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From: shrinkingglasses
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  • Интересно, а фотография какого года?

  • Wonderful - (except the big mistake at 4:16), very disappointed.

  • WONDERFUL HOROWITZ¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡­¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡GOD BLESS¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡­¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡¡

  • so.. powerful..

  • I cannot skip the ad faster.

  • C'est d'une subtilité poignante... je frémis au jeu d'Horowitz, le meilleur interprète de l'écriture Rachmaninovienne !! Tout simplement magique ..

  • Wonderful! There are performances of Horowitz, when younger, playing this 1min. faster than he does here.Those versions are incredible, but I think he was mostly showing (off) what he could do.

    Here Horowitz makes music. He & Rachmaninoff were friends. He knew what R. was after.

    Mdme. Gina Bachauer was for a short time a student of Rach. In this performance Horowitz plays this piece just as she taught me that Rachmaninoff had her play it. --Giles is great too, but this is my favorite.

  • Comment removed

  • I could hear the difference from the first 3 seconds... of course no disrespect for the guy from the previous video I watched cause hes like 2 million times a better player than I am but Horowitz... is Horowitz... nuff said, really...

  • I just saw a video of a guy playing this song and the comments were really good and some even said that was the best rendition of all time. Then I got curious how will Horowitz play this and to be honest, I had a tiniest doubt in mind that Horowitz's rendering will not be much different from the one Id just seen because it was really, really well done. But now I saw the Horowitz version of this song and Im like... that guy is not to be even compared to Horowitz... I was a fxxking idiot...

  • I just watched 

  • This is a video response to an amateur? Gosh I didn’t think this was a competition. Anyways...

    This brings me to tears. The mistakes only add to it’s perfection.. epic chords and changes made to preludium section at 0:34, 042 (triplets) and 048

  • @corruptNconquer:>There are some internet users who spend their time writing nonsense about the art of those who would call the true masters. Vladimir Horowitz and Sviatoslav Richter are the greatest interpreters of Russian authors, especially Tchaikovsky and Rachmaninoff. Technique and interpretation to go together and they just do not see it who is deaf in the same nature.The posing a fly on the tip of the nose suckers like you. Marcos Leite, pianist

  • I stopped counting mistakes after 50. Yet, this is my favorite recording of this piece...

  • genius

  • I play this in my car to get people to move out of my way.

  • @1234567fswcvtw Haha, somehow I can imagine myself doing that :D.

  • Thank you horowitz and rachmaninov for this beautiful piece.

    

  • It's incredible that an elderly man with alcoholism issues could play one of the best renditions of this piece ever, if not the best.

  • @AmazingShoestring Maybe it's actually the reason why he did so well.

  • goosebumps! this man is good!

  • Awesome, Horowitz!

    And Awesome Rachmaninoff too!!!

    This is great!! ;)

  • Anyone familiar with this piece KNOWS it would take an act of God to not tipple here and there. Ultimately it's one of Rachmaninoff pieces...speaking personally.

  • I LOVE HIS INTERPRETATION. This is mind-blowing. What expression and lyricism, marked by clarity beyond means. AHHHHHH.

  • i somehow find this version cute. :P

  • i want an

    iPhone*

    Just to get

    iTunes*

    Just to buy this recording

    Vladimir Horowitz "Prelude" Opus 23 no. 5 in G minor*

  • i want an

    iPhone*

    Just to get

    iTunes*

    Just to buy this recording

    Vladimir Horowitz "Prelude" Opus 23 no. 5 in G minor

  • I hope most of you actually remenbers that Horowitz had personnal contact with Rachmaninov. The pieces couldn't be more faithful to the man himself.

    Anyways, love Horowitz interpretations. :)

  • My usual response fits here: Do better, record it and then we can talk. In the meantime, enjoy perfection.

  • This is the best.Even according to his interpratations this is far deeper .Maybe because of been live idk.But i love this

  • Horowitz was a genius who played with surreal technique and extraordinary expression and artistry. Only the performances of this prelude by Rachmaninoff, Gilels and Moiseiwitsch can be said to be at VH's level.

    All others simply do not even belong in the same conversation. And perfect midi-renditions without soul and musicality are only good for video-game sound.

    Respect and love for our Vladimir :-))

  • I think the minor "mistakes" Horowitz made added the ferocity and intensity of this piece. (which is probably what he intended) :D

  • horowitz's interpretation is much better than some, like lang lang

  • Horowitz had horrible-looking technique: his fingers weren't curved, and his hands rolled a bit. But it worked for him: there were few, if any, pianists in the last century who were revered more than Maestro Horowitz .

  • Awesome!

  • His use of the sustain is brilliant!! Gives it so much densite (if you can say so).

    My favorite pianist ever, my idol. I have posters and my background is of him.. He's extraordinary!

  • Truly inspirational. I tried to capture this spirit of romanticism in my own "Symphonic Variations After a Theme of Cesar Franck" for piano & orchestra (here on YT) . Of course I'm no Rachmaninoff but I wish today's composers would write in this vein instead of the computerized nonsense they "assemble", most of which is so rhythmically complex that humans cannot even reproduce it. Sad state of affairs. Rach was truly among the last of the composers that touched people's hearts.

  • @JoeTownley Next time you call modern music "computerized nonsense", try to reproduce/create it (not talking about mainstream artists, those are pure shit)

  • I wish today's composers would occasionally write something like this or his concertos. I just finished a composition entitled "Symphonic Variations After a Theme of Cesar Franck" for piano & orchestra that is here on YT. It is written in the romantic style like Rachmaninoff's but I'd be derided by contemporaries and not taken seriously by the public. If only I had a champion like Horowitz but he likely wouldn't even look at it. Oh well, maybe for the best. It's probably not even worth it.

  • I love that a real, fantastic pianist makes mistakes. It proves that he's human. Although it's barely noticeable :) . To @MrVladimirHorowitz, you're totally true!

  • What a master pianist we have in Horowitz! I am also learning how to play this piece and have my interpretation of this video on my site. Please feel free to listen and comment.

  • That applause blew my speakers.

  • @openmindspace - I'm wearing headphones, but realized it was live when I heard some of the missed notes. Thank god he did miss a couple or else I'd be deaf.

  • sloppy sounding, but i like the way he plays it. piano is so bright, my piano teacher was one of his students and he said that Horowitz's Steinways were built with extremely light action

  • I like more pedal. Call me horrible or cheap or non-musical... I just like my damned sustain pedal, lol.

    OK, and I am just reading comments... Lang Lang haters get over yourselves. I was in your camp, but dude is in his 20s!! Don't compare a virtuosic 20yo pianist to a 60yo, you are talking 40 years of technique and musical experience.

    Just be glad we have another Liszt/Horowitz/Richter/Rubinst­ein around in our time. Listen to him mature, and love every minute of it.

  • @EuphoricDan

    You can't compare Lang Lang to Horowitz, Richter, or Rubinstien. They are in a different league.

  • @AsturiasGuitar

    Your failing to see my point. Most of the videos/recordings of those men are when they were in there 50s+.

    You can not compare a mid-twenties Lang Lang with a 65 (or 80) year old Rubinstein. That is what is happening on YouTube and the rest of the world. People have recordings of their favorite pianists (when they were 40 years Lang Lang's senior) and they say "well he isn't as good as this guy".

    They aren't in a different league, not at all.

    BTW Horowitz, 78 here.

  • @EuphoricDan

    I understand that Horowitz was older in this recording. However I also understand that when Richter, Rubinstien, and Horowitz were in their youths (Lang Lang is in his as of right now) their playing was far superior to that of Lang Lang's now.

    I was simply stating my opinion......you took it as an invitation to an argument

  • @AsturiasGuitar

    Richter's Chopin was terrible when he was Lang Lang's age. The reviews of Horowitz' (of which you can find easily) playing when he was young read such that you could swap "Lang Lang" for "Horowitz" and vice versa.

    I don't know enough about Rubinstein's young career... But Lang Lang's playing is at least equal to that of an inexperienced Richter/Horowitz.

    ...Amazing the world with virtuosic bombastic performances and leaving some of the musicality (that comes with age) out.

  • @EuphoricDan

    Richter's Chopin? Terrible? How could you say that?!?!? Look up Richter's interpretation of the Chopin Etude Op. 10 No. 12, and tell me that's terrible.

    And if anyone is bombastic and without musicality, it's Lang Lang. 

  • @AsturiasGuitar

    Is English not your first language? You seemingly aren't understanding any of what I say.

    Richter is my favorite pianist of all time. That doesn't change the fact that when he was Lang Lang's age his Chopin was terrible. I have the video of Richter playing "Revolutionary" on my Facebook, no other interpretation is equal.

    I was saying (quite clearly) that Lang Lang is the same as a lot of young virtuosos. Not that Richter was a terrible pianist :-/

  • @EuphoricDan

    Honestly.....if you could like Lang Lang......it just shows you have bad taste.

  • @AsturiasGuitar

    Personal much?

    Excuse me for bringing up the very obvious fact that young pianists aren't as good as older, more experienced players.

  • @EuphoricDan

    True. But I have personally heard young pianists who are students in colleges and universities, who are far superior to Lang Lang.

  • probably the best version on youtube

  • I heard him play live as a student and his Rachmaninoff and Scriabin were just out of this world - one of the most memorable concerts of my life

  • The piece is so powerful it makes me cry for joy. Maestro Horowitz always seems to conjoin in whatever piece he is playing so together they feel and flow in ecstasy

    Thank you  for this film.

  • Horowitz looks so peaceful when playing the piano while Lang Lang looks like he's jizzing on the piano. -.-

  • @inamabilisoppa  Agreed

  • When Horowitz said "musically" he meant "the sense to know stuff like 3:27 is the right thing to do."

  • amazing. just so amazing. it makes me cry with joy that someone could play like this.

  • Love the middle section - so natural and flowing - especially the beginning. And he never loses the 2 voices; most pianists settle for highlighting 1. Not so sure about the outer parts though.

  • well... I must respect him..... so better if I write no more words..........

  • LOVE LOVE LOVE

  • Did he have three hands?

  • @forte93 you dont have to have 3 hands to play this :D

  • i don't like his execution at all

  • wow he did all that and didn't move! haha

    bravo!

  • I like Gilel's version better, It seems Horowitz bangs a little too much on the low notes, perhaps its just the recording. Horowitz is still the one of the best though!!

  • holy crap this is a really good version...

  • oh wow this is a good version

  • I dont think they do. I think you can figure it out yourself though. If you need help you can PM me.

  • wow. 70 years of age and still this good. omg. CLAP CLAP CLAP CLAP FOR HOROWITZ!!!!!!!!!!

  • The fact that someone can actually play this amazes me. This is intense :)

  • so measured...it's called mastery.

  • This is BY FAR the best interpretation of this piece that I have heard

  • this is one of my pieces, haven't heard horowitz's version before. all i have to say is - holy fuck, he fucking kiiiiiillled it!!!!!! THIS MAN IS GOD!!!

  • i enjoy this however I generally prefer it to be played a tad slower...listen to Rachmaninoff play it himself. Amazing!

  • @loveismydestruction YES! Rachmaninoff playing it himself is the performance! Horowitz comes close, also Gilels. And Richter's and Cziffra's interpretations are also great :D

  • Sometimes Horowitz changed notes intentionally.

    The "wrong notes" sound fantastic.

  • technical mistakes are the most forgivable ones... take from that what you wish.

  • I am not saying he is bad, I've  just started to learn playing piano. but seems he made several mistakes.

  • I would never have forgiven a pianist for making a mistake on this piece, because I love it so much...until a couple weeks ago, when I started learning it. We can't all have hands the size of Rachmaninoff's. joe69rocket has got it right.

  • To those who think Horowitz made mistakes.

    Actually he didn't. He lived and breathed with any piece ha was playing, music was flowing from his heart and therefore there is no any rule oabout length of notes or stops. If performer is excited then plays faster if he is calm - plays slower. Those who can not adjust themselves to performer's wavelength  can not understand the music.

  • i must agree with you.

    lets listen to this...the curve he mades on the piece with dynamics is perfect....

  • amen

  • the most important thing: dynamics, not to be a computer

    HOROWITZ R.I.P.

  • This is a superb performance.

  • id much rather here a mistake here or there and have the interpretation CORRECT, than a flawless version of the song being totally butched! aka lang.....

  • No such thing as a correct interpretation, really.

    Though of course I'll cringe as much as the next guy if someone plays this metronomically.

  • MISTAKES ARE FOR HUMANS!

    and this performance is very human! Horrowitz was an expressive human!

  • @FaygoAddict It's debatable whether Horowitz was a human or not. He was amazing.

  • @FaygoAddict I think that's the way it should be. If you can be perfect, and play expressively, awesome. But music is majorly about expression. Within reason, mistakes don't matter.

  • Really??? You're totally preoccupied with the minor flaws in his performance. He's completely brilliant at playing, and you're not even noticing because you're too busy pointing out the negative (and very, very, VERY minor) aspects of this. Please...just enjoy the beauty :). I'm sure that's what Horowitz would have wanted. For every mistake you notice, he more than makes up for it with incredible expression and dynamics. How many people could pull that off?

  • I miss you so much, papa....

  • Mistakes?????? You're joking right? Who cares? This is a live performance he wasn't a machine. Better to have a few mistakes than to miss the expression altogether! I always tell my students this.

  • yeah my piano teacher tells me the same thing! even examiners compliment expression in pieces and overlook little slips

  • @utki17

    I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.

    sound familiar?

  • @utki17 1981. Is it so hard to just check the info next to the video ?

  • Recorded NOv.1, 1981

  • He's always been the best, you fool.

  • a hear alot of mistakes:(

  • awesome play!

  • I like this interpretation. It is explosive and very subtle at the same time. Something only Horowitz could do.

  • @MrVladimirHorowitz case in point: Lang Lang

  • @MrVladimirHorowitz True that.

  • @MrVladimirHorowitz

    I'm kind of like this, but because I'm lazy. I think Horowitz sounds a bit naturally lazy. He's just super talented and was worked hard when being raised.

  • @MrVladimirHorowitz

    You're right that wrong notes aren't worse than no musicality. But we CAN have both; look at Lugansky and Richter.

  • @MrVladimirHorowitz Actually, Horowitz in his youth could claim playing entire concerts without mistakes (or merely a single mistake out of a whole program as Arthur Rubinstein noted in his autobiography). But he never consciously tried to achieve that technical perfectionism - his technique was just that good. When he got older, and he made plenty of mistakes. But his philosophy was always the same, and he was right all along.

  • @demosj we typically have far too limited an understanding of technique. Just because you hit every note perfectly does not mean you did not make a mistake. If you hit every single note perfectly, but failed to evoke the emotion intended by the composer, you made the gravest mistake of all.

  • @MrVladimirHorowitz WOOTS! Respect for that. I reckon mistakes ruins the flow for performances and are irritating for the audience...tho....i find a crap interpretation and approach of a piece way more irritating. To me, bad interpretations appeal to me as ugly as mistakes everytime a phrase is executed without musical sense.

  • @MrVladimirHorowitz Robots are measured by their accuracy... People are by their mistakes. In the end that is what makes us original. what makes us human. A mistake is a step towards new and unexplored...

  • I think some comments here comparing Gilels to Horowitz are pretty insane. I think people who made them are children who just need to make all the notes for their teacher and don't know anything about what music really is.

  • does anyone know of any sheet music with pedal release symbols for this song? thanks

  • It is better to find for yourself the necessary pedaling.

  • I don't think it is fair to compare this with younger pianists. This is an interpretation; if everyone would play this exactly the same, what would make the difference between a robot and an artist? Besides Horowitz being very old, struggeling with mental illness and without a doubt physical illness (the man played for decades) this is STILL a very good interpretation. Remember Rach and Horowitz actually met and knew eachother; what I hear in this version is devotion and respect for Rachmaninov.

  • get a life and respect art, ignorant gassy supercilious mister I-know-it all, with your fancy sentences.

    'watch your mouth'.. who do you think you are mr. wise guy. we are talking about HOROWITZ here, one of the best pianists of the 20th century, how can you be such a grey, dull dick to not simply respect this 78 old man (78!!) playing such a demanding piece after a life-time career in music. I think this is wonderfully played. how low to judge him by only this interpretation.

  • @DonFrankos i want to add that all are talking as if this was a bad interpretation but actually its one of the most beautiful ones ever even at 78 no difference. and to this guy ur talking about (the one who thinks he's a wise man) i say to him, have u checked lang lang's interpretation. now thats a clown :P:P

  • Horowitz was born in 1903, which means he was 78 when this was recorded.

    I don't know of anyone that old who could play this anywhere near as well as Horowitz does here, nor anyone who could pull this sort of thing off LIVE at this age.

    Personally, I prefer Gilels' version, but it would be very unfair to compare the two given Gilels was at the height of his technique and Horowitz was well past his best.

  • Well, Horowitz is great on this piece, but better is Valentina Lisitsa. As for the age of the pianists, Arthur Rubinsein was older than Horowitz while playing not only this masterpiece of Rachmaninov but the whole lot of other concertos; Chopin's, Tschaykovski's and Beethoven's included.

  • Have a look at Gawrilow playing this - much prefer it to this, which, when all's said and done, is neither Horowitz's best interpretation nor performance (in my humble opinion!)

  • Horowitz had spells of depression and alcoholism.

    Sometimes this menatal illness handiccaped his playing.

    Still a 70 year old Horowitz is better then 99% of professional pianoplayers!

    Imagine how he must have sounded when he was 30-40 years younger!!!!

  • Comment removed

  • @sagax2005 Umm, Horowitz had his own personal Steinway piano that was brought to every concert he played, at least in the later years.

  • @cfwpiano YES, I had heard this back in the 70's by another pianist that was on the Merv Griffin show. I found it hard to believe, but it had to be true! I would have been scared to death that my prized piano could have been damaged!

  • @webguy21 Zimmerman was unfortunate enough to have TWO Steinway pianos lost while in transit. The first time, some morons at JFK destroyed his piano because there was "suspicious glue" in it. This was right after 9/11. Probably a 100k piano, destroyed for no reason -_-

  • @sagax2005 cjwpiano is correct, Horowitz brought around his own Steinway

  • @maxhansendk Well i guess he sounds at 70 years better than 100 percent of the proffesional pianists :)

  • @maxhansendk a recording exist !

  • @maxhansendk make 100% of that

  • @maxhansendk a recording exist ;)

  • personally i like gilels's interpretation much more, but this one isn't bad too, if he didn't make so many mistakes it would be better though

  • honestly i'm amazed at all the errors ... not sure what that's about...

    wish it was this interpretation without all the wrong notes... prolly his first time playing it in a year or something though so i can let it slide.. :)

  • Horowitz is allowed as many wrong notes as he likes, he's Horowitz. Even Rachmaninoff's own interpretations are sometimes not as amazing as this lad's.

  • how can you say that...  wrong notes completely butcher the experience... just cause you're a horowitz fanboy doesn't make all his performances perfect... and by the way.. horowitz is my favorite of all... i'm a huge fan but i respect him enough to be honest about a truckload of wrong notes ruining this fantastic interpretation... can you not hear them?

  • Of course i can hear them, I just sort of... don't care.

  • hmm..maybe his mistakes are due to the fact that he's 78 years old at the time of this recording. as for your "letting it slide" im sure no one gives a shit

  • . yeah.. i get that he's old in this recording... my point still stands that i wish there were no mistakes.. can't you read? and it's not that he's old but that he probably hadn't even seen the notes to this piece for decades ... i've heard recordings of him playing much more difficult pieces at this age perfectly well

  • best version of this piece i've ever heard

  • it seems too easy for horowitz

  • Comment removed

  • The flexibility and range of his style is astounding!

  • great, but I prefer Gilels on this piece

  • I agree

  • The piano seems to have its own life, it wants to explode in the forte parts and to relax in the piano parts...

  • A lot of it isn't as good as Gilels interp but I actually think Horowitz plays the slow quiet melodic part better though.

  • The central slow section is super georgeous and one can hear all the inner lines and harmonic movements.

  • Better a live honest performance with slip-ups than a reassembly of snippets emulating a perfect recording, but lacking the dignity of an original performance.

  • i make the exact same mistakes when i play this piece.

  • horrowitz is crazy - his hands must not be connected to his wrists :0

  • Before y'all bash this recording too much let's remember that the guy was 77. If I can move without soiling myself at that age I'll be happy.

  • stop this spam everywhere

  • wow this is incredible :)

    listening first to kissin and then this - horowitz plays it like heaven!

  • I'm with you on this comment - Horowitz makes this come alive in a way kissin does not - the piano sounds like a whole orchestra, with so much diversity of tone. It is incredible.

  • Then listen to Gilels :)

  • kissin played it fast and accurate. and expressionless.

  • u morons horowitz was the best pianoist ever u tone death? if u cd actually play piano ud realise

  • Do any of you morons telling Horowitz how to play this piece realize that he was taught how to play it by Sergei Rachmaninov himself??? I suppose you'd criticize HIS performance of it too, just like the idiot critics of his generaton did. Horowitz & Rachmaninov will prevail. You will be forgotten; they will not!

  • Rachmaninov's performances of this piece are not that good in my opinion. Gilels does a better job.

  • hes more popular because hes better (not always the case, but in this case, its true)

  • I like Horowitz because his style is a bit more march like. Gilels's is beautiful, but Horowitz brings the march like quality out. This version right here isn't so great because he was pretty damn old when he played this one.