Maybe turn off auto functions on camera. Experiment with that. You are already white saturated so what can it hurt? Might even add a surreal touch. Sound. Enhance higher frequencies. For TV announcer he needs to raise his voice, increase tension, he's trying to sell the story.
The zombies could use dirty unkempt hair, maybe a bit of white-face and dark around the eyes and the cheek hollows.
It also looks like you filmed with a MiniDV, when you're filming indoors try to get as much light on the set as you can (I had the same issue with 4 of my films), HUGE difference.
And in these kinds of black and white movies, especially for zombies, I'd suggest not using the CGI for the zombies. Take your characters whom were playing the zombies, and just dress them in different clothes with something over their face...you wont see the difference on screen
Obvious complaints, such as the sound effects being muffles, the acting appearing to be rushed, the end of the scenes being shown when the actor digresses, the random color in a black and white film, the beeps off camera being on the audio track, the few horrible transitions difficult to overlook, and the guy who looks like a Mexican clown giving your character water as he's running for his life, are all easily overlooked for an student film...try to improve some, and nice shooting
That crash was horrible. I liked how its in black and white but the blood is red. That was cool. A lot of good film noir. I don't know about the ending. Sequel?
We did finally make a sequel it took a long time. It should be on this same page, on the right window pane. If not, look under my director page for "There, In the Dark" parts one and two
Fill light for outdoors will do wonders.
Maybe turn off auto functions on camera. Experiment with that. You are already white saturated so what can it hurt? Might even add a surreal touch. Sound. Enhance higher frequencies. For TV announcer he needs to raise his voice, increase tension, he's trying to sell the story.
The zombies could use dirty unkempt hair, maybe a bit of white-face and dark around the eyes and the cheek hollows.
bhoogren 2 years ago
It also looks like you filmed with a MiniDV, when you're filming indoors try to get as much light on the set as you can (I had the same issue with 4 of my films), HUGE difference.
And in these kinds of black and white movies, especially for zombies, I'd suggest not using the CGI for the zombies. Take your characters whom were playing the zombies, and just dress them in different clothes with something over their face...you wont see the difference on screen
Frallon 2 years ago
Obvious complaints, such as the sound effects being muffles, the acting appearing to be rushed, the end of the scenes being shown when the actor digresses, the random color in a black and white film, the beeps off camera being on the audio track, the few horrible transitions difficult to overlook, and the guy who looks like a Mexican clown giving your character water as he's running for his life, are all easily overlooked for an student film...try to improve some, and nice shooting
Keep filming
Frallon 2 years ago
Oh wow, the logo I designed! with your guys' input of course.
Wow I remember most of those guys too, just not the names.
Oh there it is! lovely credits!
This is an amazing video! great job really!
-Patrice.
VeryVeryPanda 2 years ago
That crash was horrible. I liked how its in black and white but the blood is red. That was cool. A lot of good film noir. I don't know about the ending. Sequel?
Dissagreed 4 years ago
We did finally make a sequel it took a long time. It should be on this same page, on the right window pane. If not, look under my director page for "There, In the Dark" parts one and two
Roarn77 4 years ago
YAY FOR ARN77!!! Nice video man!
WhatsY0UTUB3 4 years ago