Absolutely wrong technique and out of tune, you guys must listen ti great Sir Nusrat Fateh Ali Khan and you will come to know what classical singing actually is....
this is really uneducated teaching of classicatl echnique. raising the soft palate and adding appoggio and lean is to get over the orchestra and people arent overdarkening for opera, their using a ,more free psotion so more of the voice travels. it isnt about singing with a microphone. this man sings like bocelli, not lie an opera singer. only thing i agree with is he sais th support for both is the same nd this i agre with
At first when he said he couldn't hit the E and the F in college I was like... oh I can hit that easily. but after hearing him sing, I'm thinking he meant the E and the F octave above what I'm hitting -___-;
Seriously. Vocal lessons are a waste of time. Just listen to the Disney singers or other operatic singers and imitate them. From then on it's just practice practice practice.
when jesse, the teacher does his "tell yourself it was your big mistake" i know he's not straining, but in a way isn't he? he's using a ton of compression right? with this technique, meaning the normal "rock singing" technique he's doing, are you supposed to use a lot of compression?
When Jesse sings at 8:19 it sounds a lot better, although I still can't completely get my head around the sound at the high notes - is there really no strain? Can they hold them for a full minute without discomfort?
Ok, so here's the deal. I've never had a singing lesson in my life, but I do believe I have a bit of natural ability to sing. I say this because when I record myself it sounds pretty good and could probably be a lot better with some voice lessons as far as smoothing out the transitions between my chest and head register. But I have a quick question: why in the world is my voice so much more powerful in the morning. For example, I can hit the low notes much more easily in the morning.
Sounds like they are forcing the music out to much. If you look at any great singer, whether it be opera, pop, rock, or broadway the sound should seem effortless (I know its not) but it should never sound forced. Most people that do will have an interesting career for a few years, but will eventually start to deteriorate their voice.
@ghostvoice88 have yourself first try their technique before ending up with your conclusion. If you ask me, I've been taking their approach for a year and haven't felt strain in my voice ever since.
Too much tension, both in the jaw and the chords for BOTH men. Even Brett Manning's head moves with his vibrato in the high notes. Too, too much tension! Giuseppe sounds like hes straining on the high notes. Giuseppe, go back to classical Italian, Bel Canto technique!
@dominicbalabat Jesse could get you there in a high mix these guys are underrated by youtube fanatics no one on my own personal singing journey has helped me more...
This should not be entitled as it is. I understand his application of Classical techniques to his own style of singing, but the title makes it seem like this is a video from which you can learn how to sing classically. You can't. Don't try. He also obviously does not understand voice production at all since he thinks that the sound is being produced above the vocal cords. This was theorized years ago, but is so ridiculously false that it's funny now... and sad that people are being misled.
@DrizzitDudden02 I think the "distortion" is being produced by the false chords, while the normal tone is produced by the true cords. So doesn't that mean it would be produced above the vocal cords?
@DrizzitDudden02 AMEN!!! For anyone who wants to sing classically, the school of technique developed by Manuel Garcia is the way to go. There are very few people around who really know how to teach it, but they do exist. I'm now working with Glenys Linos in Austria - an absolute GODDESS of a teacher. Glenys was taught by di Hidalgo (Maria Callas's teacher) and has turned my voice around. If anyone has questions, don't hesitate to contact me. All the best
blown away. i sing, yes. but have NEVER been taught ANYTHING about support, or well, anything. this changes things, i actually think i would benefit from real vocal lessons. i have a ton of bad habits. lol i need to rethink this whole singing thing i do believe.... u got some pipes man. hope u know how talented you are.
@devavoce excellent observation. true operatic tone is much deeper into the cord compression and much louder :) The point was to take a medium compression of the voice (pop and rock sound) and apply some apoggio and chiaro oscuro balancing to the voice to achieve more optimum tone qualities in styles of music that don't require "full" operatic voice. We will be posting a few newer videos on the differences between the supported sound and thinner sounds for more commercial sounds too. thanks
@piinoieboiie The larynx is trained to descend with inhalation (if you breath in through your nose without constricting your throat, you'll notice your larynx descend). Healthy singing requires a slightly-lowered larynx. What a low larynx does is it keeps your throat from closing and making sound production more difficult.
@Bigman240 absolutely. the only classical technique shown is in the tone balancing, legato and medium support. true operatic sound is much fuller. Just showing how pop singers can borrow some successful technique from opera without sounding too operatic. I have a deep love for both techniques.
As a former opera singers that studied under Richard Miller and Bill Neill I will say that Brett Manning has a complete understanding of the Swedish-Italian school primarily taught by Both Richard Miller and E. Herbert-Caesari. I was in Nashville when Brett demoed some Pagliacci in a conversation and was very impressed. Now, he admitted that he wasn't able to do a full opera as it takes years of conditioning to be able to sustain that method for a full show. Plus, his primary client-base is pop.
@jamesmeny I don't doubt the word of a "qualified source" such as yourself, but the Swedish/Italian school is actually rather obscure. It is, really, a small niche in the already-rare Old Italian School. Brett Manning and his teachers, when they refer to their respect for the Swedish/Italian school, are talking about the teaching lineage of David Jones (whose teaching is largely based off the Old Italian school, but his first "Yoda" teacher learned it in Sweden). From what I know, Caesari taught
@TorturedXeno the Old Italian school. But no matter - in reality, the SI school is merely a small variant of the OI school that incorporates some elements of the Swedish language. Not very many people know about it, as it's practically a niche within a niche, but I think it's cool that these guys know about and respect it.
By the way, as an opera singer, would you, let's say, endorse Brett Manning's method? Lots of classically-trained people are critical of it.
Do these guys really know what "support" is? Support isn't 'pushing harder', at least not if you're taught right. It's quite the opposite, in fact. Proper support involves using various muscle groups to HOLD BACK breath pressure while letting a controlled stream through, enough to keep a tone going (hence, 'support'). How would support possibly hurt a beginning singer?
Nicely explained. The voice should balance on the breath like a rubber ball in the palm of an open hand. Like driving a car too fast, you will lose control of the vehicle, and the faster the engine will wear and tear. My suggestion to anyone who wants to learn classical singing is to read the writings of Manuel Garcia and Mathilde Marchesi. You can't learn entirely from books, but it will help to make more informed choices about who you listen to.
You know, it's funny that you should mention Manuel García. I happen to be a follower (more of a fan, really) of the Swedish/Italian school as taught by the pedagogue David Jones and his students, which really can be traced back to students of Mr. García. I think I can consider myself a member of the classical camp, as I've read quite a bit about how the voice works and plan to be a pedagogue myself.
Of course one can't fully learn to sing with just learning media. But there is
no harm in reading up on how the voice functions and how to make it function properly. I actually find the science of the voice to be very fascinating.
How do these guys even know about the Swedish-Italian school? And if they have so much respect for it, why don't they utilize the raised soft palate, 'ng' tongue position, and lowered larynx that the SI school preaches?
Hint: both of your necks are bracing, and that inhibits your potential for a clear sound. Also both of your larynxes are rising as the pitch ascends. This is not correct classical singing, unhealthy, and ultimately shrill and overbearing.
This imitation sounds pretty good, but I doubt either of these guys will sing out over an orchestra without amplification unless they get a legit classical training.. does anybody know about this?
Lulz if I ever get into this program and become good at the technique, I'm going to do operatic-imitation covers of some well-known pop/rock songs. :)
crazy voices. But the dude learning lol should have a more bolder voice if he wants to sing that song haha it sounds better if his voice was like pavirotti. haha but other than that he has an amazing voice for his range even thought hes not a tenor.
the squillo needed for opera literally comes from the hard pinging of sound through the pharyngeal spaces so you do technically need pharyngeal. Different opera singers sing with varying amounts also. However, the mouth needs to be shaped differently than we demonstrate here with a lower larynx and a raised palate combined with the open pharyngeal space to achieve the right sound balance for opera. Thanks for taking the time to comment.
I guess what I was really poking at is the "dark" comment and sound you sang as an example of operatic singing at 3:52. I'll go back and listen again. I guess I am not understanding this pharyngeal sound and how you produce it. I have been training to raise the palate and I don't sound like you do. I especially have to raise the palate when I am going from F to the B in the soprano range. Oherwise it is too squeezed a sound.
Jesse, if you sing with a lowered larynx in middle range, would you allow it to raise for the upper range? Of course the lowered larynx gives power and ring, but it makes the upper range harder to access convincingly. Any thoughts?
It recalls me lot of struggles I face while singing at home pop songs vs. what I learn during my classical singing lessons... often opposite. Thanks for those interesting insights! By the way I use SingingSuccess as well! :)
Falsette!!!
Takken1256 2 weeks ago in playlist Vocal Lessons
a lot of good teachers that are singers and still arent famous .. :(
juanpvillarc 2 months ago
this guy should be my private trainer
juanpvillarc 2 months ago 6
Nice all up up by the Fringle..Thanks!
Michael84vg 3 months ago
Absolutely wrong technique and out of tune, you guys must listen ti great Sir Nusrat Fateh Ali Khan and you will come to know what classical singing actually is....
alikazmi424 4 months ago
Giuseppe tire as mãos do bolso heuheueheu
gostei da aula
LucasFerreiraRhoads 4 months ago
Fucking Jesse sly motherfucker...
JoeyOfBananas 5 months ago
:O
HappehLappiah 7 months ago
GOD! His larynx is up to bejesus!
SCharton1972 8 months ago
its so weird but thats how u learn
Ladymanico 9 months ago
this is really uneducated teaching of classicatl echnique. raising the soft palate and adding appoggio and lean is to get over the orchestra and people arent overdarkening for opera, their using a ,more free psotion so more of the voice travels. it isnt about singing with a microphone. this man sings like bocelli, not lie an opera singer. only thing i agree with is he sais th support for both is the same nd this i agre with
viv3147 9 months ago
This is absolutely wrong. I don't think one thing he sang was sung correctly.
wickedfanzel 9 months ago
as it is called the song that appears in the video?
carrillodc 9 months ago
as it is called the song that appears in the video?
necesito saber como se llama la cancion que aparece en el video...
carrillodc 9 months ago
@carrillodc Which song? The Italian one is Caruso. Me gusta mucho como la canta Lara Fabian.
toval82 9 months ago
it s not a classical tone its plastic voices ...belcanto its deadcanto
sallpario 10 months ago
now i realise that i can sing i just need practice, my father sings too...
pedritomelo 10 months ago
At first when he said he couldn't hit the E and the F in college I was like... oh I can hit that easily. but after hearing him sing, I'm thinking he meant the E and the F octave above what I'm hitting -___-;
verisimilitune 10 months ago 12
@verisimilitune lol my vocal range is g-a in the second ocatve to g7 i can belt an a5
lathanregintree 10 months ago
@verisimilitune does he mean an E5 or even an E6?
JakobRobert00 10 months ago
@verisimilitune no thats not what he meant lol. he used to suck. lol. check the before and after jesse did.
blader901 8 months ago
@verisimilitune he's talking about his first bridge (he's a tenor)
JoeyOfBananas 5 months ago
Seriously. Vocal lessons are a waste of time. Just listen to the Disney singers or other operatic singers and imitate them. From then on it's just practice practice practice.
nddlj 11 months ago
@nddlj It's just a coincidence that every single great opera singer in history had a teacher.
MusicalEutopia 11 months ago
O.M. fucking G
arielstitt 11 months ago
not the voices i was expecting from these guys..
uzair960 1 year ago
I had my first operatic singing lesson tonight. Wow it was so impowering and I'm surprised I enjoyed it so much.
screamolives 1 year ago
when jesse, the teacher does his "tell yourself it was your big mistake" i know he's not straining, but in a way isn't he? he's using a ton of compression right? with this technique, meaning the normal "rock singing" technique he's doing, are you supposed to use a lot of compression?
EgoTrippin311 1 year ago
Why does opera sound so strained?
When Jesse sings at 8:19 it sounds a lot better, although I still can't completely get my head around the sound at the high notes - is there really no strain? Can they hold them for a full minute without discomfort?
Jouwl 1 year ago
@Jouwl yes,lol i ca belt an a5 with no prob once i dont feel a thing,XD it just sound liek im about to break glass!!lol my vocal range is g2-a2 to g7
lathanregintree 10 months ago
Ok, so here's the deal. I've never had a singing lesson in my life, but I do believe I have a bit of natural ability to sing. I say this because when I record myself it sounds pretty good and could probably be a lot better with some voice lessons as far as smoothing out the transitions between my chest and head register. But I have a quick question: why in the world is my voice so much more powerful in the morning. For example, I can hit the low notes much more easily in the morning.
TheNikkonish 1 year ago
@TheNikkonish Because your cord is more relaxed in the morning. Relax the right muscles could make you have more present and could go down lower
thienfoil 1 year ago
Guiseppe, you could sing that song, no matter what you're saying, and probably have any girl you want falling into your lap.
TheLegendaryKuru 1 year ago
I like jessie's pop voice. He doesn't sound like a Justin Timberlake clone
busybuzzbuzz 1 year ago
awesome vid...*subscribed*
michaeljimpogi23 1 year ago
what is this song on italian language
pero1736 1 year ago
@pero1736 I think it´s "Caruso"
MrsJoelita 1 year ago
@pero1736 ti voglio bene assai
TheresAFuckingDuck 1 year ago
Sounds like they are forcing the music out to much. If you look at any great singer, whether it be opera, pop, rock, or broadway the sound should seem effortless (I know its not) but it should never sound forced. Most people that do will have an interesting career for a few years, but will eventually start to deteriorate their voice.
ghostvoice88 1 year ago
@ghostvoice88 have yourself first try their technique before ending up with your conclusion. If you ask me, I've been taking their approach for a year and haven't felt strain in my voice ever since.
oliver4wd 1 year ago
where can i hear more form that person on the right???
kevn123xxx 1 year ago
Damn, that kid can sing!!
benobel 1 year ago
This video is for all those people who think that SS is bull!!!!! Way to bring the Thunda guys
corruptthefaith 1 year ago
amazing
landawb 1 year ago
This has been flagged as spam show
i did NOT ENJOY THAT
METALLMAN1000 1 year ago
these are effective but i think ill do them when im alone :P sorry :D
01seepee10 1 year ago
i think he should do a Caruso - Lucio Dalla! he really sounds amazing on this song!
KylerShowTV 1 year ago
Too much tension, both in the jaw and the chords for BOTH men. Even Brett Manning's head moves with his vibrato in the high notes. Too, too much tension! Giuseppe sounds like hes straining on the high notes. Giuseppe, go back to classical Italian, Bel Canto technique!
stephpyle06 1 year ago
incredible....both fantastic
randylel 1 year ago
That phrase you sang sounded horrible Jesse it was way overdone
1nspirator 1 year ago
can bass singers get that note using chest voice? I'm a bass singer but should i be able to get that high notes if my muscles are correctly in place?
dominicbalabat 1 year ago
@dominicbalabat No, you will not reach these notes in chest voice as a bass. And you don't need to.
pie0my 1 year ago
@dominicbalabat Jesse could get you there in a high mix these guys are underrated by youtube fanatics no one on my own personal singing journey has helped me more...
corruptthefaith 1 year ago
This should not be entitled as it is. I understand his application of Classical techniques to his own style of singing, but the title makes it seem like this is a video from which you can learn how to sing classically. You can't. Don't try. He also obviously does not understand voice production at all since he thinks that the sound is being produced above the vocal cords. This was theorized years ago, but is so ridiculously false that it's funny now... and sad that people are being misled.
DrizzitDudden02 1 year ago
@DrizzitDudden02 I think the "distortion" is being produced by the false chords, while the normal tone is produced by the true cords. So doesn't that mean it would be produced above the vocal cords?
TorturedXeno 1 year ago
@DrizzitDudden02 AMEN!!! For anyone who wants to sing classically, the school of technique developed by Manuel Garcia is the way to go. There are very few people around who really know how to teach it, but they do exist. I'm now working with Glenys Linos in Austria - an absolute GODDESS of a teacher. Glenys was taught by di Hidalgo (Maria Callas's teacher) and has turned my voice around. If anyone has questions, don't hesitate to contact me. All the best
ian1856 1 year ago
what is he singing from 5:08?
ThrasherMC16 1 year ago
@ThrasherMC16 It's called "Caruso"...written by Lucio Dalla.
wiredtweek 1 year ago
I love Guiseppe's voice. It's like edgy passionate version of opera. Excellent!
vistabuddy 1 year ago
blown away. i sing, yes. but have NEVER been taught ANYTHING about support, or well, anything. this changes things, i actually think i would benefit from real vocal lessons. i have a ton of bad habits. lol i need to rethink this whole singing thing i do believe.... u got some pipes man. hope u know how talented you are.
xxguitargod00xx 1 year ago
I recognize this song, what it is IT??????
dangmills 1 year ago
Beautiful. I enjoyed this video :)
swanniep70 1 year ago
He looks like John Simm.
sausagedogmcgee 1 year ago
I have given this a thumbs down as I believe the techniques being used here are not safe and certainly not Classical voice production.
devavoce 1 year ago
@devavoce excellent observation. true operatic tone is much deeper into the cord compression and much louder :) The point was to take a medium compression of the voice (pop and rock sound) and apply some apoggio and chiaro oscuro balancing to the voice to achieve more optimum tone qualities in styles of music that don't require "full" operatic voice. We will be posting a few newer videos on the differences between the supported sound and thinner sounds for more commercial sounds too. thanks
jessenemitz 1 year ago
How do you keep that larynx down?! LIKE.. Can someone tell me what actually happens when someone sings with a lower larynx?
piinoieboiie 1 year ago
@piinoieboiie The larynx is trained to descend with inhalation (if you breath in through your nose without constricting your throat, you'll notice your larynx descend). Healthy singing requires a slightly-lowered larynx. What a low larynx does is it keeps your throat from closing and making sound production more difficult.
TorturedXeno 1 year ago
I agree that this is a pop-vocal technique and NOT a classical technique!
Bigman240 1 year ago
@Bigman240 absolutely. the only classical technique shown is in the tone balancing, legato and medium support. true operatic sound is much fuller. Just showing how pop singers can borrow some successful technique from opera without sounding too operatic. I have a deep love for both techniques.
jessenemitz 1 year ago
As a former opera singers that studied under Richard Miller and Bill Neill I will say that Brett Manning has a complete understanding of the Swedish-Italian school primarily taught by Both Richard Miller and E. Herbert-Caesari. I was in Nashville when Brett demoed some Pagliacci in a conversation and was very impressed. Now, he admitted that he wasn't able to do a full opera as it takes years of conditioning to be able to sustain that method for a full show. Plus, his primary client-base is pop.
jamesmeny 1 year ago
@jamesmeny I don't doubt the word of a "qualified source" such as yourself, but the Swedish/Italian school is actually rather obscure. It is, really, a small niche in the already-rare Old Italian School. Brett Manning and his teachers, when they refer to their respect for the Swedish/Italian school, are talking about the teaching lineage of David Jones (whose teaching is largely based off the Old Italian school, but his first "Yoda" teacher learned it in Sweden). From what I know, Caesari taught
TorturedXeno 1 year ago
Comment removed
TorturedXeno 1 year ago
This has been flagged as spam show
@TorturedXeno the Old Italian school. But no matter - in reality, the SI school is merely a small variant of the OI school that incorporates some elements of the Swedish language. Not very many people know about it, as it's practically a niche within a niche, but I think it's cool that these guys know about and respect it.
By the way, as an opera singer, would you, let's say, endorse Brett Manning's method? Lots of classically-trained people are critical of it.
TorturedXeno 1 year ago
Do these guys really know what "support" is? Support isn't 'pushing harder', at least not if you're taught right. It's quite the opposite, in fact. Proper support involves using various muscle groups to HOLD BACK breath pressure while letting a controlled stream through, enough to keep a tone going (hence, 'support'). How would support possibly hurt a beginning singer?
TorturedXeno 1 year ago
@TorturedXeno
Nicely explained. The voice should balance on the breath like a rubber ball in the palm of an open hand. Like driving a car too fast, you will lose control of the vehicle, and the faster the engine will wear and tear. My suggestion to anyone who wants to learn classical singing is to read the writings of Manuel Garcia and Mathilde Marchesi. You can't learn entirely from books, but it will help to make more informed choices about who you listen to.
annettesicari 1 year ago
@annettesicari
You know, it's funny that you should mention Manuel García. I happen to be a follower (more of a fan, really) of the Swedish/Italian school as taught by the pedagogue David Jones and his students, which really can be traced back to students of Mr. García. I think I can consider myself a member of the classical camp, as I've read quite a bit about how the voice works and plan to be a pedagogue myself.
Of course one can't fully learn to sing with just learning media. But there is
TorturedXeno 1 year ago
@TorturedXeno
no harm in reading up on how the voice functions and how to make it function properly. I actually find the science of the voice to be very fascinating.
TorturedXeno 1 year ago
@TorturedXeno
it really is fscinating, its important knowing how it all works
MooreMelodies1 1 year ago
How do these guys even know about the Swedish-Italian school? And if they have so much respect for it, why don't they utilize the raised soft palate, 'ng' tongue position, and lowered larynx that the SI school preaches?
TorturedXeno 1 year ago
@TorturedXeno they do check out the other videos
dinosauricon 1 year ago
Hint: both of your necks are bracing, and that inhibits your potential for a clear sound. Also both of your larynxes are rising as the pitch ascends. This is not correct classical singing, unhealthy, and ultimately shrill and overbearing.
jordonlebaron 1 year ago
Comment removed
jordonlebaron 1 year ago
LOL !!!! LOL !!! LOL !!! Do U really think you sing as a classical singer ?????????????? I can't stop laughing... So would do Pavarotti and Caruso.
wajjass 2 years ago
Comment removed
TorturedXeno 1 year ago
gave me goose bumps =P great skills!
bataviakitten 2 years ago
..What a great voice Giuseppe!!
Cateblues87 2 years ago 16
don't the 3 tenors sing a version of this song?
agators212 2 years ago
This imitation sounds pretty good, but I doubt either of these guys will sing out over an orchestra without amplification unless they get a legit classical training.. does anybody know about this?
TorturedXeno 2 years ago
thanks!!
TheBratcat1 2 years ago
what's the song that jesse was singing?
justmemai 2 years ago
"Appreciate". It's on his MySpace. Look for the emo-looking band, 16th State.
TorturedXeno 2 years ago
thank you!
justmemai 2 years ago
Comment removed
blueguitar77 2 years ago
Lulz if I ever get into this program and become good at the technique, I'm going to do operatic-imitation covers of some well-known pop/rock songs. :)
TorturedXeno 2 years ago
This makes me want to be a BMA myself. :D
TorturedXeno 2 years ago
Feigned voice, not full
bariverdi 2 years ago
Well, I suppose the best training would be SLS + classical. Somebody with that could literally sing anything with authenticity.
TorturedXeno 2 years ago
awesome!!
markmichaelwong 2 years ago
bravo beppe:) congratulazioni da un altro italiano espatriato da poco come te:):):)
kendallreeve 2 years ago
jesse is cute
davidarchuleta1488 2 years ago
Beppe sei il migliore!
magiojon1985 2 years ago
boy, dude could front a Maiden cover band like nothing if he tried. :) Excellent video.
Noog09 2 years ago
crazy voices. But the dude learning lol should have a more bolder voice if he wants to sing that song haha it sounds better if his voice was like pavirotti. haha but other than that he has an amazing voice for his range even thought hes not a tenor.
daryl152 2 years ago
wow...really...wow...!
pinkblushsassy 2 years ago
16th State ROCKS!!!!
FreeFallin1976 2 years ago
I don't know if you would be successful with a lot of pharyngeal with opera singing.
mradaChris 2 years ago
the squillo needed for opera literally comes from the hard pinging of sound through the pharyngeal spaces so you do technically need pharyngeal. Different opera singers sing with varying amounts also. However, the mouth needs to be shaped differently than we demonstrate here with a lower larynx and a raised palate combined with the open pharyngeal space to achieve the right sound balance for opera. Thanks for taking the time to comment.
jessenemitz 2 years ago
I guess what I was really poking at is the "dark" comment and sound you sang as an example of operatic singing at 3:52. I'll go back and listen again. I guess I am not understanding this pharyngeal sound and how you produce it. I have been training to raise the palate and I don't sound like you do. I especially have to raise the palate when I am going from F to the B in the soprano range. Oherwise it is too squeezed a sound.
mradaChris 2 years ago
Jesse, if you sing with a lowered larynx in middle range, would you allow it to raise for the upper range? Of course the lowered larynx gives power and ring, but it makes the upper range harder to access convincingly. Any thoughts?
flaze3 2 years ago
awesome lesson!
waelm83 2 years ago
Guys, this a great lesson!
It recalls me lot of struggles I face while singing at home pop songs vs. what I learn during my classical singing lessons... often opposite. Thanks for those interesting insights! By the way I use SingingSuccess as well! :)
Best from Switzerland,
Steve
stevecraid 2 years ago
awesome voices!!!!
alicia2r18 2 years ago
Great voices!!!
Tomurow 2 years ago
aWESOME, and love the logo too :)
Yep, I love r&b popish etc, but ya can gain a lot from other techniques and genres!
I try to learn as much as I can
Great video~
xoxo Lindsay
lindsaylovee1234 2 years ago
damn that teacher guy belts it out baby!
loveutube6 2 years ago 20
nice!
noraacmw 2 years ago