@BaardTheLegoDude Thank you! But no need to fix the microfone.Sounds allright here.
I have connected my computer to my stereo-equipment. Maybe you can try that too. PC-Speakers have often poor quality. Or try good headphones. Or try other videos or my channel "Parallelfuge" to compare.
@mavrow The most organs in Germany have keys like this; no problem for the organists here. This speed I play, because it is a mechanical organ and a church not so big like the cathedrals Widor was playing. For him it was nonsense to play faster because of the long echo of the cathedral. In a smaller church that tempo sounds borring, because less reverb. Thatfor the speed.
The playing is too fast. The sounds is ok alittle too tinny. . I dont like the reversed black & white keyboard. The best recording on youtube of this is done at the Sacred Heart Cathedral in Newark New Jersey.. take a peek.
@RampGuy1 Because that was normal in the Baroque-area, for organs and harpsichords. Many organs in Germany are build like this.Later, when the Piano, like we know it, was invented in the 19th century the color of the keys changed to the opposite, like you know it from a normal piano
Well Played as far as the notes go but it is too fast!!! There is a lot of controversy about what speed it should be played and I think that it shouldn't be dreary but not too fast either.
I enjoyed this performance. Thank you. Widor's staccato dots seem to me to be indicating that there should be no overlap and that the fingers should articulate well.
@gerardbedecarter Thank you; staccato or not, depends on size of the organ und the size of the room. Widor was used to big cathedrals and he had an organ with pneumatic action, which means, that such organ has a delay, because the way from pressing a key until the pipe is sounding, goes with air from the key to the pipe. Not so with a mechanical touch organ, like I play. Thatfor Widor wrote the staccato-points and only tempo 100. To play like this on a mechanical organ, would sound ridicolous.
Wonderful playing, Maria! I too play a 3 manual mechanical action pipe organ and I know how difficult it can be to get a good tempo with such heavy action. You do so splendidly! If you are ever in the USA and are near Pennsylvania, you are more than welcome to come try out my instrument!
@octavegeigen4 Thank you for your fine comment; I enjoyed it very much, especially, because you are right, it is hard to play that on a mechanical action organ, and even harder, if you are cobbling the lower manual to the middle (dobbelt pressure), which I did to get more sound out of the organ. Greetings from Berlin, Germany!
Sorry to be saying this,....but this is musically speaking just crap......played utterly mechanical, and way....way too fast......no feeling or heart in it at all... that explains the glitches...........come on, this piece isn't about a factory of notes on a production line..........sorry.........just crap
I know there has been a great deal of discussion about how fast this piece should be played, but if you consider the fact that the organ has sluggish key action and each note of music on the score has a dot over it , Widor wanted the listener to hear each note. It should be played much slower. St.Sulpice has a long reverberation and playing fast only muddles the notes. I played this organ so I can say that the key action is slow compared to modern organs.
@Tubamaxima1 Right! And because I have a pure mechanical organ and "only" 3 seconds of reverb, it would sound boring to play it the way of St.Sulpice. Thatfor I think, the speed of this piece should be adapted to the kind of organ, the size of the church and the acoustics. I have made many conrtol recordings in my church with different speeds and think this way is best for my organ and acoustics I have.
this is a very nice organ piece but it is over played. to me widors 6th symphony allegro is a lot nicer. i mean thats just my opinion. i mean this toccata though is my favorite and i love it but i think it gets over played.
Maria Scharwieß her playing is too fast although very good. I did much study of the speed at which this piece should be played. Widor, in St. Sulpice played this piece much slower ( 1936 recording). It makes no sense to play it faster than it was composed. A big organ ( St, Sulpice) in a big church needs to be played slower because of the reverberation.
@Parallelfuge a little correction, but maybe you know this anyway.. so, saint sulpice is not a pneumtic organ, nor does it have pneumatic action... it is a mechanical organ WITH a pneumatical lever for the mechanical action ;) a pneumatic organ is something completely differente ;) greetings!
I agree, man...I mean, I prefer a pace a little faster then Widor intended, but I couldn't even listen to 5 seconds of this without it getting on my nerves.
This is possibly the most brilliant interpretation on the internet. Widor would be proud. @SerguiBonif- it hurts me that you would be so critical in the most simplistic fashion. While I don't have my sheet music in front of me, might you be so kind as to tell me what the tempo calls for.
This may be an easy piece for the organ, but parallelfuge plays it with utmost precision. Please don't be so misguided in your own faults to miss this.
@Maria indeed there is something that resambles an "unknown divine" in this piece. And for sure the execution at the faster tempo has got its beuatiful fascination.
And I think - as well as someone said before - that some kind of magic about this piece is that can be played at different tempos without loosing it's beauty.
I realise that mine is propably a too much rigorous point of view.
Somithing that matters with my gry hair I think...
Sorry Maria, but I do not agree with your interpretation.
Widor wrote and played the Toccata with his tempo in mind. And you can't say that because the organs of the present time are different you can play at a speed so different from the master's tempo.
Many notes also are lost in the confusion of the speed.
I think that you should try at the original speed with also some corrections for the sound: it is too "german", dry, too brilliant in the hig frequencies and too much poor of basses.
@SergioBonf I respect your opinion, but this is a mechanical organ, not a french pneumatic one. Widor COULD NOT play faster, because of the DELAY of a pneumatic organ between pressing the keyboard and the sound of the pipes, which can be until one second! On a mechanical organ the sound comes instant, like with a piano. To play the same tempo like Widor, would sound boring on my organ. I did not loose any key and put everything I have, also the trombone, into the Bass-Pedals.Try Headphones...
@Parallelfuge I respect your opinion too, but the fact is that Widor had this tempo in his ears. And in his mind. And wrote it down on the score. I was used to play this piece too and I was used to play on a mechanical organ too. So I know a bit what you say. But the fact remains. This is not the Widor's tempo.
I will try the headphones (a little tricky with the PC).
@Maria indeed there is something that resambles an "unknown divine" in this piece. And for sure the execution at the faster tempo has got its beuatiful fascination.
And I think - as well as someone said before - that some kind of magic about this piece is that can be played at different tempos without loosing it's beauty.
I realise that mine is propably a too much rigorous point of view.
Somithing that matters with my gry hair I think...
@SergioBonf Ok i think i figured out the Toccata tempo dispute. You have to first listen to it, dare i say fall in love with it, at the slower tempo. That builds your appreciation for the piece. But there is something glorious about hearing it at the faster tempo, regardless of whether its played perfectly note for note. I can't say i find any version boring. Just being able to hear it is a pleasure
This is an outstanding performance. I have been luck enough to experience this piece every Easter of my youth as it was my church organists' favorite pick. You play it with such intensity and such passion. BRAVO! Thank you for sharing your talents with the world through this video.
I'm more familiar with the white keys and black accidental keys. Why is this organ the other way around? The only other time I've seen this is on a harpsichord.
I remember assisting my piano teacher in registration when he played this piece in concert. The man died unexpectedly last year, this brings back good memories...
E' con piacere che ho ascoltato questo brano di Widor che fino ad ora non avevo gustato a sufficienza... altri lo interpretano diversamente e non mi piaceva.
At 2:18 I saw that bottom note you played with your left hand was an F#. In my score it is an E but it had struck me as odd and I thought it might be a typo. So the note is actually supposed to be an F# then?
I probably have the same edtion. And I also think, that it is a printing mistake, because it makes no sense, when you regard all the other notes. Beside of this all notes are clean accords in Arpeggio-Form, when you play the notes as accords. if there is a dissonant accord, it will solve the classical way to a consonant, but not with the E, with F# it does!
I mean the harmonic structure and hope you understand.
Perfectly acceptable performance. The organ's tone is far too jingle jangle in the upper registers, even screeching. What a pity. It certainly speaks with authority otherwise.
Thank you! This was made with my old camera. In the meantime I have a new one with much better sound recording. Maybe watch other recordings with the new camera on this channel.
You will recognize the new recordings through the 16:9 picture and High Definition.
My organ has 7 reeds (f.e. Trumpet 8' and Trombone 16'). Try to listen with your stereo-equipment or good hedphones, not with small computer-speakers.
You are very welcome! I am from New York. My son, age 19, plays the organ and fills in for different churches. We saw Felix Hell play this piece on a Peragallo organ this week, which is the organ my son learned on. It is a beautiful piece and your performance sent chills down my spine. God bless you Maria with many more years of great success. Thank you again for sharing you wonderful talent with us! Lou, from NY
Übrigens von Widor sind es 2 verschiedene metronom Angaben. Zuerst hat er 118 angegben (da kommst Du hier hin, oder?) und erst danach später hat er es auf 100 geändert. Man kann nur spekulieren warum...
eine der wenigen gelungenen Widor-Interpretationen hier :) jedoch kann ich mich mit deinem Tempo und auch mit der Rechtfertigung für dieses Tempo garnicht anfreunden und Widor laut seinen eigenen Aussagen auch nicht, aber es bleibt ja doch Jedem selbst überlassen ;)
Erstmal danke! Auf einer pneumatischen Orgel macht es wegen der Schwerfälligkeit (Verzögerung) der Tonansprache auch keinen Sinn, das Stück schneller als das von Widor angegebene 100 zu spielen. Auf so einer Orgel würde ich es auch viel langsamer spielen, sonst hört man nur noch Akkorde.
Ansonsten ist es doch nur gut, wenn es verschiedene Auffassungen gibt. Schrecklich, wenn wir alle das genau gleich machen würden.
Ich denke das auch. So viele Kommentare mit "zu schnell" oder "zu langsam" man kann es eh nicht jedem recht spielen. Das Stück ist so großartig, daß es fast jedes Tempo mehr als gut verträgt. Außerdem wie Du sagtest, das Orgel spielt eine entscheidene Rolle. Mein lieblings Orgelklang here auf YouTube ist der Orgel in Würzburg. Ich finde die Toccata hört sich einfach genial auf dem Instrument an. Danke für die schöne Interpretation. (Eigentlich ist das hier mein lieblings Tempo!)
In this piece only as a rare ocasion in general, though the tempo is not more important than the notes as a whole, it plays a strong enough role that I can accept a few misses keys to maintain the unwavering motion until the RIT near the end. I'm in Schaumburg, if this song weren't so important to me, my wedding could be far simpler :)
Perhaps I don't need to look any further. My only concern in the wedding is the music. I will be flying people in for various parts. This piece is the most important to me. I feel " Parallelfuge" is quite good, certainly one of the best I've heard. The only thing I don't like is that he isn't willing to travel to Chicago. All humor aside, the tempo is ideal.
The "he" is a "she".Never mind! I did not say, that I was not willing to travel to Chikago, I just have mentioned, that I live far away, in Berlin, Germany.
But I also think, you can save the expences, because shurely there are plenty of organists in the Chicago area who can play the Widor Toccata.
I am a pianist, tubist, and vocalist at several suburb area churches of Chicago. I would attend the Catheral as I am very much a traditional Catholic at 27, but nonetheless I am commited to being a vocalist and tubist at 3 churches. I really have not met the organist at Holy Name,
You wouldn't happen to be from Chicago would you?!?!? Please say yes! ;) I need it for my wedding really bad! I would fly you to Holy Name Cathedral if you're not.
That is not possible on this organ. Have everything i got inn there. Beside because of the poor sound quality of YouTube you hear the bass much less then live.
I know that! I changed that on purpose, because this note sounds to me like a printing mistake, that's why I changed this note from "mi" to "fa#". I like it more that way. Thank you anyway for your exact listening!
The note on 2:20 I changed on purpose, because this note sounds to me like a printing mistake, that's why I changed this note from "e" to "f#". I like it more that way. Thank you anyway!
That is a remarkable performance. Especially at your blistering but appropriate tempo. The sheer physicality of the toccata at that speed makes even getting through it quite startling. I salute you.
Thats brilliant! I agree with your opinion on the speed, I have about three or four ways to play it but wouldn't it sound entrancing if it was played at this speed on an organ with a long reverb? In the recording that Xaver Varnus made he plays it at the same speed you just did on a massive organ.
The longer the reverb is, the more the piece will loose clarity. Then you will not hear anymore exactly what the hands are doing.
I think it is very helpful to make a recording of the playing from the distance.I did this and learned what the best speed was in my church - I have about 3 seconds reverb.
Yes that's true. What I tend to do is play it at the first tempo that comes to heart. When I get a chance to play on a cathedral organ I will play it all the ways I've thought of and heard and see which are the best ways.
Danke! Nö, gegen Schluß dann nicht mehr, sondern eher in der Mitte, bevor ich den Manualwechsel vom mittleren(Hauptwerk)auf das untere (Oberwerk)mache, weil ich das Hauptwerk mechanisch ans Oberwerk gekoppelt hab (kann man sehen), des Klanges wegen. Das Hauptwerk geht also doppelt so schwer wie z.B. das Oberwerk (bei mir unten!), was quasi eine Erholung für die Hände ist, bevor ich zum Hauptwerk zurückkehre.
jo ich blage mich zur zeit mit boellmanns toccata herum - nicht daß ich sie nicht von den noten her könnte, aber dieses verkramfen zwichen kleinem finger und knöchel nervt halt...
Alles, was ich sagen kann ist. Super, super, super, erstaunlich!
pipedreams1685 2 weeks ago in playlist Favorite videos
@pipedreams1685 Danke, danke! hab auch lang dran geübt! :-)
Parallelfuge 2 weeks ago
@Parallelfuge Und es zeigt, das ist einer meiner Lieblings-Performances von diesem Stück.
pipedreams1685 2 weeks ago
Good job, but you need to fix the microphone on the camera, because all high notes are getting unclear.
BaardTheLegoDude 3 weeks ago
@BaardTheLegoDude Thank you! But no need to fix the microfone.Sounds allright here.
I have connected my computer to my stereo-equipment. Maybe you can try that too. PC-Speakers have often poor quality. Or try good headphones. Or try other videos or my channel "Parallelfuge" to compare.
Parallelfuge 3 weeks ago
@BaardTheLegoDude, this is clearly a stereo recording.
danenhod 2 weeks ago in playlist Favorite videos
Why that a speed? - The black and white on the keyboard varies. Maybe not too confusing to play?
mavrow 4 weeks ago
@mavrow The most organs in Germany have keys like this; no problem for the organists here. This speed I play, because it is a mechanical organ and a church not so big like the cathedrals Widor was playing. For him it was nonsense to play faster because of the long echo of the cathedral. In a smaller church that tempo sounds borring, because less reverb. Thatfor the speed.
Parallelfuge 4 weeks ago
Proper job!
FarmerDew97 1 month ago
@FarmerDew97 Thank you!
Parallelfuge 1 month ago
The playing is too fast. The sounds is ok alittle too tinny. . I dont like the reversed black & white keyboard. The best recording on youtube of this is done at the Sacred Heart Cathedral in Newark New Jersey.. take a peek.
mudgebauer 1 month ago
Given your interest in jazz music you'll accept some innocent funny irony:
did anyone notice that this recording gives an aural impression of "swinging duplets"?
If you perceive it at the beginning then this sense of swing remains stuck throughout the piece.
OrbiliusMagister 1 month ago
@OrbiliusMagister You're right! I don't know if anybody else has realized that....Greetings from Berlin
Parallelfuge 1 month ago
@OrbiliusMagister Im a guitarist and I havnt got a clue what you are talking about but I am very moved by this
labyonnette 1 month ago
Awesome
mavihub 1 month ago
@mavihub Thanks
Parallelfuge 1 month ago
Why are the color of the keys backwards?
RampGuy1 2 months ago
@RampGuy1 Because that was normal in the Baroque-area, for organs and harpsichords. Many organs in Germany are build like this.Later, when the Piano, like we know it, was invented in the 19th century the color of the keys changed to the opposite, like you know it from a normal piano
Parallelfuge 2 months ago
Well Played as far as the notes go but it is too fast!!! There is a lot of controversy about what speed it should be played and I think that it shouldn't be dreary but not too fast either.
whosetheman9999 2 months ago
I enjoyed this performance. Thank you. Widor's staccato dots seem to me to be indicating that there should be no overlap and that the fingers should articulate well.
gerardbedecarter 3 months ago
@gerardbedecarter Thank you; staccato or not, depends on size of the organ und the size of the room. Widor was used to big cathedrals and he had an organ with pneumatic action, which means, that such organ has a delay, because the way from pressing a key until the pipe is sounding, goes with air from the key to the pipe. Not so with a mechanical touch organ, like I play. Thatfor Widor wrote the staccato-points and only tempo 100. To play like this on a mechanical organ, would sound ridicolous.
Parallelfuge 3 months ago
Wonderful playing, Maria! I too play a 3 manual mechanical action pipe organ and I know how difficult it can be to get a good tempo with such heavy action. You do so splendidly! If you are ever in the USA and are near Pennsylvania, you are more than welcome to come try out my instrument!
octavegeigen4 4 months ago
@octavegeigen4 Thank you for your fine comment; I enjoyed it very much, especially, because you are right, it is hard to play that on a mechanical action organ, and even harder, if you are cobbling the lower manual to the middle (dobbelt pressure), which I did to get more sound out of the organ. Greetings from Berlin, Germany!
Parallelfuge 4 months ago
Sorry to be saying this,....but this is musically speaking just crap......played utterly mechanical, and way....way too fast......no feeling or heart in it at all... that explains the glitches...........come on, this piece isn't about a factory of notes on a production line..........sorry.........just crap
IDFAFrans 4 months ago
Fabulous! Thanks for posting. If you're ever in New Zealand, you're more than welcome to perform on the organ at my Church- 58 Ranks.
JusticeRW 4 months ago
@JusticeRW Thank you very much for your nice comment from New Zealand! If I ever should come there, I shurely would! Greetings from Berlin, Germany!
Parallelfuge 4 months ago
I am in awe of anyone who can even attempt this piece. This is thrilling!
sford713 4 months ago
@sford713 Thank you and greetings from Berlin, Germany
Parallelfuge 4 months ago
I know there has been a great deal of discussion about how fast this piece should be played, but if you consider the fact that the organ has sluggish key action and each note of music on the score has a dot over it , Widor wanted the listener to hear each note. It should be played much slower. St.Sulpice has a long reverberation and playing fast only muddles the notes. I played this organ so I can say that the key action is slow compared to modern organs.
Tubamaxima1 4 months ago
@Tubamaxima1 Right! And because I have a pure mechanical organ and "only" 3 seconds of reverb, it would sound boring to play it the way of St.Sulpice. Thatfor I think, the speed of this piece should be adapted to the kind of organ, the size of the church and the acoustics. I have made many conrtol recordings in my church with different speeds and think this way is best for my organ and acoustics I have.
Parallelfuge 4 months ago
Comment removed
organ66 4 months ago
Incoherent
steeeeevve 5 months ago
this is a very nice organ piece but it is over played. to me widors 6th symphony allegro is a lot nicer. i mean thats just my opinion. i mean this toccata though is my favorite and i love it but i think it gets over played.
notredameswarrior1 5 months ago
BRAVO! Thank you for sharing your talents with the world through this video.
adrianmusic2009 6 months ago
@adrianmusic2009 Thank you! Very kind of you!
Parallelfuge 6 months ago
Excellent performance.
adrianmusic2009 6 months ago
@adrianmusic2009 Thank you! Greetings from Berlin!
Parallelfuge 6 months ago
Love the performance. O.k. slap me, but I like heavier voiced pipes in the base into. Love the brilliant stops on top.
norm29469 7 months ago
@norm29469 Thank you very much! Unfortunately I have no more stops on that organ. I played with all the organ has:-)
Parallelfuge 7 months ago
Maria Scharwieß her playing is too fast although very good. I did much study of the speed at which this piece should be played. Widor, in St. Sulpice played this piece much slower ( 1936 recording). It makes no sense to play it faster than it was composed. A big organ ( St, Sulpice) in a big church needs to be played slower because of the reverberation.
tubamaxima 7 months ago
@tubamaxima Think so too.
organ66 4 months ago
see valentina maria baginska performing this piece,
I'm sure you will enjoy it as much as i did
thugnlive 7 months ago
Briliant interpretation is an understatement, thank you so much
AirSea1000 8 months ago
@AirSea1000 Thank you too for this fantastic comment! Greetings from Berlin.
Parallelfuge 8 months ago
This has been flagged as spam show
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38rowenaFriesen38 9 months ago 32
This is brilliant. Love the camera angle what a view and the music is simply glorious. Thank you for this, and by the way the tempo is perfect.
masojah 10 months ago
@masojah Thank you very much for that nice comment! Greetings from Berlin!
Parallelfuge 10 months ago
@Parallelfuge a little correction, but maybe you know this anyway.. so, saint sulpice is not a pneumtic organ, nor does it have pneumatic action... it is a mechanical organ WITH a pneumatical lever for the mechanical action ;) a pneumatic organ is something completely differente ;) greetings!
thetriumpharch 9 months ago
Das nächste mal vieleicht im Berliner Dom xD
MegaDani141 10 months ago
@MegaDani141 Danke! Mal schaun....:-)
Parallelfuge 10 months ago
Slow down. Sheesh, it's not a race!
thunderroad1971 10 months ago
@thunderroad1971
I agree, man...I mean, I prefer a pace a little faster then Widor intended, but I couldn't even listen to 5 seconds of this without it getting on my nerves.
Usagi1992 8 months ago
This is possibly the most brilliant interpretation on the internet. Widor would be proud. @SerguiBonif- it hurts me that you would be so critical in the most simplistic fashion. While I don't have my sheet music in front of me, might you be so kind as to tell me what the tempo calls for.
This may be an easy piece for the organ, but parallelfuge plays it with utmost precision. Please don't be so misguided in your own faults to miss this.
danenhod 1 year ago
@danenhod Thank you for this fine comment!! The other things you might discuss with sergiuBonif - if he answers. Greetings from Berlin!
Parallelfuge 1 year ago
awesome!!!!!!!! shows how difficult and complex it is, looks like more easy fly the Luftwaffe MIG29 than try anything like this on organ!
GOLTURBO555 1 year ago
@GOLTURBO555 Thank you for your fantastic comment! greetings from Berlin, Germany
Parallelfuge 1 year ago
Very, very nice! Sehr Gut! Greetings from sunny southern California!
skipatroldave 1 year ago
@skipatroldave Thank you very much!!! Greetings from rainy Berlin, Germany!
Parallelfuge 1 year ago
@Maria indeed there is something that resambles an "unknown divine" in this piece. And for sure the execution at the faster tempo has got its beuatiful fascination.
And I think - as well as someone said before - that some kind of magic about this piece is that can be played at different tempos without loosing it's beauty.
I realise that mine is propably a too much rigorous point of view.
Somithing that matters with my gry hair I think...
:-))
SergioBonf 1 year ago
Sorry Maria, but I do not agree with your interpretation.
Widor wrote and played the Toccata with his tempo in mind. And you can't say that because the organs of the present time are different you can play at a speed so different from the master's tempo.
Many notes also are lost in the confusion of the speed.
I think that you should try at the original speed with also some corrections for the sound: it is too "german", dry, too brilliant in the hig frequencies and too much poor of basses.
SergioBonf 1 year ago
@SergioBonf I respect your opinion, but this is a mechanical organ, not a french pneumatic one. Widor COULD NOT play faster, because of the DELAY of a pneumatic organ between pressing the keyboard and the sound of the pipes, which can be until one second! On a mechanical organ the sound comes instant, like with a piano. To play the same tempo like Widor, would sound boring on my organ. I did not loose any key and put everything I have, also the trombone, into the Bass-Pedals.Try Headphones...
Parallelfuge 1 year ago
Comment removed
SergioBonf 1 year ago
@Parallelfuge I respect your opinion too, but the fact is that Widor had this tempo in his ears. And in his mind. And wrote it down on the score. I was used to play this piece too and I was used to play on a mechanical organ too. So I know a bit what you say. But the fact remains. This is not the Widor's tempo.
I will try the headphones (a little tricky with the PC).
Thank you for your attention, however.
I'm honored.
Sergio
Italy
SergioBonf 1 year ago
@Maria indeed there is something that resambles an "unknown divine" in this piece. And for sure the execution at the faster tempo has got its beuatiful fascination.
And I think - as well as someone said before - that some kind of magic about this piece is that can be played at different tempos without loosing it's beauty.
I realise that mine is propably a too much rigorous point of view.
Somithing that matters with my gry hair I think...
:-))
SergioBonf 1 year ago
@SergioBonf Ok i think i figured out the Toccata tempo dispute. You have to first listen to it, dare i say fall in love with it, at the slower tempo. That builds your appreciation for the piece. But there is something glorious about hearing it at the faster tempo, regardless of whether its played perfectly note for note. I can't say i find any version boring. Just being able to hear it is a pleasure
den220 1 year ago
sorry, that church is not that dry and this thing just got all slurred together. Quite a few misses too.
mikedc2020 1 year ago
This is an outstanding performance. I have been luck enough to experience this piece every Easter of my youth as it was my church organists' favorite pick. You play it with such intensity and such passion. BRAVO! Thank you for sharing your talents with the world through this video.
miataman92 1 year ago
@miataman92 Outstanding comment from you also! Thank you very much for that!!! Seasons greetings from Berlin, Germany
Parallelfuge 1 year ago
I'm more familiar with the white keys and black accidental keys. Why is this organ the other way around? The only other time I've seen this is on a harpsichord.
jwoelmer2 1 year ago
@jwoelmer2 Many organs today not only in Germany are build this way, imitating the baroque design.
Parallelfuge 1 year ago
Very well played, with proper tempo and nice registration...:-)
Arjunai 1 year ago
@Arjunai Thank you very much for your nice comment! Greetings from Berlin!
Parallelfuge 1 year ago
I remember assisting my piano teacher in registration when he played this piece in concert. The man died unexpectedly last year, this brings back good memories...
Steinbach1984 1 year ago
@Steinbach1984 Thank you for your comment! I can imagine your feelings...
Greetings from Berlin Maria
Parallelfuge 1 year ago
Maria, You have been touched by God. Wonderful.
DrCadetgray 1 year ago
@DrCadetgray Thank you!!! You touch my heart too!
Parallelfuge 1 year ago
love.
danenhod 1 year ago
I mean this as a compliment.
Virgil Fox would be proud of you :)
I think the pace and tempi is great. After all it's not an adagio and Tempo=100 only relates to slow action pneumatic tracker organs anyway.
I really like your version! It didn't put me to sleep. Bravo!
lflarry1 1 year ago
@lflarry1 Thank you very much! You are right! Widor had a pneumatic tracker organ and is was impossible to play that piece faster.
Best greetings from Berlin Maria
Parallelfuge 1 year ago
@lflarry1
Sorry, some of us love the old penumatic tracker organs. My church had ours rebuilt and I miss the sound of the penumatic adjustments:)
bimmerboy67 1 year ago
Wunderbar!! Einfach nur wunderbar!
Fels300 1 year ago
insane. absolutely brilliant. (still)
danenhod 1 year ago
@danenhod Fantastic, that you still love it! Thanks again!
Parallelfuge 1 year ago
Vielleicht noch eine weitere Mixtur dazu...??
2lipsonmy0rgan 1 year ago
@2lipsonmy0rgan Habe ich leider nicht.Drin ist Hauptwerk Mixtur 5-6fach+gekoppelt vom Oberwerk Scharff 3-4fach. Gruß aus Berlin
Parallelfuge 1 year ago
wow, many thanks for that, super and the best yet....
mrspenn1611 1 year ago
@mrspenn1611 thank you for your super comment!
Parallelfuge 1 year ago
god I love you.
danenhod 1 year ago
khayli khoob!
bckm54 1 year ago
@bckm54 to iruni hasti?
organist12345 1 year ago
@organist12345 hehe, no, i just know a little farsi... mostly the curses... :)
bckm54 1 year ago
Too fast and without any emotion! Where's the elegance? Sorry...
benfolds11 1 year ago
@benfolds11 Agree
RueOrgue 1 year ago
still loving it. best interpretation out there. hands down.
danenhod 1 year ago
Ausgezeichnet!
srlucado 1 year ago
@srlucado Thank you!
Parallelfuge 1 year ago
devoted fan- so beautiful. I listen to this at least 5 times a day. Thank you.
danenhod 1 year ago
@danenhod Your welcome! I am glad, that this piece makes you happy!
Parallelfuge 1 year ago
E' con piacere che ho ascoltato questo brano di Widor che fino ad ora non avevo gustato a sufficienza... altri lo interpretano diversamente e non mi piaceva.
Grazie maestro del suo tocco singolare!
46MONTI 1 year ago
@46MONTI Mille grazie e saluti cordiali de Berlin!
Parallelfuge 1 year ago
I've listened to this interpretation at least 50 times now. It never gets old. So powerful and emotional! Thank you SO much for this!
danenhod 1 year ago
@danenhod I am very happy to read your touching comment! And that you did not get tired of listening. Thank a lot!
Greetings from Berlin, Germany
Parallelfuge 1 year ago
@Parallelfuge My offer stands- If you had fingering, I'd love to see it!
danenhod 1 year ago
@danenhod Onfortunately I do not have written fingering for this.
Greetings from Berlin
Parallelfuge 1 year ago
I've been compelled to listen to this back-to-back several times from the sheer soul-felt jubilation of it. Bravo, bravo, bravo!
tcorley210 1 year ago
@tcorley210 Thank you so much!!! I really appreciate your nice comment!!! Greetings from Berlin, Germany
Parallelfuge 1 year ago
Wunderbahr Miestro!! Ser guht!!! Danke schoen fur das musik!!!!!!!
tenor175 2 years ago
Vielen Dank fuer den schoenen Kommentar!
Greetings from Berlin, Germany
Parallelfuge 2 years ago
At 2:18 I saw that bottom note you played with your left hand was an F#. In my score it is an E but it had struck me as odd and I thought it might be a typo. So the note is actually supposed to be an F# then?
leifa1 2 years ago
I probably have the same edtion. And I also think, that it is a printing mistake, because it makes no sense, when you regard all the other notes. Beside of this all notes are clean accords in Arpeggio-Form, when you play the notes as accords. if there is a dissonant accord, it will solve the classical way to a consonant, but not with the E, with F# it does!
I mean the harmonic structure and hope you understand.
Greetings from Berlin
Parallelfuge 2 years ago
Perfectly acceptable performance. The organ's tone is far too jingle jangle in the upper registers, even screeching. What a pity. It certainly speaks with authority otherwise.
altpapapi 2 years ago
Thank you! This was made with my old camera. In the meantime I have a new one with much better sound recording. Maybe watch other recordings with the new camera on this channel.
You will recognize the new recordings through the 16:9 picture and High Definition.
Greetings from Berlin, Germany
Parallelfuge 2 years ago
Like most other neo-classical 1950s, 1960s german organs. I like to say that screechy mixtures and upperwork replace the big reeds.
organist12345 2 years ago
My organ has 7 reeds (f.e. Trumpet 8' and Trombone 16'). Try to listen with your stereo-equipment or good hedphones, not with small computer-speakers.
Parallelfuge 2 years ago
Excellent performance Maria! This is one of my favorite organ pieces and I want to thank you for sharing your gift of music with the world.
organpipes61 2 years ago
Thank you very much for your touching comment!
Greetings from Berlin, Germany
Parallelfuge 2 years ago
You are very welcome! I am from New York. My son, age 19, plays the organ and fills in for different churches. We saw Felix Hell play this piece on a Peragallo organ this week, which is the organ my son learned on. It is a beautiful piece and your performance sent chills down my spine. God bless you Maria with many more years of great success. Thank you again for sharing you wonderful talent with us! Lou, from NY
organpipes61 2 years ago
Übrigens von Widor sind es 2 verschiedene metronom Angaben. Zuerst hat er 118 angegben (da kommst Du hier hin, oder?) und erst danach später hat er es auf 100 geändert. Man kann nur spekulieren warum...
iskenderuna 2 years ago
Hallo Maria,
eine der wenigen gelungenen Widor-Interpretationen hier :) jedoch kann ich mich mit deinem Tempo und auch mit der Rechtfertigung für dieses Tempo garnicht anfreunden und Widor laut seinen eigenen Aussagen auch nicht, aber es bleibt ja doch Jedem selbst überlassen ;)
Liebe Grüße aus RLP
jschroeder1991 2 years ago
Erstmal danke! Auf einer pneumatischen Orgel macht es wegen der Schwerfälligkeit (Verzögerung) der Tonansprache auch keinen Sinn, das Stück schneller als das von Widor angegebene 100 zu spielen. Auf so einer Orgel würde ich es auch viel langsamer spielen, sonst hört man nur noch Akkorde.
Ansonsten ist es doch nur gut, wenn es verschiedene Auffassungen gibt. Schrecklich, wenn wir alle das genau gleich machen würden.
Parallelfuge 2 years ago
Ich denke das auch. So viele Kommentare mit "zu schnell" oder "zu langsam" man kann es eh nicht jedem recht spielen. Das Stück ist so großartig, daß es fast jedes Tempo mehr als gut verträgt. Außerdem wie Du sagtest, das Orgel spielt eine entscheidene Rolle. Mein lieblings Orgelklang here auf YouTube ist der Orgel in Würzburg. Ich finde die Toccata hört sich einfach genial auf dem Instrument an. Danke für die schöne Interpretation. (Eigentlich ist das hier mein lieblings Tempo!)
iskenderuna 2 years ago
Danke für diesen Kommentar! Diese Orgel hört sich im Raum noch viel mächtiger an, aber dann wäre auf dem Bild nicht viel zu sehen gewesen!
Einige Register haben einen Winddruck von 100mm Wassersäule! Ansonsten rein mechanisch mit mechanischen Koppeln.
Grüße aus Berlin!
Parallelfuge 2 years ago
In this piece only as a rare ocasion in general, though the tempo is not more important than the notes as a whole, it plays a strong enough role that I can accept a few misses keys to maintain the unwavering motion until the RIT near the end. I'm in Schaumburg, if this song weren't so important to me, my wedding could be far simpler :)
geigera 2 years ago
Perhaps I don't need to look any further. My only concern in the wedding is the music. I will be flying people in for various parts. This piece is the most important to me. I feel " Parallelfuge" is quite good, certainly one of the best I've heard. The only thing I don't like is that he isn't willing to travel to Chicago. All humor aside, the tempo is ideal.
geigera 2 years ago
The "he" is a "she".Never mind! I did not say, that I was not willing to travel to Chikago, I just have mentioned, that I live far away, in Berlin, Germany.
But I also think, you can save the expences, because shurely there are plenty of organists in the Chicago area who can play the Widor Toccata.
Parallelfuge 2 years ago
I am a pianist, tubist, and vocalist at several suburb area churches of Chicago. I would attend the Catheral as I am very much a traditional Catholic at 27, but nonetheless I am commited to being a vocalist and tubist at 3 churches. I really have not met the organist at Holy Name,
geigera 2 years ago
You know, I completely appreciate your reply. I am a somewhat gifted musician myself.
geigera 2 years ago
Dieses Stück spiele ich auch gerne im Gottesdienst. Besonders am Ende von Hochzeiten. Es ist nicht zu schwer und begeistert die Menschen ;)
astraioshh 2 years ago
Danke auch für diesen Kommentar!!!
Grüße aus Berlin
Parallelfuge 2 years ago
You wouldn't happen to be from Chicago would you?!?!? Please say yes! ;) I need it for my wedding really bad! I would fly you to Holy Name Cathedral if you're not.
geigera 2 years ago
Thank you!!! Unfortunately I'm living far away from Chikago, in Berlin, Germany.
Parallelfuge 2 years ago
I tried to play this on a mechanical organ during this week and I find them much better than electronic consoles.
Do you use the sheet music here or do you play it out of memory?
advisorC101 2 years ago
Actually I play out of memory, but I have the sheet
music (very small on 2 pages!) before me; feel more secure that way, even if I don't look so much on it...:-)
Parallelfuge 2 years ago
Same here, its a helpful guide just in case one gets lost while playing. hehe
advisorC101 2 years ago
Hey very nice!!! I wanna play this XD but.......im in first year of organ in my school of music jeje is a long way to get your hability
rockmaster1 2 years ago
Thank you!!! Keep up the good work and be patient with yourself! It might take years....!
Greetings from Berlin
Parallelfuge 2 years ago
My favourite playing of this piece.. Thankyou
Cindermakers 2 years ago
Thank you very much! I appreciate your comment especially, since you are professional too!
Greetings from Berlin
Parallelfuge 2 years ago
It is absolutely true! The speed is ideal for the instrument. The registration is perfect for the instrument. The articulation is clear and precise!
Cindermakers 2 years ago
Thank you for the "flowers"! Important for us musicians, as you shurely know yourself!
Parallelfuge 2 years ago
The pedal is the main melody in this piece... It should of been way more powerful
choirboy526 2 years ago
That is not possible on this organ. Have everything i got inn there. Beside because of the poor sound quality of YouTube you hear the bass much less then live.
Parallelfuge 2 years ago
Indeed, most PC audio systems do not the organ justice either.
dolofonos 2 years ago
Right! Much better sound, when you connect the PC Audio output to your home stereo equipment, but who does that...or use good headphones....
Parallelfuge 2 years ago
You should of played on another organ then
choirboy526 2 years ago
Spellchen
Eine sehr faszienierende Musik, dieses Tempo. Ich höre mir diesen Clip öfters an.
Viele Grüße
Spellchen
Spellchen 2 years ago
Je vais me renseigner, personnellement je joue ce mi (même s'il est dur à attraper :D)
Je vous tiendrai au courant de mes recherches :)
vohu57 3 years ago
à la 2:20'' main gauche, la note du bas c'est un mi normalement pas un fa# :D
Mais j'aime bien :p
vohu57 3 years ago
I know that! I changed that on purpose, because this note sounds to me like a printing mistake, that's why I changed this note from "mi" to "fa#". I like it more that way. Thank you anyway for your exact listening!
Parallelfuge 3 years ago
Nice performance. Except if you're going to cheat, you shouldn't film your hands so closely. :)
stolafpianoman 3 years ago
The note on 2:20 I changed on purpose, because this note sounds to me like a printing mistake, that's why I changed this note from "e" to "f#". I like it more that way. Thank you anyway!
Parallelfuge 3 years ago
That is a remarkable performance. Especially at your blistering but appropriate tempo. The sheer physicality of the toccata at that speed makes even getting through it quite startling. I salute you.
JohannSabestianBach 3 years ago
Appreciate your comment! Thank you very much for it!Greetings from Berlin.
Parallelfuge 3 years ago
Thats brilliant! I agree with your opinion on the speed, I have about three or four ways to play it but wouldn't it sound entrancing if it was played at this speed on an organ with a long reverb? In the recording that Xaver Varnus made he plays it at the same speed you just did on a massive organ.
advisorC101 3 years ago
Thank you very much for your nice comment!
The longer the reverb is, the more the piece will loose clarity. Then you will not hear anymore exactly what the hands are doing.
I think it is very helpful to make a recording of the playing from the distance.I did this and learned what the best speed was in my church - I have about 3 seconds reverb.
Parallelfuge 3 years ago
Yes that's true. What I tend to do is play it at the first tempo that comes to heart. When I get a chance to play on a cathedral organ I will play it all the ways I've thought of and heard and see which are the best ways.
advisorC101 3 years ago
Sind da am Schluß nicht die Hände verkrampft? Schön gespielt!
praisethelord333 3 years ago
Danke! Nö, gegen Schluß dann nicht mehr, sondern eher in der Mitte, bevor ich den Manualwechsel vom mittleren(Hauptwerk)auf das untere (Oberwerk)mache, weil ich das Hauptwerk mechanisch ans Oberwerk gekoppelt hab (kann man sehen), des Klanges wegen. Das Hauptwerk geht also doppelt so schwer wie z.B. das Oberwerk (bei mir unten!), was quasi eine Erholung für die Hände ist, bevor ich zum Hauptwerk zurückkehre.
Parallelfuge 3 years ago
jo ich blage mich zur zeit mit boellmanns toccata herum - nicht daß ich sie nicht von den noten her könnte, aber dieses verkramfen zwichen kleinem finger und knöchel nervt halt...
praisethelord333 3 years ago
Hab Geduld mit Dir selber. Über öfters mal kürzer, und wenn Du das Verkrampfen merkst, dann sofort aufhören und Pause.
Parallelfuge 3 years ago