The horn is actually a corno da caccia, pitched in F. You can tell because of a few things: the valves employed, the lead pipe tuner, and that the corno player is not inserting his hand into the bell. This instrument was performed by both trumpeters and hornists; in this case you can tell it's a horn player by the setting of the embouchure. I'm not sure if my German translations are any good, but I think @Robert010 said his name is Ralf Gotz, solo horn of the Gewandhaus Orchestra.
The singer's musicianship far outpaces his vocal technique. The phrasing, accents etc... are all lovely. The singing, though, is often laboured and he really reaches for some of the high notes -they become disconnected from the line.
This is by far the best interpretation that I have hear in YouTube. In matter of fact through out my musical career! beautiful intonations, timber from the bass, the horn in D is not over powering, as well as the two bassoons and organ. It is like a well oiled machine, just like clock work. If you notice it is a simple form that Bach perfected, and that is a Trio Sonata (baroque definition) voice, horn, and continuo (bassons and organ). Mazaltov!!
The singer made an interesting and effective departure from the score at approx. 3:06. (I am using Schirmer. That would be measure # 83.) The singer uses an embellishment that deepens the descent to the E# (F) at the start of meas. 85. A very interesting change - bravo.
The horn is actually a corno da caccia, pitched in F. You can tell because of a few things: the valves employed, the lead pipe tuner, and that the corno player is not inserting his hand into the bell. This instrument was performed by both trumpeters and hornists; in this case you can tell it's a horn player by the setting of the embouchure. I'm not sure if my German translations are any good, but I think @Robert010 said his name is Ralf Gotz, solo horn of the Gewandhaus Orchestra.
thehornconcertoking 2 months ago
The singer's musicianship far outpaces his vocal technique. The phrasing, accents etc... are all lovely. The singing, though, is often laboured and he really reaches for some of the high notes -they become disconnected from the line.
Really enjoyable performance overall, though.
Arsenate22 6 months ago
This is by far the best interpretation that I have hear in YouTube. In matter of fact through out my musical career! beautiful intonations, timber from the bass, the horn in D is not over powering, as well as the two bassoons and organ. It is like a well oiled machine, just like clock work. If you notice it is a simple form that Bach perfected, and that is a Trio Sonata (baroque definition) voice, horn, and continuo (bassons and organ). Mazaltov!!
selaromyar 1 year ago
I love the violinist with her finger in her ear!
rhythmgorilla 1 year ago
The singer made an interesting and effective departure from the score at approx. 3:06. (I am using Schirmer. That would be measure # 83.) The singer uses an embellishment that deepens the descent to the E# (F) at the start of meas. 85. A very interesting change - bravo.
laertes160 1 year ago
Rather interesting that there is a contrabassoon visible.
TheAndrewSchneider 1 year ago
This has been flagged as spam show
Only babies use alto horns.
Haeronthegreat 1 year ago
Comment removed
Haeronthegreat 1 year ago
Un peu de français dans ce Babel.
noacantin 1 year ago
Wunderschön von Ralf Götz, Solohornist des Gewandhausorchesters, geblasen!
Robert01O 2 years ago 5
There's just something not right about about a 3-way between 2 bassoons and a horn. Only Bach could pull this off.
rgeraredz 2 years ago 6
corno da caccia = ftl
beaver6d9 3 years ago
What's wrong with you? This is some of the best writing for the Horn on the rep.
papageno88 2 years ago
is that a single F alto Horn he's playing on? It seems a little small to be a regular double horn or even a single.
1337evan 3 years ago
no prob a blfat with an F attachment for the trigger to compensate
bradhorn14 2 years ago
my guess: custom made single horn in B (mass in B) :)
Hossetur 2 years ago