Added: 3 years ago
From: truecrypt
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  • With cat! A true disciple of C.S. Lewis in other words (see "The Four Loves").

  • Brilliant!

  • Glorious, totally glorious. At a pace that would have done Karl Boehm proud, and killed off any choir. Again so totally "modern".

  • @jonjon1957jonjon In total agreement - so modern in spite of the lack of "Classical" convention.

  • Maria Yudina- the powerful person!

  • Piano, what a instrument - like a whole orchestra!

    

  • Mozart improved !!! This reminds me of the opera transcriptions of Franz Liszt. I am convinced that Glenn Gould, who liked Mozart about as much (i.e. as little) as I do, would have appreciated this performance greatly. What a genius Yudina was. Happy to have discovered her and thanks for posting!

  • @VivaRenata Mozart barely wrote a few measures of this before he died. Improved? no. This is her realization. She's not improving Mozart she's completing the piece in her own way.

  • @HoboSuperstar And for that we should be very grateful! What an incredible artist - completing the piece in a dialogue with the composer is probably what the art of the piano is about.

  • ロシヤ精密机械!

  • E' un Mozart irriconoscibile ma la interpretazione di Judina è giustificata e affascinante. Mi viene in mente un Beethoven suonato da Glenn Gould che ho ascoltato per un mese di fila,sembrava Webern,un'esecuzione personalissima ma attuale e che sopratutto mi ha fatto comprendere meglio quelle sonate ,alla faccia delle interpretazioni filologiche

  • where can we find the score?????? I need it desperately!

  • Благодарим тебя, величайшая, за твое соавторство!

  • Does anyone know if there is a mistake at 3:37?

  • @TheRetman01 who cares?

  • Does anyone know if there is a mistake at 3:37?

  • @TheRetman01 I think so, she's mistaken a note of a chord!

  • Simplicity is purely beautiful beyond words.

  • Mozart plays with the heart like it's a toy. Happy, sad, happy, sad, happy..

  • i think is nearly impossible to play "lacrimosa" Sadder, Grimmer or more Tragic than this, its simply beatiful

  • Maria Yudina is like, the best pianist everrr..

  • The unresolved ending is what makes it perfect.

  • she was and still is one of the greats !

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  • she had compassion for the human tragedy, and in her playing, here, there is the most perfect example

  • played w gravitas. 

  • This is the peek of this piece, there is simply no room for more emotional content.

  • As beautiful as this is, circumstances and all, I can't help but feel that I prefer the orchestra version

  • very affectingly played!!

    ..i like also the slow tempo very much,amazing in piano sound and orchestral conception,i can feel the magnificent breath of the russian orthodox church and their rites in this interpretation,wonderful!

  • c'est fabuleux quel son c'est tout youdina ça.merci pour cet enregistrement

  • I think thispiece did give here the strenght to resist when she had difficult times, and she had bad moments to go through....

  • Thank you Yudina !!! :' )

  • I LOVE HOPW SHE PLAS THIS!!!

  • Amazing interpretation!

  • WOnderful!

  • amazing...

  • wow

  • C'est gigantesque!!!

    mille merci

  • Thanks! Please do post more from that concert!

  • No words.

  • Agreed, J. Thanks again for sending this on. Yudina is justifiably considered a legendary and iconic musician.

  • Truecrypt, do you know where this performance took place?

  • Yes, it was in Kiev (Ukraine).

  • Thanks.

  • @truecrypt

    Kiev was in URSS in this time.

  • @222mozart

    Yes, Kiev was a capital of Ukrainian Republic (one of 15) within the USSR at that time.

  • Liszt made a transcription of the Lacrimosa. This sounds almost like it, with some subtle differences. I wonder if Yudina basically played the Liszt, with her changes, somewhat like Horowitz did with certain works of Liszt. But I'm not sure. Anyhow, she played it very movingly.

  • this performance is a marvel

  • Although I must admit that its not Yudina's best interpretation of something, but its very interesting to hear a Requiem played on a piano. You cannot make a piano sound as loud and grand as choral forces and a full orchestra, but her attempt at this is very convincing. It would be extremely hard for any pianist to get that feeling that a chorus and a orchestra would give. So 5 stars.

  • What about intimacy?

    Is she "attempting" here to sound "convincing"?

    She is merely making a statement, nothing more and nothing less.

  • Well, if it isn't an attempt to play the Requiem on piano, what is it?

  • I probably have misunderstood your usage of "attempt"...I thought you meant that she was trying to convince her music to others.

    Sorry!

  • Very special. I like her sort of minimalistic approach.

  • As always with Yudina, her interpretations are willful and wonderful! Her use of rubato and the dynamics are stunning. She is among the truly great artists.

    Thank you for posting!

  • Dear (un)DelicateSpringFlower;

    What I do depends on what you and "your friends" will do or not. I don't fight cowardly by opening a new account for every comment. You or your friend(s) received my message - now it's your choice.

  • Yes, Sara, I noticed you mention LOVE quite often, but somehow obsessed with hate...

    No need to log in/out so often to rate your own comment though...

  • Tears filtered through the visual filter of an anxious kerosene lamp's flicker on an abandoned street in a lost European place 225 years ago.A soul raging joyfully at it's limitedness.

  • (1st attempt didn't show) Yudina has interesting rhythmic approach. During first minute or so,at slowest tempo, beats are often delayed on dotted quarter (4 to a bar). After 1:10 or so, second 8th of each group delayed. Tempo picks up greatly throughout.The last few minutes move along more, until ritard at end. Was all this planned - a psychological effect? Probably. Great tonal control and variety. Fascinating choice for a transcription. Great post!

  • Truecrypt, this is EXCELLENT!!! 5stars without any discussion. Great, Maria Yudina!

  • Dear Jokk49/Kalotaky/Coolosdude;

    I would be happy to stop, but seems like your-multiple-"self" can not put an end to this nonsense... Don't worry, people will see who said what, when and how! ;)

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  • Im afraid I must agree with the dissenters here... the tempo is a bit on the slow side for my taste and the phrasing is a bit awkward.  On the other hand, they had no right to attack you the way they did. Thanks for uploading this performance; it gives an insight into the piece which I wouldn't have before considered. This is all I look for from youtube: new insights into old pieces (whether I agree with them or not is my own business).

  • You shouldn't bother with them truecrypt it would take an idiot to vandalize this piece, and if you think not you should stop chewing on rocks and get a life.

  • The opening bars are extraordinarily beautiful, and as always there is such depth and power in Yudina's playing. As Richter, said "she had a huge talent"!

  • Probably about 3-4 accounts are the same person here since many of the accounts were made all on February 26, 2009...

    But anyway, of course piano transcriptions are problematic, and people that keep posting about how it's not as good as the original Requiem are beating a dead horse!

    How do you get a work for full orchestra AND CHORUS onto one piano and expect the same results?

    People may not like the transcription but if they're going to say something don't state the obvious.

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  • Please, Sinfoniette, don't stop the... him! There are couple things they / he don't know - it's called YT insight... plus a little slips like talking about "yesterday" when it was "today". It was "yesterday" but only in Australia!!! ;)

  • "I stand alone"...under the sunlight, in the shadow, on the plain, in the storm, no matter in heaven or in hell, I stand alone, and nothing is more powerful than the fact that I am standing alone...

    Very courageous performance by Yudina. Thank you Andre.

  • Oops, another new member! Kalotaky!

    It appears that someone is trapped in a psychotic episode...

  • It's the same guy! ;) Let him "express himself"! ;)

  • I would hope that truecrypt would delete the posts of Edelweissz and Coolosdude. It seems painfully obvious that both of those accounts were created TODAY for the specific purpose of VANDALIZING this video.

    I'm aware of some recent silliness from tHEnOOSEsWING on truecrypt videos--so those accounts may be him. Or, they may be from yet another lunatic. In any case, they are not "opinions," they are just graffiti, and should be cleaned off the page.

  • I just did, but before they/he had to labor really hard opening 15 accounts! ;)

  • I commend your discretion and discernment in removing the trash while keeping the sincere (if ill-considered) criticisms.

    Again you demonstrate fairness and tolerance--exactly what your lunatic detractors lack.

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  • truecrypt, you should be checking your horoscope. Apparently, the evil stars are glaring at you lately ;)

    I too find it bad taste to disparage in any way THIS piece perfomed by THIS artist! "Falling asleep" in that context is almost like "let them eat cake."

    Few can claim the life experiences and the "rights to interpretation" of this piece with more righteousness than Maria Yudina.

    Thanks for posting this deeply moving performance...

  • Couln´t we come back to the piece itsself and the possibilities of such an interpretation? I think in this special case a transcription is problematic. There are so many different affections when you think of the choir and orchestra in the original.There you can hear almost everything between dispair, and even humility. Yudinas interpretation is nevertheless very expressive and full of dramatic and her ability to show so many different colours and make you hear even the orchestra I must admire.

  • I don't dislike your tastes, but the way you express it...

    Anyway, it was an interesting discussion, I hope you'll change your views in a while... and see the subject (and myself) in a different light.

  • My way to speak greatly depends on who I'm speaking to. I'm not against the difference of opinion, but I hate boorishness. My friends (and enemies) know it well.

  • People "like you" always talk too much about "freedom of expression"... the problem though they don't have much to express, have very high opinion of themselves and demand full respect to the "difference of opinion". Sorry, I have no respect or "artistic tolerance" to your opinion...

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  • Another side effect of this arrangement is that the 1st beat of the bar is given too much emphasis. Yudina is not helping the matter by choosing a plodding tempo, pedaling excessively, and accenting heavily on (guess what) the strong beats.

    This is not Yudina at her best. Her best work is probably the Diabelli's.

  • LoVE it and her intense art always . I find her moving ......... and this incrdeibly moving!!

  • This particular performance was not intended as a reproduction of orchestral/choral version.

    It's perfectly normal reaction if a young and healthy man falls asleep listening to this. The idea of the "DEATH" hasn't touched your existence yet... But it's a matter of time... ;)

  • You are "stretching" what I said... You may have experienced tragic events in your life but they didn't make your musical soul sensitive enough yet, otherwise you wouldn't fall asleep. Nothing offensive here - if one doesn't see beauty in Michelangelo's Pieta, it means he is either incapable or not *ready*. What bothers me is that you "don't like this particular song" and proud of it. For me it's a sign of "beginning of the end".

  • Somehow the last argument I hear from people like you is always "it's my right" or "it's my opinion" and 'who you are to judge me".

    I don't dispute your right to express your views, but in such case shouldn't I have a right to express an opinion on your opinion? If you're "falling asleep" during this performance it speaks volumes about you. But of course even "sleeping souls" have their rights.

  • You don't have to like or dislike Yudina performance, but the way you express your opinion ("almost falling asleep") on "this particular song" speaks for itself. I don't like disrespectful and rude comments especially when such commentator demands "artistic tolerance"...

  • Oh no... the truth is that you graded this performance as "poor" - one star! This how you see the "freedom of expression"! Exactly my point - too much talk about "freedom and tolerance" while doing something not very honorable behind the curtain. Old concept... Strangely enough my former "friend" tHEnOOSEsWING used the same logic and "rating strategy".

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