Interesting that some folks think Dessay should sing this. Is this something suitable for her new richer, lower pitched voice of the last few years? I'm a big Dessay fan and it's hard for me to imagine her in this role (all her characters have affairs with tenors and then die), but she has surprised me before. That bit about having affairs with tenors and then dying is from Vivica, BTW.
I am totally smitten with Genaux's Rossini. The warmth, sensuality, flexibility, dizzying agility and choices of ornamentation dazzle me beyond Bartoli or anyone else I can think of. And the characterizations I've heard are just right!
sorry for spamming there for a sec lindororossini, i just had to set a record straight. i love and have always loved your videos, and thank you for being such a dedicated member of the youtube community. all your hard work makes us opera fans and singers alike so grateful that we have your resources to draw from. all the best :)
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Extremely ugly. Faulty singing. Faulty tone production. A soprano corto IS NOT a mezzo. This IS NOT coloratura. This is vomited yugayaguyya yodeling. Not sul fiato pearl like Garcia-Lehmann coloratura. Buuuuuuuhhhhuuuu!!!!
This comment has received too many negative votesshow
no he's right. her technique is shit. look at her when she sings. if i paid 300 bucks for front row met tickets and she was singing, i'd want my money back
This comment has received too many negative votesshow
By reading your posting I doubt that someone with your education even makes enough money to enter the met, much less to pay front row. Then again, just another CD-opera lover who fancies to know about this art form.
in 151 letters and 4 punctuation marks you can tell all that about a person? well i dunno if i have your skills, but from what i can tell of your comment you're an arrogant know-it-all bastard who thinks they know someone off of ONE comment. well fyi fuckface: i AM an opera singer, i'm an opera historian as well since i've been raised on it since i was 3, my first met opera was at age 5, and my aunt in ny has season tickets in the 1st and 3rd rows. see? you don't know me, so back the fuck off.
I like her and I certainly admire her technical command. But I agree with some of the previous messages, in the sense that I hardly feel touched when she signs. To my mind she is too cerebral a singer.
I love vivica , she's almost a coloratura machine , and i love her singing Farinellis arias , but some reason i dont love her in this role, as rossina i prefer a la Bartoli or Teresa Berganza
Her coloratura is surprisingly clear for a mezzo, and I like her interpretation (where she chooses to elide, etc). I also enjoy hearing non conventional ornamentation.
I love this singer in her usual Baroque mode with Farinelli arias, Bach, Handel, even most Rossini but not this one. This aria shows nothing but her weaknesses.(could be that it's because it's a super famous aria and we heard too many greats sing it) Everyone knows she can ornament the crap out of this music with coloratura but her voice is totally shrill above G and her legato kinda shaky. Still love her tho.
4/3 It's great to hear this aria sung by a real mezzo rather than a soprano and I love her warm, slightly dark sound. I didn't get very much character from the sound alone
Oh, so many to compare!!! Need to add Joyce di Donato, Jennifer Larmore, Olga Borodina, Susanne Mentzer and hopefully Elina Garanca soon. Older greats of the role: Teresa Berganza and Victoria de los Angeles. Interesting recordings: Erna Sack, Mady Mesple, Dame Joan, Kathleen Battle, Grace Bumbry, Renata Scotto, Angela Gheorghiu. I'd like to see Natalie Dessay have a go at the role on stage too - she'd be really fun!
My vote is a bit lopsided: 4/3.. 4 for singing 3 for characterization. I love her voice and her interpretation but don't think much of her characterization judging only from audio.. She doesn't have that excited but fiery young Rosina feel.. But the singing is I think as good as it gets though it lacks some dynamics...
First, I'm glad I stumbled on this. I love comparisons. I find them challenging. However, without actually seeing the performers, it diminishes the ability to really grade on characterization. However I'm gonna give it a whack. I like the low notes, but her top is stressed. My vote is 3/4
Interesting that some folks think Dessay should sing this. Is this something suitable for her new richer, lower pitched voice of the last few years? I'm a big Dessay fan and it's hard for me to imagine her in this role (all her characters have affairs with tenors and then die), but she has surprised me before. That bit about having affairs with tenors and then dying is from Vivica, BTW.
MrHbc3 6 months ago
She's really quite wonderful!
7inga7 2 years ago 3
I am totally smitten with Genaux's Rossini. The warmth, sensuality, flexibility, dizzying agility and choices of ornamentation dazzle me beyond Bartoli or anyone else I can think of. And the characterizations I've heard are just right!
///// singing
///// characterization
bbbartolo 2 years ago 9
Agree. 5/5
I don't think any coloratura exists that this woman cannot sing (provided its in her tessitura).
GoBogi 2 years ago
talk about fast and furious. she sure has a talent for that, though it's not my favorite version of the song, she still does a pretty good job.
heartofsorrow 2 years ago
The best recording (that I have) is Edita Gruberova. It is amazing.
Genaux sounds good, though. If I had just another octave, I could sing this (even though it is not really a man's role).
edrahl 2 years ago
Don't we all wish we had another octave? Haha.
forallyouknow 2 years ago 8
sorry for spamming there for a sec lindororossini, i just had to set a record straight. i love and have always loved your videos, and thank you for being such a dedicated member of the youtube community. all your hard work makes us opera fans and singers alike so grateful that we have your resources to draw from. all the best :)
JuillHope17 3 years ago 3
3/3
ThPaw 3 years ago
yeah, this is not one of her forte's...flat and amazingly boring. sad, because she is a great singer.
stingabe 3 years ago
good performance, but I don't feel nothing listening to this version of "una voce poco fa". only technique and not emotions!!
FraLaFra90 3 years ago
This comment has received too many negative votes show
Extremely ugly. Faulty singing. Faulty tone production. A soprano corto IS NOT a mezzo. This IS NOT coloratura. This is vomited yugayaguyya yodeling. Not sul fiato pearl like Garcia-Lehmann coloratura. Buuuuuuuhhhhuuuu!!!!
FABRIZIO82 4 years ago
you buffoon
puccinilover 4 years ago 6
This comment has received too many negative votes show
no he's right. her technique is shit. look at her when she sings. if i paid 300 bucks for front row met tickets and she was singing, i'd want my money back
JuillHope17 3 years ago
This comment has received too many negative votes show
By reading your posting I doubt that someone with your education even makes enough money to enter the met, much less to pay front row. Then again, just another CD-opera lover who fancies to know about this art form.
DrGarri 3 years ago
in 151 letters and 4 punctuation marks you can tell all that about a person? well i dunno if i have your skills, but from what i can tell of your comment you're an arrogant know-it-all bastard who thinks they know someone off of ONE comment. well fyi fuckface: i AM an opera singer, i'm an opera historian as well since i've been raised on it since i was 3, my first met opera was at age 5, and my aunt in ny has season tickets in the 1st and 3rd rows. see? you don't know me, so back the fuck off.
JuillHope17 3 years ago
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pinche mentiroso puto loco de mierda cochino cisticerco perro asqueroso jajajajajaja
naaa solamente eres un ignorante
Nahui0llin 2 years ago
I like her and I certainly admire her technical command. But I agree with some of the previous messages, in the sense that I hardly feel touched when she signs. To my mind she is too cerebral a singer.
Thanks for posting these arias
Kermancalvo 4 years ago
I love vivica , she's almost a coloratura machine , and i love her singing Farinellis arias , but some reason i dont love her in this role, as rossina i prefer a la Bartoli or Teresa Berganza
Heartlessiceboy 4 years ago 3
Not a beatiful voice but a great singer 4/5
niklausse 4 years ago 2
3/2. Decent, but didn't excite me at all.
GalambBorong 4 years ago
Keep going! I love your comments!
LindoroRossini 4 years ago
Thanks! And thank you for posting these arias.
GalambBorong 4 years ago
4/3
HappyHounde 4 years ago
4/4
Her coloratura is surprisingly clear for a mezzo, and I like her interpretation (where she chooses to elide, etc). I also enjoy hearing non conventional ornamentation.
DarienFithos 4 years ago
I think's she's ok in her high notes. She sounds more a lyric soprano. I will give her a 3/3.
tanynzh 4 years ago
I love this singer in her usual Baroque mode with Farinelli arias, Bach, Handel, even most Rossini but not this one. This aria shows nothing but her weaknesses.(could be that it's because it's a super famous aria and we heard too many greats sing it) Everyone knows she can ornament the crap out of this music with coloratura but her voice is totally shrill above G and her legato kinda shaky. Still love her tho.
gransasso101 4 years ago
i saw her sing this live and she was splended
selrahc48 4 years ago
4/3 It's great to hear this aria sung by a real mezzo rather than a soprano and I love her warm, slightly dark sound. I didn't get very much character from the sound alone
Louisacat 4 years ago
Mi sembra impossibile!! Qua si critica la grandissima Grazziella Sciutti e si elogia questa pessima cantante!!
Orbazzano 4 years ago
Oh, so many to compare!!! Need to add Joyce di Donato, Jennifer Larmore, Olga Borodina, Susanne Mentzer and hopefully Elina Garanca soon. Older greats of the role: Teresa Berganza and Victoria de los Angeles. Interesting recordings: Erna Sack, Mady Mesple, Dame Joan, Kathleen Battle, Grace Bumbry, Renata Scotto, Angela Gheorghiu. I'd like to see Natalie Dessay have a go at the role on stage too - she'd be really fun!
Operaphile 4 years ago
I tottally think that dessay would have a hoot with this role
puccinilover 4 years ago
My vote is a bit lopsided: 4/3.. 4 for singing 3 for characterization. I love her voice and her interpretation but don't think much of her characterization judging only from audio.. She doesn't have that excited but fiery young Rosina feel.. But the singing is I think as good as it gets though it lacks some dynamics...
civileso 4 years ago
4/5. I like Vivica, expecially in Haendel.
pautalux 4 years ago
I have never heard of this singer but will award her at least 4/5. nice and easy sounding voice... more info on her please !
petelovesbevsills 4 years ago
First, I'm glad I stumbled on this. I love comparisons. I find them challenging. However, without actually seeing the performers, it diminishes the ability to really grade on characterization. However I'm gonna give it a whack. I like the low notes, but her top is stressed. My vote is 3/4
drdre333 4 years ago