Just finished King's biography myself. Quite enlightening and inspiring! My former cello teacher, Nathaniel Rosen, was GP's protege and I am honored to have some of his stories and spirit passed down. This recording is so heavenly and I "grew up" with it. So many of the cellists I knew from conservatory days had not the slightest inkling about this icon who passed away during their own lifetimes. Thanks for posting.
@rheumer If you don't yet have it, you need to get a 6 CD set of Piatigorsky which includes a full length DVD of films of him (alone worth the price of the set). Its on the WHRA label: WHRA-6032. Not available in the US. You'll have to order it from Grigoran.com in Canada. Also, check out "luisca2007" on YT. An extraordinary young cellist and Piatigorsky admirer.
By the way, I too play some of my more common 78s on two acoustic machines, a 1921 Victrola X with No.2 soundbox & a 1926 Brunswick Panatrope 106 Exponential Type(with "Orthophonic" style soundbox). What I am enjoying is a vintage musical experience on original equipment. I know how to use my current gear to get a more accurate rendition of the 78 records. Thanks, Merrihew, for your excellent work on these 78s & phonos
Wonderful performance of this. Is that a Numark turntable you're using? In 2001 I bought my latest turntable, a Numark TT-100 direct drive with glossy black finish. That is what I use for my 78rpm transfers. The sound goes thru a 10-band EQ then into a Sony RCD-W500 CD recorder. I too find the side breaks awkward, but haven't yet learned how to migrate my "master" CD-R into a computer to do "seamless" side joins. For listening purposes I like the slow cross-fades of these 78 sets
The volume on 78's decreases towards the center so any attempt to eliminate the side break gaps will just emphasize that. Reissue engineers actually gradually increase the volume as a record plays.
In Piatigorsky's autobiography Cellist, he mentioned that he recorded this piece with the LPO under the conductor Sir Barbirolli and the praise "Bravo" , at the end of the piece, from the first oboist, Leon Goossens, was accidentally recorded. Is this vid that recording? Whether it is or not, this is really a gem...A beautiful gem =)
This is grand cello playing--larger than life emotions from the very first note. I consider myself lucky to have met this giant, (both physically and musically) heard him rehearse, perform and tell his wonderful stories.
From 2:00--2:16 here is a fearless performer letting everything hang out. How I miss artists who don't worry about every detail so as to be perfect and perfectly boring. He's got this concerto by the tail and won't let go.
I have Kreisler's 1933 Beethoven concerto and Backhaus' Grieg concerto with covers of this style and pressed on thick shellac. Could they be the Canadian version of Z pressings?
Je crois que c'est Piatigorsky qui a retrouvé le manuscrit de ce Concerto dont c'est ici le premier enregistrement historique. Même désenchantement que dans l'op.54 pour piano & orch. (indispensable: D.Lipati, H.v.Karajan et le Philharmonia en 1946 sur 78 t/mn Columbia). Son unique de Piatigorsky qui jouait sur des cordes en boyau, belle présence de l'orchestre peut-être un peu sec dans le Finale dont j'admire la cadence (dernière face). J'ai le même enregistrement sous label allemand Electrola.
Just finished King's biography myself. Quite enlightening and inspiring! My former cello teacher, Nathaniel Rosen, was GP's protege and I am honored to have some of his stories and spirit passed down. This recording is so heavenly and I "grew up" with it. So many of the cellists I knew from conservatory days had not the slightest inkling about this icon who passed away during their own lifetimes. Thanks for posting.
rheumer 1 year ago
@rheumer If you don't yet have it, you need to get a 6 CD set of Piatigorsky which includes a full length DVD of films of him (alone worth the price of the set). Its on the WHRA label: WHRA-6032. Not available in the US. You'll have to order it from Grigoran.com in Canada. Also, check out "luisca2007" on YT. An extraordinary young cellist and Piatigorsky admirer.
merrihew 1 year ago
He was the matinee idol of music, as was Jack Buchanan to the stage.
TheCourtwick 1 year ago
By the way, I too play some of my more common 78s on two acoustic machines, a 1921 Victrola X with No.2 soundbox & a 1926 Brunswick Panatrope 106 Exponential Type(with "Orthophonic" style soundbox). What I am enjoying is a vintage musical experience on original equipment. I know how to use my current gear to get a more accurate rendition of the 78 records. Thanks, Merrihew, for your excellent work on these 78s & phonos
dennman6 2 years ago
Wonderful performance of this. Is that a Numark turntable you're using? In 2001 I bought my latest turntable, a Numark TT-100 direct drive with glossy black finish. That is what I use for my 78rpm transfers. The sound goes thru a 10-band EQ then into a Sony RCD-W500 CD recorder. I too find the side breaks awkward, but haven't yet learned how to migrate my "master" CD-R into a computer to do "seamless" side joins. For listening purposes I like the slow cross-fades of these 78 sets
dennman6 2 years ago
The volume on 78's decreases towards the center so any attempt to eliminate the side break gaps will just emphasize that. Reissue engineers actually gradually increase the volume as a record plays.
merrihew 2 years ago
In Piatigorsky's autobiography Cellist, he mentioned that he recorded this piece with the LPO under the conductor Sir Barbirolli and the praise "Bravo" , at the end of the piece, from the first oboist, Leon Goossens, was accidentally recorded. Is this vid that recording? Whether it is or not, this is really a gem...A beautiful gem =)
By the way, Cellist is really a great book!
tammyma80 2 years ago
Yes, this is that recording but the "bravo" at the end is barely audible. Indeed the book is a great read.
merrihew 2 years ago
oh gosh that tone from the instant he enters. thanks very much for posting
munkybrain 2 years ago
This is grand cello playing--larger than life emotions from the very first note. I consider myself lucky to have met this giant, (both physically and musically) heard him rehearse, perform and tell his wonderful stories.
From 2:00--2:16 here is a fearless performer letting everything hang out. How I miss artists who don't worry about every detail so as to be perfect and perfectly boring. He's got this concerto by the tail and won't let go.
We miss you Grisha.
ipmoic 2 years ago
hahah, great presentation :)
vladiinsky 3 years ago
this is a beautiful song, i also love the cello(im a cellist)
wingardium 3 years ago
This is the ultimate recording of this concerto!
Morrighina3 3 years ago
I have Kreisler's 1933 Beethoven concerto and Backhaus' Grieg concerto with covers of this style and pressed on thick shellac. Could they be the Canadian version of Z pressings?
m2esectr 3 years ago
Je crois que c'est Piatigorsky qui a retrouvé le manuscrit de ce Concerto dont c'est ici le premier enregistrement historique. Même désenchantement que dans l'op.54 pour piano & orch. (indispensable: D.Lipati, H.v.Karajan et le Philharmonia en 1946 sur 78 t/mn Columbia). Son unique de Piatigorsky qui jouait sur des cordes en boyau, belle présence de l'orchestre peut-être un peu sec dans le Finale dont j'admire la cadence (dernière face). J'ai le même enregistrement sous label allemand Electrola.
78Maniac 3 years ago 2
Astounding cello sonority! Thank you for sharing.
kspm01 3 years ago 2
Wonderful recording! Thanks for posting!
transformingArt 3 years ago 3