Yo-Yo Ma's performance of this piece really puts power, one might even say aggression, into the cello which makes for a good listen but I think I may like Maisky's even more because just the all the careful articulation he puts into it makes for a wonderful gentle, allegro piece.
Yes its hard on the double bass you have to play it an octave higher and play a lot of over tunes also the bowing makes it difficult i recommend playing it on the cello not the bass Rostropovich describe it as being the toiler of Bach so that means its not easy
I think the bow movements are harder than the shifting. If you shift properly, shifting if no harder than first position. Staccato, while slurring, is a difficult thing to master, and Maisky here is a fine example.
Great bowing but I've seen better. Personally I'll stick to Rostropovich for this piece. Maisky's is too romantic and not enough rhythm. The bowing helps out but not enough. Rostropovich clearly shows spaces in an unexaggerated manner. This is all my opinion of course so no flaming please.
One of the things that I like about Maisky is that all of his interpretations of these suites is that his way of playing them gives them a common ground, whereas the individual pieces are quite different from each other and are very individualistic.
Rostropovich's interpretation doesn't sound like a Gigue at all. Too much legato, a Gigue isn't supposed to flow, it has to be jumpy and pointy. I've never heard of Maiski until today, but I think he's doing a great job in showing us what a Gigue is supposed to sound like. If you look at what the dance steps look like, you will understand that Rostropovich's rendition has missed the point entirely. It may sound nice, but it's not a Gigue.
Maisky's version is not THAT jumpy. Like around 0:13 to 0:16, Rostropovich makes it stand out MUCH better. The fact that a gigue should sound like a dance mvt is the LEAST important fact to consider here. In addition, Rostro. is not using legato, probably the opposite. He tried to creat spaces without stacatto. There should be a balance between 'jumpy' and flow. I can see your viewpoint clearly but a gigue should not sound like a gigue, but an interpretation.
By the way, with regards to the pin he uses. I have heard that many authentic cello players refrain from using it as (so they claim) it makes a lot of the sound get absorbed by the ground. To what extent is this true?
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Haha; no feeling. He may seem "expressive", but I don't see how you can express real feeling in the E Flat Gigue without having a huge smile on your face and practically dancing around; this song evokes comical feelings. Why is it so difficult for many classical musicians to "express" joy?
The musician doesn't have to express himself in exact feelings like hapines or sadness, and even if this is a gigue it it doesn't mean the player or bach ment this peace to be all "happy" or "sad". Also, not all expression is seen on the outside
126 likes, 0 dislikes. i appreciate that everybody who as journeyed this far into the suites actually appreciates them. beautiful.
The2ndDogma 3 weeks ago
i watch and listen to him for over an hour now. i think god is like this. or he's like god. or he is god. i don't know
caro4musicedu 4 months ago in playlist Bach Cello Suites
Eargasm.
Tribute1875 7 months ago
such epic dismounts
zalxder 7 months ago
@zalxder heh heh... dismounts... heh heh
YayBenSpeck 4 months ago
he makes it look so easy....... it isn't :(
AnneBoleyn88 10 months ago
I Agree better than YO YO Ma's BRAVO!!!!!!
israelorna 11 months ago 3
does he have this memorized?
ihategeorgedubyabush 1 year ago
@ihategeorgedubyabush yes, he has it memorized.
Mizzles240 8 months ago
And I had the nerve to ask for a transcription for bass clarinet. :3 I'll never learn them all!
DiscoveredMusic 1 year ago
I love the way he moves his fingers! 8D~ *Drools* <3
I hope I become as good as him someday!
DeadlyBlueRose 1 year ago
Just.. EXCELLENT!
redhotchiliangel 1 year ago
O_O Que es estoooo¡¡?........
BWV1013 1 year ago
Amazing !!!
zartha87 1 year ago
Yo-Yo Ma's performance of this piece really puts power, one might even say aggression, into the cello which makes for a good listen but I think I may like Maisky's even more because just the all the careful articulation he puts into it makes for a wonderful gentle, allegro piece.
jjjhs12 1 year ago
his arm moves so perfect its like hes a robot ;_; how much does he practice you think?
suriya10 1 year ago
This is the sound and art of the Russian school in cello. Truly amazing! Watch Rostropovich's example and compare differences and similarities.
vivo75 1 year ago
BIG FAT SOUND!!!
Hrlecica 1 year ago 5
Yes its hard on the double bass you have to play it an octave higher and play a lot of over tunes also the bowing makes it difficult i recommend playing it on the cello not the bass Rostropovich describe it as being the toiler of Bach so that means its not easy
MusicMatterMore 2 years ago
he makes it look so simple.. *sigh*
mmelisaa 2 years ago 23
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If we're honest, intonation is not perfect at the start.
MikeDrewYT 2 years ago
so what?..
we still were (Thank God) HumanBeings...no Machines! ;-)
SirJohnR 2 years ago 4
that piece was VERY difficult for me to learn on my doublebass
I was lerning it for 2 years XD
KISIMOV 2 years ago
it seems to be hard anyway
tottis13 2 years ago
I bet it would be. Was it all the shifting? Or was it all in weird positions or sommat? I play bass too, so I'm just curious. C:
Kiete 2 years ago
I think the bow movements are harder than the shifting. If you shift properly, shifting if no harder than first position. Staccato, while slurring, is a difficult thing to master, and Maisky here is a fine example.
Hunksha 2 years ago
This is a very difficult piece to play. it is written in 12/8 time and in E-flat! A lovely, dance-like interpretation.
fasteddie5439 2 years ago 2
I'm surprised his hair doesn't get in the way. Beautiful music, though. I like his suite no 1 prelude better than Yo Yo Ma's. This guy is incredible.
dursoman 2 years ago 20
IS TRUE....
chrisseher 1 year ago
Marvellous performance in Italy from the late '80s.
Also Maisky's newest version of Bach's violoncello Suites, is absolutely wonderful, with magnificent improvised embellishments.
alra1975 3 years ago 3
Where can one find these recordings?
C33Four 2 years ago
Great bowing but I've seen better. Personally I'll stick to Rostropovich for this piece. Maisky's is too romantic and not enough rhythm. The bowing helps out but not enough. Rostropovich clearly shows spaces in an unexaggerated manner. This is all my opinion of course so no flaming please.
haroomay 3 years ago 2
One of the things that I like about Maisky is that all of his interpretations of these suites is that his way of playing them gives them a common ground, whereas the individual pieces are quite different from each other and are very individualistic.
RagnarXII 3 years ago 4
Rostropovich's interpretation doesn't sound like a Gigue at all. Too much legato, a Gigue isn't supposed to flow, it has to be jumpy and pointy. I've never heard of Maiski until today, but I think he's doing a great job in showing us what a Gigue is supposed to sound like. If you look at what the dance steps look like, you will understand that Rostropovich's rendition has missed the point entirely. It may sound nice, but it's not a Gigue.
Timrath 3 years ago
Maisky's version is not THAT jumpy. Like around 0:13 to 0:16, Rostropovich makes it stand out MUCH better. The fact that a gigue should sound like a dance mvt is the LEAST important fact to consider here. In addition, Rostro. is not using legato, probably the opposite. He tried to creat spaces without stacatto. There should be a balance between 'jumpy' and flow. I can see your viewpoint clearly but a gigue should not sound like a gigue, but an interpretation.
Enix5548 3 years ago
i want to learn to play the cello... what wonderful music that it produces...
severelyaddictedgal 3 years ago 2
hmmm... strange fingerings... a bit out of tune.... but very interesting interpretation, and great bowings/articulations
zipizapdos 3 years ago
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I love how he killed the 'music' of it...
PissedBogan 3 years ago
and I just love how YOU killed the magic of it. Thanks
itlynluver871 3 years ago
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i hated it!!!
DarklyWynde 3 years ago
Then you have no appreciation for music whatsoever.
itlynluver871 3 years ago
By the way, with regards to the pin he uses. I have heard that many authentic cello players refrain from using it as (so they claim) it makes a lot of the sound get absorbed by the ground. To what extent is this true?
firebreathone 3 years ago
this is one of my favorite movements from the suites. gmontes42 is right how it just makes you want to smile and dance.
drakiepoo 4 years ago
This comment has received too many negative votes show
Haha; no feeling. He may seem "expressive", but I don't see how you can express real feeling in the E Flat Gigue without having a huge smile on your face and practically dancing around; this song evokes comical feelings. Why is it so difficult for many classical musicians to "express" joy?
gmontes42 4 years ago
prick!!!!!!!!!!!!
trejo567 4 years ago
Hey common now, he does make a point. Don't be so close minded people.
itlynluver871 3 years ago
The musician doesn't have to express himself in exact feelings like hapines or sadness, and even if this is a gigue it it doesn't mean the player or bach ment this peace to be all "happy" or "sad". Also, not all expression is seen on the outside
selmersax55 3 years ago 3
Comment removed
MasterChef9190 2 years ago
Comment removed
MasterChef9190 2 years ago
what an odd bow hold.
doesnt seem to phase his playing though. cant wait til i get to a new school and my teacher gives me a new one cause i hate the one he makes us use.
deeaaath 4 years ago
hahaha good job peterbundy!
KarrotKun1 4 years ago
1000 views and no comments? Well, here is one: cello rocks!:)
peterbundy84 5 years ago