Added: 2 years ago
From: jacksonblider
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  • hello all fans,I always liked these new versions,capitol never put she loves you on the something new LP,with hold you hand,know one ever explained why,they should have done the I want to hold you hand backing track over even though it may have saved some expense,to match the she loves you version,any way it just my opinion,,,,

  • thanks for the work, the mp3 file are available?

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  • I had a fun time reading the comments and I also enjoyed listening. SLY is my FAVE moptop classic and this wall just made my night!

  • I find it incredible that EMI "lost" the stereo master tapes to "She Loves You" (and the b-side "I'll Get You") of all songs. Many of the early Beatles stereo recordings aren't up to that much, apart from arguing the case that the songs sound fantastic in mono. But credit to jacksonbilder - this may be a fake, but it's the truest representation of a stereo version of "She Loves You" I've ever heard.

  • on avait qui comme groupe comme les beatles en france?

  • totally fakery

  • Very nice job! The sync is well done and the track matching. It adds a stereo chorus and delay which is very pleasing. Cheers!

  • HOLY SHIT!!!!!!!!!!  This is amazing. May not be the real thing but it's the best one I've heard yet.

  • you can hear the /gretch a lot better 

  • Awesone!!! Great!!! Fantastic!! Thanks jacksonblider for uploading this version in STEREO. AAAAA+++++

  • Whether or not this version is true stereo or not,Its the loudest clearest most electric version I ever heard..Listening to this version loud,its hard to believe it was recorded in 1963.Its like almost heavy metal electric.Thanx for posting.

  • Bottom line an REAL Beatle fan knows. The only way we will get a TRUE stereo version is to get the DOc and Marti McFly and go back to 1962 and steal the 2 track master before it's destroyed

  • @capitolemiproducer So true.

  • Whatever.......it still sounds great. 

  • Such a shame that this is the closest we will ever get to a stereo version.

  • All this whiz bang technological wizardry, but not one in a hundred million cyberfreaks has a clue about how to COMPOSE a song remotely as good as "She Loves You"

  • No Beatle recordings were ever erased! George Martin still has the original Master Tapes to every song ever done. Outtakes and all.

  • @xboostedbirdx Nope. It was EMI policy in 1962/63 to record over the twin-track recordings when the mono mix was made so EMI could save money. The only 2-track recordings that were wiped were Love Me Do (all versions), PS I Love You, She Loves You, and I'll Get You. Sometime after that, the policy was reversed and every 2-track, 4-track, and 8-track tape was never recorded over unless they were rehearsal takes or mixes that were deemed no good by the band.

  • To grab this mp3 goto dopemp3s doht cohm.

  • i have reason to believe this track could be mixed into true stereo from original session tapes. remember, it was an edit of at least three takes [not that i take mark lewishon's book as bible]. only the single master of SHE LOVES YOU was lost, not the session tapes. the PLEASE PLEASE ME tracks were mixed into true stereo in germany....

  • Paul McCartney invented Beatlemania with his YEAH YEAH YEAH idea!!!

  • abbey road did not have 3 track recorders but did have mono,twin track and 4 track machines. she loves you was done on twin track and from a sub mix to a mono btr recorder at the same time.

  • This technique of creating "stereo" was normal in those days. There is no true stereo version of "She loves you" existing, all recordings were erased, it's a pity. Sometimes I hope someone would find a hidden demo recording of it.

  • No you didn't another feeble attempt by mixing Sie Lieb Deitch with this. AWFUL!!!

  • "She Loves You" is my FAVORITE Beatle song. I don't care what this guy did to combine the two recordings. It is AWESOME!! Thank you for such a RARE version of this song. What do you think George Martin and The Beatles did in the studio while making an album? They did all kinds of mix combinations to come up with the best possible recording to sell to the public. There's nothing fake about it. It's STILL The Beatles. Too bad The Beatles didn't think of making it Stereo. Stereo was available.

  • You got to give this person credit for ingenuity. Even The Beatles record engineer Geoff Emerick didn't think of this trick of combining to seperate recordings, English and German versons, of this legendary song to create a stereo effect of this song which only exists today as a mono recording.

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  • @calista2010 comparing the two overeachother, it's the same. This is the real beatles. I'm sorry but it's obvious! the person has probably used different amounts of treble and bass on the mono version with about 4 tracks with focus on vocals/guitar etc. It's slightly off time on one of the tracks. This is most obvious when you hear the guitar riff after the first chorus.It's the same recording. Really. It's really true . I'm sorry to burst you're bubble, but It's the beatles.

  • @calista2010 Actually, I think i've just cracked when you say they don't last as long. this person has used the backing track of Sie Lebt Dich (The german version of she loves you) and the vocals of the original english version. The vocals sounds shorter and a little different because the person has used noise reduction to isolate the vocals of the original song. Therefore,the ends of each syllable are a bit cut-off and the vocals sound a bit butchered and not so loud.

  • page 86, The Beatles Recording Sessions, The Official Story of the Abbey Road Years:

    "For all of his technical skill there was little that Geoff Emerick could do with She Loves You. The original two track tapes had long been destroyed and all that existed was the mono master. He made a 'mock stereo' version merely by slashing all of the top frequencies from the left channel to give a bassy sound and slashing all bass from the right. Together they formed the best stereo that could be made"

  • @Housemaster (note that the mix was made in late 1966 for their first British 'greatest hits' compilation, A Collection of Beatles Oldies, which had their singles being mixed in stereo for the first time)

  • this is the Beatles, no doubt whatsoever.

  • awesome sound quality~

  • In reality, everything is recorded in mono, even today day.The you do is set the recordings on different channels, is everything and create the stereo delay with left or right. I think that happened was that the Beatles took their magnetic bands recorded on three tracks, they were separated and fixed in two channels. In Britain they did not fear the nascent stereo. Remember that they were very conservative but they were at capacity. Help is with giving way to two-channel setting.

  • Does anyone believe the day will arrive, when a Monophonic recording will have Each and Every Voice and Instrument extracted and seperated, to create a 'TRUE' Stereo Mix ? Oooh and it makes me Wonder.....

  • @gazzymodo I hope so, Gary, because I want to hear "Each Time" by the Searchers with all their beautiful voices broken in out!!! My life would be complete! :-)

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  • Not Stereo, She loves you it's recording in mono track in english, this is a "make stereo" with the english and german tracks .

  • @epiphonejapan Ringo might say "mock stereo".

  • Hi NightCrawler511, EMI is a large company of Electrical and Musical Industries (E.M.I.), they make aerospace stuff too. Parlophone is one of those Musical industries. Columbia was the biggest Musical label in 1962 because of Cliff Richard and The Shadows. In 1963, thanks to George Martin, Parlophone had the number one single for 37 of the 52 weeks (not just Beatles) and they became the biggest musical label out of the E&M Industries. :-)

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  • was emi and parlaphone the same just changed their name? can someone explain

  • So, as stated below, the fact that She Loves (and I'll Get You) included so many edit pieces and SI's (superimposition) it necessitated that Martin either destroyed or misplaced the original raw stereo masters after he spent so much time carefully mixing the recordings for mono. Unfortunately, there is not even a record of the number of takes or any other pertinent details. A lost treasure for sure, maybe Indiana Jones will uncover the original master tapes buried under Abbey Road!

  • You can hear a prominent edit section at 1:24 of the original She Loves You which is also slightly speeded up about a 1/4 step. She Loves You was their first complicated session with multiple overdubs, edit pieces etc. such as the double tracked "yeah yeah yeah" which adds so much robust energy to the famous refrain. Compare to live versions. Anyone notice Georges stealth harmonies on lines like "she almost lost her mi-y-ind" etc.? He also adds the 6th on the last "yeah" on intro and ending.

  • The fact that She Loves You/I'll Get You was recorded with multiple edits on July 1, 1963 forced Martin to abandon the twin track stereo master and it was probably misplaced or recorded over. Unfortunately, if the raw master exists, it would be in glorious stereo with all the takes, just like most of their other early stuff which thankfully still exists as premixed masters. Someday they might find the master with the title Cilia Black:-)

  • She Loves you was recorded in 1963 on a 3 track machine in MONO.

    It cannot be seperated.Ever. What this person did was take The Instrumental Track from "Sie Leibt Dich" and put on the Mono Vocals from She Loves You on the right channel. It is not real! The instrumental track was recorded in Paris, in early 1964, prior to Beatlemania hitting the USA.

  • @Bloke1962 'The recording of the song on 1 July 1963 was done on a two-track recording machine. Standard procedure at Abbey Road Studios at the time was to erase the original two-track session tape for singles once they had been "mixed down" to the (usually monaural) master tape used to press records. This was the fate of two Beatles singles (four songs)... "She Loves You"... These tracks only exist as a mono master, although several mock-stereo remixes have been made...'

  • @Bloke1962 on the beatles 1 is in stereo and the past masters is in mono explain tht 2 me

  • @Bloke1962  2 track!!!!!!! not 3

  • @Bloke1962 She Loves You was recorded on 2 track. As the story goes, the multi-track was either damaged or stolen so a true stereo could not be created. I doubt that it was recorded in mono only since the album (Please Please Me) and single (From Me To You) were recorded in true wide, twin-track stereo.

  • @Bloke1962

    It may not be "real" but I love that someone finally spliced Sie Leibt Dich stereo instruments and She loves you vocals!

  • @Bloke1962 Everything in the world is recorded in MONO, isn't that great? However changes happen upon release that we can't quite control...

  • @Bloke1962 Not 3 but 2 tracks machine !

  • @Bloke1962 You're right about how this recording was faked. You can hear that they don't quite sync correctly. The thing that's incorrect is your info on the 3 track machine in mono. She Loves You as well as their very early tracks were recorded on 2 track stereo. Most of the vocals on one side and the instruments on the other. This would make it easier to create the "final" mono mixes. The master tapes for this song were sadly wiped. There are plenty of G Martin interviews available.

  • @Bloke1962 You're right about how this recording was faked. You can hear that they don't quite sync correctly. The thing that's incorrect is your info on the 3 track machine in mono. She Loves You as well as their very early tracks were recorded on 2 track stereo. Most of the vocals on one side and the instruments on the other. This would make it easier to create the "final" mono mixes. The master tapes for this song were sadly wiped. There are plenty of G Martin interviews available.

  • @Bloke1962 She Loves You was recorded on 2-track machine, 3-track machine was never installed in Europe

  • @Bloke1962 with the technology we have now how come they can't get the mono and put it in stereo?

  • @nightcrawler511 You theoretically could. It would just sound horrible and very computerised. It's extremely hard to separate waveforms even with a powerful computer. The sounds are intertwined like a big bowl of spaghetti. Hopefully they'll just release the two track master one day.

  • @p0llenp0ny well supposbly the two track master was destroyed

  • @Bloke1962 how in the hell can you tell the difference btwn the paris instumental and the original???thems some good ears son.

  • @Bloke1962

    in August 1963 they had four track at EMI, prior just two tracks

    thevocal track was probably recorded on 1 July 1963 at EMI Marconi Studios, Paris

  • @Bloke1962 So what ? Still sounds great. These are excellent mixes.

  • Still, The Parlaphone releases were better than anything Capitol put out.

  • this would have sounded so much better if the vocals were in ther middle. but it was good to hear She Loves You in Stereo.

  • In true stereo, the instruments are always on the left channel, and the vocals and guide guitar are on the right. If you faded channels, you would hear "ghost vocals" on the left channel, and on the right you would hear the vocals and guide guitar, plus "ghost intrumentals". I have some experience producing and mixing both live and studio recording, and I used this technique quite a bit, particularly in live recordings in the studio.

  • The only true Stereo of She Loves You we are probably going to get.

    It sounds amazing, seems to fit right into the Capitol Albums.

  • Here he's using the German Left channel track with She Loves You, and this doesn't match well, you need to delete the instrumentation of the original.

    It's virtually impossible, but with some tricks you can ''apparent'' cut all the instrumental. I'll try it soon.

  • I've heard of a program that can be used to do that, CEDAR Retouch. It's what they used to isolate or remove instruments for the development of The Beatles: Rock Band. Unfortunately, it's ridiculously expensive.

  • Not a bad attempt.

  • Not a bad effort, but the timing is a bit off and the vocals get buried in the mix. It's almost impossible to get it right because the English version has numerous very noticeable splices/edits containing segments from different "takes" of the song, and was really quite a hack-job production.

  • yeh. :)

  • One of the best sync up jobs ive ever heard. Theres still that tacky edit after the lyric 'pride can hurt you too'. Is still better than the echo drenched duophoinc mix on The Beatles Second Album

  • Doesn't sound right. I'd rather hear the duophonic version. This sounds like a cut and paste job, which it is.

  • Is this She Loves you on the right channel and the instrumental track from the German version on the left channel?

  • Yes

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