My interpretation was that the straight (angry) line was representing the church, or belief in a wider sense, and the dots represented science (moving in many directions at a fast rate), and occasionally they clash (When the straight line crashs into the dots). The squares symbolise 'the people' who more around, in an unsure and un-slick way.
One problem I have come to think about is how to incorporate the expressiveness of body-based practice in the sound or movement within the moving image. Even though content may be abstract, it can retain a sense of expressive shape of bodies moving in space and time, muscular tension and release, etc. Animators have such things as the "12 Principles" to help. Animators and dancers understand the expressiveness of the body, which has to be overcome in the binary world of computer-based work.
are the behaviours based on self interpretation of sound or do they come from digital analysis of it? which are those "problems of this kind of work"?
Thanks. My interpretation of the music. I suppose the "problems" are the same as any composition. (I normally do music composition.)
Specifically, for this kind of work, how to relate the simple shapes with the sounds? How strict must the synchronization be? I was inspired especially by the early black and white studies of Fischinger. The music he chose had very precise phrasing but this music is a little looser, so how to deal with that?
LOVED IT
My interpretation was that the straight (angry) line was representing the church, or belief in a wider sense, and the dots represented science (moving in many directions at a fast rate), and occasionally they clash (When the straight line crashs into the dots). The squares symbolise 'the people' who more around, in an unsure and un-slick way.
02hbotedw 3 months ago in playlist Oskar Fischinger
See Jules Engel for example. Animator inspired by dance.
audiovisuality 11 months ago
One problem I have come to think about is how to incorporate the expressiveness of body-based practice in the sound or movement within the moving image. Even though content may be abstract, it can retain a sense of expressive shape of bodies moving in space and time, muscular tension and release, etc. Animators have such things as the "12 Principles" to help. Animators and dancers understand the expressiveness of the body, which has to be overcome in the binary world of computer-based work.
audiovisuality 11 months ago
very good visual description of the sounds.. very interesting..
qwertopuss 2 years ago
oh, david torn, got it ;)
evillano 3 years ago
nice...did you compose the music?
evillano 3 years ago
interesting work...
are the behaviours based on self interpretation of sound or do they come from digital analysis of it? which are those "problems of this kind of work"?
going to upload some fischinger works now
ner0h 4 years ago
Thanks. My interpretation of the music. I suppose the "problems" are the same as any composition. (I normally do music composition.)
Specifically, for this kind of work, how to relate the simple shapes with the sounds? How strict must the synchronization be? I was inspired especially by the early black and white studies of Fischinger. The music he chose had very precise phrasing but this music is a little looser, so how to deal with that?
d21d34c55 4 years ago