Added: 8 months ago
From: lostinstgo2
Views: 18,015
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (20)

Sign In or Sign Up now to post a comment!
  • Jesus this is not a recent phenomena, house music s built on sampling. Don't like that concept, don't listen to it. No one is making the argument that tracks like this are as difficult to make as completely original material. But it takes classics and much beloved songs and makes them danceable. That's it. Get the hell over it.

  • I play this win i Hesitate

  • great flip of a katie kissoon classic

  • you wouldn`t believe who sent me here!

  • but pals don't you realize how easy lazy such music making is? no one was involved here just a sampler and a sequencer and a fantastic superior to this good old disco funk record as source, just loop it up 16 bars do a break from another snippet somewhere in the track take back loop one a few more bars, had here and there a cut or an effect or so and loop some shit back from same source 12" all the way and consider your ego an innovative producer, don't hesitate yeah, poor sad days for prods

  • @bissia funny thing is that you talk like there's a sample or more in here. There's not. I've been lucky enough to meet the guys down here in NZ and check what they were doing. Poor sad days for nerds.

  • @darghan55 You mean New Zealand?

    Whatever.

    Well have you followed the building of the track from very start? Cause they could have just had already the sampled source looped on when you went in ... But anyway this track just remain a boring crap based on one or two repetitive snippets (isn't that a loop) isn't it? Also if Tiger & Crooks are well know for is just that: re-ordering the sequences of superior past gems and extend some snippets from very same source track without even been creative

  • Comment removed

  • @darghan55 And of course there was a singer in cabin and she sang like this all the way through the track like a silly bot with never a need for the track tweaker to take vocal snippets whatsoever, hey hey, I trust your words. Happy day for naive nitwits.

  • @bissia Hi there!Here's the silly bot!yes, i sang all the way through the track and then T&W took the best ones and looped it.

    So soooorry that you don't like it but... WHATEVER!

    ...I think we'll survive better without your creative support.

  • @bissia What a sad little bitter you are mate. It takes a keen ear to even know what to sample, who cares how they go about making it? Gimp

  • @bissia sorry but they have a couple great edits that are great. watch?v=YyZ6LnQI9hY Gin Nation is one of them. I really doubt they are claiming that this is there original track here. it's an edit without a doubt but edits and remixes have been the norm for 20 or more years in the dance music worl. who cares as long as it's good. credit should be given but tiger and woods get props from me for some great disco dubs. from a djs standpoint it's fun ish.u no like go make your own beats

  • @okdipppppppp Some people care as it's downgrading good stuff, not bettering them. When everyone proceed that way to 'make' music as most do today, all you get is a whole bunch of peoples who don't know what studio production is and no much interaction with talented musicians. Gin N is working on nerves and is just based on a snippet looped from an Imagination original. How creative and imaginative can peoples be today, I'm amazed. I make my own breaks, if I sell I credit source!

  • fuck pitchfork dude...

  • BEST!

  • BEST!

  • BEST!

  • lovin me some disco house, yum

  • Thumbs up if you don't fuckin care who sent me here.

  • thumbs up if pitchfork sent you here

  • @casseteteee FUCK YEAH P4K 8.2/10 OBVIOUSLY AOTYAY 2011 TO INFINITY OMG SO INDIE

  • brilliant

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more