just listened to both recordings (Gedda and Dale) and for me this is more the real thing - with it's dreamlike quality, gentle singing like he was in fact conjuring up a ghost - love it! thanks for introducing us to this
really interesting to hear a tenor leggiero so to speak sing this aria. the gedda of course is the most famous version, but there is more heft to his, whereas this sounds almost like matteuzzi.. a very rossinian sound. bravo nonetheless.
Hmmm...I find it too slow. It is almost as if the tenor, in order to have an easy time with the aria, asked to have it slow down.
Also, without intent to insult, he seems rather bland even mediocre at the faster sections. In fact I had great difficulty in sitting through the whole of it. I must admit, Rockwell Blake does know how to bring life into this piece, and I would bet Gedda @ Wunderlich too. Thanks for post.
The disk is dedicated entirely to French arias and it is a delightful affair all-around. Your comment did get me thinking on uploading Dale's interpretation of the Postillion song from Adam's opera :).
Thanks for letting me know about this posting.... Beautiful interpretation indeed and I have been listening to it several times. However, I think I still prefer Rockwell Blake in that part but this is very, very personal. Here the rhythm seems a bit too slow and I feel less passion in L. Dale's voice than in R. Blake's. He sounds very concentrated on doing well perhaps too concentrated? However it is true I am an unconditional admirer of R. Blake and anyway, this is just magnificent!
totally agree.. the horn is the most noble instrument in the entire orchestra, IMO. love arias like this and comme autrefois with significant horn solos..
Me gusto mucho. Gracias-
mesie1ever 4 weeks ago
è un peccato che quest'opera non venga + rappresentata!!! :(
binxbinxopera87 7 months ago
the name of the picture,please???
Snaker7hero 7 months ago
Fritz Wunderlich sang this with such clarity and abandon, truly magnificent. Mr. Dale's rendition certainly does it full justice too.
VMDICKS 10 months ago
Fritz Wunderlich sang this with such clarity and abandon, truly magnificent. Monsieur certainly does it full justice too.
VMDICKS 10 months ago
Les compositeurs doivent choisir la langue de chant en fonction :)
Quequeed 10 months ago
Sorry but the style is not French. No reason to sing that in head voice. No charactter aty all. No interest!!
vivegedda 1 year ago
The finest version is sung by Hans Buff - Giesen recorded in Dresden in 1905 - his elaboration is unsurpassed.
EMGColonel 2 years ago
Delicate traceries of dreamy melody
and almost smoky sound...Sensuous
delight! Laurence Dale is superb!
Thank you for the ear candy!!
Kievest 2 years ago
Wonderful tenor, Dale, and incredible aria,,, I knew only the Gedda version, but I prefer the present one...
Thanks for posting! :-)
adromischus 2 years ago
just listened to both recordings (Gedda and Dale) and for me this is more the real thing - with it's dreamlike quality, gentle singing like he was in fact conjuring up a ghost - love it! thanks for introducing us to this
47viviane 2 years ago
happy easter 2009
ladynw777 2 years ago
really interesting to hear a tenor leggiero so to speak sing this aria. the gedda of course is the most famous version, but there is more heft to his, whereas this sounds almost like matteuzzi.. a very rossinian sound. bravo nonetheless.
rexeterna 3 years ago
Lovely. Nothing quite as delicate as French, yet it does not shy from emotion. Laurence Dale is wonderful.
forallyouknow 3 years ago
Laurence is in Innsbruck (Tirol, Austria) right now, directing "Zar und Zimmermann".
filofaxxx 3 years ago
Hello Laurance :-) If you ever read this .. kisses from Frankfurt ... Tamas
THIS IS BEAUTIFUL !! I love hearing your voice ...
hunkyo 3 years ago
Hmmm...I find it too slow. It is almost as if the tenor, in order to have an easy time with the aria, asked to have it slow down.
Also, without intent to insult, he seems rather bland even mediocre at the faster sections. In fact I had great difficulty in sitting through the whole of it. I must admit, Rockwell Blake does know how to bring life into this piece, and I would bet Gedda @ Wunderlich too. Thanks for post.
fabrizzzio48 3 years ago
Yes, I searched the CD on the net but it wasnt possible to get it. Please do post som of the other perhaps less known pieces.
/Revoltade
revoltade 3 years ago
Really graceful! Dale really have a unique interpretation of this piece. Almost in the a "bariton chantant" style although he is a tenor.
Thankyou for putting this up!
Are there more from this CD that is as nice listening to?
revoltade 3 years ago
The disk is dedicated entirely to French arias and it is a delightful affair all-around. Your comment did get me thinking on uploading Dale's interpretation of the Postillion song from Adam's opera :).
LindoroRossini 3 years ago
Thanks for letting me know about this posting.... Beautiful interpretation indeed and I have been listening to it several times. However, I think I still prefer Rockwell Blake in that part but this is very, very personal. Here the rhythm seems a bit too slow and I feel less passion in L. Dale's voice than in R. Blake's. He sounds very concentrated on doing well perhaps too concentrated? However it is true I am an unconditional admirer of R. Blake and anyway, this is just magnificent!
italianoperafan 3 years ago
French horns! I love the sound of french horns. They make the atmosphere nostalgic. Very calming voice! Priceless audio, indeed!
Dogaradodia 3 years ago
totally agree.. the horn is the most noble instrument in the entire orchestra, IMO. love arias like this and comme autrefois with significant horn solos..
rexeterna 3 years ago 2