This is wonderful. Anyone who plays the ossia cadenza this fast, and with this much emotion has my vote (I absolutely love how Van Cliburn plays it, don't know if anyone does better). I don't know if I like the hybrid of it though, this is my first time hearing the hybrid, and I think you have to either go original or ossia. The best part of the original cadenza is not the introductory part (which he plays) but the scherzando part, which I believe he switched to Ossia right before the scherzando
I have this recording. And I can never make up my mind about it. What throws me off is the 3rd movment. There is a very small cut ruines it for me ? (shruggin my shoulders )To me the ultimate recording is the Cliburn.
I have listened to this exact recording of the 3rd sooo many times. It is probably my most favorite. The synchronization with the orchestra makes this recording very likable.
lol, like I said there are two Cadenzas the pianist can choose from. This one is very stacatto at the start, whereas the original Cadenza is very heavy on large chords all the way through and extremely powerful.
@chutdigadut No this is the ossia cadenza, rachmaninoff realized that the first and more powerful Cadenza was just far too epic and kinda ruined the pacing, anything that comes after the first movement Cadenza pales in comparison lol imho. I mean, just LISTEN to the original version. God wrote it I shit you not.
@LoftyProduction well I've heard the original cadenza played by Kissin, and I've heard the ossia played by Martha Argerich....and isn't this cadenza different then both of those or am I crazy? lol
@chutdigadut yes, it is - he's combine the two (I was wondering what it would sound like - I had the idea of the link being at the comparable part in the lighter cadenza (with the g-b flat thirds at the top and going down to the low a, but switching to the low octave on a in the ossia version). He has linked them not there but at the interlocking chordal passage from the ossia version (which is comparable to the g-b flat thirds in the lighter cadenza) going down to the low octave a and so on.
@chutdigadut@chutdigadut yes, it is - he's combine the two (I was wondering what it would sound like - I had the idea of the link being at the comparable part in the lighter cadenza (with the g-b flat thirds at the top and going down to the low a, but switching to the low octave on a in the ossia version). He has linked them not there but at a point about 8 measures before the interlocking chordal passage from the ossia version
@TheArithrix Maybe so, but the "Ossia Cadenza" has a more grandde staff compared to the only one Agerich plays which is a smaller version of this cadenza. If you view the music sheet you will see Rachmaninoff did more than make it shorter and smaller but less meaningful. I'm sure Horowitz and Rachmaninoff both said in a way that the Original Cadenza seemed too much like an ending, and I believe even Hofmann declined playing this, so the cadenza in my opinion is a big part of this Concerto.
So sick of these immature posts! You people think moving fingers is hard.Try getting Ashkenazy's steel hammers behind them.You guys comment on difficult music.Do you ever notice that you can play the notes Rach ,Liszt,Chopin etudes but you can't play a simple Satie piece with enough musicality to make anyone listen. The point is line,shaping,taste etc.
@lovesGenet This a video of Andre Watts playing a morphed version of the 1st mvmt cadenza of Rachmaninoff's 3rd concerto - if you'd like to talk about Satie, type "satie" into your search bar and fire away.
This was brilliant. Rach himself preferred the lighter cadenza, but I'm sure he would've enthusiastically embraced Andre's treatment. I also love the way he streamlined the 3rd movement.
(This CD also has Philippe Entremont playing the Rach 2nd, another sublime performance.)
how does the piano register all of his movements in time like that? though it is not my favorite interpretation of the cadenza it is certainly most impressive.
So true. Very good performance, very difficult to play. The details are amazing, listen!! Unfortunately the audio quality is not very good, imagine this on a new Steinway Concert Grand. We would not possibly believe it.
Oh wow! This is a wonderful combination! Is this from the same recording where he does the extremely rare 8th-note crazy-octave ossia in the very very end of the third movement?
actually the Ossia is the original, the one he played was the alternative.
and i dont agree at all with a pile of chord banging, it has its own purpose and meaning, and although i prefer the alternative, the ossia is beautiful in its sound and complexity
Rachmaninov only played the lighter, toccata-like cadenza due to a) lack of confidence, and b) need to make cuts in order to fit the whole concerto on the record.
after hearing Horowitz play his 3rd concerto (who he thought played it better then him) he lost a lot of confidence. he was always thinking he was not as good as other pianists, even though he was probably one of the best in history. if not, the best.
This comment has received too many negative votesshow
Great stuff. But the ossia on its own is preferable. Anyway, it's all just music and music is not really life - it's supposed to celebrate God. When the last trumpet blows, we'll all be changed in the twinkling of an eye.
But the last trumpet blows right near the end of the first movement(softly, variant of theme II), and far from twinkling, we've got Movements II & III to get thru!
Well, mprpimp5061 uploaded Yefim Bronfman playing this, and yeah, it's the original cadenza, but the problem is you have to find which part to look into since he uploaded the whole concerto. Or check the Yefim Bronfman live performance of this, I'm pretty sure it's the very beginning of the 2nd video part, like 20 seconds in, Bronfman starts playing the cadenza, and there it's also the original.
I find it a successful & well executed idea,altho i like both trad versions for their different qualities. When i heard the disc,many years ago,Watt's cadenza seemed by far the most interesting feature of the performance!
This comment has received too many negative votesshow
HORRIBLE. Listen to Rachmaninov play it. I can understand a slight deviation from the way Rach plays it, adding personality/character, but this was totally off. Talented, absolutely.
Interesting compromise... IMO, the Ossia is more interesting, but the beginning is often played in a boring way. So Mr. Watt is using the "original" cadenza up until the most interesting point of the Ossia. (I'm not meaning that I think he would not be able to make the whole ossia interesting)
Also, I really like that he takes so much time at ca. 1:50, it gives you the time to breath and enjoy the chords.
Actually, the first part of the "split" cadenza with the orchestral interlude. Just a slice of a performance of the Rach 3 that I've listened to for years. AWESOME!!
indeed, you could do that, its a cadenza. its designed to show off the pianists (or other soloists) abilities to improvise (or not if they so chose). so yes they could write their own and ignore what the composer composed. but why do that when they could just make a hybrid?
i disagree. this is infinitely better than ashkenazy's version, which in my opinion, is much too slow. This cadenza is better suited to be played at this tempo, similar to how Horowitz and Argriech played it.
This comment has received too many negative votesshow
Besides, making a hybrid of the two cadenzas doesn't make sense in my opinion. Why not just write your own cadenza if you want to do something different?
It gets better towards the end, but in the beginning it's just too fast and muddled. Watts is trying to show off just how fast he can get, but ends up stepping on his shoelaces, so to speak.
I agree with you. This reminds me of how Horowitz combined the original and second versions of the Sonanta for his version. To this day I cannot stomach anyone else playing the Sonata except Horowitz. What he did for it is a vast improvement over anything I've heard from anyone else. I cannot take other people playing the second version, and I hate people playing the original version. It's Horowitz or nothing at all for me. Andre reminds me so much of Horowitz' innovation. Brilliant artist.
I saw him perform Brahm's 2nd piano concerto with the Seattle Symphony Orchestra and I was blown away. His interpretation was the best I have ever heard.
this is marvellous as a compromise for anyone who cannot make up their mind whether they want to perform the small or the big cadenza - simply start in the small one and go into the big one as Watts does here! I rather like it because i find there is a case for both cadenzas, so in one sense a problem is solved. I wonder what Rachmaninoff would have made of it though!! DOes anyone know if anyone else has done something similar??
I wonder if anyone has written or recorded a non-Rach cadenza? It would be intersting to hear..
mikeinkc 1 month ago
This is wonderful. Anyone who plays the ossia cadenza this fast, and with this much emotion has my vote (I absolutely love how Van Cliburn plays it, don't know if anyone does better). I don't know if I like the hybrid of it though, this is my first time hearing the hybrid, and I think you have to either go original or ossia. The best part of the original cadenza is not the introductory part (which he plays) but the scherzando part, which I believe he switched to Ossia right before the scherzando
fierydog 4 months ago
Thank you for posting the "Ossia" cadenza. A fine job!
surirach 5 months ago
I have this recording. And I can never make up my mind about it. What throws me off is the 3rd movment. There is a very small cut ruines it for me ? (shruggin my shoulders )To me the ultimate recording is the Cliburn.
Ettoredipugnar 5 months ago
Brilhante interpretação!
avalokiteshivara 7 months ago
André Watts para mi es el mejor pianista, no se le ha dado el reconocimiento que merece.
castecor1 8 months ago
I have listened to this exact recording of the 3rd sooo many times. It is probably my most favorite. The synchronization with the orchestra makes this recording very likable.
ReturnOfTheStienway 10 months ago
i love i can take marybeth to performance
1hanamoon 10 months ago
This is my secound favorite recording of Rach 3.
tenorismo 1 year ago
omg but watts is da mann
dmmm1121 1 year ago
too bright... .
MrRaphaelBM 1 year ago
lol, like I said there are two Cadenzas the pianist can choose from. This one is very stacatto at the start, whereas the original Cadenza is very heavy on large chords all the way through and extremely powerful.
LoftyProduction 1 year ago
So, this is the 1st & 2nd cadenza's combined, or what? I'm confused.... but I REALLY like this!
chutdigadut 1 year ago
@chutdigadut No this is the ossia cadenza, rachmaninoff realized that the first and more powerful Cadenza was just far too epic and kinda ruined the pacing, anything that comes after the first movement Cadenza pales in comparison lol imho. I mean, just LISTEN to the original version. God wrote it I shit you not.
LoftyProduction 1 year ago
@LoftyProduction well I've heard the original cadenza played by Kissin, and I've heard the ossia played by Martha Argerich....and isn't this cadenza different then both of those or am I crazy? lol
chutdigadut 1 year ago
@chutdigadut yes, it is - he's combine the two (I was wondering what it would sound like - I had the idea of the link being at the comparable part in the lighter cadenza (with the g-b flat thirds at the top and going down to the low a, but switching to the low octave on a in the ossia version). He has linked them not there but at the interlocking chordal passage from the ossia version (which is comparable to the g-b flat thirds in the lighter cadenza) going down to the low octave a and so on.
aspergershawn 1 year ago
@aspergershawn ah HA! ok. Thanks!
chutdigadut 1 year ago
@chutdigadut @chutdigadut yes, it is - he's combine the two (I was wondering what it would sound like - I had the idea of the link being at the comparable part in the lighter cadenza (with the g-b flat thirds at the top and going down to the low a, but switching to the low octave on a in the ossia version). He has linked them not there but at a point about 8 measures before the interlocking chordal passage from the ossia version
aspergershawn 1 year ago
wow, great voices
belialah 1 year ago
I usually love Watts, but this is not to my liking. Maybe I've been listening to Argerich's version too much.
TheArithrix 1 year ago
@TheArithrix Maybe so, but the "Ossia Cadenza" has a more grandde staff compared to the only one Agerich plays which is a smaller version of this cadenza. If you view the music sheet you will see Rachmaninoff did more than make it shorter and smaller but less meaningful. I'm sure Horowitz and Rachmaninoff both said in a way that the Original Cadenza seemed too much like an ending, and I believe even Hofmann declined playing this, so the cadenza in my opinion is a big part of this Concerto.
ChrisWatch 1 year ago 4
@ChrisWatch Thanks for the comment.
TheArithrix 1 year ago
@TheArithrix Listen to Van Cliburs recording.
Ettoredipugnar 1 month ago
So sick of these immature posts! You people think moving fingers is hard.Try getting Ashkenazy's steel hammers behind them.You guys comment on difficult music.Do you ever notice that you can play the notes Rach ,Liszt,Chopin etudes but you can't play a simple Satie piece with enough musicality to make anyone listen. The point is line,shaping,taste etc.
lovesGenet 1 year ago
@lovesGenet This a video of Andre Watts playing a morphed version of the 1st mvmt cadenza of Rachmaninoff's 3rd concerto - if you'd like to talk about Satie, type "satie" into your search bar and fire away.
rachman1noff 1 year ago
@gtyler7292 have you heard dimitris sgouros play the cadenza (ossia)... listen to that... then come back and tell me which is harder...
pianomonkey151 1 year ago
Absolutely stunning.
Ellinidara 1 year ago
i play the violin and i met him and shared the stage with him when i was seven years old:)
LSC63 1 year ago
@mrjlowitz
I totally agree with you, it would sound better on a Steinway and I think he played it too fast.
Nevertheless NICE xD
sackwhacker 1 year ago 2
I don't think Watt's plays on any piano except a Yamaha which I have always thought to be rather dulled compared to a Steinway.
mrjlowitz 2 years ago 4
This was brilliant. Rach himself preferred the lighter cadenza, but I'm sure he would've enthusiastically embraced Andre's treatment. I also love the way he streamlined the 3rd movement.
(This CD also has Philippe Entremont playing the Rach 2nd, another sublime performance.)
JoshuaSethComposer 2 years ago
how does the piano register all of his movements in time like that? though it is not my favorite interpretation of the cadenza it is certainly most impressive.
artymowycz 2 years ago
why whyyyyyyyyyyyyyy it's played like this ...
costellopianist 2 years ago
he played perfectly actually........it's just more difficult to play this way
6spdtls 2 years ago
So true. Very good performance, very difficult to play. The details are amazing, listen!! Unfortunately the audio quality is not very good, imagine this on a new Steinway Concert Grand. We would not possibly believe it.
ipublica 2 years ago
@costellopianist What do you mean?
op10no4 2 years ago
from 1:00 the main theme of the cadenza is very fast , it must be slower
costellopianist 2 years ago
una delle migliori esecuzioni
fumattia1 2 years ago
Love this song and the artist.
kimberlypens 2 years ago 2
Andre Watts is so underrated.
curzmg 2 years ago 33
i agree. well in fact, he plays more 'crisp and clean'; than others.
jjg7 2 years ago 4
Oh wow! This is a wonderful combination! Is this from the same recording where he does the extremely rare 8th-note crazy-octave ossia in the very very end of the third movement?
OrangeSodaKing 2 years ago
this is absolutely amazing
Ainigma 2 years ago
this is very difficult pero mui bueno
Ostirala 2 years ago
WOW!!! So emotionally moving!!!! 5*****
MillerMusicStudiosTV 2 years ago
I still remember his recital in 1995 at the Academy of Music, good times.
Justdia123 2 years ago
very good,i loved it
nl25c 2 years ago
actually the Ossia is the original, the one he played was the alternative.
and i dont agree at all with a pile of chord banging, it has its own purpose and meaning, and although i prefer the alternative, the ossia is beautiful in its sound and complexity
aslanov 2 years ago 5
Rachmaninov only played the lighter, toccata-like cadenza due to a) lack of confidence, and b) need to make cuts in order to fit the whole concerto on the record.
physicsgeek21690 2 years ago
Whose lack of confidence? Certainly not Rachmaninoff's. He was a brilliant pianist!!
oktalp 2 years ago 8
after hearing Horowitz play his 3rd concerto (who he thought played it better then him) he lost a lot of confidence. he was always thinking he was not as good as other pianists, even though he was probably one of the best in history. if not, the best.
MIFFLISH 2 years ago
Have you ever heard his later interpretations? none of them lack confidence or volume.
ciliaspippi 2 years ago
This comment has received too many negative votes show
Great stuff. But the ossia on its own is preferable. Anyway, it's all just music and music is not really life - it's supposed to celebrate God. When the last trumpet blows, we'll all be changed in the twinkling of an eye.
BrookHornblower 3 years ago
But the last trumpet blows right near the end of the first movement(softly, variant of theme II), and far from twinkling, we've got Movements II & III to get thru!
NOSEhow2LIV 3 years ago
If you mean the trumpet theme echoed in D minor, don't forget the strings echo the same theme in B flat major right before the 1 movt ends.
Fascinating piece.
classicalPiano1 3 years ago
does anyone know where one could find the full original cadenza on youtube?
staystilljason 3 years ago
Well, mprpimp5061 uploaded Yefim Bronfman playing this, and yeah, it's the original cadenza, but the problem is you have to find which part to look into since he uploaded the whole concerto. Or check the Yefim Bronfman live performance of this, I'm pretty sure it's the very beginning of the 2nd video part, like 20 seconds in, Bronfman starts playing the cadenza, and there it's also the original.
mario54671 3 years ago
I find it a successful & well executed idea,altho i like both trad versions for their different qualities. When i heard the disc,many years ago,Watt's cadenza seemed by far the most interesting feature of the performance!
NOSEhow2LIV 3 years ago
Thank you very much I felt the same.
68philewest 3 years ago
This comment has received too many negative votes show
HORRIBLE. Listen to Rachmaninov play it. I can understand a slight deviation from the way Rach plays it, adding personality/character, but this was totally off. Talented, absolutely.
danlindros20 3 years ago
I completely agree - this seems like the perfect example of a good idea and poor execution. The two cadenzas contradict each other too much.
luke5d 3 years ago
agreed.
especially the hybridization of the cadenzas. seems to me to be in poor taste.
aslanov 3 years ago
AMAZING! I can hardly recognize when it "switches" from one to the other! it is very smooth! I like it!
marcostala 3 years ago 3
Interesting compromise... IMO, the Ossia is more interesting, but the beginning is often played in a boring way. So Mr. Watt is using the "original" cadenza up until the most interesting point of the Ossia. (I'm not meaning that I think he would not be able to make the whole ossia interesting)
Also, I really like that he takes so much time at ca. 1:50, it gives you the time to breath and enjoy the chords.
guboub 3 years ago 2
Sorry, I meant around 1:15
guboub 3 years ago
Actually, the first part of the "split" cadenza with the orchestral interlude. Just a slice of a performance of the Rach 3 that I've listened to for years. AWESOME!!
RaiderEleven 3 years ago
indeed, you could do that, its a cadenza. its designed to show off the pianists (or other soloists) abilities to improvise (or not if they so chose). so yes they could write their own and ignore what the composer composed. but why do that when they could just make a hybrid?
goostmaster 3 years ago
This comment has received too many negative votes show
Too fast! This certainly doesn't compare to Rach's own recording!
weikko79 3 years ago
i disagree. this is infinitely better than ashkenazy's version, which in my opinion, is much too slow. This cadenza is better suited to be played at this tempo, similar to how Horowitz and Argriech played it.
gtyler7292 3 years ago
This comment has received too many negative votes show
Besides, making a hybrid of the two cadenzas doesn't make sense in my opinion. Why not just write your own cadenza if you want to do something different?
weikko79 3 years ago
It gets better towards the end, but in the beginning it's just too fast and muddled. Watts is trying to show off just how fast he can get, but ends up stepping on his shoelaces, so to speak.
weikko79 3 years ago
imo the best rach 3 cadenza recorded
gtyler7292 3 years ago
I LOVE his use of stretto!!!
beryllium2 3 years ago
Comment removed
jero13595 3 years ago
momentary crescendo and accelerando
KearneyPiano 3 years ago
Comment removed
jero13595 3 years ago
Hahahaha
Is that kind of hybridization even legal?
What would Rachmaninoff say!
bluebr5 3 years ago
Iknow him personally, and I say to you check your genes there is something in your hybrid
that is not legal dude..............
68philewest 3 years ago
Master
bluebr5 3 years ago
great cadenza . . .
Tigerclint 3 years ago 2
I agree with you. This reminds me of how Horowitz combined the original and second versions of the Sonanta for his version. To this day I cannot stomach anyone else playing the Sonata except Horowitz. What he did for it is a vast improvement over anything I've heard from anyone else. I cannot take other people playing the second version, and I hate people playing the original version. It's Horowitz or nothing at all for me. Andre reminds me so much of Horowitz' innovation. Brilliant artist.
notfem 4 years ago
I would like to have seen this live. His hands must have been a blur to run down the keyboard that fast. Incredible. Thank you for sharing this!
juufa72 4 years ago
Grande virtuoso.
dido93 4 years ago 3
One of my favorite pianists ever! I haven't seen him live since May 2005. This makes me want to hear him play this in particular, live.
Ravenelvenlady 4 years ago
I saw him perform Brahm's 2nd piano concerto with the Seattle Symphony Orchestra and I was blown away. His interpretation was the best I have ever heard.
cellestialX 4 years ago
Fantastic. I bet in a couple of years everyone will be using Watts' invention!
Tortelier18 4 years ago
He's one of my favorite Pianists! Thanks for posting.
AziraDax 4 years ago
Wow he is so good! Power, clarity, excitement.
Valkyrie91a 4 years ago 2
wow...so beautiful!
jannokas85 4 years ago 2
this is marvellous as a compromise for anyone who cannot make up their mind whether they want to perform the small or the big cadenza - simply start in the small one and go into the big one as Watts does here! I rather like it because i find there is a case for both cadenzas, so in one sense a problem is solved. I wonder what Rachmaninoff would have made of it though!! DOes anyone know if anyone else has done something similar??
pianoenthusiast11 4 years ago
ahahahahahahah this is indeed a bit legendary!!!
datruzepp 4 years ago
thanks a lot! i was waiting for that, heard it somewhere on the net before, very interesting!
loves2listen 4 years ago
Spectacular 5/5!!!!!
christian6657 4 years ago
This Has got the X factor+......
shela2 4 years ago