recreated youtube account just to post on this video. May I point out that this piece is the first example I've EVER heard (in the baroque/classical/or even romantic periods) where the V chord and its suspended 4th resolves obliquely to the 5th of the IV chord. Unbelievably, and perhaps accidently modern sounding. Amazing. It's absolutely what gives this piece its vibrance. I heard for the first time today.
Why not? It´s different and breaks the predictability of it all.
Italy produced prodigius quantity of art and music and much of it was not outstanding in the way Bach or Scarlatti, but that was the culture and the business of the time. But Italy remained the inspiration for the rest of Europe disregarding of it´s cliches.
Indeed, but I cannot think of any concerti pre or contemporary to Locatelli that has them in the specific place (ie before the coda).I shall google and make sure but I believe he was the first.
There are a lot of pieces that do. I can't remember specifically, but there are a number of Vivaldi concertos that imply candenzas. Bach's Brandenburg Concerto No. 3, has an implied candenza in the second movement for the harpsichord (although some would debate that). His fourth Brandenburg has a fully realised harpsichord cadenza.
@aleiv Agreed. The solist doesn't sound so great in some sections. There were a few moments in the solo where the bow starts to get too close to the bridge and it gives a really treble-y sul ponticello kind of sound. I imagine the solist is struggling to play this on gut, too. Probably a bad idea to play this period-style since it was clearly avant garde for its day.
un pre - paganini per l' utilizzo insolito per l' epoca delle posizioni così tanto alte..
musico981 3 days ago
recreated youtube account just to post on this video. May I point out that this piece is the first example I've EVER heard (in the baroque/classical/or even romantic periods) where the V chord and its suspended 4th resolves obliquely to the 5th of the IV chord. Unbelievably, and perhaps accidently modern sounding. Amazing. It's absolutely what gives this piece its vibrance. I heard for the first time today.
Bachtheshizz 6 months ago
Comment removed
psykopark 1 year ago
Possibly one of my favorite compositions of all time. Totally and completely masterful.
ohcolonel 2 years ago
I totally and completely agree with that:)
voxhunden 2 years ago
magnifique!!!!les mots ne suffisent pas!
surimiable 2 years ago
Cute sopranino joke in the middle.
Why not? It´s different and breaks the predictability of it all.
Italy produced prodigius quantity of art and music and much of it was not outstanding in the way Bach or Scarlatti, but that was the culture and the business of the time. But Italy remained the inspiration for the rest of Europe disregarding of it´s cliches.
mrmolinodelahoz 2 years ago 2
Performances such as this never cease to dazzle. Suberb music executed with all the brilliance that Locatelli's music demands. Bravo.
mspg2 2 years ago 4
Incredible high notes - I wonder whether Locatelli played this with his coat on as has been noted.
mstuartg 3 years ago
but this locatelli knew VERY WELL how to do his work! very good, VERY GOOD!
doctormantell 3 years ago
His "Capriccios" were the prototype for the later Cadenza weren't they? Except they were fully notated.
egapnala65 3 years ago
Not really. Candenzas and improvisation had been around for a long time.
HARMONICO101 3 years ago
Indeed, but I cannot think of any concerti pre or contemporary to Locatelli that has them in the specific place (ie before the coda).I shall google and make sure but I believe he was the first.
egapnala65 3 years ago
There are a lot of pieces that do. I can't remember specifically, but there are a number of Vivaldi concertos that imply candenzas. Bach's Brandenburg Concerto No. 3, has an implied candenza in the second movement for the harpsichord (although some would debate that). His fourth Brandenburg has a fully realised harpsichord cadenza.
HARMONICO101 3 years ago
Indeed but Vivaldi was contemporary, and Bach was later.
I can't think of any Corelli or Albinoni Concerti (who were earlier) as having such things, and in Vivaldi they seem pretty rare.
I think there may have been an earlier vocal tradition, but I think the tradition (as we know it instrumentally) starts here.
egapnala65 3 years ago
Bach was contemporary (1685-1750). Locatelli (1695-1764).
HARMONICO101 3 years ago
Yes you are right. "Art of Violin" (1733) Brandenburgs(1721).
Apologies.
egapnala65 3 years ago
It's strange. Locatelli is younger than Vivaldi, but Vivaldi is more modern.
doctormantell 2 years ago
Great music. Shame this is too difficult for this soloist. Thanx for posting! :)
aleiv 3 years ago
@aleiv Agreed. The solist doesn't sound so great in some sections. There were a few moments in the solo where the bow starts to get too close to the bridge and it gives a really treble-y sul ponticello kind of sound. I imagine the solist is struggling to play this on gut, too. Probably a bad idea to play this period-style since it was clearly avant garde for its day.
Sviolinist 1 year ago
Shocked this has only 44 views! Maybe a little too stringy for some people's taste. Those Locatelli Capriccio are amazing.
romavictor1SPQR 3 years ago
They are all too busy with the "Four Seasons" for the billionth time, no doubt.
egapnala65 3 years ago 5
Heh. Yes...
HARMONICO101 3 years ago