@BlueinGreen2 its a common practise, and would have carried no malice. A player would offer the last phrase of his solo to the next guy, who would use it as a starting point for his solo.
@gtr1359 Hahahaha I know! I was just making reference to the fact that Cannonball is an incredible player and (in my eyes) the perfectness of Nat's solo was ruined by Cannonball showing us how good his ears are.
Absolutely stellar. Beautiful. The opening slow number featuring Adderley was incredible. Whoever preserved this video and uploaded it did the world a great service.
so awesome..thanks for posting this. I don't listen to much jazz...but I do respect Coltrane, Bird Parker, Mingus, Monk for their talent...and even genius.
Thanks for posting this. I am wild about Cannonball, and to hear him on this show is terrific. Not only a fantastic performer, but so articulate and knowledgeable.
@unchato: this version of round midnight doesn't sound that sad and tragically as many other versions, but there is so much hope expressed in it. Love it...
ooooh haha you wrote all the names of the musicians in the description i missed that earlier haha lol sorry about that thank you for doing that and again for the video music appreciated
Ahhh thats sooo cool first a great piece by Monk then a great piece Adderley wrote with Samuel (Sam) Jones the great bassist i dig every instrument's part they dont show who is playing the bass hardly at all does anyone know who all the musicians are other than of course the maestro Adderley? i'll research if i find out i will post it. this is sublime, thank you for posting, sharing this great music, cool little TV special with great preformances and sincere dialogue. Jazz including bebop :)
Ahhh thats sooo cool first a great piece by Monk then a great piece Adderley wrote it with Samuel (Sam) Jones the great bassist i dig every instrument's part they dont show who is playing the bass hardly at all does anyone know who all the musicians are other than of course the maestro Adderley? i'll research if i find out i will post it. this is sublime, thank you for posting, sharing this great music, cool little TV special with great preformances and sincere dialogue. Jazz including bebop :)
It is natural (human)to hear a key center or at least the ear will search: given a shape and pitches. Schoenberg took tonality further de-centralizing key centers. Later with serialism he posited a method . i like that: 3 chords for a thousand and a thousand chords for a room. that is jazz! Music can be very difficult to follow when harmonies are not pronounced. SunRa etclike Bach's polyphony .We get many lines but they may not be in same time or key. WONDERFUL!
Funny how the focus was on Cannonball Adderley b/c he was thought of as Bird II, yet I really like Nat's playing here and Jimmy Cleveland is killin it. Sooo cool that these videos are out.
While they each had/have their own styles, two of my favorite altoists, Cannonball and Phil Woods, each was shaped by different aspects of Bird. And to the poster who lumped Sanborn in with Everett Harp and Candy Dulfer, I would say you sell Sanborn much too short. But, that's just me.
Bird's music influenced so many, and still does. These greats heard Charlie Parker and new the real deal. They can't be fooled. I hope these giants influence us to listen to more Bird, and more Bop in general.
God bless Cannonball, Billy Taylor and all the giants. To me, the pianist who continues to explore the trails blazed by Bird, Bud and Monk and has in my opinion, extended the language, is the great Barry Harris. Fortunately for us all, he's a great educator too. Bop Lives!!
I saw the Canonball Adderley group in England(Manchester) sometime in the 60`s.On tenor was Charles Lloyd who was not too well known back then.Enough to say the concert is remembered.
It's so funny to hear the political backlash over the style back in that day - I can see people dancing to this b/c Cannonball had all that soul coming out. Gotta say again, that it's wonderful to see footage of Jimmy Clevland - especially playing with Cannonbal.
How fortunate we are recordings such as this exist, to purely enjoy, and from which to learn. Todays alto players, Sanborn, Dulfer, Harp, 100 others ad nauseum, seem only to know the highest register of this instrument, and spend all their recorded time there, screaming and splitting reeds. The warmth of delivery and scale selection heard here, either by design or improvised, simply leaves me wanting more and more. I fear the real use of the alto saxophone as a solo instrument, is lost today.
JAZZ is the natural music.... thousands and hundreds of years people just played anything they have heard or are teached by someone...and sheet music is written for 500-600 hundred years.. If you read wikipedia for classical composers the use of improvisation is very very important and valued by Beethoven Mozart and so on....till the recordings went on from the 20th century ;)
very important to improvise but its more important to understand why something that you improvised sounds a certain way (with theory) because then you can apply it to any bassline/progression/chord/scale/arpeggio or chord ect
I've never heard of jazz being created because slaves couldn't read music properly. Wow, whoever thinks that need to take a jazz history class or something!
@skinnypenguin3 From what I've read, at least a few of the Jazz greats couldn't read music, but played by ear. They learned how to play by listening to records of other musicians and radio. Certainly site reading has nothing to do with creative ability. I can site read very well, but I can't improvise a solo worth a darn.
@skinnypenguin3 you pretty much got that right, except that there was not any true creator of jazz or any other genre of music for that matter. music evolves and there is no one point in time where some genre of music is created. However there are some very important places in which characteristic qualities came into play for instance the transfer into the bebop movement in jazz.
And I've come across musicians who don't know much about reading music, but this whole notion of "reading" has very little to do with how talented you are with music. Unlike the languages we use in everyday life, music is a language where the only skill needed is the skill to "speak"; that is, to make sound. So yeah, most musicians of this caliber can read. And there are even some who can't, but who cares if they can't :D
@skinnypenguin3 Being able to read and having incredible knowledge in music theory are not at all related. Many, many great Jazz player can hardly read anything, including many people you would assume could, Coltrane, Parker, Monk, Scofield, couldn't read well. Others like Miles, Bill Evans, Michael Brecker, could read extremely well, it just depends on the player, but all of them got to where they needed to get regardless wether or not they could "read" music.
@ryanlk Coltrane and Bird were definitely very fine sight readers. You've gotta remember that in those days, during the recording sessions, they'd show up, hand out the sheet music, count off the rhythm and usually do the first take. Bird would have to be a pretty damn good reader to take stuff like Groovin' High and Tunisia on the first or second take, not to mention the fact that during his 14hr practise-era he studied Stravinsky scores all the time...
@ryanlk Not related at all is a big stretch. They still knew music theory. That is a fact. They knew the wrong notes because they knew the right ones.
hahahah you are a piece of shit who siply doesn't understand music in general...music has to make you think not only pleasure easily your ears while drinking...
you can all say what you want, and I know bird was a monster on the alto, but I personally enjoy much more listening to Cannonball! I can "chew" it better
I saw him live at Shelley's Manhole in Hollywood in the mid 1960's, sat 10 feet away and just was transported to another world. Joe Zawinul was with him at that time. WOW! Cannonball and Nat!
My Mom dated Cannonball Adderley! I guess she was a Jazz groupie! My dad roomed with Dizzy in the early days. My Mom dated Dizzy a few times - one day he came home late and My mom met my dad. The rest is history... Marriage and Me!
that interviewer came off as an a-hole to me...the way he just sent Cannon off...."why dont you go and play" idk i might be lookin into it too much...lets not forget 1958....civil rights movement hadnt occured yet...interviewer could be a racist. who knows
He was just ill informed about the subject matter. He wasn't a racist, actually he was a cultural critic of sorts. Well intentioned, but basically totally clueless about the music.
@JazzVideoGuy I agree...the presenter is coming from a completely different mindset to the musicians. He's somewhat stuffy in his manner, that's all. Possibly because he's out of his depth. I felt he was basically trying to pin down and pigeonhole things in the music that don't neatly fit into rigid definitions.
Same emotional reaction as below. Cannonball was a beautiful person as well as musician. It's special to be able to see and hear him speak. Thanks, JazzVideoGuy -- keep 'em coming!
OMG I love you for putting this up! I never saw Cannonball on TV and he rocked! I memorized some of his solos as a kid growing up learning and loving jazz. Honestly I teared up a little, this was emotional for me, WOW thanx man:-)
Man... Cannon had one of the best alto tones EVER. So beautiful, and his understanding of music theory and his insane musicality made him something special. What a gem.
What I like about this is they are not buttering it up for the audience. 'If you don't get us that's tough for you' is the attitude. I hate it when Jazz musicians bring there music down to the level of the non jazz listener (like the smooth Jazz crowd)
Viva Cannonball for giving history such a great performance. However, you have just deflated my own performances to the level of the worm. Ahh well, it keeps us mere mortals in our place I suppose.
Cannonball's ballad playing is something else. His tone here sounds like a human voice.
ImaniHekima 2 months ago
Shit, on Adderleys tune the brothers are killing it! Love Nat's first phrase.
theinvisiblelight 3 months ago
@theinvisiblelight only one word - awesome
JazzVideoGuy 3 months ago 2
@JazzVideoGuy I might say blistering :p
theinvisiblelight 2 months ago
I wish they would have shown his hands on the second chorus of Cannonball's solo, when he really steps on the gas! 8-)
saxophobe 4 months ago
Just love this, thanks for posting. Nat sounded great as well. Long live Cannonball
taguirre007 5 months ago
WOW!!! It's all about 8:00mins Cannon's solo was ridiculous!!!
TeXas10er 5 months ago
Nice Mic job : ) For the time, they really captured the performance with a nice sound!
Great performance by Cannonball as always!
teapartyrich 7 months ago
i wish my name was cannonball adderley.
ThemThems 8 months ago
What an intelligent show - could you imagine MTV having a show like this?????
queekers 9 months ago 6
@queekers Can't imagine MTV doing this, but PBS on the other hand....
TaylorGuitarsPlayer 8 months ago
Glad i grew up listening to my fathers jazz albums. Cannonball was in his collection, still is!
BNforever2009 10 months ago
Nat's solo is actually perfect. Shame Cannonball destroys him by imitating his last line.
BlueinGreen2 10 months ago
@BlueinGreen2
destroyin' what ?
they are all great.
ricardomoyano 8 months ago
@BlueinGreen2
destroyin' what ?
they are all great.
all the best
ricardomoyano 8 months ago
@BlueinGreen2 its a common practise, and would have carried no malice. A player would offer the last phrase of his solo to the next guy, who would use it as a starting point for his solo.
gtr1359 7 months ago
@gtr1359 Hahahaha I know! I was just making reference to the fact that Cannonball is an incredible player and (in my eyes) the perfectness of Nat's solo was ruined by Cannonball showing us how good his ears are.
BlueinGreen2 7 months ago
@BlueinGreen2 thats good rather than bad... cannonball is listening to what nat is playing... thats what you're supposed to do on the bandstand
zbalder14 6 months ago
The power of that sound in his entry at 4.09. Breathtaking.
BlueinGreen2 10 months ago
So under appreciated, it hurts!
claudthornhill 11 months ago
00:09, 00:17, 00:39, 00:48 this dude has THE most epic faces in history xD!
torrentjeff 11 months ago
0:00 to skip advert
MrAfter10 11 months ago
PRESIESSS DIT<,,,,,,,,,,
takkukah 11 months ago
this makes me get drunk and beat my wife
UmbrellaFitzgerald 1 year ago
Absolutely stellar. Beautiful. The opening slow number featuring Adderley was incredible. Whoever preserved this video and uploaded it did the world a great service.
airforcejim 1 year ago
Cannonball is so high on weed during the interview LoL
TheDirteeSanchez 1 year ago
@TheDirteeSanchez I'd believe those guys knew how to party
Hoffletrof456 1 year ago
so awesome..thanks for posting this. I don't listen to much jazz...but I do respect Coltrane, Bird Parker, Mingus, Monk for their talent...and even genius.
smkonwater23 1 year ago
Thanks for posting this. I am wild about Cannonball, and to hear him on this show is terrific. Not only a fantastic performer, but so articulate and knowledgeable.
Regis1Holster 1 year ago
lacking emotion? doesn't feel like that.
unchato 1 year ago
Comment removed
fuben0 1 year ago
@fuben0 yes the thing is, the host says that this type of music lacks emotion, I don't think that is true
unchato 1 year ago
@unchato: this version of round midnight doesn't sound that sad and tragically as many other versions, but there is so much hope expressed in it. Love it...
fuben0 1 year ago
sickkk
sethsbone 1 year ago
ooooh haha you wrote all the names of the musicians in the description i missed that earlier haha lol sorry about that thank you for doing that and again for the video music appreciated
findingarainbow 1 year ago
Ahhh thats sooo cool first a great piece by Monk then a great piece Adderley wrote with Samuel (Sam) Jones the great bassist i dig every instrument's part they dont show who is playing the bass hardly at all does anyone know who all the musicians are other than of course the maestro Adderley? i'll research if i find out i will post it. this is sublime, thank you for posting, sharing this great music, cool little TV special with great preformances and sincere dialogue. Jazz including bebop :)
findingarainbow 1 year ago
Ahhh thats sooo cool first a great piece by Monk then a great piece Adderley wrote it with Samuel (Sam) Jones the great bassist i dig every instrument's part they dont show who is playing the bass hardly at all does anyone know who all the musicians are other than of course the maestro Adderley? i'll research if i find out i will post it. this is sublime, thank you for posting, sharing this great music, cool little TV special with great preformances and sincere dialogue. Jazz including bebop :)
findingarainbow 1 year ago
who is the guitarist? kenny burrell? watch him put out his cigarette while taylor takes his solo. those were the days:)
mcgruppian 1 year ago
supernatural phrasing. Cannonball kills this.
guitarcolossus 1 year ago
the name of the last tune is "round midnight".
check out the record "round about midnight", by miles davis.
man, this is song is simply overwhelming.
deetetive 1 year ago
@deetetive
No, I mean the composition Adderley mad at the end. I know Round Midnight. Thanks anyways.
theblademaster01 1 year ago
wow, who is the guitarplayer? i really love his chops. thx for uploading, my friend!
BeatBay 1 year ago
@BeatBayMundell Lowe
rayjr62 1 year ago
@rayjr62 thank you very much
BeatBay 1 year ago
What is the song called at the end actually?
theblademaster01 1 year ago
@theblademaster
YES WHAT THE NAME OF THE TUNE?
toomanypup 1 year ago
@toomanypup
The name of the tune at the start is Bebop. I think by Dizzy Gillespie.
I just don't know what the name at the end is.
theblademaster01 1 year ago
@theblademaster01 Jeannie (last tune)
scomdnz9 1 year ago
@scomdnz9
Thanks man, I really appriciate it.
theblademaster01 1 year ago
@theblademaster01 no probalo. for a while i thought it was called Genie.
scomdnz9 1 year ago
Style & Excellence.
Tobiashreese 1 year ago
ANYBODY-WHAT IS THE OPEN TUNE??
toomanypup 1 year ago
@toomanypup
It's called bebop.
theblademaster01 1 year ago
i love how they used to talk
castillopetruzzi 1 year ago
someone can tell me that mouthpiece used cannonball?
jon93099 1 year ago
Those nine people who gave this a thumbs down must be Justin Bee'berrr' fans who stumbled on this by mistake!
The sound of REAL music must hurt their ears!!
univibe23 1 year ago
@univibe23
:D:D:D:D:D:D:D:D YES IT MUST BE!
JUSfr34k 1 year ago
It is natural (human)to hear a key center or at least the ear will search: given a shape and pitches. Schoenberg took tonality further de-centralizing key centers. Later with serialism he posited a method . i like that: 3 chords for a thousand and a thousand chords for a room. that is jazz! Music can be very difficult to follow when harmonies are not pronounced. SunRa etclike Bach's polyphony .We get many lines but they may not be in same time or key. WONDERFUL!
lovesGenet 1 year ago
Listening to Jazz takes two things:
#1, being able to hear and define a tonal key center.
#2 being able to hear when someone is playing "outside" of the key.
Since #1 #2 is impossible to most mainstream pop-audience, then understanding the intentions of most jazzplayers is almost impossible...
niklas8989 1 year ago
@niklas8989
Oh, most people can identify a tonal center. It's when the center moves rapidly with sketchy definition that most people get lost.
The rock band plays three chords for 1000 people. The jazz band plays 1000 chords for ....
Frisbieinstein 1 year ago
@niklas8989 I disagree and agree. Listening to jazz does take two things - at least one ear to absorb the sound, and a brain to decode the signal.
myrridin 1 year ago
@niklas8989 Well being a musician for 19 years and with a proud "anti-pop" ear- I'd like to think I could understand enough....
bondiga10 1 year ago
so great so wonderful...such musicianship...just great!!
josephredbagger 1 year ago
Oh man, this is sooooo good! The whole band sound great, that rhythm section is so swingin'. Cannonball ...genius
howlowcanyoublow 1 year ago
Funny how the focus was on Cannonball Adderley b/c he was thought of as Bird II, yet I really like Nat's playing here and Jimmy Cleveland is killin it. Sooo cool that these videos are out.
holygroove2 1 year ago
Julian was the bomb alright.
slyme1711 1 year ago
What is the piece from 1:02 to 1:56 ?
Dedalusalley 1 year ago
a tune called "Bebop"
ayerpbmore 1 year ago
@Dedalusalley the name of this piece is BE BOP by Dizzy Guillespie
1saxoservidor 1 year ago
While they each had/have their own styles, two of my favorite altoists, Cannonball and Phil Woods, each was shaped by different aspects of Bird. And to the poster who lumped Sanborn in with Everett Harp and Candy Dulfer, I would say you sell Sanborn much too short. But, that's just me.
arneal 1 year ago
8:38 O que ele fez no trombone? LOL
VJSco 1 year ago
check out dutch pianist peter beets, bop lives!
thomaski 1 year ago
Comment removed
thomaski 1 year ago
The greatest alto player ever...
laughingtiger123 1 year ago
Damn, Cannonball's playing of Round Midnight is najestic.
heru1966 2 years ago 14
@heru1966
majazztic :)
TrifeMusic 1 year ago
@TrifeMusic That's the one ;-)
heru1966 1 year ago
It's incredible how the quality of the recording doesn't detract from the beauty of the music. In fact, sometimes it even adds to it.
gringochucha 2 years ago
And don't forget the late Ed Thigpen on drums...classic
chayjazz 2 years ago
All i can say is, if it wasnt for my father, i wouldnt have known jazz, esp bebop!!!
BNforever2009 2 years ago
shyea, thank god for growin up with jazz in the house
Tizmo0 2 years ago
amen to that
gringochucha 2 years ago
Bird's music influenced so many, and still does. These greats heard Charlie Parker and new the real deal. They can't be fooled. I hope these giants influence us to listen to more Bird, and more Bop in general.
God bless Cannonball, Billy Taylor and all the giants. To me, the pianist who continues to explore the trails blazed by Bird, Bud and Monk and has in my opinion, extended the language, is the great Barry Harris. Fortunately for us all, he's a great educator too. Bop Lives!!
budlives 2 years ago
Does anyone else think that Nat and Jimmy stole the show?
scoggles 2 years ago
Mundell Lowe stops playing, grabs a cigarette from his headstock, takes a drag and continues playing!....now that's cool!!
naturaltoby 2 years ago
I saw the Canonball Adderley group in England(Manchester) sometime in the 60`s.On tenor was Charles Lloyd who was not too well known back then.Enough to say the concert is remembered.
lasdrof7 2 years ago
the drums sound great :D
theelder987 2 years ago
It's so funny to hear the political backlash over the style back in that day - I can see people dancing to this b/c Cannonball had all that soul coming out. Gotta say again, that it's wonderful to see footage of Jimmy Clevland - especially playing with Cannonbal.
holygroove2 2 years ago 3
What is the song at 1:11 (the first song).
The song is unbelievably brilliant!
dimfifth 2 years ago
Bebop
JazzSteps 2 years ago
Thanks a lot!
dimfifth 2 years ago
by Charlie Parker
JazzSteps 2 years ago
Bebob by dizzy gillespie
i concur
solostrad 2 years ago 2
@ dimfith: the tune is called "Bebop".
PatrickManzecchi 2 years ago
Jimmy Cleveland is absolutely uncredible!
albertrombone 2 years ago
Where are the Johhny Hodges on today? Adept, lyrical, swinging like blazes...and in all registers.
HenryHallsGuestNight 2 years ago
How fortunate we are recordings such as this exist, to purely enjoy, and from which to learn. Todays alto players, Sanborn, Dulfer, Harp, 100 others ad nauseum, seem only to know the highest register of this instrument, and spend all their recorded time there, screaming and splitting reeds. The warmth of delivery and scale selection heard here, either by design or improvised, simply leaves me wanting more and more. I fear the real use of the alto saxophone as a solo instrument, is lost today.
coldwar1952 2 years ago 2
What a nice thing to see Cannonball going through those 'round midnight chords like flowing through water...and also paying his respects to Bird...
Great video!!!
charliefdom 2 years ago
He's a God.
edjameschow 2 years ago 2
JAZZ is the natural music.... thousands and hundreds of years people just played anything they have heard or are teached by someone...and sheet music is written for 500-600 hundred years.. If you read wikipedia for classical composers the use of improvisation is very very important and valued by Beethoven Mozart and so on....till the recordings went on from the 20th century ;)
alexjrmarino 2 years ago
very important to improvise but its more important to understand why something that you improvised sounds a certain way (with theory) because then you can apply it to any bassline/progression/chord/scale/arpeggio or chord ect
kotekotekitty 2 years ago
Why don't people understand jazz? I'm a rising jazz musician, and there is a lot to be learned before you can call yourself a jazz musician.
SuperSaxmaster 2 years ago 2
This has been flagged as spam show
jazz is shit. it was created because the slaves couldn't read music properly.
Lightningbones1000 2 years ago
If you knew anything about music, you would realize how much knowledge and virtuosity is needed to play music like this.
As for jazz being created because "slaves couldn't read music properly:
A. Jazz was created after the Civil War by free men, and
B. I'm pretty sure that Cannonball Adderley and most other jazz pioneers could sight-read your ass into the ground.
skinnypenguin3 2 years ago 69
most definitely! Cannonball was a high school music teacher.
retroafro98 2 years ago
I've never heard of jazz being created because slaves couldn't read music properly. Wow, whoever thinks that need to take a jazz history class or something!
queekers 2 years ago 2
@skinnypenguin3 From what I've read, at least a few of the Jazz greats couldn't read music, but played by ear. They learned how to play by listening to records of other musicians and radio. Certainly site reading has nothing to do with creative ability. I can site read very well, but I can't improvise a solo worth a darn.
lakesidelivin 1 year ago
@lakesidelivin Cool, cause I suck at sight reading like hell... I got to practice, but I can rip out a nice solo to any (tonal) tune you give me.
HAMayoral 1 year ago
@lakesidelivin Miles, Mingus, Bird, Shotner, Garner, Tatum, Trane, Cannonball, Dizzy, and more could read,
saron380 1 year ago
@skinnypenguin3 you pretty much got that right, except that there was not any true creator of jazz or any other genre of music for that matter. music evolves and there is no one point in time where some genre of music is created. However there are some very important places in which characteristic qualities came into play for instance the transfer into the bebop movement in jazz.
austin81994 1 year ago
@skinnypenguin3 Amen!!! Jazz is African-American CLASSICAL music!!!
amd77j 1 year ago
@skinnypenguin3
That's the truth if I ever heard it.
And I've come across musicians who don't know much about reading music, but this whole notion of "reading" has very little to do with how talented you are with music. Unlike the languages we use in everyday life, music is a language where the only skill needed is the skill to "speak"; that is, to make sound. So yeah, most musicians of this caliber can read. And there are even some who can't, but who cares if they can't :D
briandee 1 year ago
@skinnypenguin3 Being able to read and having incredible knowledge in music theory are not at all related. Many, many great Jazz player can hardly read anything, including many people you would assume could, Coltrane, Parker, Monk, Scofield, couldn't read well. Others like Miles, Bill Evans, Michael Brecker, could read extremely well, it just depends on the player, but all of them got to where they needed to get regardless wether or not they could "read" music.
ryanlk 1 year ago
@ryanlk Coltrane and Bird were definitely very fine sight readers. You've gotta remember that in those days, during the recording sessions, they'd show up, hand out the sheet music, count off the rhythm and usually do the first take. Bird would have to be a pretty damn good reader to take stuff like Groovin' High and Tunisia on the first or second take, not to mention the fact that during his 14hr practise-era he studied Stravinsky scores all the time...
blah148 1 year ago
@blah148
wow i never knew that !
JUSfr34k 1 year ago
@ryanlk Not related at all is a big stretch. They still knew music theory. That is a fact. They knew the wrong notes because they knew the right ones.
blunt1 1 year ago
@skinnypenguin3 BAM!!!!!!!!!!!!!!!!!!!!!!
Guitfiddlejase 1 year ago
hahahah you are a piece of shit who siply doesn't understand music in general...music has to make you think not only pleasure easily your ears while drinking...
xatzidakis 2 years ago
it does need to sound good tho (even when your drunk xatzidakis)
kotekotekitty 2 years ago
Heart and Mind. Jullian is the man.
fireblossom2u 2 years ago
his solo on monk's tune is just incredible
(4:11 to 6:13) this man has the exactest timing I've ever heard! Listen also to his solo on "flamenco sketches" (Kind Of Blue) alternate take!!!
SensenmannSensenmann 2 years ago 2
you can all say what you want, and I know bird was a monster on the alto, but I personally enjoy much more listening to Cannonball! I can "chew" it better
zivley 2 years ago 6
@zivley I know what you mean. Perhaps another way to put it, Parker was a wounded soul, Cannon was a joyful soul.
videostan 1 year ago 6
@videostan Well put.
JazzVideoGuy 1 year ago
@videostan you've got it right!
zivley 1 year ago
To me, Cannonball has that bluesy soul in his jazz solos. Love that.
BNforever2009 2 years ago
I saw him live at Shelley's Manhole in Hollywood in the mid 1960's, sat 10 feet away and just was transported to another world. Joe Zawinul was with him at that time. WOW! Cannonball and Nat!
TrueFan1947 2 years ago
amazing tone
XILLIAIN 2 years ago
yes
XILLIAIN 2 years ago
SO much feeling!
mdavisable 2 years ago
whats the name of the ballad 4:00?
amrob 2 years ago
Hi amrod, 4:00 song is Round About Midnight (Thelonious Monk)
petergun57 2 years ago
Round Midnight
XxSaxCannon921xX 2 years ago
My Mom dated Cannonball Adderley! I guess she was a Jazz groupie! My dad roomed with Dizzy in the early days. My Mom dated Dizzy a few times - one day he came home late and My mom met my dad. The rest is history... Marriage and Me!
dcmurphy1515 2 years ago 22
way cool, man!
Timotheedle 2 years ago
Your mom is cool! You must be proud of her!
fedesax73 2 years ago
@dcmurphy1515 Was your dad a musician?
lakesidelivin 1 year ago
@dcmurphy1515 wow, if that is a real strory, it is actually facinating. did your dad play jazz too???
ulysax1979 1 year ago
@dcmurphy1515 HAHA your moms a tramp
cormballs 1 year ago
@dcmurphy1515 That is unreal. i wish i was you. haha. not really, but that is really cool if it is true. were your parents musicians, and are you?
austin81994 1 year ago
@dcmurphy1515
COOL
JUSfr34k 1 year ago
A PHI A 06!!
SPHINXMENREECE 2 years ago
Man, talk about a tight band. Especially playing "Be Bop" at the beginning.
confoozled3737 2 years ago
oh how i love Cannonball's sound so much!!!
Jedum 2 years ago 8
Great video!!
Grandma mary
Fr3derick 2 years ago
iTunes just released the "I Love Jazz" series and it's FREE and AWESOME! Check it out!
wonekawa 2 years ago
Why isn't more "The Subject is Jazz" footage made public!? I want to see the Lion! I only got to see a bit of him in Ken burns Documentary.
Morahman7vnNo2 2 years ago
billy tylor n malon on guitar... there will never b anothere u
wow
jasonleos 2 years ago
what a great version of 'round midnight. and i think that is jimmy cleveland on the bone
moonmanmort 2 years ago
that interviewer came off as an a-hole to me...the way he just sent Cannon off...."why dont you go and play" idk i might be lookin into it too much...lets not forget 1958....civil rights movement hadnt occured yet...interviewer could be a racist. who knows
bc2jazz 2 years ago
He was just ill informed about the subject matter. He wasn't a racist, actually he was a cultural critic of sorts. Well intentioned, but basically totally clueless about the music.
JazzVideoGuy 2 years ago
agreed. I also think that he may have been simply running out of time and direction signaled to him to cut the conversation.
MasterFebo 2 years ago
@JazzVideoGuy I agree...the presenter is coming from a completely different mindset to the musicians. He's somewhat stuffy in his manner, that's all. Possibly because he's out of his depth. I felt he was basically trying to pin down and pigeonhole things in the music that don't neatly fit into rigid definitions.
heru1966 1 year ago
Comment removed
affectivity 2 years ago
is that jimmy cleveland on the bone
dreadtodred 2 years ago
Yes, the amazing Jimmy Cleveland.
JazzVideoGuy 2 years ago
thanks jazz video guy,I wsnt too sure
dreadtodred 2 years ago
All praise be to Cannonball !!
That was amazing...He swung so hard and the ideas and execution were and are still way way up there.
The way he embellished Round Midnight was awesome.
Thanks very much for posting
howlowcanyoublow 2 years ago 3
I saw Cannonball at a large jazz concert at the Opera House in Chicago. It was sheer delight.
coolmamac 2 years ago
I'm very jealous!! lol. I would have loved to have heard him in the flesh.
howlowcanyoublow 2 years ago
he's still alive?! Cannonball is STILL ALIVE?!
pong224 2 years ago
We wish he was. His music lives on, but Jullian Cannonball Adderley is no longer with us.
JazzVideoGuy 2 years ago
'tard
PickleHead60 2 years ago
@pong224
nah sorry he died in 75
chogo888 1 year ago
Same emotional reaction as below. Cannonball was a beautiful person as well as musician. It's special to be able to see and hear him speak. Thanks, JazzVideoGuy -- keep 'em coming!
geosax 2 years ago 2
OMG I love you for putting this up! I never saw Cannonball on TV and he rocked! I memorized some of his solos as a kid growing up learning and loving jazz. Honestly I teared up a little, this was emotional for me, WOW thanx man:-)
allenm74 2 years ago
Wow. If I only heard but not seen this video I would have sworn that the trombone was valved.
firenmusicman 2 years ago
Bravo to Cannon and the rest of the band. The warmth of his spirit came through in every note he played. TV used to be really cool.
Stopitshutup 2 years ago 3
I second the tv comment especially
guitarrista321 2 years ago
what is the name of the song the play at 1:06?
bboywutang 2 years ago
Bebop, a Dizzy Gillespie composition
JazzVideoGuy 2 years ago
thanks
bboywutang 2 years ago
Comment removed
sotonemuel 2 years ago
Yes the song is bebop...i have a recording where Dizzy plays it even faster! Thanks for posting!
sotonemuel 2 years ago
Man... Cannon had one of the best alto tones EVER. So beautiful, and his understanding of music theory and his insane musicality made him something special. What a gem.
protocol66 2 years ago
Thank you!
BuzzMcTank 2 years ago
thx for these vids
ReverendNovember 2 years ago 2
What I like about this is they are not buttering it up for the audience. 'If you don't get us that's tough for you' is the attitude. I hate it when Jazz musicians bring there music down to the level of the non jazz listener (like the smooth Jazz crowd)
Viva Cannonball for giving history such a great performance. However, you have just deflated my own performances to the level of the worm. Ahh well, it keeps us mere mortals in our place I suppose.
5* - sorry that's all I can give.
conn6m 2 years ago 5
bam! What a great song (the second. round midnight is cool, too)
FiddleJoon 2 years ago
Anybody who likes this look up Flamingo by Cannonball... it's simply stunning.
quailb 2 years ago