Very nice fugal writing. Could you post the PDF of this piece just the way way you have on this video? This would make a nice piece to play on the pipe organ. If you have the time, try to make the full 24-fugue cycle of compositions (something that I am attempting to do) ;-D
great fugue! there's just one thing I noticed; from the moment the bassoon enters til 1:06, he doesn't stop playing at all: he needs to breath! you have top always remember to let woodwind players breath, unlike strings who can play without ever stopping. Otherwise great job!
@Contrapunctus1750 Excellent. That gives me hope! I've been observing, reading scores, just listening, and learning organ performance for quite some time now, always with an eye towards composition, but I never had the guts to start. Style had always stood in the way - I didn't know what style of music one ought to write. To-day, I'm writing my first important composition - the organ music for the first mass (Tridentine!) of a local priest. Baroque. Wish me luck!
especially as these intruments have different tone colers.. by the way what instrument did you use to record it? I'm sure its not live recoding? is it finale's GPO? caus I can see the font you've used is finale's 'maestro' for sure.
oh yes I can understand.. the stretto's doesn't contain the full subject but only the function of the stretti.. as I think about in counterpoints. the sounds are most effective usually in 3voices. of course depends on the musical situation though...so I just asked... as I heard again.. yes the entries of the subject is effective by having a rest before it...
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Hi,i am looking for a fugue speciallist to tell me what is that chromatic fugue:
youtube.com/watch?v=yotypIIavlQ&list=HL1326399726&feature=mh_lolz
I found it as notes and then i made it with a music notation program
Enlightenment82 1 month ago
Very nice fugal writing. Could you post the PDF of this piece just the way way you have on this video? This would make a nice piece to play on the pipe organ. If you have the time, try to make the full 24-fugue cycle of compositions (something that I am attempting to do) ;-D
gngeannakakes 6 months ago
@gngeannakakes I have posted a link to the score in the video description.
Contrapunctus1750 6 months ago
great fugue! there's just one thing I noticed; from the moment the bassoon enters til 1:06, he doesn't stop playing at all: he needs to breath! you have top always remember to let woodwind players breath, unlike strings who can play without ever stopping. Otherwise great job!
afffred 1 year ago
@afffred Thanks for noticing that! It would take a superhuman bassoonist to play it.
Contrapunctus1750 6 months ago
Vivaldi would be proud.
edurbrow 1 year ago
lovely :-)
dwsolo 1 year ago
Lovely! Vivaldi would have been proud.
dddhgg 1 year ago
Splendid! What's your training?
NihilNominis 1 year ago
@NihilNominis: Thank you very much. I took a semester of theory in college, but otherwise I'm self-taught.
Contrapunctus1750 1 year ago
@Contrapunctus1750 Excellent. That gives me hope! I've been observing, reading scores, just listening, and learning organ performance for quite some time now, always with an eye towards composition, but I never had the guts to start. Style had always stood in the way - I didn't know what style of music one ought to write. To-day, I'm writing my first important composition - the organ music for the first mass (Tridentine!) of a local priest. Baroque. Wish me luck!
NihilNominis 1 year ago
@NihilNominis: Best of luck. There's no such thing as too much good Baroque music, in my opinion.
Contrapunctus1750 1 year ago
especially as these intruments have different tone colers.. by the way what instrument did you use to record it? I'm sure its not live recoding? is it finale's GPO? caus I can see the font you've used is finale's 'maestro' for sure.
misn100 1 year ago
@misn100 - This was notated in Sibelius and recorded with a general MDI soundfont called "Merlin" that I found free on the 'net.
Contrapunctus1750 1 year ago
oh yes I can understand.. the stretto's doesn't contain the full subject but only the function of the stretti.. as I think about in counterpoints. the sounds are most effective usually in 3voices. of course depends on the musical situation though...so I just asked... as I heard again.. yes the entries of the subject is effective by having a rest before it...
misn100 1 year ago
I enjoyed it!! a stretto fuga for sure.. but did you have to leave some measures empty as 2 voice..?
misn100 1 year ago
@misn100 .. Thanks. In fact, none of the stretti are "real," but they serve the same purpose as true stretti.
I think the 2 voice writing provides necessary variety and makes the entries of the theme more effective.
Contrapunctus1750 1 year ago
Amazing !!!
chopping77 1 year ago
Good work! *****
GKesik 2 years ago
A beautiful work...
MVLausun 2 years ago
amazing !!!!
pcma1970 2 years ago
A nice take on the red priest - takes me back to my old violin lessons :-)
dwsolo 2 years ago
An attractive subject brilliantly worked out--with augmentation, even!
Bravo, Tom!
apollonmusagete 2 years ago
Thanks for uploading this wonderful piece of music. Congratulations!
tocalpianix 2 years ago
Thank you. I'm glad you enjoyed it.
Contrapunctus1750 2 years ago
I really did! Looking forward listening to your next composition, hopefully contrapuntal too.
tocalpianix 2 years ago