Our high school band played this last year for state competition and pulled it off with all superior ratings... outta the 6 years in band this Suite is my favorite of all
Vaughn Williams liked Dives and Lazarus so much he plopped it right in the middle of Seventeen Come Sunday, but what is that very placid third tune hiding in there?
@runescape2dolphin2 . I do agree with you and the first clarinet (one who knows from experience) is hard to play, especially at 1:07. By the end you are so out of breath.
My high school wind ensemble is playing this song currently, but that 6/8 time. Wow. Every time I play it, I think "Yes! I'm at the end! Oh crap, there's a repeat sign . . ." This group sounds fabulous playing it, though. I just run out of breath after a while.
Seems a bit slow in places. I've heard other performances that really emphasize the rhythm section, which I think is more appropriate for such a "military" piece. Still, great stuff.
This is great stuff and the best rendition because it's by the London Symphony with Sir Adrian Boult, the same goes for Fantasia on Greensleeves and the Tuba Concerto in F Minor - which leads me to politely request that if you have these two performed by the same orchestra and conductor could you please upload them if possible. (The versions on YT by different groups and conductors just don't quite cut the mustard.) You'll have my enternal gratitude if you do. Thanks.
@axecalibore Yes, the "rousing" tune that comes in the lower voices around 1:07 is based on another folk song, Dives and Lazarus. It is sandwiched between the Seventeen Come Sunday sections of the march, and is my favorite part of the piece!
@PickledHarrrington: I always wondered if the higher melody at 1:07 (played simultaneously with Dives and Lazarus) was written by Vaughan-Williams himself. I thought it could also have been a separate folk song altogether. Let me know if I'm making no sense. :)
@ytcomposer It's certainly possible that the line in the upper voices is a separate folk song, and I wouldn't be surprised at all if it is, but I don't know for sure. I do love how the dotted 6/8 figure of the upper line really drives the melody in the lower voices forward, giving it a lot more motion and intensity. Like I said, my favorite part of the piece!
If anyone does know more about the countermelody in the upper voices from 1:07 to 1:40, please share =)
@PickledHarrrington: Totally the best part, yes. :D I played this song in high school, and that particular melody was the only one I ever willingly practiced over a winter holiday from school. :) I can still imagine playing it, every note of it.
Vaughan Williams is a genius. What a poignant piece.
soulreapr1 2 months ago
Best Bb 1 Clarinet part ever...
leumasyawdarb1 3 months ago
Our high school band played this last year for state competition and pulled it off with all superior ratings... outta the 6 years in band this Suite is my favorite of all
TheArmyManZach 3 months ago
Oh my god, I've been looking for this for soooo long.
eeg10 4 months ago
Vaughn Williams liked Dives and Lazarus so much he plopped it right in the middle of Seventeen Come Sunday, but what is that very placid third tune hiding in there?
axecalibore 5 months ago
It seems so slow compared what we play in our band ensemble D:
AllCuteThings 6 months ago
1:08 - SWASH-BUCKLING TIME
ANTiKr00t 6 months ago 2
My favourite clasical piece ever. Pirate life for me!!
ghostfiremusic 9 months ago
I'm in 8th grade and my bands playing this suite... I play the oboe ;D
livebysoda 9 months ago
aug this is ridiculous on flute or clarinet ><
yeahsureful 10 months ago 5
@yeahsureful
Dive and Laz.....something
Yea, pretty fun huh?
AllCuteThings 6 months ago in playlist Vaughan Williams - English Folk Song Suite
@runescape2dolphin2 . I do agree with you and the first clarinet (one who knows from experience) is hard to play, especially at 1:07. By the end you are so out of breath.
bzirkle86 10 months ago
Haha VVV PIRATE
alycat0987 10 months ago
yarrr I like this pirate music
pulsar1323 10 months ago 18
I'm playing this in band right now on the clarinet and well it's hard and fun [: lol
Questieluv 11 months ago
@Questieluv . It is hard but it is so worth it in the end...lol. Are you playing the 1st part?
bzirkle86 10 months ago
@bzirkle86 I'm playing the solo clarinet part pretty much like first though & it is definetly worth it in the end [:
Questieluv 10 months ago
Now that Great Britain is coming into spring this music is what it was meant to indicate--the green and pleasant land!
ronaldosucks1 11 months ago 12
@ronaldosucks1
Or the smell of burning from the riots.
055697 4 months ago
lol i need this for my ninth grade band auditions
Vdominoman 1 year ago
My high school wind ensemble is playing this song currently, but that 6/8 time. Wow. Every time I play it, I think "Yes! I'm at the end! Oh crap, there's a repeat sign . . ." This group sounds fabulous playing it, though. I just run out of breath after a while.
wingedshoes7 1 year ago
Seems a bit slow in places. I've heard other performances that really emphasize the rhythm section, which I think is more appropriate for such a "military" piece. Still, great stuff.
Midnight722 1 year ago
This is great stuff and the best rendition because it's by the London Symphony with Sir Adrian Boult, the same goes for Fantasia on Greensleeves and the Tuba Concerto in F Minor - which leads me to politely request that if you have these two performed by the same orchestra and conductor could you please upload them if possible. (The versions on YT by different groups and conductors just don't quite cut the mustard.) You'll have my enternal gratitude if you do. Thanks.
SwarthySkinnedOne 1 year ago
I have had the pleasure of playing this piece with an Orchestra, Windband, and Brass Band. It is lovely piece.
falcons1988 1 year ago
Is this all Seventeen Come Sunday? I love EFSS, and there seem to be 3 different tunes in this one section. There's a placid one and a rousing one.
axecalibore 1 year ago
@axecalibore Yes, the "rousing" tune that comes in the lower voices around 1:07 is based on another folk song, Dives and Lazarus. It is sandwiched between the Seventeen Come Sunday sections of the march, and is my favorite part of the piece!
PickledHarrrington 1 year ago
@PickledHarrrington: I always wondered if the higher melody at 1:07 (played simultaneously with Dives and Lazarus) was written by Vaughan-Williams himself. I thought it could also have been a separate folk song altogether. Let me know if I'm making no sense. :)
ytcomposer 1 year ago
@ytcomposer It's certainly possible that the line in the upper voices is a separate folk song, and I wouldn't be surprised at all if it is, but I don't know for sure. I do love how the dotted 6/8 figure of the upper line really drives the melody in the lower voices forward, giving it a lot more motion and intensity. Like I said, my favorite part of the piece!
If anyone does know more about the countermelody in the upper voices from 1:07 to 1:40, please share =)
PickledHarrrington 1 year ago
@PickledHarrrington: Totally the best part, yes. :D I played this song in high school, and that particular melody was the only one I ever willingly practiced over a winter holiday from school. :) I can still imagine playing it, every note of it.
ytcomposer 1 year ago
Ahhhh! I remember my happiest moments in marching band were playing this and the Holst suites. Thanks for posting this!
PatMcHugh 2 years ago