It sounds like it boils down to one thing. If you play a minor pentatonic from the root of the ii chord of the moment, you can continue it on the V chord and still sound like you're "making the changes" more or less. Furthermore, the "out" pentatonic choices make sense as long as there's a melodic sequence that the listener can follow. I guess you don't have to "think" as much if you can use one scale for two chords at a time.
@courageux28 tHE ONLY THING ABOUT MCCOY TyNERS STYLE THAT HE DOESNT REALLY, DO HERE AND THAT IS RARELY MENTIONED is his melodic sequencing. When mccoy tyner plays a phrase he often repeats it, either exactly as played before, or slightly different. When would one know when to use this technique, and what is the criteria if any? {sorry for the caps, pressed the button by accident)
It sounds like you play the pentonic patterns on the outside changes too. They sound awesome!
I don't know if you've seen any of Shawn Thunder Wallace's saxophone videos, but basically he outlines the 8-7-6-5 descending patterns as a very popular pattern one could apply to any jazz chord usage.
Am I hearing these patterns in youre playing? I'm just trying to train my ear to hear these better.
It sounds like you play the pentonic patterns on the outside changes too. They sound awesome!
I don't know if you've seen any of Shawn Thunder Wallace's saxophone videos, but basically he outlines the 8-7-6-5 descending patterns as a very popular pattern one could apply to any jazz chord usage.
Am I hearing these patterns in youre playing. I'm just trying to train my ear to hear these better.
y te digo esto porque hay muchos videos con excelentes improvisaciones, pero poco podemos aprender por la excesiva velocidad, Si reduces la velocidad serias uno de los primeros y eso seria de gran ayuda para nosotros. Nuevamente Saludos.
Excelente mi amigo, quisiera darte una sugerencia. Sera posible que hagas lo mismo, pero a la mitad de la velocidad? esto a fin de captar mejor la mano derecha. Seria excelente. Gracias
Wow! Men you really got it! I always loved this Mc Tyner aproach to improvisational music. It so deep....just dont stop to amaze me! THANKS FOR POSTING.
Mulgrew's great. Joey Calderazzo also plays some great things in this musical direction. I love the way you use one pentatonic over a ii-V but you can still hear the chords being defined.
Most of the people I try and play in this style with pussy out or get lost or totally lack the inspiration and technique to keep the groove going.
Your rhythm section is providing tons of feedback and interplay for this groove to stay fresh and interesting. Bass is doing what he is supposed to and the drummer is keeping his kit relatively quiet. I like the china cymbal and how fast the decay is; like a staccato cymbal. Bass slightly ahead of the beat sometimes and rarely late on the beat+10
This is the kind of educational videos that people need to see!! This is the real deal about how to learn...he saves you half the work. Great for jazz musicians of any instrument. Thanks man!
Absolutely wonderful! Forever fan of McCoy and Bill Evans..Would appreciate knowing if this piece is on any of McCoy's albums, or something similar...Thanks
@amar. : you obviously don't recognize that the beauty of jazz is in the really complex styles that more inexperienced ones can't recognize as anything they know so they write it off as "not sounding like anything musical"
This is a great lesson, and I'm a guitarist. As far as Jazz masters go, I take more than my share of inspiration directly from pianist McCoy Tyner. He is simply incredible.
I really think you're among the very best players on Earth. You play McCoy better than he does himself now. What I prefer is his Inception-Fly with the Wind period, (and this song reminds me Fly with the Wind, in the style)
That brings a few questions:
1)Is it a song from your composition? I love it. If yes congratulation again.
2)How do you display Midi Keys above? What software do you use?
wow. You're a monster keyboard player. I can't believe this kind of music can be made with such simplistic musical concepts. I'm gonna blaze on my gig tomorrow! thanks!
A beautiful demonstration, which requires a lot of technique, I think!
It is not so easy to create a modern jazz athmosphere with the pentatonic scales.
You can find an almost identical backing sequence on Aebersold 88 (millenium blues :the real McCoy), first chord Dminor.
It seems to me that McCoy plays for the first time such a tune (with a different melody : simply descending pentatonic scale) in " walk spirit, talk spirit" (album enlightenment) after a free intro.
Thank you. Yes, you are right, this is a similar chord progression to the Aebersold sequence. I modified it slightly, changed the key and made my own backing track for it.
It's amazing how thes scales avoid licks verbatim. My hat is off to one of the real innovators Mr. Tyner. Thanks for bringing this aspect more in focus for me personally. However, I'd think a great way to play is to still pay homage to the past musical truths while incorporating our own theories of sound.
Awesome! Could you discuss the "outside" pentatonic scale usage? Are they a half step above, a half step below, or a tritone away from the root of the chord in question? Do you just cycle them at some set interval like a major second, minor third, or major third? Help a brother out!
Lovin your playin bro ...Im currently trying to get some of that style on down on saxophone .. ive been studying both him and Chick corea's matrix period ..my only problem is its obvious you have this shit down but is it possible you could do a vid where you show mcCoy's devices slowed down, one by one because although i kinda hear some what your doin it would be nice if you could give a brief explanation of what pentatonics and voicings your using as apposed to jamming.
Love it! I saw McCoy play on Monday. Unfortunately he does play as well as he used to. Can't believe how close you get to his sound, and the backing track is remarkable for a programmed effort! Bravo
I have been a McCoyophile for many years. This and the other lesson are great. It's kind of scary how much you've emulated the style. Bravo to you for your transcription and assimilation of his language. I never had the patience to. Dick Hyman is also one for perfectly emulating other pianists. You must have smoked a lot of shit and spent a lot of time listening!
Hooray - another Lot2Learn instructional video! You have so much to teach us Roger, and the annotated video method is a great way to understand your ideas. And you have taken so much trouble to line up exactly the two piano views so that it is clear what you are playing, and the text comments help us to understand what your thinking was behind those musical idea(s)
Hey Lot2learn, Are you stating that with forth chords you can play differnt scales over them, as a forth chord by itself can imply several chord/scales at the same time.? Such as the forth chord Ab Db Gb. As this 4th chord can be determined as C alt, Gb 9, Db sus, etc?
Roger, this is the best channeling of Tyner that I have heard. Your playing is fleet, rhythmic and totally faithful to the McCoy Tyner harmonic idiom. It is interesting because in this video you play in McCoy's style, which varies from your own individual style, although there are elements of MT in your own style. This is instructive as a playing exercise and also as insight into where you are coming from as a player in your own right.
As far as the 3note 4th voicing I would say I know them pretty well ,.But in this video what note in the quart voicing dictates the pentatonic scale you used??
You can really use any pentatonic scale with any 4th voicing chord. I try to have at least one ore two notes common to both the chord and the scale. It is the resolution that is important. The 4ths are a very open voicing and leave a lot of tonal space so you can go outside with the RH. You take a harmonic journey and the ear says "where is he going?" Then both LH and and RH resolve back to the form and the ear breathes a sigh of relief. ;-)
Pretty damn tight. This is one of the (many) areas where you sound completely at home and it's a lot of fun to listen to you just tear it up like that.
Do you have these midi files so I can play it through a recording software & use VST sounds to match it?
Triumphinchrist1 2 months ago
˙·٠•●♥ღ.*♫•* ♫♪
DOREMISOLO 3 months ago
It sounds like it boils down to one thing. If you play a minor pentatonic from the root of the ii chord of the moment, you can continue it on the V chord and still sound like you're "making the changes" more or less. Furthermore, the "out" pentatonic choices make sense as long as there's a melodic sequence that the listener can follow. I guess you don't have to "think" as much if you can use one scale for two chords at a time.
Modes9 5 months ago
@Modes9 do you have an example ? Do you think he is 'thinking' about what he is doing ??
DavidAKZ 4 months ago
I play jazz on drums, loved watching this b/c mcoy is my fav.
sicktired01 6 months ago
can u teach me man? just give me the price at which u teach...
stevepope1975 6 months ago
sweet
stevepope1975 6 months ago
thanks, this is very amazing. where did you study or who with? thanks for the work that went into this vid
jitterbugdance 8 months ago
I cant stop press the replay button. Amazing
Thodmod 9 months ago
@Thodmod I appreciate your comment - thanks.
Lot2learn 9 months ago
Thank you for sharing your amazing talent. I really enjoy your tutorials!! Keep posting, please!
TheDrey777 9 months ago
ABSOLUTELY OUTSTANDING!!!!
Sincerely, Dhannan from Indonesia
ddsunata 1 year ago
@ddsunata Thank you for you comment!
Lot2learn 1 year ago
Outstanding. What tool are you using for the annotations?
keller91711 1 year ago
@keller91711 Thanks for your comment. I use camtasia software.
Lot2learn 1 year ago
Yeeeessss!!!!
robertojimenez204 1 year ago
I've probably commented on this video a dozen times. It's just that darn good.
courageux28 1 year ago
@courageux28 Thanks Aaron. ;-)
Lot2learn 1 year ago
@courageux28 tHE ONLY THING ABOUT MCCOY TyNERS STYLE THAT HE DOESNT REALLY, DO HERE AND THAT IS RARELY MENTIONED is his melodic sequencing. When mccoy tyner plays a phrase he often repeats it, either exactly as played before, or slightly different. When would one know when to use this technique, and what is the criteria if any? {sorry for the caps, pressed the button by accident)
danieljones013 1 year ago
Excellent tutorial ...congretulations mr McCoy and thanks to share your knowledge.
carvalhotoze 1 year ago
This has been flagged as spam show
It sounds like you play the pentonic patterns on the outside changes too. They sound awesome!
I don't know if you've seen any of Shawn Thunder Wallace's saxophone videos, but basically he outlines the 8-7-6-5 descending patterns as a very popular pattern one could apply to any jazz chord usage.
Am I hearing these patterns in youre playing? I'm just trying to train my ear to hear these better.
1979saxman 1 year ago
It sounds like you play the pentonic patterns on the outside changes too. They sound awesome!
I don't know if you've seen any of Shawn Thunder Wallace's saxophone videos, but basically he outlines the 8-7-6-5 descending patterns as a very popular pattern one could apply to any jazz chord usage.
Am I hearing these patterns in youre playing. I'm just trying to train my ear to hear these better.
1979saxman 1 year ago
Just fantastic, thanks learned something... cool!
cfsimon21 1 year ago
@cfsimon21 I appreciate your comment, thanks!
Lot2learn 1 year ago
You are amazing! with this video you can undertand more the mcCoy ideas
Thanks Men
NacoMan08 1 year ago
@NacoMan08 Thanks for your comment.
Lot2learn 1 year ago
Man, this cut just grooves! And this is mere practice around the cycle?
gregoryusa1 1 year ago
Sylvester McCoy?
DoctorWhoCenterFilms 1 year ago
fantastic... you are great! love it!
almatazz 1 year ago
@almatazz I appreciate your comment.
Lot2learn 1 year ago
this was beautiful and a joy to listen to!
vapid1000 1 year ago
A real pleasure to watch as you break down some of the more 'esoteric' elements of McCoy's style. Thank you.
heru1966 2 years ago
@heru1966 I appreciate your comment, thanks!
Lot2learn 1 year ago
y te digo esto porque hay muchos videos con excelentes improvisaciones, pero poco podemos aprender por la excesiva velocidad, Si reduces la velocidad serias uno de los primeros y eso seria de gran ayuda para nosotros. Nuevamente Saludos.
marcosmusic 2 years ago
Excelente mi amigo, quisiera darte una sugerencia. Sera posible que hagas lo mismo, pero a la mitad de la velocidad? esto a fin de captar mejor la mano derecha. Seria excelente. Gracias
marcosmusic 2 years ago
ey hermanaso de dond eeres ?
costly10000 2 years ago
I just think you are a great Musician...
freemusic1979 2 years ago
Nice work, don't fav much but I faved this one. Do you play any jazz festivals like Hartford CT?
Miketar2424 2 years ago
Thanks for the comment. I haven't played in Hartford for about 30 years. ;-) Wouldn't mind getting back there someday.
Lot2learn 2 years ago
Wow! Men you really got it! I always loved this Mc Tyner aproach to improvisational music. It so deep....just dont stop to amaze me! THANKS FOR POSTING.
robertojimenez204 2 years ago
Gracias por su comentario Roberto.
Lot2learn 2 years ago
¿Tienes algún método publicado sobre este tipo de "aproach" armónico? Yo soy un saxophone-flute player.
robertojimenez204 2 years ago
thank you!!!!!!!!!!!!!!!!!!!!!
sergioterebeiko 2 years ago
Nice
Flextones 2 years ago
Thanks for your comment.
Lot2learn 2 years ago
Thanks. It's a tune I wrote called "One For The Man" and is on my new CD.
Lot2learn 2 years ago
I want to say: "...of them"
Excuse my english, please, its not my nature language.
helmusico 2 years ago
Some people learn seeing, others learn listening, and others...(like me) need read a few about theory...
You have all in your videos...thanks so much.
All teachers here in youtube will become in legends....Im sure....and you are one of those
helmusico 2 years ago
Thank you for your comment, it is appreciated.
Lot2learn 2 years ago
Hey, what's this piece called? Is it your own?
GreggaryPeccary 2 years ago
NICE! 5*
What program did you use to get the keys (on top) onscreen??
PSPGENIUS714 2 years ago
...Excellent!...
Sincerely,
Bill McBirnie
billmcb 2 years ago 2
You've got that McCoy Tyner, Herbie Hancock style down to the science. Also you've got a fantastic style of your own.
courageux28 2 years ago
Fantastic playing!!!
Love McCoy.
jazzpianoishness 2 years ago
Great!
RyckardMM 2 years ago
Mulgrew miller has a similiar style...
dklypz 2 years ago
Yeah, I really dig Mulgrew's playing.
Lot2learn 2 years ago
Mulgrew's great. Joey Calderazzo also plays some great things in this musical direction. I love the way you use one pentatonic over a ii-V but you can still hear the chords being defined.
Modes9 2 years ago
Thanks Modes9.
Yeah, I'm a big fan of Joey C.
Lot2learn 2 years ago
Most of the people I try and play in this style with pussy out or get lost or totally lack the inspiration and technique to keep the groove going.
Your rhythm section is providing tons of feedback and interplay for this groove to stay fresh and interesting. Bass is doing what he is supposed to and the drummer is keeping his kit relatively quiet. I like the china cymbal and how fast the decay is; like a staccato cymbal. Bass slightly ahead of the beat sometimes and rarely late on the beat+10
uninoculated 2 years ago
I appreciate the comment.
Lot2learn 2 years ago
This is lightyears away from my level of playing. (Newbie) I'll come back in 5 years or so and view these again ...
auggiedoggy 2 years ago 2
wow....this video is unbelievable. God Bless you dude. i hope to reach your level one day.
joshuwmac 2 years ago 2
Thanks for the comment.
Lot2learn 2 years ago
Yeah man it's so hard to find videos like this up here. but good stuff man!
theallenboy 2 years ago
Thanks for the comment.
Lot2learn 2 years ago
good LAWD!!!
t24karrot 2 years ago
This is the kind of educational videos that people need to see!! This is the real deal about how to learn...he saves you half the work. Great for jazz musicians of any instrument. Thanks man!
inca1980 2 years ago
Thanks for the comment Richard.
Lot2learn 2 years ago
Thanks for responding so quickly..Your the best!
churchst1 2 years ago
Absolutely wonderful! Forever fan of McCoy and Bill Evans..Would appreciate knowing if this piece is on any of McCoy's albums, or something similar...Thanks
churchst1 2 years ago
Thanks. This is not a McCoy tune, but is in the same vein as his Walk Spirit, Talk Spirit.
Lot2learn 2 years ago
Another fantastic display of your prowess playing in Tyner's style. It is stellar!!
leega8010 2 years ago
Thank you, I appreciate your comment.
Lot2learn 2 years ago
how did u get that piano like that on screen
caleeswing 2 years ago
Amazing. I hope for the sake of my future aspirations I gain a little bit of the talent you possess!
UppinDisma 2 years ago
FREAKING AWESOME....my online teacher :p Sigh...when can i ever play like you? heh
cloudz7 2 years ago
AWESOME! Great lesson.
LeleMelo78 2 years ago
WOW!!!!!!!!!!!!!!!!!!!!
Jerry6715 2 years ago
Great lesson Thank you sooooooMuch
737flyhigh 2 years ago
Thanks for the comment.
Lot2learn 2 years ago
@amar. : you obviously don't recognize that the beauty of jazz is in the really complex styles that more inexperienced ones can't recognize as anything they know so they write it off as "not sounding like anything musical"
you'll understand with time
cavalier777 2 years ago 2
this is so bleepin beautiful. what jazz......just as sweet as can be.
amrssadal probably regrets his comment. when this music really sets into someone, it just takes hold.
wish i could play 1/10th of this calibre.
relicofgold 2 years ago
Those things in the left hand are called chords
GreggaryPeccary 2 years ago 2
starting from now how long would it take me to learn to play like THAT!!!!!!
donnyab 3 years ago 2
this is so sick
figaromagniffico 3 years ago
Great. Them pentatonics sound fantastic.
Skyblueginger 3 years ago
Thank you, Professor!
alwiap15 3 years ago
INCREDIBLE.
YaSuzukiCycle 3 years ago
That's a lot of pentatonics
Fagleboo 3 years ago
I always thought Chick was the shit, but now I dicovered Mccoy... Dang, what a master!
GreggaryPeccary 3 years ago
You should also try Gonzalo Rubalcaba.
decidedhelios 3 years ago
He's awesome! Thanks for the tip
GreggaryPeccary 3 years ago
That was awesome, even without the tutorial aspect it would be a great vid. Thanks for posting
GreggaryPeccary 3 years ago
This is a great lesson, and I'm a guitarist. As far as Jazz masters go, I take more than my share of inspiration directly from pianist McCoy Tyner. He is simply incredible.
yagamei 3 years ago
Thanks for your comment.
Lot2learn 3 years ago
Wonderful! You really catched the MacCoy feel!
I really think you're among the very best players on Earth. You play McCoy better than he does himself now. What I prefer is his Inception-Fly with the Wind period, (and this song reminds me Fly with the Wind, in the style)
That brings a few questions:
1)Is it a song from your composition? I love it. If yes congratulation again.
2)How do you display Midi Keys above? What software do you use?
3)What software do you use to mix both videos?
OscarTatum 3 years ago
"catched" = caught
GreggaryPeccary 3 years ago
Oscar Tatum... Nice name ;)
locinf92 3 years ago
ti sto facendo le lastre,anche il tuo video di So what mi sta aiutando.
erflaz 3 years ago
wow. You're a monster keyboard player. I can't believe this kind of music can be made with such simplistic musical concepts. I'm gonna blaze on my gig tomorrow! thanks!
misteredwino 3 years ago
Great videos Lot2Learn, I just need a way to slow them down now to transcribe some of the ideas!
KITROBERTSHAW 3 years ago
Thank you for the comment.
Lot2learn 3 years ago
A beautiful demonstration, which requires a lot of technique, I think!
It is not so easy to create a modern jazz athmosphere with the pentatonic scales.
You can find an almost identical backing sequence on Aebersold 88 (millenium blues :the real McCoy), first chord Dminor.
It seems to me that McCoy plays for the first time such a tune (with a different melody : simply descending pentatonic scale) in " walk spirit, talk spirit" (album enlightenment) after a free intro.
bravo Roger!
mazetov 3 years ago
Thank you. Yes, you are right, this is a similar chord progression to the Aebersold sequence. I modified it slightly, changed the key and made my own backing track for it.
Lot2learn 3 years ago
damn, you're cool.
sarahjoy33 3 years ago 5
It's amazing how thes scales avoid licks verbatim. My hat is off to one of the real innovators Mr. Tyner. Thanks for bringing this aspect more in focus for me personally. However, I'd think a great way to play is to still pay homage to the past musical truths while incorporating our own theories of sound.
jazz1bro 3 years ago
Congratulations for its musicalidade. Its videos have helped me very.Fávio (Salvador/ba - BRASIL)
flaviociceroaz 3 years ago
Great pentatonic stuff!
DaveSolazzo 3 years ago 2
someones a freak.
geeride 3 years ago
Thank you. ;-)
Lot2learn 3 years ago
Awesome! Could you discuss the "outside" pentatonic scale usage? Are they a half step above, a half step below, or a tritone away from the root of the chord in question? Do you just cycle them at some set interval like a major second, minor third, or major third? Help a brother out!
Modes9 3 years ago
U need to record man!
nmo1127 3 years ago 2
Some guy mentioned matrix era chick corea, that would be ace if you posted something like that.
elnombre2 3 years ago
You are obviously playing different scales and chords in different modes...how do you know when to use each mode?
theshnook88 3 years ago
Ahh yess! Refreshing ;-)
azexperiment 3 years ago
Lovin your playin bro ...Im currently trying to get some of that style on down on saxophone .. ive been studying both him and Chick corea's matrix period ..my only problem is its obvious you have this shit down but is it possible you could do a vid where you show mcCoy's devices slowed down, one by one because although i kinda hear some what your doin it would be nice if you could give a brief explanation of what pentatonics and voicings your using as apposed to jamming.
Thanks again :)
indaplace2b 3 years ago
Insane!!! hey check out my video's (nowhere as good as yours lol) but maybe you can give me some pointers??? Thanx for the tutorial though!!!!
locrien1 3 years ago
Amazing! Can you recommend any guitarplayer who have adopted this style?
korvmedmos 3 years ago
Love it! I saw McCoy play on Monday. Unfortunately he does play as well as he used to. Can't believe how close you get to his sound, and the backing track is remarkable for a programmed effort! Bravo
profquantum 3 years ago
Thanks for the comment.
L2L
Lot2learn 3 years ago
I have been a McCoyophile for many years. This and the other lesson are great. It's kind of scary how much you've emulated the style. Bravo to you for your transcription and assimilation of his language. I never had the patience to. Dick Hyman is also one for perfectly emulating other pianists. You must have smoked a lot of shit and spent a lot of time listening!
cabin2music 3 years ago
Mate that is so good. You may just convert me from blues to jazz yet:)
korgtri 3 years ago
Thanks mate. Actually, this is really just an Eb minor blues. ;-)
Lot2learn 3 years ago
It is played in Bossa feel though, right?
BassThrasher 3 years ago
Yes, as with many of McCoy tunes this has a bossa feel to it.
Lot2learn 3 years ago
Gotta love McCoy. I wish he could see this video.
BassThrasher 3 years ago
beautiful, thanks.
DavidAKZ 3 years ago
Wow Roger, fantastic. As a McCoy aficionado I can really appreciate how you have assimilated his style. Superb. Just like the real McCoy, as they say
davebeeboss 3 years ago
Thanks Dave. Definitely one of my favorite styles of playing.
Lot2learn 3 years ago
ahahahaha! Ahoy McCoy! Pure awesomeness.
ChadMStevenson 3 years ago
phrase at 0:28-31 ....pure Gorgeousness!!
Feesharp9er 3 years ago
Thanks, and to think I almost left that part out.
Lot2learn 3 years ago
I sure enjoy learning more about this Mccoy Tyner fellow. *****
tjjazzpiano 3 years ago
Thought I would do a CD this summer. Decided I will just practice, more and more and more.
Such a talent and willing to share.
featureG 3 years ago
Hooray - another Lot2Learn instructional video! You have so much to teach us Roger, and the annotated video method is a great way to understand your ideas. And you have taken so much trouble to line up exactly the two piano views so that it is clear what you are playing, and the text comments help us to understand what your thinking was behind those musical idea(s)
Doug
jazz2511 3 years ago
Hey Lot2learn, Are you stating that with forth chords you can play differnt scales over them, as a forth chord by itself can imply several chord/scales at the same time.? Such as the forth chord Ab Db Gb. As this 4th chord can be determined as C alt, Gb 9, Db sus, etc?
cc17201 3 years ago
You are correct. Check out the pentatonic video by Volvoxburger (link is in the comment section for this video) as he demonstrates this exact fact.
Lot2learn 3 years ago
Fantastic playing
PhilippeLernould 3 years ago
Roger, this is the best channeling of Tyner that I have heard. Your playing is fleet, rhythmic and totally faithful to the McCoy Tyner harmonic idiom. It is interesting because in this video you play in McCoy's style, which varies from your own individual style, although there are elements of MT in your own style. This is instructive as a playing exercise and also as insight into where you are coming from as a player in your own right.
7notemode 3 years ago
I'm probably a little green for this stuff, but I'm keeping it for later. Thanks a bunch!
About the pentatonic tutorial, in 1) you're referring to volvox "funk tutorial' video?
knotty75 3 years ago
I put a link to the Volvoxburger video in the comments section for you.
Lot2learn 3 years ago
As far as the 3note 4th voicing I would say I know them pretty well ,.But in this video what note in the quart voicing dictates the pentatonic scale you used??
oh yess and Damn good Video !!
Feesharp9er 3 years ago
You can really use any pentatonic scale with any 4th voicing chord. I try to have at least one ore two notes common to both the chord and the scale. It is the resolution that is important. The 4ths are a very open voicing and leave a lot of tonal space so you can go outside with the RH. You take a harmonic journey and the ear says "where is he going?" Then both LH and and RH resolve back to the form and the ear breathes a sigh of relief. ;-)
Lot2learn 3 years ago
Ohhhhhhhhh.....Sweeet!!!!
thanks so much this is infinite info!!
Feesharp9er 3 years ago
I completely agree with volvoxburger.
And the backing track created partially with Band-in-a-Box that you use, has a sound very realistic * * * * *
Great Work, as usual Roger :)
PianistaItaliano 3 years ago
If i listened to this recording without knowing you were playing I would say it was Mccoy Tyner. You channel him so well. thankyou for the post
pjgrabowski 3 years ago
Thanks mate.
Lot2learn 3 years ago
Wow... This is mindblowing.
BassThrasher 3 years ago
wow, sounds just like mccoy. the midi keyboard really helps because it goes by so fast.
nickparrott 3 years ago
Thanks Nick.
Lot2learn 3 years ago
Pretty damn tight. This is one of the (many) areas where you sound completely at home and it's a lot of fun to listen to you just tear it up like that.
volvoxburger 3 years ago
Yes, this was recorded at home. ;-] Thanks.
Lot2learn 3 years ago
Wait... THIRD inversion triads? I thought triads only had two inversions.
Explain please... give a chord example and then spell out the notes. Thanks in advance.
MatthewPA1972 3 years ago
Yeah thanks, 2nd inversion. ;-)
Lot2learn 3 years ago
Cool.
MatthewPA1972 3 years ago