If you're using that E7 going to the A minor...a sweet voicing is the first inversion of the E7 because that puts you a half step away from your A minor. Another is the 2nd inversion of the E7 because you imply Chromaticism descending to the A minor and you can quickly reference the Bb as a passing tone.
Your teaching method is so simple & great ! thank you.It makes sense now when the information is delivered the way you do it.i would like to see a tutorial for methods of songwriting., what are the most practical and succesful methods of finding your notes.Sending you all by best wishes !
good stuff man, very clear and simple way of explaining. Anyone can overcomplicate things, it takes someone with real mastery to make it seem simple. thank you
Hi Milton, Hats off to u....I am from Bangladesh and an uneducated music composer. Will appreciate if you please help me to teach from Lesson 1 to end....I dont find your Lesson 5 after finishing this Video. My Skype - ezbdgroup. Convey my Love to your family :-)
it's not smart to think of "changing" the tonic temporarily.. it could even be considered "wrong" since you change the tonal centre repeatedly.
insted think of the secondary dominant as a very short ADDITIONAL sound to the current tonal centre, but the tonal centre does NOT change. so the "new" notes are better seen as alterations or new chromatic material for the old tonal centre.
example would be the turnaround: Imaj7 - VI7b9 - iimin7 - V7
the VI7 chord does NOT change to the tonic D..listen
Thank you, thank you so much - I am starting on a journey of jazz theory and improv. You're lessons are a blessing and a bridge to understanding harmony.
please continue to do gods work because their people that need you to show them the way to greatness you are allowed to keep what you have by giving it away. thank you so much!!!!!
please continue to do gods work bec ause their people that need you to show them the way to greatness you are allowed to keep what you have by giving it away. thank you so much!!!!!
Hi. I love the way you teach. I would like to be able to play in every key. I am older player trying to enhance my playing ability so i can play some of the up to date gospel and comptempary music like the younger folks.
ive played piano and guitar bass and drums for about 5 years now. and never really knew the basics of music and theory. just from watching your videos. i honestly feel that you help me build a better vision of would like to compose.
Thanks!! I heard that chord change of secondary dominant to temporary tonic before but couldn't work out how it was done, it is a chord change that I've always enjoyed hearing!! Great lesson!!! I am very grateful!!
Thank you for the video. I have one question: I guess from your last demonstration (going to a minor) that dominant 7th chord can be resolved by either a major or minor temporary tonic chord. Thus CEGBb can lead to a chord F major, but EG#BD can take the listener to an a minor temporary tonic. Am I right? Thank you.
Wonderful, wonderful stuff and thanks so much for having that camera guy stand behind you so the keyboard isn't upside down lol. Theory is so important because it transfers to any key and you make it so easy to understand. Great teaching, Bro. Thanks so much!
Wow..now I understand why...I was having a confusion because I used to see the pianist of my church playing in the key of C, but also hitting black notes and still sounded good, without losing that harmony....I couldn't understand that, I even thought it didn't make sense but now is clear.....thank you for your helpful lessons, since I'm the youth pianist, they count on me, and I count on people like you.....thank you...God bless you
great! I'm new to this - can you please clarify: you have these triads: Dm Em F G Am taken from C major harmonisation, you can build dominant 7ths a 5th above each which would make: A7, B7, C7, D7 and E7 the 5 secondary dominants of C major. I take it you don't build a dominant before the diminished triad? And all other dominant insertions would be modulations, sush as a Bb7 (which moves nicely for example back to C after |C C7|F Bb7 C|. What then is this called? Thanks!
Your videos are great man! Its great to be able to understand the theory behind all that your doing. Break down those other chords movements that you were doing when demonstrating the secondary dominants.
Thank you, Sir! 5 stars.. God Bless Indeed!
saschabudko 18 hours ago
very clear please do theorize
estrelasete 1 month ago
Please-Create yourself a cd tutorial-you have the Goods!!
Benvenuti8 1 month ago
This has been flagged as spam show
If you're using that E7 going to the A minor...a sweet voicing is the first inversion of the E7 because that puts you a half step away from your A minor. Another is the 2nd inversion of the E7 because you imply Chromaticism descending to the A minor and you can quickly reference the Bb as a passing tone.
Sn4pDr4gon 2 months ago
Comment removed
Sn4pDr4gon 2 months ago
Your teaching method is so simple & great ! thank you.It makes sense now when the information is delivered the way you do it.i would like to see a tutorial for methods of songwriting., what are the most practical and succesful methods of finding your notes.Sending you all by best wishes !
haikumood 2 months ago
Wow man this was great! Please keep posting!
kstevens0915 2 months ago
Fantastic ! At last someone who made me understand what a secondary dominant is, and how it is used. God bless
wasupthere 2 months ago
good stuff man, very clear and simple way of explaining. Anyone can overcomplicate things, it takes someone with real mastery to make it seem simple. thank you
CM1000 2 months ago
Thank you!
BluBeep 2 months ago
I know how to play it but Now I know what Im playing Thankyou
Apostolmcqueen 3 months ago
Truly a godsend...
equeezy 3 months ago
You have a great gift in not only performance, but instruction as well! Thank you!
thephunk1 4 months ago
thankyou! awesome stuff
McUltimate94 6 months ago
Wow that makes it way less complicated than I was making it and I am in Music College. Do something on Modulation :)
JLizardwolf 7 months ago
Hi Milton, Hats off to u....I am from Bangladesh and an uneducated music composer. Will appreciate if you please help me to teach from Lesson 1 to end....I dont find your Lesson 5 after finishing this Video. My Skype - ezbdgroup. Convey my Love to your family :-)
sajahmed77 7 months ago in playlist Milton Ruffin
even if your DVD's gonna cost me 100 bucks i would buy it for sure!
HanlinSG 8 months ago
Thank you so much, this helped me a great deal.
Shanelololol 8 months ago
WHAT YOU SAY!!! WE HAVE ANOTHER RUFFIN BEAST N KEYS!!!!! HOW ARE YOU FAMILY!!!!
terranceruffin 8 months ago
SUPER
sooneish 9 months ago
This is really Helpful God Bless you...
waletechniques 9 months ago
Comment removed
bthjake123 11 months ago
it's not smart to think of "changing" the tonic temporarily.. it could even be considered "wrong" since you change the tonal centre repeatedly.
insted think of the secondary dominant as a very short ADDITIONAL sound to the current tonal centre, but the tonal centre does NOT change. so the "new" notes are better seen as alterations or new chromatic material for the old tonal centre.
example would be the turnaround: Imaj7 - VI7b9 - iimin7 - V7
the VI7 chord does NOT change to the tonic D..listen
phnaag 11 months ago
If you want to do the secondary dominant of any chord in a key just drop the seventh of the 5th chord above the secondary tonic by a half a step.
a1Drummer07 1 year ago
Thank you, thank you so much - I am starting on a journey of jazz theory and improv. You're lessons are a blessing and a bridge to understanding harmony.
mysticonee 1 year ago
dude your a legend, i've been trying to get my head around this for an exam on tuesday
Evildounut 1 year ago
thank you so much!!
Cindayyee 1 year ago
So baked.
ChrisL4384 1 year ago 12
lol
decus69 1 year ago
Nice.
msgmorton 1 year ago
Thank you so much for this video. I am studying secondary dominants in Theory III, and this is exactly what I needed.
I appreciate your work!
Bunnyhop777 1 year ago
Thank you sincerely. I was a little puzzled about this element in my Harmony class. -Kindest Regards
coreymeuchel 1 year ago
you are the best teacher. i love your relaxed approach.
chrisptik 1 year ago
Thank you so much, this was so helpful!!
mariesalas1 1 year ago
Thank you so much, this we so helpful!!
mariesalas1 1 year ago
Through you I realize again God is awsome thank you it just what I needed
jmakell 1 year ago
This has been flagged as spam show
please continue to do gods work because their people that need you to show them the way to greatness you are allowed to keep what you have by giving it away. thank you so much!!!!!
jays5150ify 1 year ago
please continue to do gods work bec ause their people that need you to show them the way to greatness you are allowed to keep what you have by giving it away. thank you so much!!!!!
jays5150ify 1 year ago
Hi. I love the way you teach. I would like to be able to play in every key. I am older player trying to enhance my playing ability so i can play some of the up to date gospel and comptempary music like the younger folks.
Your teaching is the best i have every seen.
shaatutube 1 year ago
Thanks alot!
chirasmex 1 year ago
ive played piano and guitar bass and drums for about 5 years now. and never really knew the basics of music and theory. just from watching your videos. i honestly feel that you help me build a better vision of would like to compose.
thank you. i appreciate it.
Exhume2Consume 1 year ago
thank you very much very helpful
mivec25 1 year ago
omg i'm not retarded! thankyou!
Audraclaire 1 year ago
Amazing Sir, thank you -
LucasM4 1 year ago
youre awesome. thanks for the help!
grahammakesmovies11 1 year ago
c'etait parfait, merci
Larry
Lawkrry 1 year ago
thank you! :)
cuddlycows1 1 year ago
Thank You Great Lesson
737flyhigh 1 year ago
great videos
mehighpatzany 2 years ago
Thank You!! Keep up the good work!!
Crlsn 2 years ago
You were very clear, thank you.
sando015 2 years ago
spoke too soon! after watching a second time i understand perfectly. really beautiful sound progression
ICreamsodAI 2 years ago
great lesson! still kinda confused... but i can't wait to go over these in theory this year
ICreamsodAI 2 years ago
Thanks!! I heard that chord change of secondary dominant to temporary tonic before but couldn't work out how it was done, it is a chord change that I've always enjoyed hearing!! Great lesson!!! I am very grateful!!
jayjaygibbs 2 years ago
Thanks, i can now do my harmony hw, hopefully.
SobreVolar 2 years ago
Thank you for the video. I have one question: I guess from your last demonstration (going to a minor) that dominant 7th chord can be resolved by either a major or minor temporary tonic chord. Thus CEGBb can lead to a chord F major, but EG#BD can take the listener to an a minor temporary tonic. Am I right? Thank you.
ilkinond 2 years ago
Are you related to Professor Ruffin at Morehouse College? You look just alike and he teaches Piano.
tib1389 2 years ago
Wonderful, wonderful stuff and thanks so much for having that camera guy stand behind you so the keyboard isn't upside down lol. Theory is so important because it transfers to any key and you make it so easy to understand. Great teaching, Bro. Thanks so much!
zestymike48 2 years ago
Very helpful. It's nice to have a name to use for that chord function. Isn't the II minor used to establish a new key center along with the dominant?
Mooser42001 2 years ago
you're very helpful... Thanks... Keep it up! :)
xebetan 2 years ago
Thank you this was very helpful
PianoPlaya4Christ 2 years ago
Wow..now I understand why...I was having a confusion because I used to see the pianist of my church playing in the key of C, but also hitting black notes and still sounded good, without losing that harmony....I couldn't understand that, I even thought it didn't make sense but now is clear.....thank you for your helpful lessons, since I'm the youth pianist, they count on me, and I count on people like you.....thank you...God bless you
temetito922 2 years ago
great! I'm new to this - can you please clarify: you have these triads: Dm Em F G Am taken from C major harmonisation, you can build dominant 7ths a 5th above each which would make: A7, B7, C7, D7 and E7 the 5 secondary dominants of C major. I take it you don't build a dominant before the diminished triad? And all other dominant insertions would be modulations, sush as a Bb7 (which moves nicely for example back to C after |C C7|F Bb7 C|. What then is this called? Thanks!
dragondix 2 years ago
very well done video, thank you for your contribution to the study of music theory!
BoyantGreen 2 years ago
Comment removed
ugusmul 2 years ago
!!!! I just added a link to this video to this to the WIKIPEDIA definition for secondard dominants !!!
olarobbie 3 years ago
Come out with the DVD's...you are awesome......more people should hear about you...
emusicme2009 3 years ago 7
THANK YOU!!!
olarobbie 3 years ago
Your videos are great man! Its great to be able to understand the theory behind all that your doing. Break down those other chords movements that you were doing when demonstrating the secondary dominants.
gregpex 3 years ago
Thank you very much. I really appreciate this. I am going to have to go over it a couple times. Thanks again.
Niciefromthebland40 3 years ago
Thank You, I understand it better from a simplistic model. I am still stuggling building the secondary dominant on minor chords a bit.
countingcoup 3 years ago
Thank u so much
korgmathew 3 years ago
This is awesome!! More people should see this. Keep it up!
xFL1PPYx 3 years ago
Man
Where have you been?
Why couldnt you be my music teacher when I failed music theory In college. I eventually passed and learned it!!!
but you made it so simple and effortless!!!
You got to have a DVD of your lessons
All seriousness
Keep it up man
YJ
yawnjones 3 years ago
you are an awesome teacher. If you came out with a music theory video I would buy it
dareelbullet 3 years ago
thanks for clearing that up. your a great teacher!
illdoitagain 3 years ago
thanks basicprincipal!
torwald41 3 years ago
Whoa ,,,well said~!!
Feesharp9er 3 years ago
Thanks for this video, I'm learning new things
kidniceproductionz 3 years ago
Thanks, this helped.
1upMusician 3 years ago