I always hear this while I'm writing my thesis, it keeps me relaxed and clears my mind. Right now I'm doing it and so I got back to work and quit procrastinating.
in this music there is a reference to the best of contemporary and classical music seen again by the infinite genius of this remarkable and extraordinary pianist ..
This record came out when Jarrett had already finished to record several Bach's keyboard major works and obviously, we can sense the influence of Bach's here.
The first minutes show a wonderful and enigmatic neo-baroque theme followed by an extraordinary and legenday 35 minutes improvisation in a dark style with several moments of immense beauty. This is one of the best performances in piano history.
@viiiincable Non, Chopin etait le meilleur, seulement nous n'avons pas d'enregistrements sur cela; mais ce que nous avons sont ses etudes (exercises).
...Keith is improvvising: this music seems to be composed by Johann Sebastian Bach. The contrappunto technique is typical of the German baroque composer; but in fact it is suprising genous of Jarrett.
Je suis extrêmement admiratif de Keith Jarrett, qui porte la musique à son plus haut niveau, mais j'ai toujours pensé qu'il pouvait mieux faire, et que ses compositions, et/ou improvisations n'étaient pas toujours très abouties... Ce qui fait la différence avec les grands compositeurs... Peut-être que l'improvisation nuit à la composition... En rééquilibrant, Keith Jarrett pourrait être un musicien immense, digne des classiques
All though I'm not a very good pianist, I've been doing some improvising, and I would not be surprised if this theme basically was improvised from scratch. Bach himself would actually do improvisations at service. There is a nice description in the beginning of the book "Gödel, Escher, Bach". Bach is given a highly chromatic theme by his host and improvises a fugue from this theme.
This comment has received too many negative votesshow
This is good but not original. At its best it sounds a little like Bach, obviously. But Bach himself sounded a lot like Bach so I would question the need for a light version.
For a real musician it does not matters what style to improvise in.I also do improvised gigs,really starting from zero,as Keith does.
Improvisation has been ignored by most of classical musician,but only since the early 20th century.They teach "composition" instead,based on some rules are there to be broken.The reason,why he don't play more in a baroque style,is probably because so many things happened in music since then...
I doubt the main theme hadn't been previously written by Jarrett. I mean...seriously, have you ever tried to improvise something like that from zero?? Even Bach would carefully create the themes before he would improvise. Besides, this is basically the ONLY concert where Jarrett basically emulates Bach's style -but much more freely - of course. If the theme hadn't been pre-composed, he would have done this many more times. In any case, this is a fantastic recording...utterly beautiful.
Do you know that Jarrett played both books of The well tempred kalabvier by Bach yeras befores this concert. I imagine those works influeced him in this concert.
dude, I have no idea what you mean. Didn't I write "main theme....previously written by Jarrett"??? What I am trying to convey is the fact that HE DID NOT IMPROVISE THE MAIN THEME and that's the core of the discussion, for goddamn's sake. Usually KJ would start these concerts from ZERO, but I doubt it was the case. Now, obviously I know that KJ not only played both books of preludes and fugues. He recorded the whole thing. The entire planet knows it...so, no lectures, please.
Jarrett has not only recorded both books of the WTC but also the Goldberg Variations (on harpsichord), Handel's keyboard suites, Shostakovich's Preludes and Fugues. The influence is mutual: you can hear improvisation in his Bach and, definitely, Bach in his improvisations.
Heh, Jarrett says his mind is zero'd of all classic thought when playing jazz but I can sooo imagine him playing an intro to a jazz standard using this kind of material.
Not the exact piece of course but it's got the same dynamic, feel and just sounds similar to what he does frequently in his jazz intros.
Actually, that might be the most bach-like music ever composed since Bach died. Bach and Jarrett have a lot in common, both being excellent at variations and improvisations. It's easy to imagine Bach sounding like this if he lived today.
what?? Don't you know Glen Gould as a composer??? He wrote some ultra Bach-like stuff...obviously outdated and irrelevant but yet, Gould's compositions are truly Bachian as they follow the Fugue techniques precisely. KJ is a sort of 'free' adaptation of a style. In that sense, this is NOT the most bach-like music ever composed since Bach.
Keith Jarrett is - at the very least - one of the most SIGNIFICANT contributors to piano music. In fact - I believe he is THE most significant contributor of MY lifetime in terms of A) The uniqueness of what he has created and B) covering performance of the "classical" repertoire while being an equally significant jazz player. His music is very moving, and I always want to go play after I listen.
The most seminal musician-pianist. He synthesized musical traditions, unlike no else before him. The heart and technique of the ancient masters of the European high-art tradition, blended with northern New World music: Jazz...
Thanks to Miles Davies, anyway for giving guys like this a chance to further explore their own gifts.
Keith Jarrett was already playing with great musicians such as the Art Blakey's Jazz Messengers and Charles Lloyd before being hired by Miles Davis. In other words, thanks to Art Blakey and Charles Lloyd FIRST. Also, in music there is no such a thing as "the most seminal"...KJ is "one of the most seminal" musician-pianists...
True, in music as in most of life there is not one to be the 'best'.. Miles was in a whole other league, however. He was a great American genius, and took well-known or not so well-known players propelling them to new levels.
The legacy of musical history bears witness. Now, Mr. Jarrettt's influence is widespread in modern pianists. At Berklee I remember students and teachers alike thought of him as genius too, with Herbie, Coltrane, McLaughlin, Tony Williams, Evans, former Miles sideman. Peace
This concerto was recorded on October 17, 1988 at the Salle Pleyel, in Paris, France in front of a live audience.
We are hearing a neo-baroque theme followed by an extraordinary and legenday 35 minutes improvisation in a dark style. This is one of the best performances in piano history.
Keith Jarrett is probably the best american pianist of the 20th century.
FChopin: indeed this was a historical concert. The 2 works that followed the first part are equally gorgeous, specially The Wind. That said, I think it's always dangerous to affirm that Mr. X, Z, or Y is probably THE best american pianist (or whatever nation it may be) of the 20th century. Jarrett is one of a kind, a fantastic pianist and improvisor. But there is no such thing as THE best. Art is not a competition.
I always hear this while I'm writing my thesis, it keeps me relaxed and clears my mind. Right now I'm doing it and so I got back to work and quit procrastinating.
josmdg 1 month ago
He is brilliant, childish sometimes, amazing to tears..... i love him!
PizdezChurkam 4 months ago
Unico, sublime!! Il più grande improvvisatore esistente, degno dei grandi del passato....(Bach, Beethoven, ecc....). Pura emozione e...vita!
fernotfy 6 months ago
wow! Bravo Keith!!
bandedefous99 8 months ago
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AlessandroFortarel 9 months ago
in this music there is a reference to the best of contemporary and classical music seen again by the infinite genius of this remarkable and extraordinary pianist ..
AlessandroFortarel 9 months ago 2
Comment removed
AlessandroFortarel 9 months ago
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Youngermodel 9 months ago
My best friend.....Genious....how about that....
MrMamowi 9 months ago
amusing
applenpuddleable 11 months ago
This record came out when Jarrett had already finished to record several Bach's keyboard major works and obviously, we can sense the influence of Bach's here.
The first minutes show a wonderful and enigmatic neo-baroque theme followed by an extraordinary and legenday 35 minutes improvisation in a dark style with several moments of immense beauty. This is one of the best performances in piano history.
FChopin 1 year ago
Does anyone knows if it's an improvisation or what?
leonardguetta 1 year ago
@leonardguetta This is completely improvised. Keith Jarrett is known for his immense improvisational works.
uberhikari 1 year ago
What a touch, and what a beatiful composition
PauloTozzi 1 year ago
@PauloTozzi It's improvised mate, not a composition. As unbelievable as that may be, it's true.
Vayshen 1 year ago 2
@Vayshen Thanks
PauloTozzi 1 year ago
it could be bachmusic
thomasjmor 1 year ago
sublime
kewiflute 1 year ago
no words....overwhelming!!!
cellokratzer 1 year ago
Le meilleur improvisateur de tout les temps!!!!!!!!!!
viiiincable 1 year ago 2
@viiiincable Non, Chopin etait le meilleur, seulement nous n'avons pas d'enregistrements sur cela; mais ce que nous avons sont ses etudes (exercises).
ididete 1 year ago
@ididete On n'a pas d'enregistrement de Mozart non plus. Il était peut-être meilleur que Chopin !
tristanamorphosee 10 months ago
the pianist is only shit .... por otra parte decir este musico es excelente no vasta . suban algun video perros del ano
hijodelamacha 1 year ago
Jarrett nos eu melhor. Belíssimo.
MUSICALX57 1 year ago
ECM should rerelease all KJ solo piano albums on vinyl. That must come to pass.
isaymakulit 1 year ago
If the soul really exist, K.J. is the place where it joins with my brain
moriorlith 1 year ago 3
This has been flagged as spam show
or maybe chapeau Bach!
knurmorderca 1 year ago
cudowne, przepiękne, chapeau bas!
knurmorderca 1 year ago
very touching touche, powerfull energy, great feeling of Bachs' musical influences!
vinnievibes 1 year ago
Amazing...
...Keith is improvvising: this music seems to be composed by Johann Sebastian Bach. The contrappunto technique is typical of the German baroque composer; but in fact it is suprising genous of Jarrett.
No more words...
...only notes; please!
MaurizioDante 1 year ago
Quite wonderful! The album from Kieth that got me in to his playing
bikerhotelharz 2 years ago
franchement génial ce Keith,
incroyable
ka88888888ka 2 years ago
C'est mon morceau préféré depuis que je suis gamine! dommage qu'il ne soit pas en entier!
Merci Keith Jarrett, tu es mon Dieu!
Sublime!
TheMissCatseyes 2 years ago
sem palavras
ThePmppaula 2 years ago
ABSOLUTLY FANTASTIC!
adrimond 2 years ago
Excelente!!!!!
GarotaBerlim 2 years ago
maxwe je suis d'accord avec toi ! cette musique aide a vivre !!
lemusiclover01 2 years ago
Wonderful !!!!!
Thank you Keith Jarrett !!!!
marcocoiatelli 2 years ago 3
Comment removed
JoeDrumstick 2 years ago
The greatest jazz pianist of all time.
maxwe87 3 years ago 21
quite possibly, imho.
slothvader 2 years ago
@maxwe87 very possibly, and among the greatest composers for the piano of all time.
slothvader 1 year ago
Je suis extrêmement admiratif de Keith Jarrett, qui porte la musique à son plus haut niveau, mais j'ai toujours pensé qu'il pouvait mieux faire, et que ses compositions, et/ou improvisations n'étaient pas toujours très abouties... Ce qui fait la différence avec les grands compositeurs... Peut-être que l'improvisation nuit à la composition... En rééquilibrant, Keith Jarrett pourrait être un musicien immense, digne des classiques
Ouhconmerde 3 years ago
improvising at a level that an intelligent listener may discern serious bach influence is hardly a sign of inability.
bach certainly improvised, as did beethoven, etc. slovish adherence without more is for insects.
slothvader 3 years ago 3
seems someone disagrees, but can't be bothered to say why.
slothvader 3 years ago
All though I'm not a very good pianist, I've been doing some improvising, and I would not be surprised if this theme basically was improvised from scratch. Bach himself would actually do improvisations at service. There is a nice description in the beginning of the book "Gödel, Escher, Bach". Bach is given a highly chromatic theme by his host and improvises a fugue from this theme.
holonen 3 years ago
This comment has received too many negative votes show
This is good but not original. At its best it sounds a little like Bach, obviously. But Bach himself sounded a lot like Bach so I would question the need for a light version.
LengthyJohnson 3 years ago
Posting a reply is the only way to see this comment.
dgaranin 3 years ago
For a real musician it does not matters what style to improvise in.I also do improvised gigs,really starting from zero,as Keith does.
Improvisation has been ignored by most of classical musician,but only since the early 20th century.They teach "composition" instead,based on some rules are there to be broken.The reason,why he don't play more in a baroque style,is probably because so many things happened in music since then...
victorsethy 3 years ago 3
I doubt the main theme hadn't been previously written by Jarrett. I mean...seriously, have you ever tried to improvise something like that from zero?? Even Bach would carefully create the themes before he would improvise. Besides, this is basically the ONLY concert where Jarrett basically emulates Bach's style -but much more freely - of course. If the theme hadn't been pre-composed, he would have done this many more times. In any case, this is a fantastic recording...utterly beautiful.
Justino111 3 years ago
Ok. So i guess you know who wrote the main theme?
Do you know that Jarrett played both books of The well tempred kalabvier by Bach yeras befores this concert. I imagine those works influeced him in this concert.
The theme is by Jarrett
FChopin 3 years ago
dude, I have no idea what you mean. Didn't I write "main theme....previously written by Jarrett"??? What I am trying to convey is the fact that HE DID NOT IMPROVISE THE MAIN THEME and that's the core of the discussion, for goddamn's sake. Usually KJ would start these concerts from ZERO, but I doubt it was the case. Now, obviously I know that KJ not only played both books of preludes and fugues. He recorded the whole thing. The entire planet knows it...so, no lectures, please.
Justino111 3 years ago
Jarrett has not only recorded both books of the WTC but also the Goldberg Variations (on harpsichord), Handel's keyboard suites, Shostakovich's Preludes and Fugues. The influence is mutual: you can hear improvisation in his Bach and, definitely, Bach in his improvisations.
sasha42196 3 years ago
Greatest,as usual!!!
Anyway - anyone knows anyone else besides 2 of us playing improvised solo gigs?Just curious...
victorsethy 3 years ago
bellissimo e bravissimo...grazie a te maurizio che me lo hai fatto scoprire...la pace adesso e tornata sulla terra...c.
gini29307 3 years ago
The main theme is memorable
FChopin 3 years ago 3
All pianist's pianist! God!
aldcor 3 years ago
Heh, Jarrett says his mind is zero'd of all classic thought when playing jazz but I can sooo imagine him playing an intro to a jazz standard using this kind of material.
Not the exact piece of course but it's got the same dynamic, feel and just sounds similar to what he does frequently in his jazz intros.
Vayshen 3 years ago
this is Bach, but which work exactly?
thanks
pisamorena71 3 years ago
are you kidding us??? Bach??????????
Justino111 3 years ago
Actually, that might be the most bach-like music ever composed since Bach died. Bach and Jarrett have a lot in common, both being excellent at variations and improvisations. It's easy to imagine Bach sounding like this if he lived today.
But of course this isn't Bach, it's pure Jarrett.
mah93047 3 years ago 2
Haha :D . Found that very funny xD .
RaptorTeak 3 years ago
what?? Don't you know Glen Gould as a composer??? He wrote some ultra Bach-like stuff...obviously outdated and irrelevant but yet, Gould's compositions are truly Bachian as they follow the Fugue techniques precisely. KJ is a sort of 'free' adaptation of a style. In that sense, this is NOT the most bach-like music ever composed since Bach.
Justino111 3 years ago
magnifique
spkmtl08 3 years ago 2
How amazing...suddenly i want to cry...Thank you SO much for these moving things.
schuetze232007 4 years ago 3
I love this!
Alessandro1985 4 years ago 5
Keith Jarrett is - at the very least - one of the most SIGNIFICANT contributors to piano music. In fact - I believe he is THE most significant contributor of MY lifetime in terms of A) The uniqueness of what he has created and B) covering performance of the "classical" repertoire while being an equally significant jazz player. His music is very moving, and I always want to go play after I listen.
rjamesohio 4 years ago 3
Yes!
The most seminal musician-pianist. He synthesized musical traditions, unlike no else before him. The heart and technique of the ancient masters of the European high-art tradition, blended with northern New World music: Jazz...
Thanks to Miles Davies, anyway for giving guys like this a chance to further explore their own gifts.
imastering 4 years ago 4
Keith Jarrett was already playing with great musicians such as the Art Blakey's Jazz Messengers and Charles Lloyd before being hired by Miles Davis. In other words, thanks to Art Blakey and Charles Lloyd FIRST. Also, in music there is no such a thing as "the most seminal"...KJ is "one of the most seminal" musician-pianists...
Justino111 4 years ago
True, in music as in most of life there is not one to be the 'best'.. Miles was in a whole other league, however. He was a great American genius, and took well-known or not so well-known players propelling them to new levels.
The legacy of musical history bears witness. Now, Mr. Jarrettt's influence is widespread in modern pianists. At Berklee I remember students and teachers alike thought of him as genius too, with Herbie, Coltrane, McLaughlin, Tony Williams, Evans, former Miles sideman. Peace
imastering 3 years ago
I have already uploaded next parts of this concert. ;)
ThePianist20007 4 years ago
genius.
Ahnysupz 4 years ago
In near future I will upload next parts of this concert. Apart from next parts of this piece there are tracks named 'Wind' and 'Blues'.:)
ThePianist20007 4 years ago
So much beauty and depth in his playing...great solo work. Thanks for the post!!!!
smurf8575 4 years ago
This concerto was recorded on October 17, 1988 at the Salle Pleyel, in Paris, France in front of a live audience.
We are hearing a neo-baroque theme followed by an extraordinary and legenday 35 minutes improvisation in a dark style. This is one of the best performances in piano history.
Keith Jarrett is probably the best american pianist of the 20th century.
FChopin 4 years ago
FChopin: indeed this was a historical concert. The 2 works that followed the first part are equally gorgeous, specially The Wind. That said, I think it's always dangerous to affirm that Mr. X, Z, or Y is probably THE best american pianist (or whatever nation it may be) of the 20th century. Jarrett is one of a kind, a fantastic pianist and improvisor. But there is no such thing as THE best. Art is not a competition.
Justino111 4 years ago 2