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  • Very nice fugal writing. Could you post the PDF of this piece just the way way you have on this video? This would make a nice piece to play on the pipe organ. If you have the time, try to make the full 24-fugue cycle of compositions (something that I am attempting to do) ;-D

  • @gngeannakakes I have posted a link to the score in the video description.

  • great fugue! there's just one thing I noticed; from the moment the bassoon enters til 1:06, he doesn't stop playing at all: he needs to breath! you have top always remember to let woodwind players breath, unlike strings who can play without ever stopping. Otherwise great job!

  • @afffred Thanks for noticing that! It would take a superhuman bassoonist to play it.

  • Vivaldi would be proud.

  • lovely :-)

  • Lovely! Vivaldi would have been proud.

  • Splendid! What's your training?

  • @NihilNominis: Thank you very much. I took a semester of theory in college, but otherwise I'm self-taught.

  • @Contrapunctus1750 Excellent. That gives me hope!  I've been observing, reading scores, just listening, and learning organ performance for quite some time now, always with an eye towards composition, but I never had the guts to start. Style had always stood in the way - I didn't know what style of music one ought to write. To-day, I'm writing my first important composition - the organ music for the first mass (Tridentine!) of a local priest. Baroque. Wish me luck!

  • @NihilNominis: Best of luck. There's no such thing as too much good Baroque music, in my opinion.

  • especially as these intruments have different tone colers.. by the way what instrument did you use to record it? I'm sure its not live recoding? is it finale's GPO? caus I can see the font you've used is finale's 'maestro' for sure.

  • @misn100 - This was notated in Sibelius and recorded with a general MDI soundfont called "Merlin" that I found free on the 'net.

  • oh yes I can understand.. the stretto's doesn't contain the full subject but only the function of the stretti.. as I think about in counterpoints. the sounds are most effective usually in 3voices. of course depends on the musical situation though...so I just asked... as I heard again.. yes the entries of the subject is effective by having a rest before it...

  • I enjoyed it!! a stretto fuga for sure.. but did you have to leave some measures empty as 2 voice..?

  • @misn100 .. Thanks. In fact, none of the stretti are "real," but they serve the same purpose as true stretti.

    I think the 2 voice writing provides necessary variety and makes the entries of the theme more effective.

  • Amazing !!!

  • Good work! *****

  • A beautiful work...

  • amazing !!!!

  • A nice take on the red priest - takes me back to my old violin lessons :-)

  • An attractive subject brilliantly worked out--with augmentation, even!

    Bravo, Tom!

  • Thanks for uploading this wonderful piece of music. Congratulations!

  • Thank you. I'm glad you enjoyed it.

  • I really did! Looking forward listening to your next composition, hopefully contrapuntal too.

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