i wish there was some magic way to combine cecilia bartoli's phrasing with joyce didonato's voice. the perfect ombra mai fu. still, am so happy i live in the same world as these two beautiful singers... :)
Thank you Jackie for your great singing of this aria at your first solo concert in Houston,you were stunning .We are looking forward to seeing you this year at the NY Met.Please sing Nessn Dorma there like you did in Houston.UNBELIEVABLE!!!
I love this piece and she sings it beautifully. I love women singing roles made for countertenors. The ornaments are lovely and the piece is really short and sweet. I feel privileged to have just discover the sound of Ms. DiDonato. Thanks for posting!!
Bellissima voce e techica perfetta ma manca qualcosa , - purtroppo si sente l`accento straniero e manca il legato nello proprie parole, - dovrebbe farsi correggere la pronuncia perche` si sente una distanza tra la voce e lèspressione
Very nicely sung. Great aria. But IMO it sounds best of all in countertenors renditions. The most beautiful version I've ever heard is Nicholas Spanos's
A somewhat-reserved .. but excellently-sung version! Ms. DiDonato and Kathleen Ferrier, among others, are probably the BEST, female voices in this great aria. ... Some of us might, still, prefer Gigli, Bjorling, Pinza, Tauber and other male voices, but it's GREAT to listen-to what the ladies can do!
@olympicfreak678 I looked up John Singer Sargent and, yes, the photo is somewhat similar to "Madame X." Thank God young women did not put tattoos on their bodies back then. Can you imagine Madame X with coloured streaks up and down her arms or little cannibis leaves over each breast? Yuck!
@zeekwolfe actually, Mme. X's marks were on the inside: She was accused of several extramarital affairs. Actually, the painting itself was scandalous for depicting the subject with a dress strap hanging down while the other one is on her shoulder. Sargent fixed it to appease to the public. What we put up with today!
@olympicfreak678 I took a good long look at the original 'Madame X' via an old art book I had in the garage. You are correct about the strap situation and how society was scandalized. It's not the strap that amazes me...it is the sensuous way Sargent composed and painted the arms and fingers.
you take subtle, i'll take robust any day... i want to cry over it, not think about what she's doing with conductor, etc, and if you have to slide into a note... well... not a nice sound to my mind... i'll try again with this voice,.. i hate to miss anything but i think i'll end up happy to miss this dreadful voice.
How beautiful, a new favourite. Kathleen Ferrier's was the standard for me, however, as other people have pointed out, this contrast is magnificent.♫♪♫♪☺
This comment has received too many negative votesshow
jesus ! how this woman got on i'll never know... she sings off key and her phrasing is awful !!! she slides into the first note and what a dreadful sound !!! she thinks that if she does a few trills here and there her voice will pass as acceptable ! .
what a horrible sound she makes... just compare her with janet baker !
no not deaf, just not taken in by something wrong, maybe it's the water these young singers drink ? half is beautiful so people are taken in, but the other half is shit, off-key, slides into the note, and often sings under the note, anyway, for me the quality of the voice is not good.
I suspect that it's really just a matter of your taste. This version is more ethereal than Baker's, which, while correct and lovely in its own way, is obviously more robust than subtle. DiDonato (along with the conductor) makes the emotion an elusive, uncertain thing (which accounts for what you call "sliding into the first note). By contrast, Baker (along with her conductor) is in no doubt. As for off key, I doubt you could demonstrate that to be true. I think you just don't like it.
while battle sings somewhat on cue and with almost negligible feeling, this makes such a contrast. perhaps its the stretched mezzo voice that sounds so.. real. not the inhuman beauty of battle's voice. funny the way human minds work!
A baroque song must be sung just like this (Minimum vibrato, right comment) .. Some of singers sing this like a Puccini or Verdi aria, but a Handel aria must be performed like this. Style is completely baroque, congratulations...
Simply fabulous. I've heard this aria sung by singers of all colors and sizes, male and female, of every voice type, and this ranks truly way up there.
Never heard before the appoggiatura to the high F at the end (on "soave PIU"). It sounds so foreign even though it's really totally appropriate. Probably because, again, I've never heard it before done that way. Regardless, just stunning, everyone involved.
amazing!!!!!
johanson321 6 months ago
gatopfuelsaver
czech698 7 months ago
Terrible sound quality. I can't listen to it, sorry.
H30ea 7 months ago in playlist A03. Ombra Mai Fu - Georg Friedrich Händel(1685~1759)
i wish there was some magic way to combine cecilia bartoli's phrasing with joyce didonato's voice. the perfect ombra mai fu. still, am so happy i live in the same world as these two beautiful singers... :)
FunkTrunk5 9 months ago
That last Piece she is doing exactly as one should start a pianissimo. Very brilliant
Technique.Thanks for the video. She is really good and I will se her from the Met opera HD sending "Le Comte Ory"
by Rossini in a fourtnight.
prince2000ful 10 months ago
Comment removed
matdrat 10 months ago
Thank you Jackie for your great singing of this aria at your first solo concert in Houston,you were stunning .We are looking forward to seeing you this year at the NY Met.Please sing Nessn Dorma there like you did in Houston.UNBELIEVABLE!!!
ronwgood 11 months ago
Wonderful! Wish the sound quality was a little better.
la200o 11 months ago
I stand amazed in the presence of this greatness. You must look up the translation.
10 yr old Jackie Evancho sang this at a cocert in Houston 2/18/2011
and brought the house down.
2 Angels 2 good for this world.
DerfElcnu 11 months ago
I love this piece and she sings it beautifully. I love women singing roles made for countertenors. The ornaments are lovely and the piece is really short and sweet. I feel privileged to have just discover the sound of Ms. DiDonato. Thanks for posting!!
ohmusic25 11 months ago
Awesome! TY Homoclassicus for posting
paulostroff99 11 months ago
saw her in concert tonight in our common hometown of Kansas City! my life is forever changed! :)
umroo2014 11 months ago
Just curl up and melt. Pure and beautiful.
AustenBiss 1 year ago
a discovery, a beautifull voice.
46willem 1 year ago
音程が低すぎて、歌として心にひびいてこない。
MrKazukko 1 year ago
Bellissima voce e techica perfetta ma manca qualcosa , - purtroppo si sente l`accento straniero e manca il legato nello proprie parole, - dovrebbe farsi correggere la pronuncia perche` si sente una distanza tra la voce e lèspressione
Nidoamor 1 year ago
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Very nicely sung. Great aria. But IMO it sounds best of all in countertenors renditions. The most beautiful version I've ever heard is Nicholas Spanos's
tamerlano236 1 year ago
emozionante.
lucamanga 1 year ago
classicus is a homo...
cuntylishus 1 year ago
Yes, it's a reserved performance...and it SHOULD be reserved! Awesome performance of the heart-rending aria...and superb directing!
wstevensv 1 year ago
Marylin Horne's "Ombra mai fu" is also very beautiful.
RoyKa2010 1 year ago 2
A somewhat-reserved .. but excellently-sung version! Ms. DiDonato and Kathleen Ferrier, among others, are probably the BEST, female voices in this great aria. ... Some of us might, still, prefer Gigli, Bjorling, Pinza, Tauber and other male voices, but it's GREAT to listen-to what the ladies can do!
jhb134 1 year ago
I did this song when I was 17 in vocal training.. fantastic song. <3
Nevizations 1 year ago
@yellowwitch1
no, not rreally,
just because i love this piece.
and when somebody deliver it at least like she did,
i'll definitely go and watch.
garawall 1 year ago
What's up with the 5 people who gave this a thumbs down?!?!
lbm1iam 1 year ago
I prefer the best that version of this voice! ;)))
Allicia123mm 1 year ago
I will pay good money to watch her deliver this piece Live.
To watch and listen will be such a treat.
garawall 1 year ago
@garawall and have a wank while at it!
yellowwitch1 1 year ago
can someone tell me? why are there so many versions of this thing on utube?
yellowwitch1 1 year ago
@yellowwitch1 because it is such a good tune
SandyRiver24 1 year ago
A) Because it's fruckin' beautiful and B) Almost anybody with even a half-assed ability to sing can sound good with it
razzking 1 year ago
@yellowwitch1 Because it's a beautiful song, that simple.
keydet72 1 year ago
Madame X painted 1884 caused something of a scandal.
alyosha140557 2 years ago
que música tan hermosa
caviper1 2 years ago
This photograph of Joyce DiDonato reminds me of a painting by John Singer Sargent. I can't remember what it's called.
zeekwolfe 2 years ago
@zeekwolfe R u thinking of Madame X? Very famous.
olympicfreak678 1 year ago
@olympicfreak678 I looked up John Singer Sargent and, yes, the photo is somewhat similar to "Madame X." Thank God young women did not put tattoos on their bodies back then. Can you imagine Madame X with coloured streaks up and down her arms or little cannibis leaves over each breast? Yuck!
zeekwolfe 1 year ago
@zeekwolfe actually, Mme. X's marks were on the inside: She was accused of several extramarital affairs. Actually, the painting itself was scandalous for depicting the subject with a dress strap hanging down while the other one is on her shoulder. Sargent fixed it to appease to the public. What we put up with today!
olympicfreak678 1 year ago
@olympicfreak678 I took a good long look at the original 'Madame X' via an old art book I had in the garage. You are correct about the strap situation and how society was scandalized. It's not the strap that amazes me...it is the sensuous way Sargent composed and painted the arms and fingers.
zeekwolfe 1 year ago
splendide Mezzo....merci beaucoup! je suis tellement heureuse de l'entendre....
543693The 2 years ago 3
Perfect! Very sensitive singing. (^^,)
malvinbeethoven 2 years ago
Perfect! Very sensitiv singing. (^^,)
malvinbeethoven 2 years ago
you take subtle, i'll take robust any day... i want to cry over it, not think about what she's doing with conductor, etc, and if you have to slide into a note... well... not a nice sound to my mind... i'll try again with this voice,.. i hate to miss anything but i think i'll end up happy to miss this dreadful voice.
brunotaddeo 2 years ago
@brunotaddeo ( and walkerc5c5) Boys, boys.....It's just an aria. I still think Paula Rasmussen sings this the prettiest. Check out her version.
horseyak 2 years ago
tryin to learn this for a school play! sound great to me!
RennieSpins89 2 years ago
How beautiful, a new favourite. Kathleen Ferrier's was the standard for me, however, as other people have pointed out, this contrast is magnificent.♫♪♫♪☺
RussellK9 2 years ago
This comment has received too many negative votes show
jesus ! how this woman got on i'll never know... she sings off key and her phrasing is awful !!! she slides into the first note and what a dreadful sound !!! she thinks that if she does a few trills here and there her voice will pass as acceptable ! .
what a horrible sound she makes... just compare her with janet baker !
brunotaddeo 2 years ago
Are you deaf dont you?
sagagossard 2 years ago
no not deaf, just not taken in by something wrong, maybe it's the water these young singers drink ? half is beautiful so people are taken in, but the other half is shit, off-key, slides into the note, and often sings under the note, anyway, for me the quality of the voice is not good.
brunotaddeo 2 years ago
I suspect that it's really just a matter of your taste. This version is more ethereal than Baker's, which, while correct and lovely in its own way, is obviously more robust than subtle. DiDonato (along with the conductor) makes the emotion an elusive, uncertain thing (which accounts for what you call "sliding into the first note). By contrast, Baker (along with her conductor) is in no doubt. As for off key, I doubt you could demonstrate that to be true. I think you just don't like it.
walkerc585 2 years ago 2
you have to realize that the Baker version is Pitch in Baroque pitch.....
musicmanm2005 2 years ago
while battle sings somewhat on cue and with almost negligible feeling, this makes such a contrast. perhaps its the stretched mezzo voice that sounds so.. real. not the inhuman beauty of battle's voice. funny the way human minds work!
sairamnagarajan 2 years ago
Très bien fait mon cher. Vous êtes très excellent.
cooltiger333 2 years ago
This unbearably beautiful presentation left me completely stunned. Certainly one of the greatest recordings ever of this aria.
Brava, Joyce !!!
manrico29 2 years ago 2
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TheBrianmflaherty 2 years ago
Oh my. Unbelievable. Amazing. Thrilling !
thecelticspirit 2 years ago
Oh it is SO SO beautiful.........
dodi132 2 years ago
Beautiful ! Thx! I loved Homoclassicus that you´ve left the aplauses at the end too, so well deserved...
lamsalgado 2 years ago
Very nice version :) !!!
Thank you so much for sharing . . .
PARISA7777 2 years ago 2
What a beautiful aria! beautifully sung!!!
leoperarm 2 years ago 2
¡Sublime.!
paradoxicus 2 years ago 2
A baroque song must be sung just like this (Minimum vibrato, right comment) .. Some of singers sing this like a Puccini or Verdi aria, but a Handel aria must be performed like this. Style is completely baroque, congratulations...
oyamicanto 2 years ago 3
Spectacular!
1966oslo 2 years ago 7
This girl is a Diamond
Her opening crescendo on Ombra brought me chills
I wish to her she sings all the Bel Canto centralle roles (Stuarda, Adalgisa etc) plus Handel's Rinaldo, Imagine her Cara sposa!!!
Lohengrin 2 years ago 22
@Lohengrin Emozionante
1973stefania1 9 months ago
Simply fabulous. I've heard this aria sung by singers of all colors and sizes, male and female, of every voice type, and this ranks truly way up there.
Never heard before the appoggiatura to the high F at the end (on "soave PIU"). It sounds so foreign even though it's really totally appropriate. Probably because, again, I've never heard it before done that way. Regardless, just stunning, everyone involved.
vitellia 2 years ago 3
Second only to Scholl, IMHO and for me, that's a high compliment, indeed:)
RussianDivas 3 years ago 3
I agree!
wowmom1976 2 years ago
GJ Joyce
p3x4x 3 years ago 2
wow!!!!!
theANNELISE 3 years ago
Wow...
darnmat 3 years ago
is it with Ensemble Matheus? if so I was playing with her... just a great voice, inside a great heart. I just love this version!
pixxxellle 3 years ago 2
I also thank Scholl was the best but I changed my mind...is there a cd by Di donato with Ombra mai fu ?
onna00 3 years ago
Really no words. Amazing Joyce.
noncondition 3 years ago
This is my favorite version of OMBRA MAI FU.
BlkMuscGent 3 years ago
I thought Andreas Scholl was the only person to do this justice, till now that is.
Donkey7570 3 years ago
Exquisite...
lexsex69 3 years ago 2
Exquisite...
lexsex69 3 years ago
Sublime!!
Njamh 3 years ago
Beautiful color in her voice. Brava!
meforopera 3 years ago
Gorgeous! Brava! TY
paulostroff99 3 years ago
Lovely, just right :)
operatube 4 years ago