cool...I'm sure you could think of it in any meter, as long as it adds up to the right number of 8th notes (64 I think). Also over time, I probably am not playing it totally accurately but looser, so that could make it harder hear....I think I came up with it by playing in 12 and then just seeing what would happen if I drop a beat at the end, then later saw if I could do long pattern that could be heard as 8 bars of 4/4.
I tried to learn the pattern at the beginning just by ear without thinking about the 11/8 9/8, and i'm feeling it like two bars of 11/4 (10/4 + 1)and then one of 10/4, is this drastically different from the 11/8 9/8 combination? cause i can't really figure out how 12/8 minus one eighth note fits in...
I enjoy the "random" close ups of Drew Gress' fingers (considering that I am a bassist), and all of this footage for that matter. The rhythmic integrity of this group is incredible. Bravo.
I play a pattern that adds up to 8 bars of 4/4....it is basically a lot like a 12/8 pattern with 1 8th note cut off (so 11/8) for 5 bars and then a bar of 9/8...hope that helps! thanks for listening john
I disagree with you "jkrendel"... While I can sort of see your point, I personally have been fascinated with watching how rythm section players react musically to soloists, so In a sense I prefer the way this was edited, but maybe that's just me.. But John, thank you so much for adding these videos, I have seen Claudia 4 times in NYC and I have blown away every time! If you have any more footage , please post it!
There is no editing...the Stubnitz has 2 or 3 camera people and a live mixer. After the gig, they hand you a DVD...the originals of each camera don't even exist anymore. So, considering that I think it is pretty cool. But I totally understand your feelings, I myself, like the more straight forward views, but there are not that many. Do you know the Jarrett trio videos which show keith's face or feet during Jack's solo. I think this is only something that musicians understand get. John
um the editing on this kind of sucks. like, come on, can we please have only shots of chris while he's soloing, not a random close-up of drew gress' fingers? blah.
i can't stop watching these videos. buying the album(s)
jazzyoz 1 year ago
omg speed is sick as fuck.
jazzyoz 1 year ago
WOW!
earrelevantmusic 1 year ago
Holy crap, this is awesome
DiabolicBadger 2 years ago
i just talked to aaron staebell about it, and i kinda get it now.
EastmanLP 2 years ago
cool...I'm sure you could think of it in any meter, as long as it adds up to the right number of 8th notes (64 I think). Also over time, I probably am not playing it totally accurately but looser, so that could make it harder hear....I think I came up with it by playing in 12 and then just seeing what would happen if I drop a beat at the end, then later saw if I could do long pattern that could be heard as 8 bars of 4/4.
John
johnehollenbeck 2 years ago
Question for John:
I tried to learn the pattern at the beginning just by ear without thinking about the 11/8 9/8, and i'm feeling it like two bars of 11/4 (10/4 + 1)and then one of 10/4, is this drastically different from the 11/8 9/8 combination? cause i can't really figure out how 12/8 minus one eighth note fits in...
also, how did you come up with it?
thanks,
Eastman
EastmanLP 2 years ago
this is awesome =) i went to the clinic you guys had at reed college, the rhythm section nearly made me fall out of my seat. keep up the great work !
munkeey1123 2 years ago
I enjoy the "random" close ups of Drew Gress' fingers (considering that I am a bassist), and all of this footage for that matter. The rhythmic integrity of this group is incredible. Bravo.
mbeshara1 2 years ago
Hi Matt,
I play a pattern that adds up to 8 bars of 4/4....it is basically a lot like a 12/8 pattern with 1 8th note cut off (so 11/8) for 5 bars and then a bar of 9/8...hope that helps! thanks for listening john
johnehollenbeck 2 years ago
Thanks, it makes way more sense to me when i feel it like a 12/8 thing.
MattLeGroulx 2 years ago
what in the heck is that rhythm your playing on the cowbell at the beginning of this? i'm wracking my brain trying to figure it out.
MattLeGroulx 2 years ago
This stuff is so incredibly far out of sight as to require a bloody telescope to see the shit.
Cheers, John.
crustandcrumb 2 years ago
I disagree with you "jkrendel"... While I can sort of see your point, I personally have been fascinated with watching how rythm section players react musically to soloists, so In a sense I prefer the way this was edited, but maybe that's just me.. But John, thank you so much for adding these videos, I have seen Claudia 4 times in NYC and I have blown away every time! If you have any more footage , please post it!
jazzlover9534 2 years ago
Hi JK,
There is no editing...the Stubnitz has 2 or 3 camera people and a live mixer. After the gig, they hand you a DVD...the originals of each camera don't even exist anymore. So, considering that I think it is pretty cool. But I totally understand your feelings, I myself, like the more straight forward views, but there are not that many. Do you know the Jarrett trio videos which show keith's face or feet during Jack's solo. I think this is only something that musicians understand get. John
johnehollenbeck 3 years ago
um the editing on this kind of sucks. like, come on, can we please have only shots of chris while he's soloing, not a random close-up of drew gress' fingers? blah.
jkrendel 3 years ago