A music teacher who knew Getz (1963) said that every time he visited him at his LA residence, Getz was practicing practicing practicing. He'd do arpeggios over and over in every key, based on every note, major and minor, in the scale. After four hours practice he'd stop and rest up for his night's gig. There was nothing he wanted to play that he couldn't play. Riffs were the same, repeated on every note the sax has, many very complex and fast, until he'd done them perfectly.
what a wonderful photo. I'll have one like it in a few years....
zaxapitsa5 1 month ago
good music
fusionjazz4 2 months ago
流れるようなﾃﾅｰ･ﾌﾚｰｼﾞﾝｸ､ｽﾀﾝ･ｹﾞｯﾂがいてﾃﾅｰｼﾞｬｽﾞ界はまあっていった｡見事な生き様、見事な”星影のステラ” #jazzm
blackandtanful 2 months ago
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whenmyguitar 4 months ago
This is a great solo - this early work - easily my favorite Getz.
sirtubbyhayes 4 months ago
The Dharma Bums, Jack Kerouac (1958), brought me here.
VaticanExplosion 6 months ago
@VaticanExplosion Me too!
yoorheinez 4 months ago
@VaticanExplosion That's a great book.
Telephoneinstyrofoam 3 months ago
A music teacher who knew Getz (1963) said that every time he visited him at his LA residence, Getz was practicing practicing practicing. He'd do arpeggios over and over in every key, based on every note, major and minor, in the scale. After four hours practice he'd stop and rest up for his night's gig. There was nothing he wanted to play that he couldn't play. Riffs were the same, repeated on every note the sax has, many very complex and fast, until he'd done them perfectly.
pvelectric 6 months ago 10