Added: 3 years ago
From: coreymyoder
Views: 732
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  • that's it??

    THAT'S IT?!?!?!

  • Thats not how borrowed chords work...at all.

  • why, what's different in the way they actually work? genuine question, I'm just learning about this

  • The borrowed chord is always related to a chord of the key.

  • You mean in that diagram he drew you can only move vertically if you wanted to "borrow", and that it's he didn't mention that? Not really sure what you mean now.

  • The borrowed chord is related to a chord in a key. It isnt just a random chord from a random scale. And melodic and harmonic minor arent really scales in their own right, they are alterations to the natural minor scale to create an ear pleasing dominant to tonic movement. If you want to learn borrowed chords, start with secondary dominants and leading tones, and the rest will make sense.

  • In what way is the borrowed chord "related"? Why aren't modified minor scales "scales in their own right"? Afark +/- 7 notes = scale, modified or not. I'll learn about secondary dominants and leading tones.

  • The borrow chord is always related to a chord in the key you are playing in, because it needs a function. Harmonic and Melodic minor were never used as a scale to make chords progressions off of, they were used to alter a couple of intervals and make the V-I and vii-I pull in a minor key stronger, and eliminate odd intervals. They are conventions, even though now they are considered scales today, mainly in jazz.

  • hahaha Corey M. Yoder, please be my tutor.

  • Cute...

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