JOSEF "YOSSELE" ROSENBLATT (May 9, 1882 - June 19, 1933) was a Ukrainian-born chazzan (cantor) and composer. He was regarded as the greatest cantor of his time.
Molto Bello!!! Thank you for sharing this video.
Rosenblatt was born on May 9, 1882 in Bila Tserkva, Ukraine. The scion of a long line of cantors Rosenblatt's devoutly religious upbringing prevented him from receiving formal musical training at any of the great academies of his day. He began his career as a member of the local synagogue choir. Quickly lauded as a "wunderkind", or child prodigy, Rosenblatt's solo career was launched.
Molto Bello!!! Thank you for sharing this video.
He accepted his first full-time position in Munkacs, Hungary at the age of eighteen. Shortly afterword he relocated to Bratislava. He later occupied a position in Hamburg, Germany. In 1912 he moved to Harlem to take a position at the Ohab Tsedek orthodox congregation.
Molto Bello!!! Thank you for sharing this video.
Rosenblatt's fame extended beyond the Jewish world earning him large concert fees, a singing role in the 1927 film The Jazz Singer, and the sobriquet "The Jewish Caruso".
Molto Bello!!! Thank you for sharing this video.
Style -- He was known for his extraordinary technique (which he used primarily in cantillation), for the sweetness of his timbre, and for his unique ability to transition from normal voice to falsetto with hardly any noticeable break at all.
Style -- His technique in cantillation was unique. Notes were hit remarkably accurately at high speeds. Appoggiaturas, similarly, were struck near perfectly, both rhythmically and on pitch.
Style -- His fame spread so far that Toscanini appealed to him to sing the leading role in Fromental Halévy's La Juive, but Rosenblatt replied that he would only use his vocal gift for the glory of God, in service to his religion. Notably, he turned down a "Golden Hello" from the Chicago opera house because it violated his religious principles.
Style -- Rosenblatt corresponded with many of the great tenors of his day. It is told that upon hearing Rosenblatt sing "Elli Elli" Enrico Caruso was so moved that he ascended the stage and kissed him.
Legacy -- Rosenblatt perhaps exerted the greatest influence on cantorial music's "Golden Age". He led the transition from the more freestyling cadenza-laden approach prevalent before his era, to a more structured, metered style.
Legacy -- Rosenblatt pioneered the use of several cantorial techniques which have subsequently been adopted by cantors around the world. These include his trademark krekhts, or sob in which he would deliberately allow his voice to crack to convey the emotion of what he was singing.
Legacy -- He also developed a realistic soprano falsetto as a method of easing the strain on his overworked voice. A prolific composer, more than one hundred and eighty pieces of his have been preserved.
Legacy -- Rosenblatt's great-grandsons include Rabbi Dr. Jonathan Rosenblatt of the Riverdale Jewish Center and Rabbi Andrew Rosenblatt of Congregation Schara Tzedeck in Vancouver.
Legacy -- Since the 78 RPM era, Rozenblatt's recordings have been re-issued many times in LP and CD format. In recent years a set of 3 CDs Od Yosef Chai containing restored versions of 78s of Rosenblatt's performances has been issued by Mostly Music, a Brooklyn record store.
... Vie traurig finster vert, Ven Gott nehmt ihr oyf Oylam habu. 3. In vasser in fayer, Vollt zie geloffn fahr ihr kind, Nisht halt'n ihr tayer. Dus iz geviss di greste Zind. Oy vie gliklach een raych Is der Mensch vus hut, Ah za shayne matune geschenkt feen Gott, nur ain altechke Yiddishe Mamma, Oy! Mamme mein!
Ich vill bay aych a kashe freygen, Zugt mir ver es ken, Mit velche tayere farmaygns, Bensht Gott allamen? Men koift dus nisht mit kayne gelt, Dus git men nur im zist, een duch az men farlirt es oy feel treren men fargist. Ah tzveite git men kainem nit, es helft nisht kein givein, Ah hoy! ver es hut farloiren, Der vays shoyn vus ich mayn. 2. Ah yiddishe mamma, es gibt nisht besser oif der welt. Ah yiddishe Mamma Oy vey vi bitter ven zie fehlt, Vie shayn een lichtig eez in Hois, Ven die mama's du
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YonaArieFeinberg 1 month ago
כך כך חסר לנו האיש הטוב הזה. נעים זמירות
ramiyovell 3 months ago
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JOSEF "YOSSELE" ROSENBLATT (May 9, 1882 - June 19, 1933) was a Ukrainian-born chazzan (cantor) and composer. He was regarded as the greatest cantor of his time.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
This has been flagged as spam show
Rosenblatt was born on May 9, 1882 in Bila Tserkva, Ukraine. The scion of a long line of cantors Rosenblatt's devoutly religious upbringing prevented him from receiving formal musical training at any of the great academies of his day. He began his career as a member of the local synagogue choir. Quickly lauded as a "wunderkind", or child prodigy, Rosenblatt's solo career was launched.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
This has been flagged as spam show
He accepted his first full-time position in Munkacs, Hungary at the age of eighteen. Shortly afterword he relocated to Bratislava. He later occupied a position in Hamburg, Germany. In 1912 he moved to Harlem to take a position at the Ohab Tsedek orthodox congregation.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
This has been flagged as spam show
Rosenblatt's fame extended beyond the Jewish world earning him large concert fees, a singing role in the 1927 film The Jazz Singer, and the sobriquet "The Jewish Caruso".
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
He died on June 19, 1933 in Jerusalem.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Style -- He was known for his extraordinary technique (which he used primarily in cantillation), for the sweetness of his timbre, and for his unique ability to transition from normal voice to falsetto with hardly any noticeable break at all.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Style -- His technique in cantillation was unique. Notes were hit remarkably accurately at high speeds. Appoggiaturas, similarly, were struck near perfectly, both rhythmically and on pitch.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Style -- His fame spread so far that Toscanini appealed to him to sing the leading role in Fromental Halévy's La Juive, but Rosenblatt replied that he would only use his vocal gift for the glory of God, in service to his religion. Notably, he turned down a "Golden Hello" from the Chicago opera house because it violated his religious principles.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Style -- Rosenblatt corresponded with many of the great tenors of his day. It is told that upon hearing Rosenblatt sing "Elli Elli" Enrico Caruso was so moved that he ascended the stage and kissed him.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Legacy -- Rosenblatt perhaps exerted the greatest influence on cantorial music's "Golden Age". He led the transition from the more freestyling cadenza-laden approach prevalent before his era, to a more structured, metered style.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Legacy -- Rosenblatt pioneered the use of several cantorial techniques which have subsequently been adopted by cantors around the world. These include his trademark krekhts, or sob in which he would deliberately allow his voice to crack to convey the emotion of what he was singing.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Legacy -- He also developed a realistic soprano falsetto as a method of easing the strain on his overworked voice. A prolific composer, more than one hundred and eighty pieces of his have been preserved.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Legacy -- Rosenblatt's great-grandsons include Rabbi Dr. Jonathan Rosenblatt of the Riverdale Jewish Center and Rabbi Andrew Rosenblatt of Congregation Schara Tzedeck in Vancouver.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
Legacy -- Since the 78 RPM era, Rozenblatt's recordings have been re-issued many times in LP and CD format. In recent years a set of 3 CDs Od Yosef Chai containing restored versions of 78s of Rosenblatt's performances has been issued by Mostly Music, a Brooklyn record store.
Molto Bello!!! Thank you for sharing this video.
MrGer2295 4 months ago
This Brings Tears to my eyes !!! So Beautiful
Wehategod 1 year ago 4
shmelke30 1 year ago
shmelke30 1 year ago