Diane Bish is one of the greatest musicians of modern time, If not the best in my opinion. She brings the simple sounds to life and reminds us we dont need electricity to make lovely music. just Diane Bish and a organ for her to dance on
The three parts are said to symbolize the trinity: Father, Son and Spirit, and the music reflects this. The title of the hymn reflects the symbolism of the first part. This work is also the prelude and postlude to a long, great series of chorale preludes based on the Lutheran catechism, and are also known as the "keyboard practice part 3" published by Bach himself for the benefit of those interested in such things.
In case anyone doesn't know, this fugue is part of the Prelude and Fugue in E Flat, S.552. It is called triple because it has 3 parts, but the first fugue returns during the others too. It is also called the "St. Anne" because the melody line of the first fugue is the same as a British hymn called "St. Anne" and also called "Oh God Our Help in Ages Past."
This comment has received too many negative votesshow
Baroque music has two sorts of accents: grammatical accents based on a hierachy of notes (stresses on the strong beats), and internal shaping based on the character of the individual figures. Both are largely lacking here. The equal notes in Fugue 3 destroy any sense of a hierachy of notes. Fugue 2 may not need phrasing like Chopin, but but the lack of any breathing marks destroys much sense of interplay between the parts of the counterpoint; similarly she plays through all the hemiolas.
This comment has received too many negative votesshow
I've played this organ in Colmar, but she plays it just like it's a big electronic monster back home in the States - all funny offbeat accents, smoochy smooth pedal line with loads of heels, and above all the extraorinary sequined frock in an organ loft where the player is entirely invisible. There's no polite way of saying this, but it's all - well - a bit gauche.
This comment has received too many negative votesshow
The most obvious example is the subject of the third fugue, with each of the first three notes played with equal weight and more-or-less equally snappy staccato. It completely de-characterises the line. Other oddities include the gluey legato in the first fugue (look at all those finger changes), almost total absence of phrasing in the second, huges ralls at the end of each section which destroy any sense of tempe relationship between each, a weakly placed final cadence, etc. etc.
Do you have any evidence that Bach would have not given each of the quavers equal weight? How does it de-characterize the line? Do you think "phrasing" appropriate to this music? And how was the final cadence weakly placed? I'm sorry that you didn't enjoy this performance. I did! :)
while the phrasing in the fugue 2 is not as developed as it could of been, its not absent - it can be clearly heard around 6.00, fugue 1's style might have been more precise, but to say that the tempo was destroyed is a bit harsh. It is a commendable interpretation. She's no Richter though I grant you that!!
I'm actually the Organist of Kotka Church, which has an authentic Silbermann instrument,, so I comprehend fully the principles and properties of this type of instrument. I must admit that you are right about this organ. However, perhaps it is the recording that makes the illusion, but this video instantly resembled me of a North-German organ, Verschueren ( even earlier than Silbermann), which I have played several times.
I really liked this when seen on Diane's 25th anniversary video called Encore..she is talented in her performance of Bach pieces..smoothness characterizes her playing..the organ has such a rich baroque sound.
I disagree - I don't think that organ could be made to sound 'less Baroque'. The beautiful flutes and sweet 2' stops are washed over by stops of a more Romantic sound.
I suggest you listen to more recordings of Silbermann organs. This is a French Romantic style instrument, which is about the closest European equivalent to the American Symphonic style, very different to English Cathederal and a million miles away from Baroque German instruments temperamentally.
I'm actually the Organist of Kotka Church, which has an authentic Silbermann instrument,, so I comprehend fully the principles and properties of this type of instrument. I must admit that you are right about this organ. However, perhaps it is the recording that makes the illusion, but this video instantly resembled me of a North-German organ, Verschueren ( even earlier than Silbermann), which I have played several times.
Diane Bish is one of the greatest musicians of modern time, If not the best in my opinion. She brings the simple sounds to life and reminds us we dont need electricity to make lovely music. just Diane Bish and a organ for her to dance on
psyie666 7 months ago
Her clothing is awesome hahahaha GREAT organist!!!
GlitchHalo 1 year ago
I'm quite impressed with her playing..
john1801rambo 1 year ago
This comment has received too many negative votes show
This stinks
findmewerethereisHtw 2 years ago
The beginning theme sounds like O God our help.
nickoicool 2 years ago
I agree. Diane Bish is an acclaimed
musician of the first rank. Her ability
rivals any concert organist of note today.
Thanks Diane for your generous contri-
bution to our musical education.
claviergoren 2 years ago
The three parts are said to symbolize the trinity: Father, Son and Spirit, and the music reflects this. The title of the hymn reflects the symbolism of the first part. This work is also the prelude and postlude to a long, great series of chorale preludes based on the Lutheran catechism, and are also known as the "keyboard practice part 3" published by Bach himself for the benefit of those interested in such things.
eameece 3 years ago
In case anyone doesn't know, this fugue is part of the Prelude and Fugue in E Flat, S.552. It is called triple because it has 3 parts, but the first fugue returns during the others too. It is also called the "St. Anne" because the melody line of the first fugue is the same as a British hymn called "St. Anne" and also called "Oh God Our Help in Ages Past."
eameece 3 years ago 2
This comment has received too many negative votes show
Baroque music has two sorts of accents: grammatical accents based on a hierachy of notes (stresses on the strong beats), and internal shaping based on the character of the individual figures. Both are largely lacking here. The equal notes in Fugue 3 destroy any sense of a hierachy of notes. Fugue 2 may not need phrasing like Chopin, but but the lack of any breathing marks destroys much sense of interplay between the parts of the counterpoint; similarly she plays through all the hemiolas.
MEPPO06 3 years ago
@MEPPO06 Looking forward to your upload, so we can hear you play it.
sailing19100 1 year ago 2
This comment has received too many negative votes show
I've played this organ in Colmar, but she plays it just like it's a big electronic monster back home in the States - all funny offbeat accents, smoochy smooth pedal line with loads of heels, and above all the extraorinary sequined frock in an organ loft where the player is entirely invisible. There's no polite way of saying this, but it's all - well - a bit gauche.
MEPPO06 3 years ago
Where were the funny offbeat accents, then? And, of course, she's dressed up because she's being filmed.
GazTheMusicMan 3 years ago 15
This comment has received too many negative votes show
The most obvious example is the subject of the third fugue, with each of the first three notes played with equal weight and more-or-less equally snappy staccato. It completely de-characterises the line. Other oddities include the gluey legato in the first fugue (look at all those finger changes), almost total absence of phrasing in the second, huges ralls at the end of each section which destroy any sense of tempe relationship between each, a weakly placed final cadence, etc. etc.
MEPPO06 3 years ago
Do you have any evidence that Bach would have not given each of the quavers equal weight? How does it de-characterize the line? Do you think "phrasing" appropriate to this music? And how was the final cadence weakly placed? I'm sorry that you didn't enjoy this performance. I did! :)
GazTheMusicMan 3 years ago 16
while the phrasing in the fugue 2 is not as developed as it could of been, its not absent - it can be clearly heard around 6.00, fugue 1's style might have been more precise, but to say that the tempo was destroyed is a bit harsh. It is a commendable interpretation. She's no Richter though I grant you that!!
pipeup1 3 years ago
I'm actually the Organist of Kotka Church, which has an authentic Silbermann instrument,, so I comprehend fully the principles and properties of this type of instrument. I must admit that you are right about this organ. However, perhaps it is the recording that makes the illusion, but this video instantly resembled me of a North-German organ, Verschueren ( even earlier than Silbermann), which I have played several times.
Galliantina 3 years ago
Great Performance. I do like the warmth and smoothness of this organ's sound.
theblackhand2 3 years ago
This woman is just amazing. Thanks to the person who decided to share her talent with the rest of us who cant get her on our cable system. Stellar!
KappaSigDAW 3 years ago 4
I really liked this when seen on Diane's 25th anniversary video called Encore..she is talented in her performance of Bach pieces..smoothness characterizes her playing..the organ has such a rich baroque sound.
kgs202 4 years ago
I disagree - I don't think that organ could be made to sound 'less Baroque'. The beautiful flutes and sweet 2' stops are washed over by stops of a more Romantic sound.
straypixel 3 years ago
But that organ has most authentic North-German organ sound...........
Galliantina 3 years ago
I suggest you listen to more recordings of Silbermann organs. This is a French Romantic style instrument, which is about the closest European equivalent to the American Symphonic style, very different to English Cathederal and a million miles away from Baroque German instruments temperamentally.
straypixel 3 years ago
I'm actually the Organist of Kotka Church, which has an authentic Silbermann instrument,, so I comprehend fully the principles and properties of this type of instrument. I must admit that you are right about this organ. However, perhaps it is the recording that makes the illusion, but this video instantly resembled me of a North-German organ, Verschueren ( even earlier than Silbermann), which I have played several times.
Galliantina 3 years ago
In that case, I concede to your greater experience.
straypixel 3 years ago
1979 a completely new organ is installed in the ancient case.
Its ethic is neoclassical and its stop names a mixture of French and German!
There is no swell box and the opresence of a Gambe 8' on the Great does not signify "romantic".
Bach specifcally asked for one in a rebuild.
1401JSC 2 years ago
Ethic "inspired by Arp Schnitger" according to the organbuilder.
1401JSC 2 years ago
Awesome performance and great video.
Unfortunately, the audio is very low so it's hard to hear this awesome performance.
princedariensnr 4 years ago 2