I give most of my music away for free under a creative commons license for non commercial use. I am happy that people want to download my music and share it. But if you can afford to pay, and would like to help me and other struggling artists like me to make a living, then why not consider some of the alternatives, for example…. (See my post below, and thankyou, we need your help and support.)
If you are looking for quality, original, hassle free, legal, inexpensive, soundtrack music for your next Youtube video or short film....try "Rumblefish Friendly Music" Just follow the link in the "About Me" section on my page. Only $1.99 per track. (Some good songs...not just library music).
EARN 35000-120000/MONTH LEARN FILM & TV EDITING (FCP,AVID)7 MONTH COURSE UNDER FTII FILM EDITORS AT EDIT RHYME.100%JOB SUPPORT,GIVE MISS CALL 9167711799
In 1997, I attended the filming of of a situation comedy entited "Goode Behavior" starring Herman Hemsley. It was shot at Paramount. After every scene someone would shout out, "Check the gates!" They were using 16mm Panavision cameras. An older cameraman was kind enough to talk to me between takes. They won't have to "check the gates" once everything is shot on video. At the end of the filmming, Mr. Hemsley said goodbye to each person in the audience. He said to me, "Take care Bro."
Some of the comments here are really frustrating. It's not that digital editing has made it possible for "anybody" to be an editor, no more than buying a guitar makes you Jimi Hendrix. Mastery of software has nothing to do with classical principles of film editing, which are as fundamental to our enjoyment/comprehension of a film as a grasp of grammar and style are to a good book. Some say new editors are breaking the old rules, but you can't break a rule you've never learned.
Exactly, I have people in my editing class who have superior knowledge of the software--but when it comes to screening their work, it's shit. Just because you know some cool tricks with Final Cut Pro does not make you an superior 'editor'.
@wingchundragon ... That's a KEM not a Steenbeck. Back then, just like today, editors would argue endlessly about the relative merits of each editing system. KEMs worked better with 35mm film and were the equivalent of the modern Avid. Steenbecks worked better with 16mm film were the equivalent of Adobe Premiere.
Final Cut Suite with all of its mega firepower has no analog equivalent. ;-)
@sabotkick So far as I know, Spielberg is shooting on film, but I doubt he's still editing on film. If I'm not mistaken, Saving Private Ryan was the last Oscar winning film to have been edited the old fashioned way. Since then, they've transferred film footage to digital for the editing process, and then transferred that back to film for theatrical distribution. This is an especially common practice for CGI heavy films, something Spielberg is no stranger to.
@chimpiki In a few years, they won't have to transfer the digital back to film anymore. The digital hard drive will be sent out to theaters, or downloaded to theaters. This is already happening in many larger multiplexes.
@catholicpriest1 Yes of course, but it's a damn shame. Everyone should opt (as often as they can) to see genuine film prints while it's still an option. Praise filmmakers like Spielberg, Paul Thomas Anderson, Quentin Tarantino, and Christopher Nolan who still and rightfully believe in the magic of watching 24 frames flicker through light. I'm not going to bash digital cinematography though, it's definitely got its own merits, but if I had all the money in the world, I'd shoot 100% on film.
@catholicpriest1 Interesting that majoy motion pictures are still shot on 35mm film. Filmmakers like the softer, more subtle, look of film. Once the look of digital video matches the look of film....adios film. The economics will determine the whole thing.
Wow, that' s funny, I haven't seen this in a while. I just realized the clueless director is his real life brother James L. Brooks. His other brother, Super Dave Osborne, steals the movie with what I think is the funniest scene in the whole film as the persuasive salesman in the sporting good store. Great flick.
Wow, that' s funny, I haven't seen this in a while. I just realized the clueless director is his real life brother James L. Brooks. His other brother, Super Dave Osborne, steals the movie with what I think is the funniest scene in the whole film as the persuasive salesman in the sporting good store. Great flick.
Gerkinstock -- Like an actor handed a script, the editor's gotta do as much as he/she can with what they get. We have to invest! Find the merit in the moment, the arc, the performance, whatever. If we can invest enough, we can make crap palatable, palatable stuff watchable, watchable stuff enjoyable and enjoyable stuff great! Tho it seems like silly minutia, every decision in post can make a huge difference...as this scene so brilliantly illustrates. LOL.
I also think this whole space movie plot that Brooks stuck into the movie was a little swipe at the whole Star Wars explosion that had just occurred which changed movies from character driven to action driven. Brooks is making a statement about that by showing how silly this whole space scene really is, and they are nitpicking over small lines and pounding footsteps. Again, subtle, but why include it? He's taking a shot at what he sees the movie industry becoming.
Albert Brooks is the most underappreciated and underrated comedy film director of the last 40 years. Real Life, Modern Romance, Lost in America, Defending Your Life all classic. Real Life singlehandedly predicted the reality TV explosion over 30 years before it happened.
Brilliant! I miss cutting on film. Been on an Avid for over a decade. There's something I miss about the tactile quality of making film splices, and the thought that went into something before you made a cut. Also, the way the scene plays out is so true to the reality of what happens in the biz.
@kinomontage I know how you feel. I've done some computer editing but recently acquired a 6-plate 35mm KEM. I plan to edit on film again as I love the smell and sense of an old cutting room. Feels like you're really hand-crafting something as opposed to the digital realms.
That reminds me for every dumb A&R guy i had to deal with in the music biz when i submitted a final mix..."Although the new mix you submitted is punchier and more exciting...we are going to go with the old mix" "so change it back"
Yes, that's what is amazing about this movie. In addition to being one of the funniest movies of all time, it is also one of the best movies about movie-making of all time. Completely underrated.
"Why do I want to meet George Kennedy?"
"You're going to do the footsteps tomorrow? I'll introduce you, you can look at his feet."
@purpleninja1724 Because sometimes it's about "I LOVE that line!" and not about the pith. And sometimes it's like, "maybe you're right, but let's do it the other way."
Cool, I have to see this movie now, it looks very funny. I studied filmmaking in college, and I loved editing, even though a lot of my friends couldn't be bothered and always wanted to be "out there shooting". But editors are indeed great storytellers!
Hilarious! I'm a film editor and have worked with people like this "director." This is SPOT ON! Generally the best storytellers in the cutting room are the editors, since its their job to see the big picture, not just how each scene works separately. Inevitably, someone with no story sense and tremendous affection for their own minor contributions comes in and dumbs down a piece. I'm telling you, this is SO accurate. Brilliant.
hey man, im a film student and ive been going to Video Symphony for the past 5 month and its great. it a Film and Audio editing school with great people and industry standard top of the line equipment. i can work while i go to school to which ill be doing soon and after a year you will get a high paying job anywhere. if film editing is truly your passion then please check out their website and let me know what you think.
lol. i never said i know i'll be effortlessly rich, you sarcastic prick. i said ill have a high paying job (after i graduate and with some effort getting my name out) in a matter of a year. i made that perfectly clear.
don't be jealous because i have my goals in reach and you still have to talk shit about strangers with your big mouth to feel special... very sad.
ill be sure to run you over with one of my Porsches in the near future.
Depending on what you think a high paying jobs is, you may feel disappointed. Sadly due to the digital editing explosion in the last 20 years any kid with a computer can get a job now. FCP editiors are paid much less than Avid editors I've heard, but not confirmed. The main problem however is that the powers that be don't care how good or dedicated to your job you are, but how cheap you are.
Good luck in any case. I've been working in post production for more than 10 years.
but i think ill manage. I'm not in it for the money but a good paying career comes 2nd to my passion of storytelling. Im now a pro at AVID, FCP, VEGAS, AFTEREFFECTS, PHOTOSHOP AND MAYA,
I am not at all concerned about " the powers that are don't care how good or dedicated to the job I am" but how cheap my rate is. u might be a professional but you are nothing like me because in ur mind you are average, in my mind i know it takes more than what you've got.
not "any kid" can do what i do, that is insulting and you should think before you state something stupid like that. I've gone to technical school and prior to that i've been editing for more than 3 years so i think i know more than the average "kid"/you can be in the industry for 30 years for all i care, but if u think in terms of how much profit one makes or what program is better or in a general despondent and skeptical attitude , then my friend u're in the wrong biz & u forgot what its about.
whatever you're intentions were, it came off very arrogant &i don't like arrogant people that think boundaries can't be broken.
hostility and anger? no, im just annoyed. I'm a very ambitious person that doesn't like it when other people tell a person something can't be done no matter how hard you try. that is just plain ridiculous and i wouldn't have the nerve to say things like that. it's a very black and white way of thinking and I can never be that obtuse and shallow.
@mamakunem - i think all that mongobobo meant was this: editing used to be a very specific craft that paid highly because it was hard to do, and now, pretty much anyone can learn to edit so long as they have a computer and some spare time. It's made editors much less in demand, because the industry is overflowing with them.
It's the same as modern home recording techniques allow any musician to put music out if they want, what with myspace, youtube and various other platforms.. and didgital photography has taken a lot of the skill out of photography, so now anyone can take great pictures etc etc.. i don't think mongobobo was being harsh, he was simply letting you know what the industry was like
@MellowYellow6... The best editing for this film would probably have been to cut the entire movie and dump it in the trash. It's funny to see editors and filmmakers so excited over something so awful, though.
This is the ONLY good scene in the movie.
SenorCajones 3 weeks ago
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I give most of my music away for free under a creative commons license for non commercial use. I am happy that people want to download my music and share it. But if you can afford to pay, and would like to help me and other struggling artists like me to make a living, then why not consider some of the alternatives, for example…. (See my post below, and thankyou, we need your help and support.)
Ghostlymuso 1 month ago
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If you are looking for quality, original, hassle free, legal, inexpensive, soundtrack music for your next Youtube video or short film....try "Rumblefish Friendly Music" Just follow the link in the "About Me" section on my page. Only $1.99 per track. (Some good songs...not just library music).
Ghostlymuso 1 month ago
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EARN 35000-120000/MONTH LEARN FILM & TV EDITING (FCP,AVID)7 MONTH COURSE UNDER FTII FILM EDITORS AT EDIT RHYME.100%JOB SUPPORT,GIVE MISS CALL 9167711799
editrhyme 5 months ago
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NICE VIDEO
FILM EDITING AT EDITRHYME
editrhyme 5 months ago
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FILM EDITING AT EDITRHYME
editrhyme 5 months ago
"You're gonna tip it"
63Poonie 8 months ago
"You know nothing...I love that line !!"
63Poonie 8 months ago
In 1997, I attended the filming of of a situation comedy entited "Goode Behavior" starring Herman Hemsley. It was shot at Paramount. After every scene someone would shout out, "Check the gates!" They were using 16mm Panavision cameras. An older cameraman was kind enough to talk to me between takes. They won't have to "check the gates" once everything is shot on video. At the end of the filmming, Mr. Hemsley said goodbye to each person in the audience. He said to me, "Take care Bro."
catholicpriest1 8 months ago
Some of the comments here are really frustrating. It's not that digital editing has made it possible for "anybody" to be an editor, no more than buying a guitar makes you Jimi Hendrix. Mastery of software has nothing to do with classical principles of film editing, which are as fundamental to our enjoyment/comprehension of a film as a grasp of grammar and style are to a good book. Some say new editors are breaking the old rules, but you can't break a rule you've never learned.
Nikatsu 10 months ago 9
Exactly, I have people in my editing class who have superior knowledge of the software--but when it comes to screening their work, it's shit. Just because you know some cool tricks with Final Cut Pro does not make you an superior 'editor'.
NeoTRP 9 months ago
Are James L. and Albert Brooks related?
polghirstenskoetter 1 year ago
Classic :)
laughingcrows 1 year ago
"Better that than to have this... little...mysterioso"
jjtcorsair 1 year ago
WOW...The old steinbecks! When u had many cuts on your hands from editing real film!....thank God for Avid and final cut
wingchundragon 1 year ago
@wingchundragon ... That's a KEM not a Steenbeck. Back then, just like today, editors would argue endlessly about the relative merits of each editing system. KEMs worked better with 35mm film and were the equivalent of the modern Avid. Steenbecks worked better with 16mm film were the equivalent of Adobe Premiere.
Final Cut Suite with all of its mega firepower has no analog equivalent. ;-)
RocketSprocket 9 months ago
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thank god for the new technology.
Y2JROCKFAN 1 year ago
Where is this from?
haleysphere 1 year ago
man im an avid editor...i cant imagine editing on actual film...blows my mind, Spielberg is still editing this way.
sabotkick 1 year ago
@sabotkick yes sir! Old school!
wingchundragon 1 year ago
@sabotkick So far as I know, Spielberg is shooting on film, but I doubt he's still editing on film. If I'm not mistaken, Saving Private Ryan was the last Oscar winning film to have been edited the old fashioned way. Since then, they've transferred film footage to digital for the editing process, and then transferred that back to film for theatrical distribution. This is an especially common practice for CGI heavy films, something Spielberg is no stranger to.
chimpiki 9 months ago
@chimpiki In a few years, they won't have to transfer the digital back to film anymore. The digital hard drive will be sent out to theaters, or downloaded to theaters. This is already happening in many larger multiplexes.
catholicpriest1 8 months ago
@catholicpriest1 Yes of course, but it's a damn shame. Everyone should opt (as often as they can) to see genuine film prints while it's still an option. Praise filmmakers like Spielberg, Paul Thomas Anderson, Quentin Tarantino, and Christopher Nolan who still and rightfully believe in the magic of watching 24 frames flicker through light. I'm not going to bash digital cinematography though, it's definitely got its own merits, but if I had all the money in the world, I'd shoot 100% on film.
chimpiki 8 months ago
@catholicpriest1 Interesting that majoy motion pictures are still shot on 35mm film. Filmmakers like the softer, more subtle, look of film. Once the look of digital video matches the look of film....adios film. The economics will determine the whole thing.
catholicpriest1 8 months ago
@chimpiki Not true. I worked in the cutting room on MUNICH and Michael Kahn still cuts on an upright moviola, and still does to this day.
blu1026 8 months ago
@blu1026 Cool.
chimpiki 8 months ago
This guy represent some sort of intellectual jewish comedy philosphy..very much like star treks..
wisesatyr72 1 year ago
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Wow, that' s funny, I haven't seen this in a while. I just realized the clueless director is his real life brother James L. Brooks. His other brother, Super Dave Osborne, steals the movie with what I think is the funniest scene in the whole film as the persuasive salesman in the sporting good store. Great flick.
misohai 1 year ago
Wow, that' s funny, I haven't seen this in a while. I just realized the clueless director is his real life brother James L. Brooks. His other brother, Super Dave Osborne, steals the movie with what I think is the funniest scene in the whole film as the persuasive salesman in the sporting good store. Great flick.
misohai 1 year ago
@misohai James L. is not Albert's brother. Albert and Super Dave's real last name is Einstein.
gluecement 11 months ago
As an editor i freaking love this & i live this. LOL
KENOFKENS46 1 year ago
Gerkinstock -- Like an actor handed a script, the editor's gotta do as much as he/she can with what they get. We have to invest! Find the merit in the moment, the arc, the performance, whatever. If we can invest enough, we can make crap palatable, palatable stuff watchable, watchable stuff enjoyable and enjoyable stuff great! Tho it seems like silly minutia, every decision in post can make a huge difference...as this scene so brilliantly illustrates. LOL.
MellowYellow6 1 year ago
I want to punch you in the face too.
blacktopaz8 1 year ago
This is one of my favorite scenes in comedy movies, for some bizaare reason...Albert Brooks is hilarious!
BobfromSalem 1 year ago
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I also think this whole space movie plot that Brooks stuck into the movie was a little swipe at the whole Star Wars explosion that had just occurred which changed movies from character driven to action driven. Brooks is making a statement about that by showing how silly this whole space scene really is, and they are nitpicking over small lines and pounding footsteps. Again, subtle, but why include it? He's taking a shot at what he sees the movie industry becoming.
TheHumungous 1 year ago
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Albert Brooks is the most underappreciated and underrated comedy film director of the last 40 years. Real Life, Modern Romance, Lost in America, Defending Your Life all classic. Real Life singlehandedly predicted the reality TV explosion over 30 years before it happened.
TheHumungous 1 year ago
He's a good film editor.
ddr122 1 year ago
The other editor was the kid in 'A Thousand Clowns'.
jayscott49 1 year ago
hahahaha i've had this talk so many times... this scene is incredibly accurate. hilarious.
LicoriceWarrior 1 year ago
Brilliant! I miss cutting on film. Been on an Avid for over a decade. There's something I miss about the tactile quality of making film splices, and the thought that went into something before you made a cut. Also, the way the scene plays out is so true to the reality of what happens in the biz.
kinomontage 2 years ago 2
As an editor do you feel like you can tell the differnece between movies edited the old fashioned way and ones edited using software?
mwells219 2 years ago
I can't. Different methods to get the same results.
poolboyinla 1 year ago
@kinomontage I know how you feel. I've done some computer editing but recently acquired a 6-plate 35mm KEM. I plan to edit on film again as I love the smell and sense of an old cutting room. Feels like you're really hand-crafting something as opposed to the digital realms.
ibanezman1025 2 years ago
amazeing how they edited back then, if they acidentaly cut the wrong scene, that must have been a pain
midprod 2 years ago
WOW! This is pre-8-track days! Reminds me of interviewing neighbors with my cassette recorder strapped around my shoulder.
Remember those Super-8 movie projectors, and how those stupid bulbs would over heat and blow out? Now THAT's a buzz kill!
fannynoise 2 years ago
hey thanks!!! nice video!!
kentavang 2 years ago
This is such a classic scene ... I laugh at how David taps on the editing machine and says "something's wrong with this".
cinemavirtualis 2 years ago
this is what im talking about
Jacobisgrowing 2 years ago
What do you think that floor is?
It looks like carpet.
No, it is. I mean more in the reality of the motion picture.
I don't know, space floor?
. . .
How much do you think the communicator weighs?
Maybe it doesn't weigh anything, you ever think of that? Maybe it's up there on one of those planets with no gravity.
greg5566 2 years ago
That reminds me for every dumb A&R guy i had to deal with in the music biz when i submitted a final mix..."Although the new mix you submitted is punchier and more exciting...we are going to go with the old mix" "so change it back"
RichTancredi 2 years ago
One of the funniest movies of all time, along with Real Life.
Larsbolander 2 years ago
This is hilarious material.
jeabo0adhd 2 years ago
To quote the motorcycle cop in "Lost in America": great scene!!
saintsubversive 2 years ago 2
Bruno Kirby talks like Joe Pesci.
GarfieldVsSnoopy 2 years ago
yeah.. that's how the editing goes on.... pretty much same. great clip.
walzade 2 years ago
Yes, that's what is amazing about this movie. In addition to being one of the funniest movies of all time, it is also one of the best movies about movie-making of all time. Completely underrated.
"Why do I want to meet George Kennedy?"
"You're going to do the footsteps tomorrow? I'll introduce you, you can look at his feet."
You know nothing!
greg5566 2 years ago
Albert Brooks is a genius, way underrated.
Real Life
Lost In America
Defending Your Life
itstheowner 2 years ago 4
Comment removed
CoolGuyBeta 3 years ago
I was always very amused by this movie, and by this scene.
GetMeThere1 3 years ago
I want to punch myself in the face for wanting to be an editor.
iancorey 3 years ago 20
@iancorey why? what's wrong with editing??
purpleninja1724 1 year ago
@purpleninja1724 Because sometimes it's about "I LOVE that line!" and not about the pith. And sometimes it's like, "maybe you're right, but let's do it the other way."
iancorey 1 year ago
Cool, I have to see this movie now, it looks very funny. I studied filmmaking in college, and I loved editing, even though a lot of my friends couldn't be bothered and always wanted to be "out there shooting". But editors are indeed great storytellers!
Ethergirl 3 years ago 4
I have always loved this scene! It is a classic!
It's funny! However in my opinion very true about filmmaking and film editing! You don't want to give away everything in the first act or first reel!
214scifi 3 years ago 2
Hilarious! I'm a film editor and have worked with people like this "director." This is SPOT ON! Generally the best storytellers in the cutting room are the editors, since its their job to see the big picture, not just how each scene works separately. Inevitably, someone with no story sense and tremendous affection for their own minor contributions comes in and dumbs down a piece. I'm telling you, this is SO accurate. Brilliant.
MellowYellow6 3 years ago 28
Comment removed
BipolarPics 3 years ago
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hey man, im a film student and ive been going to Video Symphony for the past 5 month and its great. it a Film and Audio editing school with great people and industry standard top of the line equipment. i can work while i go to school to which ill be doing soon and after a year you will get a high paying job anywhere. if film editing is truly your passion then please check out their website and let me know what you think.
mamakunem 3 years ago
You should buy a couple of Porsches in advance, since you know you'll be rich.
FussbettSanitario 2 years ago
lol. i never said i know i'll be effortlessly rich, you sarcastic prick. i said ill have a high paying job (after i graduate and with some effort getting my name out) in a matter of a year. i made that perfectly clear.
don't be jealous because i have my goals in reach and you still have to talk shit about strangers with your big mouth to feel special... very sad.
ill be sure to run you over with one of my Porsches in the near future.
take care, FuckbedSantana.
mamakunem 2 years ago
Can I get your autograph?
FussbettSanitario 2 years ago
Hi mamakunem,
Depending on what you think a high paying jobs is, you may feel disappointed. Sadly due to the digital editing explosion in the last 20 years any kid with a computer can get a job now. FCP editiors are paid much less than Avid editors I've heard, but not confirmed. The main problem however is that the powers that be don't care how good or dedicated to your job you are, but how cheap you are.
Good luck in any case. I've been working in post production for more than 10 years.
mongobobo 2 years ago
thanks for the discouraging words :)
but i think ill manage. I'm not in it for the money but a good paying career comes 2nd to my passion of storytelling. Im now a pro at AVID, FCP, VEGAS, AFTEREFFECTS, PHOTOSHOP AND MAYA,
I am not at all concerned about " the powers that are don't care how good or dedicated to the job I am" but how cheap my rate is. u might be a professional but you are nothing like me because in ur mind you are average, in my mind i know it takes more than what you've got.
mamakunem 2 years ago
not "any kid" can do what i do, that is insulting and you should think before you state something stupid like that. I've gone to technical school and prior to that i've been editing for more than 3 years so i think i know more than the average "kid"/you can be in the industry for 30 years for all i care, but if u think in terms of how much profit one makes or what program is better or in a general despondent and skeptical attitude , then my friend u're in the wrong biz & u forgot what its about.
mamakunem 2 years ago 2
Wow, you've got a lot of hostility and anger there. Sorry that my post caused that for you. Wasn't my intention at all.
mongobobo 2 years ago
whatever you're intentions were, it came off very arrogant &i don't like arrogant people that think boundaries can't be broken.
hostility and anger? no, im just annoyed. I'm a very ambitious person that doesn't like it when other people tell a person something can't be done no matter how hard you try. that is just plain ridiculous and i wouldn't have the nerve to say things like that. it's a very black and white way of thinking and I can never be that obtuse and shallow.
take care.
mamakunem 2 years ago
@mamakunem - i think all that mongobobo meant was this: editing used to be a very specific craft that paid highly because it was hard to do, and now, pretty much anyone can learn to edit so long as they have a computer and some spare time. It's made editors much less in demand, because the industry is overflowing with them.
maffew1234 2 years ago
It's the same as modern home recording techniques allow any musician to put music out if they want, what with myspace, youtube and various other platforms.. and didgital photography has taken a lot of the skill out of photography, so now anyone can take great pictures etc etc.. i don't think mongobobo was being harsh, he was simply letting you know what the industry was like
maffew1234 2 years ago
Comment removed
tzs138 2 years ago
@MellowYellow6... The best editing for this film would probably have been to cut the entire movie and dump it in the trash. It's funny to see editors and filmmakers so excited over something so awful, though.
Gerkinstock 1 year ago 2
Albert Brooks is God.
Mysticvan 3 years ago 2