I was just commenting on another video that I iked Arrau's playing of Brahm's concertos best, but I like Ashenkazy's just as much. I am never again going to say a pianist is my favorite.
Vladimir Ashkenazy played this wonderfully. He is in fact a very deep musician.After leaving Russia, he deepened his understanding of music like this.
gordonsearles. I sure they got on very well indeed. Both men had a reputation of being thoroughly pleasant and humble. I know Ashkenazy has always been like that and Giulini had a very pleasant reputation.
gordonsearles. I may be wrong. I would be interested if you heard a comment. I know personally that Ashkenazy is a particularly pleasant and humble person.
Ashkenazy is a remarkable technician and a pianist who plays with great intensity. However, for me, something is missing. It's as if he feels that technique and a veneer of intensity are sufficient. He doesn't get to the core of this music. It isn't as moving as it could be(try listening to Zimmerman and Bernstein for example), because he can't get past the hangups of his training, which for him seem to have stunted hi emotionally somewhat (where's the spontaneity?).
i agree, know offense to him or anything but the only thing he does is bob his haid, although he is extremely good, he needs to show his emotions more instead of just hiding them inside him. He already plays with expression she jsut needs to show it
This comment has received too many negative votesshow
Jesus, he needs to do more than bob his head? If theres one thing wrong with classical music it's that people think emotion somehow comes with fucking choriography or something where the pianist is supposed to sway back and forth in orgasmic exctacy.
Good pianists make movements that contribute to the SOUND they are going for. If he needs to bob his head, to feel the music, so he can get the best performance possible, more power to him!
If you think emotion in music is seen you are mistaken.
....dude calm down, its my opinion that people need to show emotion with there body...he puts tons of emotion but it doesn't really seem like it a whole lot. and watch ur language, no ones here to beat you up -_-
And, it's my opinion that anyone who has ever tried to play piano on a semi professional level tries to keep their movements restricted to the things they are trying to project. Any extranious movement usually screws up what you are trying to do, and comes off looking fake.
All I'm saying, is try to listen for emotion. The best pianists make you hear it, not see it.
yes, u are right when u say pianists make you hear it not see it. but seeing it also helps communicate what they are trying to say in the piece.i never sadi just bobbing your head was bad, i just meant that it would be better if he showed it more with his bodylanguage
I read an interesting article purporting that Lang Lang's success among people who have no clue of classical music is caused by his "face spasms", how the writer maliciously called it. apparently you're not the only one who gets emotional over this ;-)
Hah, makes sense honestly. Though, to be fair I think Lang Lang's success comes from his phenomenal technique, combined with some very deliberate (and I think very fake) body motions and facial contortions. I once saw LL in concert, and was amazed by his playing for a time, and then shortly after was bored to tears by the endless flurries of Liszt etudes and transcripitons. When I saw Kissen and Argerich in the same spot later on, it was their phrasing that captivated me, and not their technique
I also saw Lang Lang in concert, playing the Chopin Concerto No. 2. I grew up with Rubinstein's rendition and loved it, but I could do nothing but sleep and bemuse at his fake bodily motions.
yolesdije, this performance stands out... The passion in the main sections, combined with the beauty of the smaller sections makes this a superb performance... If you notice Arrau's phrases can be hideously short at times...
Added to my play list as well...the whole concerto of course!
photo3642u 1 month ago
Added to my playlists. BURAVO!
g7727 3 months ago
una goduria
mammonak 5 months ago
GREAT piece!
MyLordLoke 1 year ago
Meraviglioso!
wolfgango1991 1 year ago
I was just commenting on another video that I iked Arrau's playing of Brahm's concertos best, but I like Ashenkazy's just as much. I am never again going to say a pianist is my favorite.
cellestialX 2 years ago
I am never again going to say a pianist is my favorite.
very good. Imagine the time, talent, emotional power they have all put into this
gzaenker 2 years ago
играет плохо.
всё стоит на месте.
к тому же,на редкость скучно.
4vies 3 years ago
Very sincere playing.
aldebussy 3 years ago 8
Vladimir Ashkenazy achieved an incredible amount . He is an amazing man and such a humble pleasant person. A truly phenominal pianist.
cattleman6420012000 3 years ago 7
The section of music around 2:40 sounds like a section in the slow movement of Beethoven's Hammerklavier sonata; did Brahms model after this?
mathpianist93 4 years ago
hammerklavier was in B flat major. But I think brahms came out with this section from nature, not mean to memorize beethoven.
gunmenow 4 years ago
I especially like the grandiose coda here.
mathpianist93 4 years ago
Vladimir Ashkenazy played this wonderfully. He is in fact a very deep musician.After leaving Russia, he deepened his understanding of music like this.
cattleman6420012000 4 years ago
ashkenazy is really wonderful in this.
rachmaninovbrahms 4 years ago
Brahms is the man!
aaabbbccc5 4 years ago
Giulini and Ashkenazy live on two different worlds. Giulini is a king, Ashkenazy a strong crazy virtuoso.
enantiodrom 4 years ago
? Well, whatever tension may exist between Ashk and Giules, this is an outstanding perfomance. Listen to them all. This stands apart.
gordonsearles 4 years ago
gordonsearles. I sure they got on very well indeed. Both men had a reputation of being thoroughly pleasant and humble. I know Ashkenazy has always been like that and Giulini had a very pleasant reputation.
cattleman6420012000 4 years ago
Thank you .... I must have misinterpreted a comment. And it is a wonderful performance.
gordonsearles 4 years ago
gordonsearles. I may be wrong. I would be interested if you heard a comment. I know personally that Ashkenazy is a particularly pleasant and humble person.
cattleman6420012000 4 years ago
I am sure you are right.
gordonsearles 4 years ago
Ashkenazy is a remarkable technician and a pianist who plays with great intensity. However, for me, something is missing. It's as if he feels that technique and a veneer of intensity are sufficient. He doesn't get to the core of this music. It isn't as moving as it could be(try listening to Zimmerman and Bernstein for example), because he can't get past the hangups of his training, which for him seem to have stunted hi emotionally somewhat (where's the spontaneity?).
colincomposer 4 years ago
i agree, know offense to him or anything but the only thing he does is bob his haid, although he is extremely good, he needs to show his emotions more instead of just hiding them inside him. He already plays with expression she jsut needs to show it
isaacc93 4 years ago
This comment has received too many negative votes show
Jesus, he needs to do more than bob his head? If theres one thing wrong with classical music it's that people think emotion somehow comes with fucking choriography or something where the pianist is supposed to sway back and forth in orgasmic exctacy.
Good pianists make movements that contribute to the SOUND they are going for. If he needs to bob his head, to feel the music, so he can get the best performance possible, more power to him!
If you think emotion in music is seen you are mistaken.
pianodan10 3 years ago
....dude calm down, its my opinion that people need to show emotion with there body...he puts tons of emotion but it doesn't really seem like it a whole lot. and watch ur language, no ones here to beat you up -_-
isaacc93 3 years ago
And, it's my opinion that anyone who has ever tried to play piano on a semi professional level tries to keep their movements restricted to the things they are trying to project. Any extranious movement usually screws up what you are trying to do, and comes off looking fake.
All I'm saying, is try to listen for emotion. The best pianists make you hear it, not see it.
pianodan10 3 years ago
yes, u are right when u say pianists make you hear it not see it. but seeing it also helps communicate what they are trying to say in the piece.i never sadi just bobbing your head was bad, i just meant that it would be better if he showed it more with his bodylanguage
isaacc93 3 years ago
Agree to disagree :). Sorry I snapped, people shouldn't swear when it comes to musical discussions.
pianodan10 3 years ago 2
Think he just got carried away.
Lotiolenti 3 years ago
La ignorancia es atrevida!!!!
judama58 3 years ago
I read an interesting article purporting that Lang Lang's success among people who have no clue of classical music is caused by his "face spasms", how the writer maliciously called it. apparently you're not the only one who gets emotional over this ;-)
chuckl3s 3 years ago
Hah, makes sense honestly. Though, to be fair I think Lang Lang's success comes from his phenomenal technique, combined with some very deliberate (and I think very fake) body motions and facial contortions. I once saw LL in concert, and was amazed by his playing for a time, and then shortly after was bored to tears by the endless flurries of Liszt etudes and transcripitons. When I saw Kissen and Argerich in the same spot later on, it was their phrasing that captivated me, and not their technique
pianodan10 3 years ago
I also saw Lang Lang in concert, playing the Chopin Concerto No. 2. I grew up with Rubinstein's rendition and loved it, but I could do nothing but sleep and bemuse at his fake bodily motions.
Sinfoniette 3 years ago 9
@chuckl3s Lang Lang is an entertainer and cannot be compared with serious artists like Ashkenazy!!!!!!!
WayneYLeigh 1 year ago 3
the si-called " CORE" of this music ?
What is it ?
ahlan3g 4 years ago
This is really a great performance from Ashkenazy .
tsabropoulos 4 years ago
Absolutely dazzling, one of the greatest concerts ever written for any instrument!
marlonguitarist 4 years ago
This is magnificent playing.
cattleman6420012000 4 years ago
Giulini is a master. Ashkenazy isn`t Arrau, but his performance is ok.
yolesdije 4 years ago
Both of their playing are deeply insightful.
AllUserNamesTaken111 4 years ago
yolesdije, this performance stands out... The passion in the main sections, combined with the beauty of the smaller sections makes this a superb performance... If you notice Arrau's phrases can be hideously short at times...
mathpianist93 3 years ago