Really, NO one knows what it sounded like "back in the day". So, get off your stogie bottoms and take a chance. Plus the accompaniment is so tight and together and such a wonderful dance beat.
oh claudio, you're really fantastic. thank's miss ciofi for her beautifull voice and performance. ho imparato l'italiano solo per seguire la sua poppea senza bisogno della traduzione. grazie. un saluto affettuoso all'italia!!!
Is this meant to be tongue in cheek? If so, quite funny, if not, then I really don't like this approach, almost disrespectful to the text and the composer.
It is right to be "mannered": it was the aesthetic of the period in question and many descriptions point to the exaggeration of body mouvements and characterization to underline the poetic content.
I'm not sure, though, if this is the right "mannered" way to do it. But the music is very well played. Thanks for posting.
Ugly, mannered performance, words badly pronounced with tons of useless affectation. Also, what on earth is the lady with the viol playing behind Ciofi? Useless concert in which all that counts is attractive ladies and choreography, stuff Monteverdi's music. What a travesti!
@violemaitre I must confess that in the first hearing I was much surprised -and disgusted- by the approach. But after listening to it further I believe it could be considered as an alternative (perhaps irreverent an even tongue-in-cheek) version. It is affected and mannered, I agree, but this is music theatre in more than one way. It is NOT THE version to treasure but one to enjoy every now and then with a glass of champagne in hand. Best regards.
@alfredolabbe hmm i could see that maybe if they werent so into it, but the fact that they seem to be taking themselves so seriously totally ruins that theory. i think there are talented artists out there that could give credence to the argument you make but not ciofi, despite her awesome voice. i mean im drunk right now and this still disgusts me
I honestly don't know what it sounded like back in the day. What I do know is that today we have the benefit of recordings and we can travel around the world and study with anyone we choose. We are also drawing on all accumulated musical knowledge as opposed to whatever was available in our town (like back in the day)
@MozartIsFancylalala: Here you can hear more like castrati performance by Philippe Jaroussky: YT:watch?v=pYUsdePziBo - unfortunately the quality sucks, but it's available on CD from Virgin.
bah... no need to mortify such a passionate text... have they maybe some personal reason? Are they all without a lover? Thay know how this piece shoul be done, and they are able to do. So...
a scuola di musica dicevano che per suonare bene i pezzi barocchi e rinascimentali bisognava sempre calcare un po' la mano. Almeno da un senso a ciò canta, non come jaroussky, che è strepitoso, ma dà sempre l'aria di non sapere ciò che canta
Riguardo a Jaroussky hai perfettamente ragione e concordo anche su quello che dici riguardo alla pratica esecutiva strumentale. Quello che non mi piace affatto è l'interpretazione della cantante, che sembra abbia vinto al superenalotto.. il testo e la musica esprimono però sentimenti dolorosi che non ritrovo in questa esecuzione...ma è una questione di gusti su cui non è da discutere troppo
yes, that's haim if I'm not mistaken...... I look at her, and at directors like Spinosi, Biondi, Alessandrini, etc and they seem so happy when they make music, their faces lit up like kid's faces :)
I know! aaaaah early music freaks are MY PEOPLE. I have an audition coming up and I need to do two works from contrasting periods. The problem is... I don't WANT to do any later pieces. I was thinking renaissance and baroque.. that's kind of cheating and I think they wouldn't be very happy.... Any ideas? I'm a soprano, and my voices works well with things like Purcell, and our M-Dog here (Monteverdi). I like agilitty and less long, droppy held notes.
I'm not too sure of what to think of this interpretation...it's interesting but it certainly seems out of context.
afffred 3 months ago
ahahahah Will & Grace
è vero
ma sta di fatto che la soprano è bravissima e l'ensemble magistrale
indispettito 5 months ago
grotesque interpretation
hallobaaaby 6 months ago
ppuuuuaaafff jaajjajajajajaja... menuda maripili.... qué se junte con la Esteban...
DOBORBEN 8 months ago
Really, NO one knows what it sounded like "back in the day". So, get off your stogie bottoms and take a chance. Plus the accompaniment is so tight and together and such a wonderful dance beat.
loechnerf 8 months ago 3
I LOVE THEM! BELLISIMO!!
Turangoth 9 months ago
Magnifique interpretation tout à fait dans l'esprit du texte et de l'époque.
Grazie Patrizia!
mizougue 11 months ago
Non so' voi, ma a me ricorda molto l'attrice di "Will & Grace" xD.
Comunque BRAVA!!!
ProdigeEnfant 1 year ago
This has been flagged as spam show
oh claudio, you're really fantastic. thank's miss ciofi for her beautifull voice and performance. ho imparato l'italiano solo per seguire la sua poppea senza bisogno della traduzione. grazie. un saluto affettuoso all'italia!!!
barakfer 1 year ago
Comment removed
barakfer 1 year ago
Patrizia Ciofi Has A Beatiful Voice But Not For This!!!! Please
motete001 1 year ago
Is this meant to be tongue in cheek? If so, quite funny, if not, then I really don't like this approach, almost disrespectful to the text and the composer.
laveritabella 1 year ago
You hardly ever hear a baroque ensemble play a rythm as straight and 'in the pocket' as this. I believe I like it... :)
Diederikvdlaag 1 year ago
It is right to be "mannered": it was the aesthetic of the period in question and many descriptions point to the exaggeration of body mouvements and characterization to underline the poetic content.
I'm not sure, though, if this is the right "mannered" way to do it. But the music is very well played. Thanks for posting.
tremeluzir 1 year ago
huh! elsőre nem tetszett aztán amikor másodszor is meghallgattam majdnem elájultam a szépségétől!
szboroka94 1 year ago
bello , bello.
muse751 1 year ago
the continuo is as great as the voice
*****
MozartIsFancylalala 1 year ago
Attenzione alla punteggiatura!
O, campion immortal, sdegno!
Come sì fral
hor fuggi indietro:
a sottarmi di vetro,
incauto, errante,
m'hai condotto, infedel, < look
contro spada crudel
d'aspro diamante! < look
saponebuono 1 year ago
were only girls invited in the audience as well?
PGRANDIER 1 year ago
what happened at 2:17 ?
chanze92 1 year ago
Ugly, mannered performance, words badly pronounced with tons of useless affectation. Also, what on earth is the lady with the viol playing behind Ciofi? Useless concert in which all that counts is attractive ladies and choreography, stuff Monteverdi's music. What a travesti!
violemaitre 1 year ago
@violemaitre I have to agree with you , and I also find Haim's gestures and grimaces around her harpsichord most irritating!
JAYJAY1000000 1 year ago
@violemaitre I must confess that in the first hearing I was much surprised -and disgusted- by the approach. But after listening to it further I believe it could be considered as an alternative (perhaps irreverent an even tongue-in-cheek) version. It is affected and mannered, I agree, but this is music theatre in more than one way. It is NOT THE version to treasure but one to enjoy every now and then with a glass of champagne in hand. Best regards.
alfredolabbe 1 year ago
@alfredolabbe hmm i could see that maybe if they werent so into it, but the fact that they seem to be taking themselves so seriously totally ruins that theory. i think there are talented artists out there that could give credence to the argument you make but not ciofi, despite her awesome voice. i mean im drunk right now and this still disgusts me
moghedien13 1 year ago
Fantastica! E ancor di più mi piace il fatto che si gasino come se stessino suonando Hard Rock!
Liszt31 2 years ago 6
se ti è piaciuta questa, ascolta la magnifica interpretazione di Philippe Jaroussky (la trovi sempre su youtube). ciao
porcavacas 1 year ago
@Liszt31 STESSINO? ahia................
CateSoprano 7 months ago
@CateSoprano ops! Stessero! Non è mia abitudine sbagliare il congiuntivo! Chiedo venia!
Liszt31 7 months ago
This song is so beautiful
joseapardod 2 years ago 2
It's always amazing to see Emmanuelle Haïm play her harpsichord!
theprof1958 2 years ago 11
I love it Im a little sad its not castratti although she sang it AMAZIGLY and the continuo might sound more complete with a lyra da gamba
MozartIsFancylalala 2 years ago
Do you really want to bring back the Castrati? I think that the voices that we have today far surpasses anything they had back in the day.
violatione 2 years ago
how do you know what it sounded like back in the day?
MozartIsFancylalala 2 years ago
I honestly don't know what it sounded like back in the day. What I do know is that today we have the benefit of recordings and we can travel around the world and study with anyone we choose. We are also drawing on all accumulated musical knowledge as opposed to whatever was available in our town (like back in the day)
violatione 2 years ago
@MozartIsFancylalala: Here you can hear more like castrati performance by Philippe Jaroussky: YT:watch?v=pYUsdePziBo - unfortunately the quality sucks, but it's available on CD from Virgin.
Dupasek 1 year ago
sweet! *****
Robersinus 2 years ago
bah... no need to mortify such a passionate text... have they maybe some personal reason? Are they all without a lover? Thay know how this piece shoul be done, and they are able to do. So...
ChesterEldar 2 years ago
Comment removed
avatarprimus 2 years ago
eccessiva e troppo allegra! sembra una parodia, no! amo troppo Monteverdi
tsikitili 2 years ago
a scuola di musica dicevano che per suonare bene i pezzi barocchi e rinascimentali bisognava sempre calcare un po' la mano. Almeno da un senso a ciò canta, non come jaroussky, che è strepitoso, ma dà sempre l'aria di non sapere ciò che canta
AuroraOnVenice 2 years ago
Riguardo a Jaroussky hai perfettamente ragione e concordo anche su quello che dici riguardo alla pratica esecutiva strumentale. Quello che non mi piace affatto è l'interpretazione della cantante, che sembra abbia vinto al superenalotto.. il testo e la musica esprimono però sentimenti dolorosi che non ritrovo in questa esecuzione...ma è una questione di gusti su cui non è da discutere troppo
tsikitili 2 years ago
¿Tu pensi veramente que questa "parodia" suona meglio che Philippe Jarousky e Cristina Pluhar?
Questa versione è un casino. Mi piace la Ciofi, ma in questa musica lei sembra una prima dona strepitosa.
elcaji 2 years ago
beautiful voice!!!!
avatarprimus 2 years ago
Nice performance, if a bit campy. What is the name of this group, the Baroque Babes?
kkallebb 2 years ago
I like it. Very funny and absolutely, "Babe Baroque"
capelight52 2 years ago
that lady on keyboard is super awesome
saijy 2 years ago
yes, that's haim if I'm not mistaken...... I look at her, and at directors like Spinosi, Biondi, Alessandrini, etc and they seem so happy when they make music, their faces lit up like kid's faces :)
margotlorena 2 years ago
I know! aaaaah early music freaks are MY PEOPLE. I have an audition coming up and I need to do two works from contrasting periods. The problem is... I don't WANT to do any later pieces. I was thinking renaissance and baroque.. that's kind of cheating and I think they wouldn't be very happy.... Any ideas? I'm a soprano, and my voices works well with things like Purcell, and our M-Dog here (Monteverdi). I like agilitty and less long, droppy held notes.
:)
saijy 2 years ago
how about some coloratura by vivaldi??
margotlorena 2 years ago
saijy, Handel may work, look for : Händel - Messiah "But who may abide", Emma Kirkby
avatarprimus 2 years ago
absolutely lovely, I love both, Haim and Ciofi!
delauge 2 years ago 3
Bellissimo!
Ottima l'ambientazione e l'interpretazione!
Grazie per aver inserito questo video su YouTube.
apettagialla 2 years ago 3