Nippy reminds me of Maria Callas sfagato sopranos! Thats why their both so beloved by the public. Voices are extremely rare mad resonance in every part of their voices but both women had never ending ranges and comfortable all over!
@kmaur21 They both also suffered from vocal decline as well, because both women had so much voice to master. Its difficult being able to maintain your voice when you sing so many diverse ranges! Depression played a role too. But Nippy still can BLOW and outsing all these ladies now!
Nippy's head, superhead, and whistle tones are just lethal from 1983-1999 just ridiculous what she can do in those registers and she is so quick with it. She should have sung opera, she had the ability to easily, very easily. She can give you Minnie Ripperton in a second all day every day!
I wonder if she ever listens to her old live stuff like that inflection 3:18-3:21 only Whitney and Minnie would play with their head and superhead tones like that. Crazy!
Whitney with her octave jumps and pitches. That woman has every note in sight in live from 80's up til now! She deserves to just chill like she doing now!
1:23 what was that women thinking when she hit that chirp, a jazz singer name Jean Carne does the same thing. Whitney probably got from listening to her they sung together too before!
How did Whitney do that 4:02 from tenor to airy whistle in like a second. I never heard nothing like that before. She had mad vocal tricks in her prime. She had to have vocal training to be that quick in her registers. Over touring is what damage her voice among other things but she is the baddest ever no doubt!
What I love about Whitney is she plays with her notes and range differently each time. She always challenges herself vocally. I can't get over the airy whistle inflection at 1:23! That note was on top of the piano I bet, and she did so quick. She only uses whistle inflections for the mood of the song she wants to represent. 2:41 she did a whistle too there.
Whitney is so operatic/ true sfagato!!!!
loonamuno 2 months ago
I would say I am countertenor/sfagato soprano. I more sfagato though!
kmaur21 5 months ago
Nippy reminds me of Maria Callas sfagato sopranos! Thats why their both so beloved by the public. Voices are extremely rare mad resonance in every part of their voices but both women had never ending ranges and comfortable all over!
kmaur21 5 months ago
@kmaur21 They both also suffered from vocal decline as well, because both women had so much voice to master. Its difficult being able to maintain your voice when you sing so many diverse ranges! Depression played a role too. But Nippy still can BLOW and outsing all these ladies now!
kmaur21 5 months ago
That instrument!!!!!!!!!
kmaur21 7 months ago
5:07 all Whitney you hear that whistle note!!!!!
kmaur21 9 months ago
Lisa Fischer is another singer with great head and superhead tones like Whitney. True coloraturas!
kmaur21 9 months ago
Nippy's head, superhead, and whistle tones are just lethal from 1983-1999 just ridiculous what she can do in those registers and she is so quick with it. She should have sung opera, she had the ability to easily, very easily. She can give you Minnie Ripperton in a second all day every day!
kmaur21 9 months ago
Nippy why you had to do 4:11-4:24 that was insane one of the most insane and complex transitions of registers I ever heard! The woman is blessed!
kmaur21 10 months ago
There will Never be another singer as phenomenal and complex as Whitney Houston!
kmaur21 10 months ago
What can't this women do with her voice!
kmaur21 10 months ago
I wonder if she ever listens to her old live stuff like that inflection 3:18-3:21 only Whitney and Minnie would play with their head and superhead tones like that. Crazy!
kmaur21 10 months ago
Whitney tore this up for real, sing Nippy!
kmaur21 10 months ago
Whitney with her octave jumps and pitches. That woman has every note in sight in live from 80's up til now! She deserves to just chill like she doing now!
kmaur21 10 months ago
1:23 what was that women thinking when she hit that chirp, a jazz singer name Jean Carne does the same thing. Whitney probably got from listening to her they sung together too before!
kmaur21 1 year ago
How did Whitney do that 4:02 from tenor to airy whistle in like a second. I never heard nothing like that before. She had mad vocal tricks in her prime. She had to have vocal training to be that quick in her registers. Over touring is what damage her voice among other things but she is the baddest ever no doubt!
kmaur21 1 year ago
@kmaur21 saving all my love for you always be my favorite part of her past shows but she don t improvise much like in the 80's on that song
DEMISS99 1 year ago
@DEMISS99 I think she does but do notice hear how she does airy whistle register notes, she does them so quick!!!!!!!!!!!!!!!!
kmaur21 1 year ago
What I love about Whitney is she plays with her notes and range differently each time. She always challenges herself vocally. I can't get over the airy whistle inflection at 1:23! That note was on top of the piano I bet, and she did so quick. She only uses whistle inflections for the mood of the song she wants to represent. 2:41 she did a whistle too there.
kmaur21 1 year ago
@kmaur21 Yes Whitney is the baddest female singer ever in the game 3:25 and beyond says it all!
kmaur21 1 year ago
@kmaur21 Who does 4:11-4:19 but Whitney sang Whitney!
kmaur21 1 year ago