtube...

    You can also watch some video tecords of them, and clearly see the possition of the larinx. That's tha basis of their thechnoqe.

  • Radames, as I have great respect for your love of opera, I am going to have to disagree with you on this one. I am fully aware of how Corelli et al sang, as I studied with a teacher who lived with Del Monaco for 6 yrs and I am currently studying with a teacher who studied with Corelli for many years. In no way have I ever been told to lower my larynx. Yes the larynx is in a lower place, but it happens naturally when your glottal space is open. You do not forcefully lower the larynx.

  • Dear Songsofscarlet - I've never told you about forcing the larinx to go down. But If you say that it's going down when you "open" your throat, I say the same. When it go down- the throut become opened... :)

    Not by forsing it!!! By get use to control it's possition. you can ask good flut or oboy players about it.

  • @RADAMES1983 The easiest way to do it is to give all vowels the color of italian U (OO)

  • ¿?

  • Giacomini's voice was a volcanic force of nature, but maybe a *tad* large for Rodolfo?

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