The most incredible thing I have ever seen. But then again Magda Olivero is my favorite singer of all time. I had heard about this performance but I didn't know there was a film of it.
I just discovered this jewel. For me opera is about singing and acting--equal portions. One can tell just from the movement in this film that she was a great singing actress. Frankly, no one today is on the operatic stage who does both as well as this living legend has. She captures and communicates the spirit of the role and the idea of the composer. That audience is responding to genius--not just to a sound technique..
@ploplisphilin I was at this performance of the NJ State Opera. You will note that there is nio scnery. Ms. Olivero's performance was so powerful I forgot all about no scenery and was transported. Keeping in mind she was 66 at the time and was singing 15 to 20 years after the average soprano retires the performance was magical.
@9546aw --I did not realize there was no physical scenery. The scenery is in the music. Just by Mme. Olivero's postures we understand her inner torment. I do wish I had her address to send her birthday greetings on her 100th. She deserves a flood of good wishes from all of her fans and admirers of her transcendent art. She is truly diva.
Very interesting video, the voice of Olivero is caught quite neatly. Great interpretation, but also many problems with her voice, flat, out of tune and screming in the top (listen around 4'25', for example)'. Sorry, I can't agree with those who pretends her to master a great technique. But of course she was intense on stage and I understand her success
Fine. Don't agree. But in my opinion, your perception is off. Yes, in her 60's she sometimes sang flat, but she also could sing IN TUNE better than anyone half her age. You can't call her high B at 4'25" a scream, because screams don't have a regular even vibrato. In L'altra notte she sings the high B and diminuendos it. THAT IN ITSELF is a great technical accomplishment matched by NO OTHER SOPRANO LIVING OR DEAD. Give credit where it is due, man. She could still sing 25 years later!
This comment has received too many negative votesshow
Sorry, man, but I think that Olivero was often out of tune for all her career, the vibrato stretto (and in my and not only my opinion vibrato stretto means technical problems) sometimes didn't allow me to understand exactly which tune she was singing. And she specialized in a repertoire made for heavier voices than hers, so that it's also easier for her to sing some effect like diminuendos or so. If Dessay (for paradox) would sing L'altra notte, she could easily make a diminuendo on that B.
The worse analysis ever written on Magda Olivero's voice and eternal art of singing: i hope you don't teach anything to anyone... So, if a voice has a vibrato you don't appreciate, it is because she has a bad technique ? How ridiculous is such opinion...
I' don't appreciate vibrato stretto, and vibrato stretto comes from technical problems. That's it. It's quite easy, ask anyone who knows something about vocal technique
I don't like vibrato stretto too... and i know many things about this : with the same vocal technique, you can obtain vibrato with one voice, flat voice with another voice... and vibrato stretto with another voice. So it is absolutely wrong to say, to write and to repeat it comes from technical problems. Magda Olivero never had a beautiful voice, NEVER... but a marvellous vocal technique, unique sense of drama and surprising longevity.
Ah, and of course that's so because you tell us, so we MUST believe you. Vibrato stretto affects just a few of singers, and it comes from problems with appoggio, for me it's a fact, if you want to believe that it's a matter of anatomy, please, I won't use my time to convince you... She has a marvellous vocal technique, yes, yes
Yes, that's it : a matter of anatomy. You like Beverley sills : me too, despite her strong vibrato ! Did she have a bad technique too ? of course, not...
No, it's not true. Young students who are not able to use appoggio properly have vibrato stretto, for example. Sills had no problem of vibrato, not stretto, at least. What do you mean with strong vibrato?
thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you (repeat)
Geniale!!! Bravissima!!! Mille grazie!!!
Juliet0307 5 months ago
I love how Olivero phrases this bit of madness like someone who has indeed suffered a sinister fate, but is in a state of delirium.
coryisawake 5 months ago
BRAVA!!!!!!
andreernestgretry 9 months ago
The best Marguerite ever, who can even come close. What a great great singer.
robertdonkers 1 year ago 2
A great historical document of this so valued great Artist;
thank you @teachertenor for sharing it.
ingriddoppler 1 year ago
A priceless and rare treasure to have the opportunity to see this tremendous
performance by three astonishing artists. Magda Olivero owns the stage as
Margaret and gives me chills down my spine! Deep appreciation to StuartLou
for graciously sharing from his private collection and to teachertenor for sending
to me!
Kievest 1 year ago
Fantástica interpretación la de Magda Olivero
Gracias Eduardo
Juanita
8Romantica 1 year ago
Bravo , Magda !!!!!!!!!
tukilala 1 year ago
of these Gods Sacred
of the Olympian Lyrical!!!
God, do not create again,
no one today can match them
would be interesting to know
date and theater
Many thanks!!! *StuartLou *
for sharing with the World
**********I N F I N I T E S **********
laoniricArte1 1 year ago
Grazie StuartLou. Una grande emozione! Ancora grazie!
ziropera 1 year ago
The most incredible thing I have ever seen. But then again Magda Olivero is my favorite singer of all time. I had heard about this performance but I didn't know there was a film of it.
viverito 1 year ago
I just discovered this jewel. For me opera is about singing and acting--equal portions. One can tell just from the movement in this film that she was a great singing actress. Frankly, no one today is on the operatic stage who does both as well as this living legend has. She captures and communicates the spirit of the role and the idea of the composer. That audience is responding to genius--not just to a sound technique..
ploplisphilin 2 years ago
@ploplisphilin I was at this performance of the NJ State Opera. You will note that there is nio scnery. Ms. Olivero's performance was so powerful I forgot all about no scenery and was transported. Keeping in mind she was 66 at the time and was singing 15 to 20 years after the average soprano retires the performance was magical.
9546aw 2 years ago
@9546aw --I did not realize there was no physical scenery. The scenery is in the music. Just by Mme. Olivero's postures we understand her inner torment. I do wish I had her address to send her birthday greetings on her 100th. She deserves a flood of good wishes from all of her fans and admirers of her transcendent art. She is truly diva.
ploplisphilin 2 years ago 4
Very interesting video, the voice of Olivero is caught quite neatly. Great interpretation, but also many problems with her voice, flat, out of tune and screming in the top (listen around 4'25', for example)'. Sorry, I can't agree with those who pretends her to master a great technique. But of course she was intense on stage and I understand her success
enrigoletto 2 years ago
Fine. Don't agree. But in my opinion, your perception is off. Yes, in her 60's she sometimes sang flat, but she also could sing IN TUNE better than anyone half her age. You can't call her high B at 4'25" a scream, because screams don't have a regular even vibrato. In L'altra notte she sings the high B and diminuendos it. THAT IN ITSELF is a great technical accomplishment matched by NO OTHER SOPRANO LIVING OR DEAD. Give credit where it is due, man. She could still sing 25 years later!
melbapatti 2 years ago
This comment has received too many negative votes show
Sorry, man, but I think that Olivero was often out of tune for all her career, the vibrato stretto (and in my and not only my opinion vibrato stretto means technical problems) sometimes didn't allow me to understand exactly which tune she was singing. And she specialized in a repertoire made for heavier voices than hers, so that it's also easier for her to sing some effect like diminuendos or so. If Dessay (for paradox) would sing L'altra notte, she could easily make a diminuendo on that B.
enrigoletto 2 years ago
The worse analysis ever written on Magda Olivero's voice and eternal art of singing: i hope you don't teach anything to anyone... So, if a voice has a vibrato you don't appreciate, it is because she has a bad technique ? How ridiculous is such opinion...
KILLERADVICE 2 years ago
I' don't appreciate vibrato stretto, and vibrato stretto comes from technical problems. That's it. It's quite easy, ask anyone who knows something about vocal technique
enrigoletto 2 years ago
I don't like vibrato stretto too... and i know many things about this : with the same vocal technique, you can obtain vibrato with one voice, flat voice with another voice... and vibrato stretto with another voice. So it is absolutely wrong to say, to write and to repeat it comes from technical problems. Magda Olivero never had a beautiful voice, NEVER... but a marvellous vocal technique, unique sense of drama and surprising longevity.
KILLERADVICE 2 years ago
Ah, and of course that's so because you tell us, so we MUST believe you. Vibrato stretto affects just a few of singers, and it comes from problems with appoggio, for me it's a fact, if you want to believe that it's a matter of anatomy, please, I won't use my time to convince you... She has a marvellous vocal technique, yes, yes
enrigoletto 2 years ago
Yes, that's it : a matter of anatomy. You like Beverley sills : me too, despite her strong vibrato ! Did she have a bad technique too ? of course, not...
KILLERADVICE 2 years ago
No, it's not true. Young students who are not able to use appoggio properly have vibrato stretto, for example. Sills had no problem of vibrato, not stretto, at least. What do you mean with strong vibrato?
enrigoletto 2 years ago
Certo che se la tecnica vocale è quella che esibisci nei TUOI video che hai caricato su Youtube, caro enrigoletto... stiamo freschi!!!
felicitacolombo 2 years ago
@felicitacolombo Commento di cattivo gusto, non argomentato, che punta la persona invece del topic... complimenti, un vero en plein
enrigoletto 2 years ago
enrgoletto, ritirati che fai meglio invece di postare i giganti.
pirla!
Q2w3e4r5tion 1 year ago
@Q2w3e4r5tion Perché le risposte argomentate scatenano squallidi commenti come questo? E anche incomprensibili, cosa vuol dire postare i giganti?
enrigoletto 1 year ago
Absolutely great, thank you for posting this. Her performance gives me goose bumps - and I even don´t like this opera. She is divine!
gestas60323 2 years ago 6
Comment removed
9546aw 2 years ago 4
Unbelievable for someone aged 66 to sing like that what a stamina
robertdonkers 2 years ago
Dear Mr.StuartLou , only THANKS because this is OPERA and this are SINGERS.
Amazing. Please more !!!!!!!!
TheMPG70 2 years ago 3
thank you so much this is so great you make my days shine!
ganimaedes 2 years ago
Grazie grazie grazie grazie grazie grazie grazie grazie grazie gr gr gr gr aaaa zzzzie! GRAZIE!!!!!!!!!!!!!!
cleanears 2 years ago 3
thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you thank you (repeat)
lamadonnadegliangeli 2 years ago 3
There are no words to thank you for these incredible videos!
schaunard1 2 years ago 2