Putting all the funny stuff aside isn't this what the art of film making is all about? Conveying hidden meanings by use of camera angles, the camera work is expressing to us that this film is much more than about space travel and exploration but an exploration into ourselves as well.
stan you crazy bastard....your are the greatist...I understand this flick....you are so much fun....lol... my hats off to you...intellectualy stimulating in a 'G' rating soft porn kind of way......I luv it....space ship discovery... a phalis...;one man... probe a sperm cell....the monolith a vagina....the ultimate trip a ,,,a tour through the universel uterus...finaly meeting at the the place of conception...thus spauning the dawn of a new inntellectual speciese of man...with no romance
What a chilling, interesting & unique presentation to watch. I found myself riveted all the way through. Of course it was bound to come off as a shock, either positive or negative. To me, I recognize the fact that Alex North was gifted score maker for his time & his sonic images have left lasting legacies on viewers. Not to mention that Kubrick & him had worked together before ("Spartacus"). I liked this experience; it was a cinematic impression of wonder. Interesting to hear the contrast.
A bit unfair on Alex North don't you think? It actually fits the film perfectly, but we're comparing his efforts with a couple of pieces specially selected from the back catoalogues of some of Europe's greatest composers.
Also, we've had 40 years to get used to Kubrik's soundtrack, so of course anything else will sound out of place.
Thanks for doing this. I always wondered what the opening would sound like with North's music. It's good, but kind of Hollywoodish in a way, and there's just no getting around it: Kubrick's choice of Also Sprach Zarathustra was better. So sad that such a talented composer like North had his score tossed away. But it happened even to greats Bernard Herrmann, Elmer Bernstein and Jerry Goldsmith. With 2001, Alex became part of a very exclusive club, unfortunately.
@cyberlarry7 Alan Silvestri also became part of this exclusive club. His scores for Pirates of the Caribbean and Mission: Impossible got tossed away. The only difference is that while Alan Silvestri's rejected scores were boring, here it sounds like Alex North incorporated some of Also Sprach Zarathustra to make a good, yet Hollywoodish, opening theme. However, there is no doubt about it. Kubrick made the right choice.
Alex North later used the fanfare motive in The Shoes of the Fisherman.
jslasher1 2 months ago
I like this.
ClaptonDennis 3 months ago
This is awful.
billscorpse 4 months ago
Putting all the funny stuff aside isn't this what the art of film making is all about? Conveying hidden meanings by use of camera angles, the camera work is expressing to us that this film is much more than about space travel and exploration but an exploration into ourselves as well.
sfxjames 8 months ago
stan your a naughty boy.....hehehje
bozo47p 1 year ago
stan you crazy bastard....your are the greatist...I understand this flick....you are so much fun....lol... my hats off to you...intellectualy stimulating in a 'G' rating soft porn kind of way......I luv it....space ship discovery... a phalis...;one man... probe a sperm cell....the monolith a vagina....the ultimate trip a ,,,a tour through the universel uterus...finaly meeting at the the place of conception...thus spauning the dawn of a new inntellectual speciese of man...with no romance
bozo47p 1 year ago
man 'o' man what a rightious tune ,,,,this was great.....it would have vworked just as well...wow
bozo47p 1 year ago
What a chilling, interesting & unique presentation to watch. I found myself riveted all the way through. Of course it was bound to come off as a shock, either positive or negative. To me, I recognize the fact that Alex North was gifted score maker for his time & his sonic images have left lasting legacies on viewers. Not to mention that Kubrick & him had worked together before ("Spartacus"). I liked this experience; it was a cinematic impression of wonder. Interesting to hear the contrast.
MuizeekPhanahtic 1 year ago
A bit unfair on Alex North don't you think? It actually fits the film perfectly, but we're comparing his efforts with a couple of pieces specially selected from the back catoalogues of some of Europe's greatest composers.
Also, we've had 40 years to get used to Kubrik's soundtrack, so of course anything else will sound out of place.
karateghostbuster 1 year ago 6
No wonder it got tossed away diddnt fit the film at all.
foreyeproductions 1 year ago
Thanks for doing this. I always wondered what the opening would sound like with North's music. It's good, but kind of Hollywoodish in a way, and there's just no getting around it: Kubrick's choice of Also Sprach Zarathustra was better. So sad that such a talented composer like North had his score tossed away. But it happened even to greats Bernard Herrmann, Elmer Bernstein and Jerry Goldsmith. With 2001, Alex became part of a very exclusive club, unfortunately.
cyberlarry7 2 years ago
@cyberlarry7 Alan Silvestri also became part of this exclusive club. His scores for Pirates of the Caribbean and Mission: Impossible got tossed away. The only difference is that while Alan Silvestri's rejected scores were boring, here it sounds like Alex North incorporated some of Also Sprach Zarathustra to make a good, yet Hollywoodish, opening theme. However, there is no doubt about it. Kubrick made the right choice.
jedidarrick 1 year ago