Added: 3 years ago
From: amlirco
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  • Meilleure,ici.Mais,bonne...

  • @abracadabranque You can watch on my channel the interview G. Gualerzi takes from R. Kabaivanska and maybe you'd be able to comprehend why you find this interpretation "Meilleure" that the other one.

    I'm not the only one to think that RK is thе best AL ever but I know you have a special attitude we should consider and respect as mush as we think it does not reflect the truth. TY for watching videos I posted and for offering you point.

  • @amlirco Merci de ta courtoisie,je le serai tout autant.

    Je voulais que tu comprennes que mon attitude n'a rien de borné:Je n'idolâtre personne et sais reconnaître les qualités quand je les entends.Le corollaire,c'est que les défauts ou les insuffisances ne m'échappent pas non plus,chez mes chanteurs préférés aussi,et surtout,chez moi-même.Je n'ai aucune partialité dans mon écoute,mais je sais faire la part des choses.Mon jugement n'est pas soumis à l'émotion,mais issu de l'analyse...

  • @abracadabranque I appreciate your impartiality and unerring ear. You are wrong if you think for me it's a matter of idolizing; it is comparing of emotions. You seek the perfection, I seek the vivid character that cannot be achieved (in opera) w/o a "proper" voice and all that it implies. So my advice is, allow me, be more positive; for instance, you can share what you like in RK. Otherwise, it seems like you аre "unable to see the wood for the trees".

  • @amlirco Je ne me laisse pas abuser par de faux sentiments,j'en connais l'origine et la formation.J'entend les réussites,je remarque les défaillances,je constate les échecs.Je sais la part de la technique,et celle de l'interprétation:L'insuffisanc­e de l'une fait parfois croire à la capacité de l'autre,et ceci réciproquement.

    L'interprète est souvent manipulateur,trop rarement sincère!Et en cette matière,je ne saurais être dupe!

  • @abracadabranque I have nothing to add. This is your choice or how to express myself more clearly... burden.

    If you think that artists of RK's kind are not sincere, I doubt you can find any sincerity in the world of opera but this is again my understanding. This "acusation" is too harsh and mirthless. I cannot possibly go with you.

  • @amlirco Je ne parlais pas exclusivement pour Kabaivanska.Mon propos était d'ordre plus général.D'ailleurs,si j'ai trouvé meilleure cette moûture,c'est que j'y ai entendu de belles notes au début de la scène, plus d'engagement,et donc de sincérité.

    Tu vois que je ne suis pas méchant!!!

  • @abracadabranque Evil... I never claimed this. Nice progress!

  • @amlirco Toujours mieux qu'avec la censure!Liberté,liberté chérie...

    

  • @abracadabranque Who's(re) your favourite singer(s)? I know whom you don't like but I'd like to know who you like... in other words what's the perfect voice and sincere interpretation for you?

  • @amlirco Dans cet air,comme dans bien d'autres,Callas,vraiment douloureuse,suivie de Zeani,très passionnelle,puis Muzio,grande,mais plus détachée et parfois un peu maniérée.

    Voici un tiercé dont l'étalonnage pourrait être bouleversé,si je l'étais d'aventure par une autre!

  • @abracadabranque Thank you! And according to your calibration Raina Kabaivanska is ....

    Excuse my impertinence but if you calibrate all singers acc. to your triada why you never expressed any criticism in regards to, for instance, Ponselle, Scotto, Freni, Caballe to mention some of the greatest interpreters of this role. While you did this in varios occasions for RK. Rather strange and illogical discrimination, isn't it? Having in mind your sincerity, impartiality and unerring ear.

  • Comment removed

  • @amlirco Ta curiosité n'est pas impertinente,mais l'intérêt que tu portes à mes réponses pourraient relancer une nouvelle fâcherie.Dans cet air,je n'aime pas Ponselle,bien moins encore Caballé. Freni s'en tire sans trop de dégâts,mais dans la version que j'ai entendu,sa voix avait déjà dépassé le bel âge.Quant à Scotto,j'ai cherché et n'ai pas trouvé.Si tu peux m'aider...

    J'attends toujours de Raina une surprise qui ne vient pas.Elle n'est pas dernière,mais ne sera pas dans mon peloton de tête.

  • @amlirco Toi aussi,tu te montres acerbe avec une autre,à juste titre d'ailleurs;mais là,j'ai arrêté de relever:Le niveau est trop bas et je serais affreusement méchant car çà ne devrait même pas exister, une nullité pareille!

  • i only like caballé's best... this is amazing!

  • Kabaivanska is outstandig!

  • I have a few RAI transmissions from the 50-60's period that have been put on DVD with acceptable picture and sound released through Hardy Classics, VAI, and Bel Canto. Do they have any influence with RAI (or does whoever actually did the remastering if there is an intermediary) I agree that much of what is currently coming out does not have the artistry of these earlier broadcasts; that is why we must try to convince by appealing to patrimonial pride/cultural history. None left in Italy?

  • You're right, the impulse must come from those who love opera and who cares for the True Art and from so called public TVs. In fact RAI broadcasts thematic channels but with very little opera and only excerpts from the period you're reffering to. I don't doubt that a lot left in Italy but I'm sceptical with respect to the willingness this to be re-issued in some form.

  • my question is how do we make it known to RAI etc. that we would provide a market for their making these wonderful transmissions available again in whatever form would give the best reproduction--streaming over the internet, DVD--whatever it takes. Something so uniquely beautiful should not be lost to us.

  • This was exactly my point. I have two version of answer. You can choose or give your own.

    1. They don't care AT ALLLLLLLLLLLLLL (the most probable one): the laziness is the most sustainable state of mind.

  • 2. Nowadays tons of productions are being created. OK, they are good or decent but by no any means could come even close to such similar class. But thе market has its laws: sold or die. On the other hand, the people are not heartless and stupid by nature (I hope I don't exaggerate in both statements). It's so convinient the "old" to be forgotten. What a releife that people don't forget so easily... I wonder. BTW, this works both for the confined opera and global market of entertainment.

  • Obrigado por ter postado .....

  • My regret is however all these treasures are forgotten somewhere in the dusty "Golden funds" of Italian, Bulgarian or whatever TVs that appear to promote the fake values and criteria instead of showing the horizon. So, dear RAI (in this case), please practice an active defense of your copyrights by remastering, showing and selling copies of these spectacles instead of splashing us with surrogates.

  • Kabaivanska is the greatest tragic singing-actress of them all! I cannot imagine someone better than Raina in Adriana /and not only.../ This is a stunning acting - extraordinary and so simple at the same time. Hers is a violin-like voice with tremendous power and heartbreaking thrills, that may "blow" you away. Thanks, Amlirco for the spiritual delight! Can't even begin to tell you, how much I appreciate all these amazing clips of Kabaivanska. The Genia on stage!

  • On my turn, I can't tell you how delighted I am to know someone shears my point of view and finds emotional relief watching Kabaivanska on stage. It's indeed rear and of great value and pureness beauty and endless process of search and finding both in philosophical sense.

    Raina, being a humble servant of the opera, is in the same time one of the greatest philosophers of this noble and multilayer art.

  • And did you see the piece with Olivero singing a bit out of Francesca last month when she was 99 years old. Look it up she is just amazing.

  • Just now. Thanks for pointing out this incredible moment.

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