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From: Sissco
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  • Ravel marks a very quick tempo, and this interpretation makes less use of rubato than others, although the rhythmic pulse of the melody is stronger. I am happy to see that he rolls that chord in the bass at the top of the last page as well, I thought my hands were just too small. Remember that music is art, that means that there are many interpretations of the one work.

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  • this is a fast version, but quite enjoyable. talented performer + great composer = amusement

  • This guy is soooo bad. He's way too fast (I'm sure his wife can confirms).

  • @Kasseur2fass I'm sure your wife can confirm too.

  • @Kasseur2fass He was homosexual.

  • @marcelmombeek MIJD WALTER ALS DE PEST? Misschien heb je wel gelijk.Maar wat men over jou en je vriendinnetje Greetje Dehoux zei wil ik hier niet publiceren.Zou anders onderhevig zijn aan hevige censuur.Have a nice day.Ik vind jullie een leuk koppel en ik wens jullie allebei het beste en nog veel genot met elkaar.Ajuus!!

  • @marcelmombeekpiano Dat je bij Gevers niets geleerd hebt daar kan ik inkomen.Toen ik 16 was deed ik toegangsexamen met Waldstein Sonata,Toccata van J.Jongen en Chopin op.10 nr.5 en 7.Sigrist en Detiege zaten te watertanden.Maar ja ..ik kwam in dezelfde boot terrecht als jij.Dus ik maar brossen.Was indertijd hevige fan van Groslot(misschien kunt ge die ook eens opbellen voor wat sappige anekdotes he) en heb van hem veel opgestoken".En wat "idereen "zegt interesseert mij genen bal!!Capito!

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  • For those that say "too fast", i think that everyone is free to play as theyr prefare. Why all those YOUTUBE-BIG-TALENTED-PIANISTS dont take a video where THEY show to us as music should be played :P ??? If you dont like this interpretation take an old 33 lp and make it move as a 45 :P

  • hmm the quality is rather good for a black and white video

  • Wonderful imagery!

  • Still amazed at how effortless he makes it seem =)

  • the tempo is amazing. makes it sound like a splash of water over the piano. it gives it a very fluid texture and wow his technique...

  • what tempo!

  • too fast

    apart from that, stunning of course

  • fucking beautiful

  • Wow...only known bolero till recently but its nothing compared to all the other amazing pieces he created.

  • @Kasino80 That's what Ravel said too; he said "Bolero" was trivial compared to his other works. Doesn't stop "Bolero" from being a heckuva piece, though.

  • Faster than I prefer to hear it, but his voicing is the best I've heard for this piece.

  • lovely.

  • WOW.

  • This video is an eternal treasure of this planet.

  • I can see the water...

  • The piece is called 'water games' and Richter makes it sound just like water - from smooth and flowing to sparkle. Richter was utterly dedicated to the music - he was not one for playing piece fast because he could - he didn't have to.

    If anyone can find a version of this piece with a more beautiful water-like tone I'd like to hear it, because I don't believe one exists.

  • 3:40-4:41 is probably what it feels like to travel through space...

  • Thanks for the video

    HELP Fingering for 4:19 ? Right arpeggios m. 82 (down) 543214321 ? 321432121?

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  • I'm sure that Ravel could play this piece, maybe not as well as Ricardo Vines who Ravel used to premiere a lot of his works including Mirroirs and Gaspard. Ravel could not have played it anything like Richter. Plus Ravel's work is so logically pianistic that a non virtuoso pianist would be hard pushed to compose.

  • Fantastico...

    

  • He DOESN'T play TOO fast. For this piece, specifically for this piece, the tempo is on. The picture of this piece Ritcher is drawing is not as same as other performers have. If you think this is too fast, that's because you don't understand or can't draw the picture of this interpretation. By far this is the best one for my taste. Has to be done this way.

  • This gives me goosebumps. Especially from 6:06 to 6:10 HAHAHAA

  • To be honest, I don't really like it. It's played too fast(even though Richter is a very good pianist). I prefer Marthat Argerich's interpretation.

  • This is so amazing! I listen to this everyday! Bravo!!!!

  • My face: ö

  • Although Martha's version is still superior for me, Richter no doubt does a nice job here.

  • Oh my gosh, Richter really has a train to catch. I don't like it. He plays it too fast.

  • @JohnRift This song is supposed to be fast!!! It makes it sound harder and more interesting!!!! Jeux d'eau means water games!!!

  • @JohnRift I think he plays it like a corpse. It should be at least 3 times as fast.

  • Nice Hall.

  • very well played but i prefere argerich's version

  • Amazingly clear, even more beautiful than when Dezso Ranki plays Ravel.

    Ravel said at some occasion: "Just play the music, don't interprete it".

    Richter definitely does so.

  • @plorkx Interesting comment from Ravel about "not interpreting music" Perhaps this is why he said the only relationship he had was with his music, and not a person? do you have the actual tempo markings of the piece?

    I guess it's up to the performer. I prefer Argerich's version, even if Ravel would not approve. I usually like the composer of any type of music doing their own work, but not 100% of the time! In the end, it's all about what speaks to the listener.

  • @stellartunes Right you are, and it depends on the mood too (performer as well as listener). Ravel had the ability to write such beautiful music, that it's hard to dislike any interpretation. Soundshapes and soundcolours, unequalled in his league.

    On the other hand I quite enjoy the Red Hot Chilly Peppers too.

  • @plorkx -I prefer Jalapenas for flavour. lol

  • Pour de la musique impressionniste, c'est trop métronomique, je trouve. Je préfère l'interprétation de Martha Argerich, plus poétique.

  • 世界一。

  • I would just like to say that the Urtext edition has the metronome marking of quaver-144, with an additional marking to tell us that the autograph originally had quaver at 152. Richter is probably closer to this than most you'd hear on youtube but it is simply interpretation and taste that defines whether or not this is too fast. I take it slower because it's just so tricky! It's beautiful like this and also Argerich's way in different ways.

  • @LMpianogirl I agree with you. It is interesting to note that Ravel could Not play this piece himself. That is why it is not on any Piano roles that he made.

  • j'aaaadooooorre....

  • qu'es que c'est beau la fin, la dernière minute c'est magnifique, mon passage préféré, c'est magique.

  • Ravel made a wonderful job trying to make this piece look like water. Richter only transforms this into real water. I don't like extreme virtuosism, it puts music in a second plan. But this is not the case. This interpretaion is water, and it isn't fast. Actually, if you listen to other interpretations of this music they are slower but much less clearer.

    (I'm sorry for my writting, i don't usualy write in english)

  • Iam fan of Richter but this one is really too fast for my taste

  • It is sad how we have come to elect people like MrPianoLover and Ynot1666 to be judging important piano competitions nowadays...On the other hand, it is valuable to have proof like YouTube to disclose the horrible reality of our current spectators.

  • -mind blown-

  • Cziffra. best interpretation. period.

  • Looks like he did the black key glissando with his THUMB!!

  • This is like pure magic!

  • a genius player playing a genius's genuinely genius composition

  • Ravel is the symbol of music translated into complex simplicity.

  • @DZAUDZI69 Bingo!

  • I love this tempo ,we can realy hear the water^^

  • Pisando em nuvens. Perfeito!

  • But noises too much.

  • Nice Play.

  • When you play it too fast like this, it feels more like Course d'eau rather than Jeux d'eau. The metronomic marking is there for a reason.

  • ñdsgkñjdsg I died

  • what's with Richter always playing things so much faster?

  • It's just.... fucking rain. Its really amazing to hear this song live. There is something so deep and so... dehumanizing, its awesomely weird.

  • @SoyIcedNenitas try to listen debussy's "jardins sous la pluie"!!!

  • Especially because the tempo is really fast it makes feel the water which goes from the mountain in waterfalls, in violent stream, to the plain in little rivers.

  • Was Ravel good performing on the piano? I read he couldn't play his own pieces and wrote difficult music for the piano for a virtuoso friend that would perform them. Please correct me if this is not true. I'm intrigued by the charm of this lovely tune it really captures my imagination.

  • It's all nonsense - no such effects can be reached if not played that fast. Nothing to talk about - his interpretation is merely different from all the rest and outstandingly singular. And he was probably the only one, whose abilities allowed to play in such a way. He is simply the best of all.

  • Magnificently beautiful...

  • Precioso...

  • Too fast

  • @jewgienij100 Maybe the other performances are simply too slow.

  • The tempo is too fast...

  • WTH were those 44 people thinking?

  • @LuizVotto they think they can play it better obviously... :P

  • @LuizVotto That it's not a good interpretation...I personally think it's way too fast for my taste.

  • You are right on LuizVotto!

  • Many virtuosi tend to play things far too fast to emphasize their own virtuosity, at the expense of the music. It becomes a scrabble and the music is out the window. It's a fault of being a virtuoso. The greatest virtuosi don't do this. Richter was a great pianist and I love much of his stuff, but in this case he does indeed play this too fast. Actually he slows down towards the end and that part is far better!

  • @Ynot1666: There is no better or worse in any part of this video. There is a simple truth that belongs to Richter which you are not meant to grasp. Same applies to claims that this rendition is "too fast" or senseless, amateur "rushing" comments brought along. The only reason you say Richter was great is because you heard about him, so he is automatically amazing to you. However, seeing your comments and other people that resemble you, it turns out you don't understand why he was what he was.

  • @liszt6 I think the dude's entitled to his opinion. I happen to enjoy this version a lot...but Argerich's I enjoy more because it's more fluid and, well, slower. haha

    Yeah I don't think the fact that he said Richter was rushing makes him an amateur. And frankly, I never much liked Richter's playing, period. Unless it was Chopin's Revolutionary Etude, in which case I would have to make an exception.

    That said, I wouldn't click the dislike button on this video, but it could better.

  • @liszt6 no better or worse part? What about 3:52 - 3:53 ? Complete silence...

  • @Ynot1666 "Many virtuosi tend to play things far too fast to emphasize their own virtuosity" This is a very presumptuous statement. How do you know why they play pieces fast? You're calling into question their artistic integrity, which is a serious thing. Did you ever consider that they play the pieces fast because it's the way they choose to interpret them, and not because they're trying to show off? The idea that Richter would need to show off seems silly to me.

  • @freakytea thank you. Everyone has musical preferences. Though I do prefer this song not so fast I can see that the way Richter played really did bring out the "watery" feeling the song was meant to have and it made me really see from both angles. Whoever you were responding to really needs to start looking at things from different angles. watch /watch?v=gZncjSDh6II. played slower. but the ending is done so perfectly in my opinion.

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  • @freakytea

    There's nothing intelligent about giving your own "interpretation," if it is simply a bad one. I find nothing more idiotic than someone who chooses to use that as an excuse for mediocrity or a badly performed piece.

    Personally, I thought this rendition was great. Although in all honesty, I don't think you can deny that it was rushed.

  • @Carthsgtr

    It's difficult to repsond to your comment, because it doesn't have much to do with what I said. I was responding (negatively) to the assumption that virtuosi must play fast because they like to show off. I never gave my opinion of the performance and certainly never tried to excuse "mediocrity or a badly performed piece."

    For the record, though, I love Richter here. Superbly impressionistic, and doesn't sound rushed at all to me.

  • @Ynot1666 Im not really a fan of richter, but questioning one's interpretation and making such a judgemental statement as he is playing fast just to "show off" his virtuosity, this is not something that YOU can determine, perhaps you see soft flowing water, and delicate water droplets glistening in the sunlight, but i could interpret it differently, as could Richter and everyone else, nether the less i believe he does the title of this piece nad ravel justice, depicting the playfulness of water

  • I automatically think of Gieseking - what a fantastic pianist he was for this kind of music. But I just checked on YouTube, and I think Giesking in the posting I found (from 1955) plays this slightly too fast too!

  • I just went back to listen to Vlado Perlemuter (another Ravel specialist) playing this same piece and he has it right. His technique and his touch are not up to Richter or Giesking but he truly seems to feel this music. The only version of this I could find on YouTube version chops him off unceremoniously before the end - would someone post a complete version? I have no way to do this although I do have a CD of Perlemuter's Ravel with this track on it. 

  • 43 anormales

  • estas canciones deberian ser las que tengan millones de vistas y no toda esa musica comercial que muere cuando pasa de moda pero en fin interesante combinacion de sonidos me encanta ^^

  • beautifull

    why do I get the impression sometimes that the movement of pianist in some films is somehow faster than "normal".. could this be faster than what Richter played?

  • @koumisp no, that's how he played it.

  • try lip syncing this, britney

  • I like the 3:37~3:52 much.

  • Ravel shows such strong Debussy influence on this piece... but that ain't no bad thing ;)

  • Ravel was definitely the last "master" of classical music composition. All other were either destroyers like Schoenberg, Webern, Boulez, and others; or ignorants like Paert, Gubaidulina; or also complete Idiots, containing "personalitys" like Cage, Kagel, Wyttenbach: Shame on these; they are criminals concerning art.

  • @MultiTyrannosaurus It seems obvious that you are of those people who only listen to music easier to digest. It seems that you are the the only ignorant here. Before criticizing revolutionary geniuses of contemporary music like Cage or Gubaidulina, first find out the reasons they had to make that music. Please do not criticize without having the necessary grounds to say such nonsense... :( It seems that you have an extremely closed mind

  • @MultiTyrannosaurus It seems obvious that you are of those people who only listen to music easier to digest. It seems that you are the the only ignorant here. Before criticizing revolutionary geniuses of contemporary music like Cage or Gubaidulina, first find out the reasons they had to make that music. Please do not criticize without having the necessary grounds to say such nonsense... :( It seems that you have an extremely closed mind

  • @MultiTyrannosaurus It seems obvious that you are of those people who only listen to music easier to digest. It seems that you are the the only ignorant here. Before criticizing revolutionary geniuses of contemporary music like Cage or Gubaidulina, first find out the reasons they had to make that music. Please do not criticize without having the necessary grounds to say such nonsense... :( It seems that you have an extremely closed mind

  • lol god finger lol

  • its rainninnngggg :P

  • the end is so ... wooow

  • I wonder why the title means "games of water" in English :o

  • @Yagutah

    You certainly can't tell from the way he plays it. Try listening to Martha Argerich playing this. She really gets the watery potential in this composition. "Play of water" might be a better translation.

  • @Yagutah

    It makes more sense if you translate it as Water Games.

  • Richter is always one of the best!

    Thanks a lot for your post.

  • i'm i on mush or something this was soooooooo B.A.M.F.

  • his thump .....

    but his music is amazing

  • I thought the opening was stiff... but keeping that rhythmic precision going through out is amazing. 

  • I love this.

    Crazy fingers.

    It really looks like the rain outside...

  • Return of the Butcher. Richter should have been banned from "playing" Ravel. So fast, so cold.

  • @minastronasse Ravel is Cold.

  • I think people are putting dislikes on this so that others would make funny comments about them . haha, not funny, jerks .

  • silencio,silencio...escuchemos­. Cavafis

  • 40 people need "eau" to wake up... xD Now, seriously, amazing performance! But I agree with most of people, it lacks emotion, feeling...

  • This makes me think "Spring day in the park", totally awesome, I've never heard any of Ravel's piano work until now

  • Unmentioned note: this man has no wrist bones.

  • CUDO-TOTALNY CZAD-TO JEST MUZYKA PRZYSZLOSCI

  • This sounds like the kind of song where you're about to be hypnotized

  • Listen to Tiffany Poon play this! She turns this dry exercise into spectacular and memorable MUSIC

  • Richter is great, but like a lot of people have said, the interpretation is very tight. The high crescendo especially lacks feeling. When this piece moves too quickly, you don't get to really "hear" it.

    The version by Alicio Zizzo is especially good.

  • I think this is the better interpretation I heard!! Lots of dynamism, character and virtuosistic performance. Richter is one of the best pianist of history, no doubt.

  • ##Insert comment about why people pressed the DISLIKE button here##

  • i love him. but when i meet this video, i was totally shocked bout the strictness in his tempi, its too stiff and too regluar. like a computer would play it.

  • Che leggerezza..

  • Surprisingly subpar! I know and admire Richter's tendency to play everything as plainly as possible, but this sounds more like a midi. Impressive, yes. Pleasant, hardly.

  • i love him!!!! R.I.P richter

  • Richter is the only one allowed to play this piece this fast.... or maybe he's the only one who CAN.

  • Please let me point out: daniel15671 is right. After posting the former note, I looked through many other recordings, of course including Argerich's. She has a tremendously musical approach, it's stunning. But Richter - as he plays the beginning- brings out much more melody and sweetness. I would, even though, love to hear Richter slow down in the "melodic" parts, as Argerich does in 3:25 of this piece. Concluding, both simply show us their impression- but also Ravel.

  • 戏水..

  • brilliant performance by a brilliant pianist!!!

  • 流れる水が見えてくるみたい。

    心地いい。

  • I'm amazed how Richter plays this piece so fluidly. It builds upon you the image of a young boy delicately slipping one of his fingers across the surface of a pond, creating waves of ripples, one after another, barely breaking the stillness of the water. Few others have the dexterity and gentleness to play this piece as it is meant to be played.

  • I think Richter's tempo brilliantly builds the tension and drama of the piece. And this may be heresy to some, but I think it's a mistake to adhere too slavishly to a composer's metronome markings. Too much depends on the acoustics, the player's characteristic tone quality, the instrument itself, and other variables.

  • I think Richter's tempo brilliantly builds the tension and drama of the piece. And this may be heresy to some, but I think it's a mistake to adhere too slavishly to a composer's metronome markings. Too much depends on the acoustics, the instrument itself, and other variables.

  • Richter has a magnificent technique. This piece is definitely hard to control. But the point, that he is playing it too fast, is, according to the measurement given, true. Eighth note = 144.

    Even though, Ravel was impressionist throughout. If we exclusively can tell one thing, then we definitely must still admit that it's about the artist's impression, we're talking about - Rubato.

    And different variations enhance our musical understanding.

    Bravo, Richter.

  • my favorite composer of all. Beautiful playing!

  • shivers from 0:08 to 4:41

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  • Dear people who don't like this,

    The quality of this recording is so low, all you're hearing is a shadow of what the performance really sounded like. ...And yet Richter still comes across basically as good as Argerich. He is a genius.

  • wow this is gorgeous!

  • Richter the Butcher doing his usual thing. Way too fast, way too agressive.

  • I think it is a little fast

  • Magnificent!!! (•=

  • wow, so fluid!!

  • ahh this piece makes me think of bathing in pure heavenly water that washes my worries away....

  • Richter is the very best Impressionist interpreter. Fabulous, I'm favoriting this!

  • You may just say I'm a stupid violinist who's opinion is null on the matter, but it sems like Richter brings out the genius forms and structure of this piece, whereas Argerich really focuses more on bringing out the imagery and surreal beauty of each individual note of the piece. I couldn't say either is beautiful, this interpretation is breathtaking, whereas Argerich's is... hauntingly, surreally beautiful.

  • Argerich plays this much better. Much more flowing and water-like (and expressive at the same time). This sounds more like a midi file

  • @bobbphysics You're entitled to your opinion of course, but I personally find Richter's performance, although perhaps less 'flowing', incredibly intimate and touching.

  • richter's technique is truly amazing

  • Too fast for me. I appreciate his amazing technique, but sometimes pianists of his skill played too fast just to show off their virtuosity. And while that is appreciated sometimes, I would much prefer this at a slower tempo. Jeax D'eau translates as "fountains" or "playing water". Fountains...not raging rapids lol. Still a big fan of Richter. He more than makes up for it with other of his standard interpretations.

  • @BreezyGraffiti When Ravel heard this piece played by a female pianist at a less then desirable tempo he said to her: "Your waterfalls sound sad!". I'm sure this tempo would of pleased Ravel...it conveys the wonderful portrait of water tickling the "water god", a quote in the score. Richter is not just pounding out notes rapidly to show off technique.

  • @Ckorn123 I don't think is should be played that much more slowly, But I do find this tempo to fast. This seems more like "River god racing down the rapids that chase him" to me lol. I prefer a slightly slower tempo. I feel as if various elements of the structure of the piece are bring constructed as they should, when it's played so fast. Melodic elements get swept up in the rush, and there are alot of "voices" so to speak going on at once here. I would've preferred something slightly slower.

  • ritcher is a fucking beast

  • 1216 people know how to appreciate good music

  • i used a metronome and i noticed richter is not the marked '144" tempo but he is going at about 185.....O-M-F-G...

  • The phrase "mad skill" comes to mind

  • incredible

  • 33 PEOPLE  DON'T HAVE EARS!

  • @The55555SSSSS good point :)

  • @The55555SSSSS or else very poor fine motor skills when they went to click the like button

  • @The55555SSSSS make that 37 including me... BORING!!!

  • @madowoskudu66

    BORING?!

    This is one of the very best interpretations of Jeux d'eau.

    Played by one of the greatest virtuoso of the 20th century.

    Still B O R I N G ??????????

  • @The55555SSSSS you are fool )

  • @ZARNICA5

    STOP DESCRIBING YOURSELF.

  • @The55555SSSSS is that just a general fact?

  • @The55555SSSSS

    or maybe 38 people prefer justin bieber or lada gaga

  • @looney1023

    I don't have a clue who these people are.

    But I am sure they don't deserve to be mentioned in this magnificent performance of Ravel.

  • @The55555SSSSS 38 people atm don't have ears XD!!!