Je préfère l'autre mais cela montre les ressources inventives de ce Genie absolu dont la 1ère Etude la célèbre op2 n 1 a été composée à 13 ans je crois!!
I personally prefer the other version, because the transition to the F sharp minor in the second part is so deep. Also, the final part is better, I think. Is like something consumed by the flames, which is in fact the Scriabin's theory. That's what I think.
@jjp009 It seems the pianist is Michael Ponti, who is certainly no amateur It's a fine performance (albeit a poorly engineered recording) that is faithful to both the letter of the score and the spirit of the music. In fact, Ponti proves here to be among the few who both understands and conveys the affective function of the "zov", that short-to-long rhythmic particle so crucial to Scriabin's compositional aesthetics.
@MertezAad Yeah, you're right. I've since heard this version played by several other fine pianists, and it's legit. I guess after 20 years of listening to the other version, this sounded so screwed up to me that I couldn't accept it.
This version was played by Mickaêl Ponti and is included in his complete recordings of Skryabin 's piano music ( That I recommend in spite of of a poor sound due to the recording ...)
Il faudrait suggérer au prodigieux Boris Berezovky de jouer les deux versions l'une après l'autre ! Quelle dommage que Vladimir Horowitz n'ait jamais enregistré cette version !
this version is more...melodic i guess, but if you listen to somebody like Kissin playing the "original" version, there is a certain tension that isn't captured at all in this versionl
Are we sure this is not a hoax or a very good parody? Like Dudley Moore playing Beethoven? This version seems so inferior to the original, I cannot imagine that Scriabin actually wrote it.
This version is just superb...I love this Etude very much,anyway is difficult to make a choose between the first and the second,,in my favourits,thanks.
@rachman1noff There is a now out-of -print private edition of much of Scriabin's lesser known piano music (some which went unpublished in his lifetime, including this alternate version of the D sharp etude), published by the late Donald Garvelman. Or you can write me; as I can sell you a copy of the score.
The two versions make fascinating comparison, but there are some rather odd moments in this one such as in the juxtaposition of G sharp and G natural in b. 29. Some of the momentum in the middle of the more familiar version, achieved by the modulations, seem to be lost. Here it sort of wallows away in E major/minor without going anywhere. I wonder about the origins of this version - was it published in Scriabin's lifetime?
@ScriabinFanatic The material on IMSLP is derived from an edition published in 1947. Op. 8 was first published in 1894, but was this 'revised' version (which in my view is distinctly inferior) really published either in 1894 or 1895 shortly after? It could have stemmed from a manuscript.
i think this verision is very diffrenrt. The mood is diffrent, espeiclly in the climax it keeps pushing forward. as for the middle calm section, its more of a nocturnish like figure, bravo! this verison should be played just as much as the first one
I love this version, but I don't like Ponti, absolutely. There's a good performance by Setrak. Oh, I dont' like Setrak too, but he's much better than Ponti.
@TheEngraver I also love this version but I don't like Ponti playing this version. There's a good performance by Setrak, but I don't like Setrak either though he's much better than Ponti whom I don't think I like. I like the performance by Setrak, though I don't really like him but he's better than Ponti. At least I think he's better than Ponti. Setrak is certainly better than Ponti but I'm not that keen on that other guy. It's a toss up between Setrak, Ponti, and the other guy.
I love the left hand marcato in 1:26 and agree with all who prefer this to the original version. It's more... "chopinesque" or more romantic instead of post-romantic. And the 1:59 part improves a lot the abrupt coda of the original (the cadenza of modulated octaves).
Yes. One of them was here before mid-2008, when I had downloaded it right before it was deleted. See the channel name "f1f1f1s", it has been reuploaded recently!
I love this version and Ponti's playing. Particularly, I like this recording better than Chitose Okashiro's (which I use to have up), though I think she plays with better dynamics.
I like the version (which seems to have been slightly complexified by Scriabin) but I am disappointed by M.Ponti's rendition. I have the impression that he actually reached his technical limits here ...
I don't think its his technical limits. Ponti has recorded an amazing amount of rare virtuoso music. To me this recording sounds very controlled. I would have preferred a more improvisational sound to it.
I agree that my impression may not reflect the reality. Ponti is indeed a virtusoso pianist but I have the feeling that he is suffering when playing this piece. This feeling may come from the fact that his rendition is indeed very controlled.
Michael Ponti. It is on the Scriabin 5 cd full piano collection. Although it is a lie about being the full piano collection because it is lacking some late late works.
Like most composers (like myself), Scriabin also felt that improvements needed to be done, however we all have to learn that the first time is good enough.
i did drugs today, im a worthless piece of shit, this masterpiece reminds me that im human
spartan1081990 1 month ago
A most interesting version!
gerardbedecarter 1 month ago
This version is too fruity. Lacks the darkness and depth of the original.
blaxors 2 months ago
I love this version, i think it´s more deep into emotions
alfonsomoraza 2 months ago
Why isn't the last two chords FF? I can barely hear the first one! In the score they are indicated so!
HandyTheXxxX 3 months ago
both are really nice pieces...I'm sure if Horowitz had got his hands on this he would have made it sound amazing
rgrannell1 3 months ago
did i comment and give thanks for posting this piece already...if not, many thanks
SFsFinest1 4 months ago
Who is playing here??
Bluetooth6483 4 months ago
Je préfère l'autre mais cela montre les ressources inventives de ce Genie absolu dont la 1ère Etude la célèbre op2 n 1 a été composée à 13 ans je crois!!
jeanlucchapelon 4 months ago
I personally prefer the other version, because the transition to the F sharp minor in the second part is so deep. Also, the final part is better, I think. Is like something consumed by the flames, which is in fact the Scriabin's theory. That's what I think.
mathmus100 7 months ago
This one's better than the original! Is this the second version?
richardmakarovprice 7 months ago
Nah, sorry. It sounds like a bunch of mistakes played by an amateur, who then decided to improvise when he/she couldn't find the right notes.
jjp009 10 months ago
Comment removed
guirlandes3 7 months ago
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@jjp009 It seems the pianist is Michael Ponti, who is certainly no amateur It's a fine performance (albeit a poorly engineered recording) that is faithful to both the letter of the score and the spirit of the music. In fact, Ponti proves here to be among the few who both understands and conveys the affective function of the "zov", that short-to-long rhythmic particle so crucial to Scriabin's compositional aesthetics.
guirlandes3 7 months ago
@jjp009 I doubt any pianist would be able to improvise something like this out of the original by mistake lol
MertezAad 7 months ago
@MertezAad Yeah, you're right. I've since heard this version played by several other fine pianists, and it's legit. I guess after 20 years of listening to the other version, this sounded so screwed up to me that I couldn't accept it.
jjp009 7 months ago
dios mio.. this is absolutely fascinating.. this is like mixed original passion of 12 etude and the spirit of tango.. Breathtaking...
gipsymustang 1 year ago
This version was played by Mickaêl Ponti and is included in his complete recordings of Skryabin 's piano music ( That I recommend in spite of of a poor sound due to the recording ...)
kaidaniev 1 year ago
Il faudrait suggérer au prodigieux Boris Berezovky de jouer les deux versions l'une après l'autre ! Quelle dommage que Vladimir Horowitz n'ait jamais enregistré cette version !
fredg304 1 year ago
Il faudrait suggérer au prodigieux Boris Berezovky de jouer les deux versions l'une après l'autre !
fredg304 1 year ago
this version is more...melodic i guess, but if you listen to somebody like Kissin playing the "original" version, there is a certain tension that isn't captured at all in this versionl
fledgehog 1 year ago
i could only dream of this etude played like this(even though i think if other more "well-known" pianists play it, it could be played even better)
nmbanana 1 year ago
Are we sure this is not a hoax or a very good parody? Like Dudley Moore playing Beethoven? This version seems so inferior to the original, I cannot imagine that Scriabin actually wrote it.
2587Luna 1 year ago
@2587Luna Yes, Scriabin wrote it, and it was published in 1895.
HUNTPIECENIGGA 1 year ago
This version is just superb...I love this Etude very much,anyway is difficult to make a choose between the first and the second,,in my favourits,thanks.
Ellinidara 1 year ago
Does anyone know where I might find the sheet music to this little ditty?
rachman1noff 1 year ago
@rachman1noff It is available on IMSLP
ScriabinFanatic 1 year ago
@rachman1noff There is a now out-of -print private edition of much of Scriabin's lesser known piano music (some which went unpublished in his lifetime, including this alternate version of the D sharp etude), published by the late Donald Garvelman. Or you can write me; as I can sell you a copy of the score.
guirlandes3 7 months ago
I wonder why he ignored the FF at the last two chords :S Didn't make anything better IMO...
addeex1 1 year ago
The two versions make fascinating comparison, but there are some rather odd moments in this one such as in the juxtaposition of G sharp and G natural in b. 29. Some of the momentum in the middle of the more familiar version, achieved by the modulations, seem to be lost. Here it sort of wallows away in E major/minor without going anywhere. I wonder about the origins of this version - was it published in Scriabin's lifetime?
wrdna58 1 year ago 2
@wrdna58 Yes according to the sheet music I had seen on IMSLP for it, it was published not very long after the first version was published.
ScriabinFanatic 1 year ago
@ScriabinFanatic The material on IMSLP is derived from an edition published in 1947. Op. 8 was first published in 1894, but was this 'revised' version (which in my view is distinctly inferior) really published either in 1894 or 1895 shortly after? It could have stemmed from a manuscript.
wrdna58 1 year ago
@wrdna58 I have no idea about its origin then as I must have misinterpreted IMSLP when I saw it on there.
ScriabinFanatic 1 year ago
@ScriabinFanatic Perhaps the editor in 1947 found a manuscript of this version and decided to publish it. I'd love to find out.
wrdna58 1 year ago
Very interesting to have this alternative version of Scriabin's celebrated etude,
gerardbedecarter 1 year ago
i think this verision is very diffrenrt. The mood is diffrent, espeiclly in the climax it keeps pushing forward. as for the middle calm section, its more of a nocturnish like figure, bravo! this verison should be played just as much as the first one
chopianst 2 years ago
I love this version, but I don't like Ponti, absolutely. There's a good performance by Setrak. Oh, I dont' like Setrak too, but he's much better than Ponti.
TheEngraver 2 years ago
@TheEngraver I also love this version but I don't like Ponti playing this version. There's a good performance by Setrak, but I don't like Setrak either though he's much better than Ponti whom I don't think I like. I like the performance by Setrak, though I don't really like him but he's better than Ponti. At least I think he's better than Ponti. Setrak is certainly better than Ponti but I'm not that keen on that other guy. It's a toss up between Setrak, Ponti, and the other guy.
lewars1912 1 year ago
@lewars1912 what the fuck?
Martel211996 1 year ago
@Martel211996 I was responding to the comment by TheEngraver. It's a crazy world lol.
lewars1912 1 year ago
some time ago I found one other recording of this piece on youtube. It was a movie in which the sheet music is shown. But I can't find it anymore...
josvanr 2 years ago 2
By a Japanese pianist... unhappily removed from YouTube.
BarNuun 2 years ago
Scriabin looks like a Turkish sultan.
chopinandliszt 2 years ago 4
Scriabin looks like Eugene Hütz head on.
plotinuspoestjohn 2 years ago
I love the left hand marcato in 1:26 and agree with all who prefer this to the original version. It's more... "chopinesque" or more romantic instead of post-romantic. And the 1:59 part improves a lot the abrupt coda of the original (the cadenza of modulated octaves).
mordent17 2 years ago 2
Whoa but I hate the fff-ppp ending. it sucks. At least, the pianist could have made it mf-p
mordent17 2 years ago 4
It is not "revised version". That one is just alternate. its the same situation like with Chopin's rondos.
PawelAlbinski 2 years ago
Are there any more recordings of the revised version?
JSAntares 2 years ago 8
I'm not sure, I only have this one is by Michael Ponti as pianist. Scriabin actually playing on his piano roll version is the original I think too.
ScriabinFanatic 2 years ago
I personally prefer this version and believe it's a shame that everyone else just plays the original.
JSAntares 2 years ago 19
it's more harmonically interesting and less monotonic than the first version, in my opinion.
chopinandliszt 2 years ago 3
@JSAntares I don't think so. This revision is really strange for early Scriabin.
TheRedArmy10 4 months ago
@JSAntares Anton Kuerti performed it in a televised broadcast on CBS' "Camera 3" back in the early 1970s I don't believe he ever recorded it.
guirlandes3 7 months ago
Comment removed
guirlandes3 7 months ago
@JSAntares
Yes. One of them was here before mid-2008, when I had downloaded it right before it was deleted. See the channel name "f1f1f1s", it has been reuploaded recently!
f1f1s 2 weeks ago
very interest!!!!
anermak 2 years ago
He's all the time changing of tonality LoL
hailkayy 2 years ago 4
This is very fascinating! Thank you for sharing :)
bellissimoz 2 years ago 3
better to start at 0:38
skryabyn 2 years ago
Comment removed
skryabyn 2 years ago
magic at 0:40 I like this version quite a bit!
skryabyn 2 years ago
I love this version and Ponti's playing. Particularly, I like this recording better than Chitose Okashiro's (which I use to have up), though I think she plays with better dynamics.
ReturnOfTheStienway 2 years ago
I like the version (which seems to have been slightly complexified by Scriabin) but I am disappointed by M.Ponti's rendition. I have the impression that he actually reached his technical limits here ...
JCHBONNET 2 years ago
I don't think its his technical limits. Ponti has recorded an amazing amount of rare virtuoso music. To me this recording sounds very controlled. I would have preferred a more improvisational sound to it.
ReturnOfTheStienway 2 years ago
I agree that my impression may not reflect the reality. Ponti is indeed a virtusoso pianist but I have the feeling that he is suffering when playing this piece. This feeling may come from the fact that his rendition is indeed very controlled.
JCHBONNET 2 years ago
Comment removed
maydengarNSBHS 2 years ago
Michael Ponti. It is on the Scriabin 5 cd full piano collection. Although it is a lie about being the full piano collection because it is lacking some late late works.
ScriabinFanatic 2 years ago
do you have it?
maydengarNSBHS 2 years ago
Yes I have it. It is a great CD and wasn't that expensive; just it lacks a couple later piano works
ScriabinFanatic 2 years ago
Comment removed
maydengarNSBHS 2 years ago
sheet or the audio file?
ScriabinFanatic 2 years ago
Comment removed
maydengarNSBHS 2 years ago
and "WHO" determines what the "first time" is ???? its up to the composer for that resolution,.
ironspokes 2 years ago
Like most composers (like myself), Scriabin also felt that improvements needed to be done, however we all have to learn that the first time is good enough.
musicencyclopedia 2 years ago