I'm so happy for this. Classical is the style I plan on trying to do as I get older, and the fact that an american vocalist is SO GOOD brings hope to my heart, ya know? I feel like... If I'm lucky, maybe I can do it.
Voices change over time. Unfortunately, Tibbett's alcholism was largely responsible for the decline in his voice. At his best, I doubt that Tibbett's voice was as big as Ruffo's ( I doubt that anyone surpassed Ruffo as far as size goes). Today, Tibbett would probably be considered a Bass-Baritone. He was not entirely a Verdi baritone, but a this best he was musical; warm, and displayed very good taste. Wish we had more singers like him today.
no doubt he had beautiful control --we can obviously hear the breath capacity via the long sustained tones --the swelling of the note at the finish was very nice - the voice is simply very well trained - Tibbett was known for that! - this was not the best audio quality but we are fortunate primobaritono put this up ---Tibbett certainly a giant - thanks
Many will argue that there have been baritones with greater depth of sound. But, few have matched his ability to convey human emotion thru his unique timbre/artistry. In that, he has very few peers.
@Lovelytenor1 Agree completely. Thats why I prefer Tibbet, MacNeil, Gobbi and Merrill to Warren, Waechter and Milnes, a golden voice here and there isn't more important than the whole aria, it's opera, not a note-for-note competition.
@Lovelytenor1 Gosh, I for one have always found Tibbett's depth of sound exceptional. And I agree with you otherwise:). Just curious, however -- who do you consider to have a greater depth of sound that Tibbett?
Voici la justification de ce que je disais sur Dieskau.Même si tout n'est pas du meilleur goût,le sujet est traité et non trahi;et puis,le matériel vocal...Incomparable...
What a blowhard! This posing on the long notes is out of taste. Especially when there are indeed some notes slightly out of tune. So not at all perfect, one of the reatest voices nevertheless.
Tibbett was NOT the greatest Di Provenza...Tita Ruffo was BY FAR..if you listen you will surly agree...not to diminish the talent of Tibbett, but he was not the greatest.
@Erdrick345 Having just listened to Ruffo sing it I cannot agree. I also know someone (long dead of course) who heard Ruffo at the Met in the 1920s who commented "he was shit."
@bodiloto Povero Bodiloto....ma si può sapere da che parte sta Bodiloto??? Ma se Tibbett è sublime, allora Battistini, Stracciari, Ruffo, Amato, Ancona etc etc come cantano? Ma per piacere Bodiloto smettiamola di millantare crediti verso la lirica. Tibbett è stato un discreto baritono. Di eccelso non c’è proprio nulla. E poi Traviata – Di Provenza è un Verdi tutto Italiano. Niente mezze voci. Va cantato com’è scritto. Punto. Viva Verdi!!!
Egregio signore, se in qualsiasi modo si sentisse offeso dalle mie parole, le chiedo cortesemente di accettare le mie scuse. Le garantisco che non commenterò più nessun brano lirico di musica Italiana cantato da solisti stranieri. Ne tanto meno darò seguito ai suoi scritti. Tanto le dovevo. Giovanni.
...my fav baritone...yes Warren was spectacular...but the Tibbett ringing bombastic huge high register...the heavenly dark dense deep lower gutteral register....what a glorious freak of nature, too bad the sonics were not better for him, but his glorious voice sings thru the ages....
I'll stay with Giusepe De Luca for 'Di Provenza'; but one finds how exhilerating it is to listen to Lawrence Tibbett. He is such a Grande Baritono -- and he is so obviously blessed by the Gods! Thank you!
Oh primobaritono how right you are! He certainly takes the cake, What elegance, what style, and mezze voci well supported. This is not an aria , this is an elegy.
I agree, great musicality. Some stuff he does I've never heard done with this aria before. And the last note he holds so long. Bravo! Thanks for sharing primobaritono.
This 1935 TRAVIATA is one of the greatest performances of any opera ever captured by a microphone! Tibbett's DI PROVENZA is the greatestt I've heard, even surpassing Warren's.
Tibbett was slightly before my time, so I never heard him in the house. By the time I was listening, he was singing "Don't Fence Me In" on the Hit Parade...oy! He gives this aria more nuance than I've ever heard. I liked the practice in those years of returning to the key of Db, thus bringing down the curtain on the baritone's high Ab.
mrm4...You can learn about notes and keys in a course on "Music Theory". It's elementary and easy to learn. There are books in libraries and stores, and you can get into a class with a teacher.
Ab? In my version of the score the baritone doesn't have to go above Gb. And I can sing along quite comfortably here, while I'd have to strain my voice to go up to Ab.
Look at the end of the scene. Germont sings "Ah ferma!". In the score it's an F in the key of Bb. Now check the key in this clip...it's Db. Unfortunately, Tibbett's voice cannot be heard (he may have been far upstage), but he sings "fer-" on Ab, as did all baritones in that era.
ALF: Mille serpi divoranmi il petto! Mi lasciarte!
GER: Lasciarti!
ALF: Oh vendetta!
GER: Non piu' indugi; partiamo t'affretta
ALF: Ah, fu Douphol!
GER: M'ascolti tu?
ALF: No.
They do it a bit differently, or at least that what it sounds like, with the tenor staying at the high G and singing a different text after Germont has done the 'Né rispondi' part. But I don't hear a high Ab by Tibbett.
Forget the Ab...I'll look for a better example. In the meantime, listen to...The great Piero Cappuccilli - "Di Provanza" - Live ... He encores the second half, and goes up to Bb at the end of the scene!
It would be most interesting to hear Tibbett in today's technology. Even in the technology they had then, you can hear the reverberation from his awesome forte.
Il migliore tra i baritoni americani di tutte le generazioni, l'unico infatti a curare la dizione nell'opera italiana, elegante fraseggiatore, misurato esecutore.
We need not discuss his outstanding, remarkable voice and extraordinary commandment, but in the last minute he is not singing Gèremont anymore, but only showing off Lawrence Tibbett. It's a bit too much. Indeed the last few notes do wobble and the final is a bit off pitch even. Sometimes less is more...
Listening to this again, I'm struck by Tibbett's command of all dynamic levels -- from that melting mezza voce to a thunderous forte and back again -- while his timbre remains rich and noble. And that perfectly controlled crescendo at 5:19-5:29 -- whoa, who's got that kind of technique today?
There used to be a MacNeil version on YouTube, and though late in his career (I think 1986 or '87), it was still impressive -- I heard it about a year ago; don't know what happened to it --
Have you listened Giorgio Zancanaro's version of the aria? Both good singers, Tibbett and Zancanaro. But I must admit that Tibbet does have a very dynamic voice. The technique is the same, but Tibbet has more massive voice.
About as good as it gets. The smoothness of the voice, and the seamless integration of registers is simply magisterial. The bel canto influence is everywhere to be seen: those long crescendos and decrescendos, especially the last long "Dio m'esaudi." Flawless singing.He brought that same voice and technique to his operettas and films, and I always thought it worked very well there, also.
simply put lawrence tibbett was the greatest baritone the world has ever known. my father knew him and studied under frank la forge as well. he was without doubt a demigod
Is it the recording with Ponselle? The confrontation scene is UNBELIEVABLE...(Madamigella Valery?)
And WHY was he so noble and musical? Because the TONE PRODUCTION is perfect. Perfect tone production is the key. Nowodays Nobody sings like that or DE LUCA,BATTISTINI,DENS,SOUZAY,BIANCO,MARTY,DE GOGORZA...
This voice had a dark tonal center, an unequaled mezza voce and an elegance that only Warren approached . You should hear Wotan's Farwell with Stokowski and you will Wotan sung as Wagner must have dreamt it
As a wannabe singer I took lessons to learn how to sing this one piece. It's one of only two that I wanted to learn (the other was O Du Mein Holder Abenstern). Never did get the hang of it and am in awe of the wonderous voices that bring arias like this to life. About the only thing I can do is sustain a note for 45 seconds and sometimes a full minute. Bummer. Never got beyond Gilbert and Sullivan (Major General Stanley) ha, ha. And lots of the usual Broadway show stuff.
Tibbett here had perfect command of his voice, so he could use it as the servant of his art -- just gorgeous -- I've sung this aria, so I know how difficult it is --
No performers today to match. The Met/LaScala teachers, coaches should take note of the true Art of Singing. There's a reason they called it The Golden Age of Singing.
For this particular aria, I would go to Ruffo (as always), but also to Battistini (for both voice and interpretation), Gobbi (for great interpretation, as in most things, and some beautiful singing as well apart from the aspirates), and De Luca (beautiful warmth of tone and technical skill at 53 and also some good interpretation). Not that I don't like Tibbett too, but not quite as much, at least for this aria, as our gracious YT host, who is apparently an ardent "Tibbettophile."
There are only a few baritones who sang this beautiful aria—probably the most applauded baritone aria in all of opera--as brilliantly as Tibbett and those two sang more recently and therefore not in quite the full voice that Tibbett employs here. His timber and phenomenal breath control set him apart from all who sung this including the two giants Warren and Merrill.
Thanks! Given the date, I thought it might have been Panizza, but haven't heard Jagel enough to recognize his voice -- do you have a live recording of Tibbett as Iago with Martinell? Would LOVE to hear that:) --
Frederic Jagel, I haven't heard that name for years. He was the teacher of Justino Diaz at the New England Conservatory. I'm going to look for his singing on YouTube and would love to know about his singing.
He's my 3rd cousin.
ebryant4 2 months ago
Comment removed
btrev23 2 months ago
I'm so happy for this. Classical is the style I plan on trying to do as I get older, and the fact that an american vocalist is SO GOOD brings hope to my heart, ya know? I feel like... If I'm lucky, maybe I can do it.
avajie 2 months ago
by far the greatest american baritone..
jcab2323 3 months ago
Clearly THE GR8EST BARITONE of all time!!!
lastofdmelocchians 4 months ago
The most musical interpretation of the Di Provenza I've heard.
fatherman73 4 months ago
Lovely singing! TY PB for posting.
paulostroff99 6 months ago
@jeanmolin e @ bodiloto
Voyons Messieurs , vous êtes des hommes de valeur ( et c'est mon coeur qui parle ) .
Comment pouvez vous en arriver à de telles extrémités ???
Ce n'est pas un exemple pour les "giovane" qui vous lisent !
PACE E GIOA !!!
Votre fierté n'en souffrira pas !
Lawrence Tibbett était l'Empereur des barytons, non ?
De grâce, Messeigneurs, pour l'art lyrique, souffrez de montrer l'exemple !!!
Toute mon affection à vous deux, pareillement .
Francesca
francesca7564 8 months ago
Voices change over time. Unfortunately, Tibbett's alcholism was largely responsible for the decline in his voice. At his best, I doubt that Tibbett's voice was as big as Ruffo's ( I doubt that anyone surpassed Ruffo as far as size goes). Today, Tibbett would probably be considered a Bass-Baritone. He was not entirely a Verdi baritone, but a this best he was musical; warm, and displayed very good taste. Wish we had more singers like him today.
legatofancier 10 months ago
@legatofancier oggigiorno canterà come basso,non come basso-baritono!
Magnifico Tibbett!
bodiloto 8 months ago
Ruffo was better than Tibbet but Tibbett had the bigger voice. He destroyed it with booze and got constricted.
Baritanist 1 year ago 4
dal vivo! la mezzavoce del leone!
che meraviglia!
sublime!
ranigema 1 year ago 14
no doubt he had beautiful control --we can obviously hear the breath capacity via the long sustained tones --the swelling of the note at the finish was very nice - the voice is simply very well trained - Tibbett was known for that! - this was not the best audio quality but we are fortunate primobaritono put this up ---Tibbett certainly a giant - thanks
redgrapeskins 1 year ago
Many will argue that there have been baritones with greater depth of sound. But, few have matched his ability to convey human emotion thru his unique timbre/artistry. In that, he has very few peers.
Lovelytenor1 1 year ago
@Lovelytenor1 Agree completely. Thats why I prefer Tibbet, MacNeil, Gobbi and Merrill to Warren, Waechter and Milnes, a golden voice here and there isn't more important than the whole aria, it's opera, not a note-for-note competition.
mozzrt 1 year ago
@Lovelytenor1 Gosh, I for one have always found Tibbett's depth of sound exceptional. And I agree with you otherwise:). Just curious, however -- who do you consider to have a greater depth of sound that Tibbett?
stevevandien 1 year ago
Voici la justification de ce que je disais sur Dieskau.Même si tout n'est pas du meilleur goût,le sujet est traité et non trahi;et puis,le matériel vocal...Incomparable...
abracadabranque 1 year ago
This has been flagged as spam show
What a blowhard! This posing on the long notes is out of taste. Especially when there are indeed some notes slightly out of tune. So not at all perfect, one of the reatest voices nevertheless.
Musikcamp 1 year ago
Comment removed
Musikcamp 1 year ago
Tibbett was NOT the greatest Di Provenza...Tita Ruffo was BY FAR..if you listen you will surly agree...not to diminish the talent of Tibbett, but he was not the greatest.
Erdrick345 1 year ago
@Erdrick345 Having just listened to Ruffo sing it I cannot agree. I also know someone (long dead of course) who heard Ruffo at the Met in the 1920s who commented "he was shit."
VinylToVideo 1 year ago
Sublime !
bodiloto 1 year ago
@bodiloto Povero Bodiloto....ma si può sapere da che parte sta Bodiloto??? Ma se Tibbett è sublime, allora Battistini, Stracciari, Ruffo, Amato, Ancona etc etc come cantano? Ma per piacere Bodiloto smettiamola di millantare crediti verso la lirica. Tibbett è stato un discreto baritono. Di eccelso non c’è proprio nulla. E poi Traviata – Di Provenza è un Verdi tutto Italiano. Niente mezze voci. Va cantato com’è scritto. Punto. Viva Verdi!!!
jeanmolin55 8 months ago
@jeanmolin55 lei e un maleducato e tutto.E per dirla tutta lei non sa leggere in italiano!
Quando e dove ho parlato male di tutti barioni citati da lei?
Poi e ovvio e che lei non capisce nulla della lirica italiana,e penso che tutta la sua vita e stato sordo.
E un fatto."niente mezze voci"?
signore,le mezze voci lei non gli sentirà mai,perché lei non capisce nulla.
Ha dimenticato:Danise,Granforte,Tagliabue etc.
Adoro la voce di Tibbett, lei adora quella di Raimondi.
E la vita...ahahahahahah
bodiloto 8 months ago
Comment removed
bodiloto 8 months ago
@bodiloto @francesca 7564
Egregio signore, se in qualsiasi modo si sentisse offeso dalle mie parole, le chiedo cortesemente di accettare le mie scuse. Le garantisco che non commenterò più nessun brano lirico di musica Italiana cantato da solisti stranieri. Ne tanto meno darò seguito ai suoi scritti. Tanto le dovevo. Giovanni.
jeanmolin55 8 months ago
@jeanmolin55 Accetto le sue scuse.Nicola.
bodiloto 8 months ago
@bodiloto
Nicola, je vous admire ...
Francesca
francesca7564 8 months ago
Comment removed
bodiloto 8 months ago
Comment removed
bodiloto 8 months ago
I just cannot believe how great this is. And I think I have this recording!
VinylToVideo 1 year ago
agreed he is one of the greatest bass baritones just to be specific.
bigus 2 years ago
Tibbett far outshines all the singers on the Metropolitan stage today
796824 2 years ago 7
questo si che è un canto a fior di labbro
MrDerere1 2 years ago
NO! è UN CANTO A MEZZA VOCE . UN SALUTO
federic017 2 years ago
This is perfection!!!!
Rigelcentauri58 2 years ago
Comment removed
bodiloto 2 years ago
...my fav baritone...yes Warren was spectacular...but the Tibbett ringing bombastic huge high register...the heavenly dark dense deep lower gutteral register....what a glorious freak of nature, too bad the sonics were not better for him, but his glorious voice sings thru the ages....
j72050 2 years ago 2
My GAWD!
Where do you find these things!
Man-oh-man . . .Tibbett was GREAT!
SatchmoSings 2 years ago 2
I'll stay with Giusepe De Luca for 'Di Provenza'; but one finds how exhilerating it is to listen to Lawrence Tibbett. He is such a Grande Baritono -- and he is so obviously blessed by the Gods! Thank you!
sebreathnach 2 years ago 2
Oh primobaritono how right you are! He certainly takes the cake, What elegance, what style, and mezze voci well supported. This is not an aria , this is an elegy.
Bassonobile 2 years ago
Stupendous! Bravo! Emperor of tenors! Bravo!
paulostroff99 2 years ago
Excuse me. He's The Emperor of BARITONES, not tenors.
otrebor612 2 years ago 2
otrebor612-I'm so sorry. Can you ever find it in your heart to forgive me.
paulostroff99 2 years ago
paulostroff99-Sorry,I of course meant baritones.
paulostroff99 2 years ago
that crescendo starting at 5:19 is great
HMW 2 years ago
I agree, great musicality. Some stuff he does I've never heard done with this aria before. And the last note he holds so long. Bravo! Thanks for sharing primobaritono.
baritono81 2 years ago
baritono81-I of course meant to write emperor of baritones and not emperor of tenors. I am truly and dreadfully sorry.
paulostroff99 2 years ago
This 1935 TRAVIATA is one of the greatest performances of any opera ever captured by a microphone! Tibbett's DI PROVENZA is the greatestt I've heard, even surpassing Warren's.
billyguns2 2 years ago
Just magnificent! Noone around today like this. That's for sure!!!!
cleanears 2 years ago
1935 Eh? Year I was born!
rayrac 2 years ago
My God ! What timber ! What richness and warmth of tone ! Effortless forte !
As you have stated above , simply the BEST .
Thanks for this exquisite piece of American Opera History !
David
bud21s 2 years ago
what a treat!
Thanks for sharing!!!!
picapin 2 years ago
Spectacular! What a voice! Thanks for posting.
erzbet07 3 years ago
Tibbett was slightly before my time, so I never heard him in the house. By the time I was listening, he was singing "Don't Fence Me In" on the Hit Parade...oy! He gives this aria more nuance than I've ever heard. I liked the practice in those years of returning to the key of Db, thus bringing down the curtain on the baritone's high Ab.
raythespian 3 years ago
hey man where can i learn all the notes Ab Db ? im interested hope you can help
mrm4xim4m 3 years ago
mrm4...You can learn about notes and keys in a course on "Music Theory". It's elementary and easy to learn. There are books in libraries and stores, and you can get into a class with a teacher.
raythespian 3 years ago
thanks man i know i sound a bit lazy an al maybe but i had a quick look on google and music theory came up but wasnt sure.. anyway.... cheers :)
mrm4xim4m 3 years ago
Ab? In my version of the score the baritone doesn't have to go above Gb. And I can sing along quite comfortably here, while I'd have to strain my voice to go up to Ab.
piasecznik 2 years ago
Look at the end of the scene. Germont sings "Ah ferma!". In the score it's an F in the key of Bb. Now check the key in this clip...it's Db. Unfortunately, Tibbett's voice cannot be heard (he may have been far upstage), but he sings "fer-" on Ab, as did all baritones in that era.
raythespian 2 years ago
In my version of the score it reads-
GER: Né rispondi d'un padre all'affetto?
ALF: Mille serpi divoranmi il petto! Mi lasciarte!
GER: Lasciarti!
ALF: Oh vendetta!
GER: Non piu' indugi; partiamo t'affretta
ALF: Ah, fu Douphol!
GER: M'ascolti tu?
ALF: No.
They do it a bit differently, or at least that what it sounds like, with the tenor staying at the high G and singing a different text after Germont has done the 'Né rispondi' part. But I don't hear a high Ab by Tibbett.
piasecznik 2 years ago
Forget the Ab...I'll look for a better example. In the meantime, listen to...The great Piero Cappuccilli - "Di Provanza" - Live ... He encores the second half, and goes up to Bb at the end of the scene!
raythespian 2 years ago
It would be most interesting to hear Tibbett in today's technology. Even in the technology they had then, you can hear the reverberation from his awesome forte.
Vairguy09 3 years ago 2
Il migliore tra i baritoni americani di tutte le generazioni, l'unico infatti a curare la dizione nell'opera italiana, elegante fraseggiatore, misurato esecutore.
lanaturale 3 years ago 2
We need not discuss his outstanding, remarkable voice and extraordinary commandment, but in the last minute he is not singing Gèremont anymore, but only showing off Lawrence Tibbett. It's a bit too much. Indeed the last few notes do wobble and the final is a bit off pitch even. Sometimes less is more...
TommyHaegin 3 years ago
Have a word with him, I'm sure he wouldn't mind!
Where DO they find them (you).
rayrac 3 years ago 2
I have sympathy with your opinion.
tagliavini 2 years ago
He's such a stud.
violaguy312 3 years ago
Wonderful!
rayrac 3 years ago
I am in absolute awe.
I was overwhelmed and chilled throughout the entire performance...
Thank you primobaritono!
Belcore14 3 years ago
Listening to this again, I'm struck by Tibbett's command of all dynamic levels -- from that melting mezza voce to a thunderous forte and back again -- while his timbre remains rich and noble. And that perfectly controlled crescendo at 5:19-5:29 -- whoa, who's got that kind of technique today?
stevevandien 3 years ago 4
This is wonderful, but I can't believe that there is no Cornell MacNeil version of this aria on YouTube. Someone please post it, asap!
sirenadellopera 3 years ago
There used to be a MacNeil version on YouTube, and though late in his career (I think 1986 or '87), it was still impressive -- I heard it about a year ago; don't know what happened to it --
stevevandien 3 years ago
Cornell MacNeil A big voice but didn't it have a tendency to wobble?
lpvcrcd 3 years ago
It's hard to find baritones who have the tone color of this gentleman. I'd rather have this color than the forced "big voices" of our day.
wowyourgaiy 3 years ago 2
Try Pavel Lisitsian---he gets my vote!
greenstboy 3 years ago
The greatists Germont vocaly will always be Robert Merril.
tenorismo 3 years ago
Beh, diamo a Tibbett quel che è di Tibbett, ma anche all'intonazione quel che è dell'intonazione...
eknate 3 years ago
Have you listened Giorgio Zancanaro's version of the aria? Both good singers, Tibbett and Zancanaro. But I must admit that Tibbet does have a very dynamic voice. The technique is the same, but Tibbet has more massive voice.
Moffolover 3 years ago
About as good as it gets. The smoothness of the voice, and the seamless integration of registers is simply magisterial. The bel canto influence is everywhere to be seen: those long crescendos and decrescendos, especially the last long "Dio m'esaudi." Flawless singing.He brought that same voice and technique to his operettas and films, and I always thought it worked very well there, also.
stefakamelpash 3 years ago 3
Best interpretation ever!!
Why can´t baritons now-a-days sing like this? why isn´t this antique school of singing taught anymore?
bellatrix58 3 years ago
simply put lawrence tibbett was the greatest baritone the world has ever known. my father knew him and studied under frank la forge as well. he was without doubt a demigod
operalament 3 years ago 3
I would give this comment a +100 if I could.
forallyouknow 3 years ago
Is it the recording with Ponselle? The confrontation scene is UNBELIEVABLE...(Madamigella Valery?)
And WHY was he so noble and musical? Because the TONE PRODUCTION is perfect. Perfect tone production is the key. Nowodays Nobody sings like that or DE LUCA,BATTISTINI,DENS,SOUZAY,BIANCO,MARTY,DE GOGORZA...
FABRIZIO82 4 years ago
This voice had a dark tonal center, an unequaled mezza voce and an elegance that only Warren approached . You should hear Wotan's Farwell with Stokowski and you will Wotan sung as Wagner must have dreamt it
ilprincipedipersia 4 years ago 2
As a wannabe singer I took lessons to learn how to sing this one piece. It's one of only two that I wanted to learn (the other was O Du Mein Holder Abenstern). Never did get the hang of it and am in awe of the wonderous voices that bring arias like this to life. About the only thing I can do is sustain a note for 45 seconds and sometimes a full minute. Bummer. Never got beyond Gilbert and Sullivan (Major General Stanley) ha, ha. And lots of the usual Broadway show stuff.
LaerdBryn 4 years ago
... il tuo vecchio genitor ...
Perfect.
canegracehasettevite 4 years ago
Tibbett here had perfect command of his voice, so he could use it as the servant of his art -- just gorgeous -- I've sung this aria, so I know how difficult it is --
stevevandien 4 years ago
Wondrous!
paulostroff99 4 years ago
No performers today to match. The Met/LaScala teachers, coaches should take note of the true Art of Singing. There's a reason they called it The Golden Age of Singing.
796824 4 years ago
Lawrence Tibbett was one of the greatest non italian baritones ever
fordy42 4 years ago
If you ever get the chance to listen to a russian singer called Pavel Lisitsian. This aria is beautiful with his lovely rich gravelly voice
fordy42 4 years ago
is very very beautiful
raffaelepolli 4 years ago
I love it, but I still think Ruffo is the best or, at least, the most vocally impressive.
MrCafiero 4 years ago
For this particular aria, I would go to Ruffo (as always), but also to Battistini (for both voice and interpretation), Gobbi (for great interpretation, as in most things, and some beautiful singing as well apart from the aspirates), and De Luca (beautiful warmth of tone and technical skill at 53 and also some good interpretation). Not that I don't like Tibbett too, but not quite as much, at least for this aria, as our gracious YT host, who is apparently an ardent "Tibbettophile."
meltzerboy 2 years ago 3
There are only a few baritones who sang this beautiful aria—probably the most applauded baritone aria in all of opera--as brilliantly as Tibbett and those two sang more recently and therefore not in quite the full voice that Tibbett employs here. His timber and phenomenal breath control set him apart from all who sung this including the two giants Warren and Merrill.
blakemooney 4 years ago
Wonderful control and voice. A superb Germont!
Orfeus80 4 years ago
Tibbett is marvelous -- but who are the tenor and conductor?
stevevandien 4 years ago
The tenor is Frederick Jagel and the conductor Ettore Panizza. Sorry for forgetting to mention them :)
primobaritono 4 years ago
Thanks! Given the date, I thought it might have been Panizza, but haven't heard Jagel enough to recognize his voice -- do you have a live recording of Tibbett as Iago with Martinell? Would LOVE to hear that:) --
stevevandien 4 years ago
Yes I have two in fact. Which parts would you like to hear ?
PS: It is a great pity that the old Met broadcasts are so very hard to come by in the U.S.
Since I also live in Germany I can buy them for 4 $ a piece.
primobaritono 4 years ago
Gosh, just about anything, the Brindisi, act II, especially "Si, pel ciel" --
stevevandien 4 years ago
@primobaritono
Frederic Jagel, I haven't heard that name for years. He was the teacher of Justino Diaz at the New England Conservatory. I'm going to look for his singing on YouTube and would love to know about his singing.
Lightseeker001 10 months ago