Could anyone perhaps explain the description to me? P section with a PAC and final module approaching the Medial Caesura, although the MC and proceeding MC-fill posses a problem as they to don't appear to be in the dominate key as we would expect
It's a really talented starting. I like what you put on.
Good work to be if you continue.
I'm a pianist as an artist for 33 and a composer for 50 years now almost in every fields of music, so I know what I'm talking about. Cheer up and work! You're very good! :)
You have some good ideas but you don't do anything with them. That eastern-sounding clarinet theme, for instance, could be developed more (think Rimsky-Korsakov). As a composer, you're free to write what you want, of course. However, it's not always effective to mix styles so often as here. Also, let your orchestral colors "flow" more than having them enter and exit so abruptly. As you work on this further, put yourself in the listener's place. Don't ask their ears to shift gears so much.
Exuse me, you cannot know what can wil happen further on to the ideas of the composer in question you mention in your comment.
Your opinion relative in the first place and the problem is you put in the focus a few common things what are slightly important,really. But ignore that the sound and feeling what we can here in this demo is a really gifted starting.
Sorry if I made mistakes in my English, this language is not my mother tongue.
@JJRaff18221882 Pardon my french but you're full of .... Why wouldn't you want to make it interesting for the listener? I liked the ideas and I suspect the themes will develop more further on, after I've been distracted by beautiful new colors. And don't try to sound like Rimsky-Korsakov, while a good composer, this guys fragmentality surely outshines in potential, that which Rimsky-Korsakov accomplished.
I like this. thank god not another illiterate american kid writing happy music for a commercial.This reminds me of the coloring of a Sibelius symphony. I prefer Grisey,Tristan Murail but the orchestration and colors here are fantastic. 1:27 is marvelous .A pulse but so really not ordinary. This is the kinda stuff tht says u are in da 2oth century.FINALLY !
I'm definitely more of a tonalist rather than twelve-tone/Second Viennese School of composing. You can absolutely justify the atonal section as being a complete contrast to some to wonderful harmonies in the opening. I'm not really a theorist, its just that I haven't found true rapture and a compositional voice in twelve tone/serialism/etc. But hey, that is what makes us composers. Each has his own voice. Don't listen to those theorists, they're the same ones that say I'm old fashioned.
Being a College Music drop out I don't fully understand the theory behind the piece, but I enjoyed it all the same, and in the end thats the most important part of any piece.
Whats with the sudden surge of atonality of the end of your idea? Your the writer and many may like that but i my self would scrap it and try and develop the starting part further. It was so good until that. The atonal part doesnt really gel would be good as a seperate piece maybe? The intro part was fantastic though. (Y)
Hey I'm interested in your score, where can I find it?
gr4l9um20b7o 3 months ago
Wow, this is really cool!
Particularly:
Could anyone perhaps explain the description to me? P section with a PAC and final module approaching the Medial Caesura, although the MC and proceeding MC-fill posses a problem as they to don't appear to be in the dominate key as we would expect
LOTRzagorath 4 months ago
It's a really talented starting. I like what you put on.
Good work to be if you continue.
I'm a pianist as an artist for 33 and a composer for 50 years now almost in every fields of music, so I know what I'm talking about. Cheer up and work! You're very good! :)
Gábor
composer54 6 months ago
Comment removed
composer54 6 months ago
This has been flagged as spam show
It sounds like something that should be in the Lord of the Rings! excellent!! The beginning anyway!!!
Galvin2319 7 months ago
Comment removed
Galvin2319 7 months ago
You have some good ideas but you don't do anything with them. That eastern-sounding clarinet theme, for instance, could be developed more (think Rimsky-Korsakov). As a composer, you're free to write what you want, of course. However, it's not always effective to mix styles so often as here. Also, let your orchestral colors "flow" more than having them enter and exit so abruptly. As you work on this further, put yourself in the listener's place. Don't ask their ears to shift gears so much.
JJRaff18221882 8 months ago
@JJRaff18221882
Exuse me, you cannot know what can wil happen further on to the ideas of the composer in question you mention in your comment.
Your opinion relative in the first place and the problem is you put in the focus a few common things what are slightly important,really. But ignore that the sound and feeling what we can here in this demo is a really gifted starting.
Sorry if I made mistakes in my English, this language is not my mother tongue.
Sincerely,
Gábor Kemény
composer54 6 months ago
@JJRaff18221882 Pardon my french but you're full of .... Why wouldn't you want to make it interesting for the listener? I liked the ideas and I suspect the themes will develop more further on, after I've been distracted by beautiful new colors. And don't try to sound like Rimsky-Korsakov, while a good composer, this guys fragmentality surely outshines in potential, that which Rimsky-Korsakov accomplished.
vincentizghra 5 months ago
Very interesting. Pass on my channel, I posted my first two first compositions for orchestra. watch?v=5gAodsEKwuA
tiago3m 10 months ago
wow... This could have been Mahler if he had lived 20 more years :-O
Some advice... you should take your time: each theme in its time. And do not bump instruments out of nowhere; let them flow as they are needed.
Control the brainstorming ;-)
LordMgls 11 months ago
I like this. thank god not another illiterate american kid writing happy music for a commercial.This reminds me of the coloring of a Sibelius symphony. I prefer Grisey,Tristan Murail but the orchestration and colors here are fantastic. 1:27 is marvelous .A pulse but so really not ordinary. This is the kinda stuff tht says u are in da 2oth century.FINALLY !
lovesGenet 1 year ago
Why do you hate theorists? I loved the 12 tone part! I mean it was a relatively tonal atonal part.
musicguy119 1 year ago
I'm definitely more of a tonalist rather than twelve-tone/Second Viennese School of composing. You can absolutely justify the atonal section as being a complete contrast to some to wonderful harmonies in the opening. I'm not really a theorist, its just that I haven't found true rapture and a compositional voice in twelve tone/serialism/etc. But hey, that is what makes us composers. Each has his own voice. Don't listen to those theorists, they're the same ones that say I'm old fashioned.
nickmaestro 1 year ago
it sounds a little bit like star wars
kommunikator60 1 year ago
Have you written anything further on this ?
Mquiezt 1 year ago
Being a College Music drop out I don't fully understand the theory behind the piece, but I enjoyed it all the same, and in the end thats the most important part of any piece.
Metaphysiical 1 year ago
Whats with the sudden surge of atonality of the end of your idea? Your the writer and many may like that but i my self would scrap it and try and develop the starting part further. It was so good until that. The atonal part doesnt really gel would be good as a seperate piece maybe? The intro part was fantastic though. (Y)
gigeorge17371 1 year ago
It kind of sounds like it's in Final Fantasy 7.
FocusShift92 1 year ago
Some one else who thinks like me!
..wow
sutphoe 2 years ago
Nice, some beautiful harmonies. Seems to me what it needs most is a strong melodic streak to unify things...
mephyman 2 years ago
sounds like sumthin from zelda
missmistro 2 years ago
A really beautiful piece!
earthatic 2 years ago
That was a really nice piece! :D Keep up the good work!
boredomavenger 2 years ago