I was listening to some other sarod files because I heard the instrument at a festival a couple of days, and I liked the instrument, but not the way it was being used. But this one is clearly the best file I have heard so far.
A lot of these newer sarod files remind me of vibrato singers, who drag out every note to hide their mistakes. I like this staccato style of playing much better. It suits the instrument more. Very clean sound--not all slurry.
I was listening to some other sarod files because I heard the instrument at a festival a couple of days, and I liked the instrument, but not the way it was being used. But this one is clearly the best file I have heard so far.
A lot of these newer sarod files remind me of vibrato singers, who drag out every note to hide their mistakes. I like this staccato style of playing much better. It suits the instrument more. Very clean sound--not all slurry.
do listen to 3 audio samples of gulfam ahmed khan, a descendant of ustad sukhavat hussain on youtube.with r.s.thakur on the tabla. to remind you of this style of playing.
1937? Was there video/TV in India then?The Sarod definitely looks like is of that era, Today's Sarods have evolved from these ones into one of the best Indian instruments (Lutes) in the world . Rabab obviously is a similar instrument in Afganistan which has stayed the same due to music restrictions in that country in the last century.
This kind of Taan kari is very rare these days. I heard ustad Vilayath Khan's 1954 recording that had similar taan kari. Please post more such recordings.
wow... I half think it's all been speed up because of the way it sounds and looks, but that's probably because they are so in tempo even at breakneck speeds. awesome!
He belongs to the Lucknow Shahjahanpur sarod gharana. His father was Shafayet Ali Khan (1848-1920). Shafayet's father Enayat Ali (1790-1833) was the first sarod player to tour overseas (England) in 1877. Sakhawat Hussain performed in Berlin in 1936 (at the time of the Olympics) and was rather distrubingly awarded a medal by Hitler. Irfan Khansahib b.1956 (Sakhawat's grandson) is the current kalifa of the gharana. He lives in Calcutta and is a good player himself.
How does he manage to hold the Sarod so steady while strumming it so vigorously with the right hand and playing fluidly with his left?!!!! As far as I can see, he is holding the Sarod way to the right. Is the sound chamber resting on the ground??!
fantastic right hand, but largely illustrative of the quantum leap that sarod music has taken post-1950 and the fact that it continues to evolve today.
yar india main TV kb aya??
SuperAaaaa123456 2 months ago
million dollar clip!!
SuperAaaaa123456 2 months ago
That was heavy man. Sounded like a Sonic Youth guitar freakout.
Machster10 4 months ago
A MILLION THANX.HES JUST SO FAST.not like most who just do vibrato.
diagreen 4 months ago
too.. rebaby
GatoradeIsNotJuice 5 months ago
very specific energy)
1eqinf 5 months ago
thats superlative performance.
MrGauravdev 7 months ago
it sounds like present day Rubab, mainly played in north west frontier and Afghanistan
12919ABSH 1 year ago
Fantastic bandish. I also learned this one from my Guru........
clemalford 1 year ago
Its like Trash-psychodelic metal but unplugged O.o . Love this fast , hardcore and epic feeling that made in me.
DraskyVanderhoff 1 year ago
@DraskyVanderhoff Lol.
chemoman1 1 year ago
This has been flagged as spam show
Wow! He was awesome!
I was listening to some other sarod files because I heard the instrument at a festival a couple of days, and I liked the instrument, but not the way it was being used. But this one is clearly the best file I have heard so far.
A lot of these newer sarod files remind me of vibrato singers, who drag out every note to hide their mistakes. I like this staccato style of playing much better. It suits the instrument more. Very clean sound--not all slurry.
szettner 1 year ago
Wow! He was awesome!
I was listening to some other sarod files because I heard the instrument at a festival a couple of days, and I liked the instrument, but not the way it was being used. But this one is clearly the best file I have heard so far.
A lot of these newer sarod files remind me of vibrato singers, who drag out every note to hide their mistakes. I like this staccato style of playing much better. It suits the instrument more. Very clean sound--not all slurry.
szettner 1 year ago
Thank you so much for this historic recording! Priceless.......
keshavbatish 1 year ago
oh yes and talking of the instrument he is playing...the same instrument has been used in gulfam ahmed s 2009 recordings elsewhere on youtube.
ambindia 2 years ago
@ambindia Hi ambindia -- where is that recording? I can find Gulfam Ahmed's videos on YouTube but he's not using this instrument in those. Thanks.
ac75 1 year ago
@ac75 look under ambindia on youtube for a series of recordings made in delhi on this same sarod that sukhavat hussain khan sahib is playing
vinaypande 1 year ago
do listen to 3 audio samples of gulfam ahmed khan, a descendant of ustad sukhavat hussain on youtube.with r.s.thakur on the tabla. to remind you of this style of playing.
ambindia 2 years ago
so effortless...WOW
stmpcol 2 years ago 5
1937? Was there video/TV in India then?The Sarod definitely looks like is of that era, Today's Sarods have evolved from these ones into one of the best Indian instruments (Lutes) in the world . Rabab obviously is a similar instrument in Afganistan which has stayed the same due to music restrictions in that country in the last century.
bethells86 2 years ago
Ustad Fayyaz Khan's tabla has such resonance, only a Kolkota tabla can sing like that. Beautiful music created by the late Ustads...
btw, what raag is this in?
add9191 2 years ago
My dad use to have "78's" of this music genre. After seeing this I want them back!
minutegongcoughs 2 years ago
This kind of Taan kari is very rare these days. I heard ustad Vilayath Khan's 1954 recording that had similar taan kari. Please post more such recordings.
ZAINUKHAN 2 years ago
khansaheb, if you have rare recordings such as Ustad Vilayat Khan please post them
sitarjeet 2 years ago
wow... I half think it's all been speed up because of the way it sounds and looks, but that's probably because they are so in tempo even at breakneck speeds. awesome!
Obakedake 2 years ago
he definatley knows how to twang the sarod. Amazing.
Timalady 3 years ago
like Afghan Rubab,
shafojan 3 years ago
wah nice , its really amazing video
ghamiwala 3 years ago
The days with no amplification or sound proof halls, just two greats sittin on the same rug, and fookin smashin it man!!!..thanks for the post :)
B21
MainzxLivewire 3 years ago
Wow..old style!! total class!!
RaagaDaAshiq 3 years ago
Is there a bit of rebab playing in this older style of sarod?..which I really like!
DBB90 3 years ago
an all-time great! wow!! the khan sahib left me speechless with his effortless virtuosity.
paagaldas 3 years ago
firey
lesterclaypool1 3 years ago
damn this is much too good
shreend 3 years ago
I studied in Lucknow with his son Ilyas Khan, but I never knew about this. Thanks to whoever posted it.
dansarod 3 years ago
very cool! love these old clips! have we lost something in music? why do these old clips rock so much?
marathimaruder 3 years ago 2
what is Fayyaz Khan's gharana???
theanhadnaad 4 years ago
Dehli
nasirtabla 3 years ago
Are you sure that this isn't Fayyaz Khan of the punjab Gharana..the son of Mian Malang Khan??
theanhadnaad 3 years ago
I'm not sure anymore,
sorry
nasirtabla 3 years ago
He belongs to the Lucknow Shahjahanpur sarod gharana. His father was Shafayet Ali Khan (1848-1920). Shafayet's father Enayat Ali (1790-1833) was the first sarod player to tour overseas (England) in 1877. Sakhawat Hussain performed in Berlin in 1936 (at the time of the Olympics) and was rather distrubingly awarded a medal by Hitler. Irfan Khansahib b.1956 (Sakhawat's grandson) is the current kalifa of the gharana. He lives in Calcutta and is a good player himself.
adrianstani1 3 years ago
he is a master indeed.I think level of imagination has risen but the level of competence has come down in classical music.
thanks for sharing
afgpiece 4 years ago
true we are fuckin asshloes that forgot this jewls but there is never late so...
shreend 3 years ago
Sarod sounds here like rebab, beautiful music!
Sangeet lover from Poland,
Hathi
HATHI01 4 years ago
thank you so much for posting this.
chickpead1234 4 years ago 6
Absolutely fantastic! What an ustad. The faster he plays, the better the music gets -- that's damn rare!
panchamkauns 4 years ago 2
jam session-indian style.
raffiq88 4 years ago
BRILLIANT<> BRILLIANT!!LOVED IT
tintala 4 years ago
How does he manage to hold the Sarod so steady while strumming it so vigorously with the right hand and playing fluidly with his left?!!!! As far as I can see, he is holding the Sarod way to the right. Is the sound chamber resting on the ground??!
farhadtarapore 4 years ago
Wow. Great old-style sarod playing. Simply wonderful. Can't be too many copies of this floating around!
monoceros9 4 years ago
Fantastic!!! these old masters were in a different league
jagzter 4 years ago
this is amazing.
dhurley05 4 years ago
Love the style of old bandish, masters of DiriDiri
drofla135drofla 4 years ago
Many thanks to the person who uploaded this Gem of an Archive.
bhilaj 4 years ago
fantastic right hand, but largely illustrative of the quantum leap that sarod music has taken post-1950 and the fact that it continues to evolve today.
tikshakaul 4 years ago
kya baat.... nice video.
Dhatirakita 4 years ago