@TheEvilskum Really? Why do you think that? I have never seen him use hybrid picking, he holds his pick with three fingers, and have a closed right-hand, so I don't see how he even could..
This is fantastic, Morten! You have made me want to play more, develop my style & see where the evolution takes me. There are loads of guitar vids on you tube but this in in the cream of of the crop! You are inspirational & just what aspiring musicians need. The most important aspect of it all is that you come across as a decent, compassionate & sharing human being which this world needs more of.
You just get more amazing Morten, Practice makes perfect eh ? I love jamming along either on the synthesizer or the guitar to Are You Going With Me ? Or au lait or the Bat, love Offramp must've bought it about 10 times since first heard it... Oh have a listen to mike stern on the steps ahead track Beirut !! The vibraphone solo is just pure joy, if I could send it to you I'm sure you'd like it.. How could I share some of my sounds ? Oh will you look at techno pagans on my page did it 20 yrs ago !
NO WAY, YOU HAVEN'T HEARD OF CAT CLEMONS!? Come redeem your shame by checking out my videos and commenting and subscribing! It'll be awesome. Trust me.
Instead of knowing this stuff, I was asleep all these years. It strongly features that aspect of Pat's playing that makes him look like it's "not all there"...this fellow has opened a large door. Insight galore. :) ♫
So That's how Pat gets his speed. Great lesson by the way, and hammering on the lower strings will easily give you a tone, so you can concentrate your picking energy on the high E, and B strings. Makes perfect sense.
Thank you very very very much man! Your video really opens the doors to a new and wonderful world for those people who, like me, love Metheny's way o playin'. And I love your quiet and kind way for teaching, and I think your dog loves it too!! I'm suscribed, keep in that line dude!
I'm a big fan of Pat's; Saying he is brilliant is a gross under statement. But fusion guitarist Shawn lane used unpicked hammers on adjacent strings quite a bit as well; it was one of his trademarks. Check him out and I think you'll find some interesting parallels.
its too much for me i will try to practice like you. you are a great player. thanks for this awesome lesson and the strange lines i love this :D and your way to teach guitar. awesome
Incidentaly, this is a dominant 7 lick as it has the #, natural and b 5 in it (B7, Emaj9). you could also use it as a tritone substitution (F7, Emajor9). The notes that you choose to pick could be the ones that define its use. This opens a whole new way to define harmonic content within a line.
This is a great teaching video. I try to find pieces of music that I can incorporate into my own style. I'll take major or minor arpeggios and do almost everything with them, floating on top of the chord harmony rather than learning licks that can only be used in limited applications. But this gives me a whole new prospect to be able to get to notes that are not accessable in the time available and a new chromatic way to get from one place to another.
@rfwgtr You are stating the obvious here - of course very few are able to play as well as Pat, that's a given. The whole point of this lesson is not to make people try to emulate Pat, it is to teach an idea, the basic building blocks of it, so students can use whatever they want of it as a starting point of being creative themselves. Understanding this technique has made me able to play many things that doesn't even sound close to what Pat is doing, things I would not have thought of otherwise.
greg howe does that too... i don't know who came up with this earlier, but i know, that howe also uses that a lot and he calls it hammer ons from nowhere...you can look it up on youtube, theres some explanation from him on that approach.
@MortenFaerestrand i remember reading on some youtube post somebody hating on metheny because he was 'too happy', and his music was 'too beautiful'. maybe they were being clever, though!
Congratulations on your musicality and sensitivity. His improvisation and compositions are really beautiful. What are the effects of combinations you use to leave the guitar with this sound
hi Morten, I like your guitar blogs, please keep doing them ;)
but I do have a small request: i have the .pdf for this blog, and I really like it that you transcribe the licks you explain in the video, but in the future, could you maybe put chord symbols above the licks, or tell us what scale it is based on, so we don't have to figure out for ourselves over what chords the lick can be played.
@Untitled013 Thank you! I may put chord symbols in some of the lessons, but one of the main points I make is that is is not ONE chord it CAN be played over. If you're thinking about the "pat metheny lick" that one is kind of so chromatic in nature that I can't really say what scale, just look for chord tones. See, whenever a student ask me "Can I do this over that chord" my answer is always "You CAN do whatever you want.." ;-) Hope that clears things up a little.. :-)
I like this technique. I'm having some trouble getting a good sound from it though. Not as clean as you get it. It may be due to my roundwound strings though.
@rbnlenin maybe, also, if you pull the tone control down a bit that kind of works like a natural compression, evens it out a bit. And I think you can't have the action to high either. Thanks.
Mmm, I will practice this and incorporate it in to my playing/soloing! As you mention, it´s normally used when tapping, also when I play only legato stuff of course but never in combination with picking. The sound of playing sixteen notes and tapping every fourth sounds really fun and inspires to many combinations!
On the three-string lick, doesn't PM hammer on the higher tone as well? I've always had that impression. I think that's why the body of his hand twists so much. He must pick the middle string only, and hammer on the two adjacent strings. I haven't actually watched him in slow motion to check that.
Morten, Hi brother enjoy your knowledge sharing you are offering here. Respect. have you checked out my site and my Pat backs?I would love to send you a few . Email?
I'm messing with this hammer on idea on different strings with your previous examples on paradiddles. My picking hand is so confused, what a cool way to progress though, thanks!
@D3R3K1600 hahaha, yeah, that's well put, the picking hand IS confused in the beginning! It's like it's saying "huh, I wasn't supposed to pick that tone? o-key, saaarrey.. shish.."
@IMBACHABRI Depends on what you like. Still Life (talking) maybe? Or if you lke a jazz guitar trio maybe Tokyo Day Trip. Letter From Home is fantastic. If you like the early ECM style there is "Pat Metheny Group" or watercolors. The first I heard of Pat Metheny was the album First Circle. The title cut is still one of my favourite songs.
I'm operating in a completely different area (and at a much lower level) than you but I really dig what you said about different attacks giving different sounds and thus more colour to your phrasing.I play blues at a quarter your speed but love to mix up and down strokes non-consecutively,the side of the pick,nails and/or pads,all to give me different sounds and a more 'vocal' and expressive feel.
@charlesneedham Yeah, I may have to do something about it, I try to even the volume out with a limiter, but it may not be enough. Have you tried listening with head phones?
I think you're right on the money, dude! Excellent work; thanks for sharing!
Arrayarr 2 days ago
I think Pat Metheny uses more of Hybrid picking and less of alternate picking.. I'm not too sure though.
TheEvilskum 1 week ago
@TheEvilskum Really? Why do you think that? I have never seen him use hybrid picking, he holds his pick with three fingers, and have a closed right-hand, so I don't see how he even could..
MortenFaerestrand 1 week ago
@MortenFaerestrand
You're right. I'm sorry, it was a hunch. But yeah, using hybrid picking might make it easier??
TheEvilskum 5 days ago
holdsworth does
CrazyKing89 2 weeks ago
@CrazyKing89 the hammer on to the unpicked strings
CrazyKing89 2 weeks ago
This is fantastic, Morten! You have made me want to play more, develop my style & see where the evolution takes me. There are loads of guitar vids on you tube but this in in the cream of of the crop! You are inspirational & just what aspiring musicians need. The most important aspect of it all is that you come across as a decent, compassionate & sharing human being which this world needs more of.
kazuko32 1 month ago
You just get more amazing Morten, Practice makes perfect eh ? I love jamming along either on the synthesizer or the guitar to Are You Going With Me ? Or au lait or the Bat, love Offramp must've bought it about 10 times since first heard it... Oh have a listen to mike stern on the steps ahead track Beirut !! The vibraphone solo is just pure joy, if I could send it to you I'm sure you'd like it.. How could I share some of my sounds ? Oh will you look at techno pagans on my page did it 20 yrs ago !
ivormerven 1 month ago
LOL I just noticed your dog sleeping through the whole video. Thanks for sharing this technique.
SensibleMusician 1 month ago
One of the best instructional, guitar videos I have ever had the pleasure of watching. Thank you, Morten.
rebbesoul 2 months ago
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NO WAY, YOU HAVEN'T HEARD OF CAT CLEMONS!? Come redeem your shame by checking out my videos and commenting and subscribing! It'll be awesome. Trust me.
-Cat
CatClemonsOfficial 2 months ago
no wonder the dog sleeps in there epic playing, epic musician.
Ryanoh44 2 months ago
Instead of knowing this stuff, I was asleep all these years. It strongly features that aspect of Pat's playing that makes him look like it's "not all there"...this fellow has opened a large door. Insight galore. :) ♫
GuitarGare 2 months ago
Excellent lesson! Big PM fan here. Many thanks for breaking Pat's lick down for those of us consigned to be lessor mortals.
packfaz79 2 months ago
So That's how Pat gets his speed. Great lesson by the way, and hammering on the lower strings will easily give you a tone, so you can concentrate your picking energy on the high E, and B strings. Makes perfect sense.
guitarguy10000 3 months ago
Yes it seems that u have the patience to be an instructor.
flypilot70 3 months ago
This is a good lesson and might i say i think you convey the lesson very well.Thank You for your effort.
flypilot70 3 months ago
Great Lesson! What pick are you using man?
favre4ever1995 3 months ago
It's nice to leave the pick out of the equation at times, as things sound smoother and less (pick) percussive. Nice ideas. Thanks
rwmcjazz 3 months ago
Very good! Thanks for shearing!!!
mauriciohorsth 3 months ago
revealing! Thanks!
acappellaworld 3 months ago
Great lesson!
stringskippa 3 months ago
pretty smart my friend, my respect... Saludos!!!!
rajuas 4 months ago
OF course you should give lessons via Skype. Great idea. Thanks for a great non-ego type of guitar feeling, really awesome.
cgjensen9 4 months ago
I think Pat Metheny can actually pick those hammered on notes
Not sure but I think he can.
I think he does some of both.
gbtayc 4 months ago
If this example was your own (3ab) you already are a high level person not only guitarist to me (: goodj and thank you anyway !
Flamencanta 4 months ago in playlist Guitar
Thank you very very very much man! Your video really opens the doors to a new and wonderful world for those people who, like me, love Metheny's way o playin'. And I love your quiet and kind way for teaching, and I think your dog loves it too!! I'm suscribed, keep in that line dude!
sergicabedo 4 months ago
This has been flagged as spam show
I'm a big fan of Pat's; Saying he is brilliant is a gross under statement. But fusion guitarist Shawn lane used unpicked hammers on adjacent strings quite a bit as well; it was one of his trademarks. Check him out and I think you'll find some interesting parallels.
LaneEternalmaster 4 months ago
Comment removed
LaneEternalmaster 4 months ago
Great lesson!
Cheers from hungary,
Tamas
sundaygbrown 5 months ago
you're awesome!!!
and again. your dog is so cute.
issarakoat 5 months ago
you are the killer
HermerTV 6 months ago
its too much for me i will try to practice like you. you are a great player. thanks for this awesome lesson and the strange lines i love this :D and your way to teach guitar. awesome
HermerTV 6 months ago
Nifty lesson I never seriously considered hammering while skipping more than one string over before now you have me practicing it!
tcshea 6 months ago
@tcshea Awesome! It's a technique that really opens new doors! :)
MortenFaerestrand 6 months ago
Great lesson and very interesting insights! Thanks for sharing!
NyJazzGuit 6 months ago
@NyJazzGuit Thanks for watching!
MortenFaerestrand 6 months ago
My friend - what kind of guitar are you playing there??
raljazz 6 months ago
@raljazz it's a Campellone, all info on my gear is on the resource part of mortenslessons . com
MortenFaerestrand 6 months ago
Fantastic lesson.
I've subscribed to you lessons.
Thanks so much.
But please stop schmatzen!
it's so hard to listen to!
nonetheless, thanks so much for your generous lessons!
oceanjaws 6 months ago
awesome lesson!
patfarlow 6 months ago
@patfarlow Thank you!
MortenFaerestrand 6 months ago
Incidentaly, this is a dominant 7 lick as it has the #, natural and b 5 in it (B7, Emaj9). you could also use it as a tritone substitution (F7, Emajor9). The notes that you choose to pick could be the ones that define its use. This opens a whole new way to define harmonic content within a line.
guitarjazzer1 6 months ago
This is a great teaching video. I try to find pieces of music that I can incorporate into my own style. I'll take major or minor arpeggios and do almost everything with them, floating on top of the chord harmony rather than learning licks that can only be used in limited applications. But this gives me a whole new prospect to be able to get to notes that are not accessable in the time available and a new chromatic way to get from one place to another.
thanks a lot, your tone is exceptional,
guitarjazzer1 6 months ago
@guitarjazzer1 Thank you, glad to hear the video was helpful!
MortenFaerestrand 6 months ago
holdsworth likes to hammering too!
StromboliKicks 6 months ago
@rfwgtr You are stating the obvious here - of course very few are able to play as well as Pat, that's a given. The whole point of this lesson is not to make people try to emulate Pat, it is to teach an idea, the basic building blocks of it, so students can use whatever they want of it as a starting point of being creative themselves. Understanding this technique has made me able to play many things that doesn't even sound close to what Pat is doing, things I would not have thought of otherwise.
MortenFaerestrand 7 months ago 2
Thanks for explaining this great technique!
et7waage1 7 months ago
Hi Morten, I think you can give us lesson via Skype :)
philnigro 7 months ago
@philnigro not skype, mortenslessons . com
MortenFaerestrand 7 months ago
@MortenFaerestrand I know, it was just beacause you asked in the vid :)
anyway, you are doing a great job
philnigro 7 months ago
Disappointed because I thought you would explain where to get his t-shirt, since everyone knows that's where his talent comes from.
Great lesson thanks :)
800pieds 7 months ago
@800pieds oh, I wish..
MortenFaerestrand 7 months ago
greg howe does that too... i don't know who came up with this earlier, but i know, that howe also uses that a lot and he calls it hammer ons from nowhere...you can look it up on youtube, theres some explanation from him on that approach.
great lesson keep em coming up!
satch077 8 months ago
i heard pat has a line 6 unit hidden in his hair that makes that sound...i remember something about the top secret cable also being important
SuperNoobTroll 8 months ago
I think the real secret to Pat's playing is the wincing expressions he makes with his face. won't sound the same without 'the face' . :)
jamesedwardtheobald 9 months ago
@jamesedwardtheobald hehe, that's another one of his secrets I guess!
MortenFaerestrand 9 months ago
@MortenFaerestrand i remember reading on some youtube post somebody hating on metheny because he was 'too happy', and his music was 'too beautiful'. maybe they were being clever, though!
jamesedwardtheobald 9 months ago
@jamesedwardtheobald Well, some people like ugly music. Why they bother posting their hate on youtube is a mystery to me.
MortenFaerestrand 9 months ago
Congratulations on your musicality and sensitivity. His improvisation and compositions are really beautiful. What are the effects of combinations you use to leave the guitar with this sound
breno72 9 months ago
@breno72 Thanks so much! I use a little compression, reverb and delay.
MortenFaerestrand 9 months ago
hi Morten, I like your guitar blogs, please keep doing them ;)
but I do have a small request: i have the .pdf for this blog, and I really like it that you transcribe the licks you explain in the video, but in the future, could you maybe put chord symbols above the licks, or tell us what scale it is based on, so we don't have to figure out for ourselves over what chords the lick can be played.
Untitled013 9 months ago
@Untitled013 Thank you! I may put chord symbols in some of the lessons, but one of the main points I make is that is is not ONE chord it CAN be played over. If you're thinking about the "pat metheny lick" that one is kind of so chromatic in nature that I can't really say what scale, just look for chord tones. See, whenever a student ask me "Can I do this over that chord" my answer is always "You CAN do whatever you want.." ;-) Hope that clears things up a little.. :-)
MortenFaerestrand 9 months ago
I like this technique. I'm having some trouble getting a good sound from it though. Not as clean as you get it. It may be due to my roundwound strings though.
rbnlenin 9 months ago
@rbnlenin maybe, also, if you pull the tone control down a bit that kind of works like a natural compression, evens it out a bit. And I think you can't have the action to high either. Thanks.
MortenFaerestrand 9 months ago
Mmm, I will practice this and incorporate it in to my playing/soloing! As you mention, it´s normally used when tapping, also when I play only legato stuff of course but never in combination with picking. The sound of playing sixteen notes and tapping every fourth sounds really fun and inspires to many combinations!
A new world has been opened, Thanks :)
TheBassioso 9 months ago
@TheBassioso hehe, it opened a new world to me too:)
MortenFaerestrand 9 months ago
amazing lesson
RyanCmetal 9 months ago
@RyanCmetal Thank you, glad you liked it! :)
MortenFaerestrand 9 months ago
Greg Howe uses this technique as well, he calls it "hammer-ons from nowhere".
ChrisHollandMusic 9 months ago
Excellent video!
On the three-string lick, doesn't PM hammer on the higher tone as well? I've always had that impression. I think that's why the body of his hand twists so much. He must pick the middle string only, and hammer on the two adjacent strings. I haven't actually watched him in slow motion to check that.
pabzum 9 months ago
@pabzum Thank you! I'm pretty sure he picks the top tone. Not that it really matters, if that works for you, go ahead!
MortenFaerestrand 9 months ago
You definitely have the tools to teach! Tnx for adding me as a friend.
ivanfranasovic 9 months ago
Morten, Hi brother enjoy your knowledge sharing you are offering here. Respect. have you checked out my site and my Pat backs?I would love to send you a few . Email?
bobbysbackingtracks 9 months ago
Comment removed
limagroup 9 months ago
Hey, who's that guy laid down behind you??????
limagroup 9 months ago
@limagroup that's mister Sam, the Bull Baiting Jazz Dog! :-)
MortenFaerestrand 9 months ago
Hehehe, so cool man... My dogs love been besides me while I play too...
Where are you from?
Let's keep in touch, dude
limagroup 9 months ago
Good stuff Morten, you're a good player and teacher. So yeah, I think you should start skype lessons. Good luck
ScottFree37 9 months ago
@ScottFree37 Thank you! I'm thinking about how I should do it, maybe more like a mentorship rather than regular single lessons.
MortenFaerestrand 9 months ago
8:55 I liked that sound!
D3R3K1600 9 months ago
@D3R3K1600 hehe, thank you, it'll be okay when I learn to execute it properly:)
MortenFaerestrand 9 months ago
I'm messing with this hammer on idea on different strings with your previous examples on paradiddles. My picking hand is so confused, what a cool way to progress though, thanks!
D3R3K1600 9 months ago
@D3R3K1600 hahaha, yeah, that's well put, the picking hand IS confused in the beginning! It's like it's saying "huh, I wasn't supposed to pick that tone? o-key, saaarrey.. shish.."
MortenFaerestrand 9 months ago
hey!what's best metheny's album for a start?
IMBACHABRI 9 months ago
@IMBACHABRI Depends on what you like. Still Life (talking) maybe? Or if you lke a jazz guitar trio maybe Tokyo Day Trip. Letter From Home is fantastic. If you like the early ECM style there is "Pat Metheny Group" or watercolors. The first I heard of Pat Metheny was the album First Circle. The title cut is still one of my favourite songs.
MortenFaerestrand 9 months ago
I'm operating in a completely different area (and at a much lower level) than you but I really dig what you said about different attacks giving different sounds and thus more colour to your phrasing.I play blues at a quarter your speed but love to mix up and down strokes non-consecutively,the side of the pick,nails and/or pads,all to give me different sounds and a more 'vocal' and expressive feel.
fendermac 9 months ago
@fendermac that's great, that this concept appeal to a blues player too, cool! Let's see where you can go with this! :-)
MortenFaerestrand 9 months ago
@Axemaniac thank you, glad you enjoyed it!! :-)
MortenFaerestrand 9 months ago
it look"s like a Gypsy Guitar Pick ?
stringlov 9 months ago
@stringlov it's a red bear, the thickest they make. I think they call the gauge "gypsy" yes
MortenFaerestrand 9 months ago
Sensei, i have asked you all along if you gave online lessons. I think it is a great idea.
Go for it!!!
brwnhornet59 9 months ago
@brwnhornet59 noted:)
MortenFaerestrand 9 months ago
I recognize your signature lick. Way cool. You did it in the etude in B min at your concert. I have been trying to catch it for several weeks. LOL
brwnhornet59 9 months ago
Awesome topic. Awesome instruction. Awesome playing! T/y Sir.
brwnhornet59 9 months ago
@brwnhornet59 Thanks bro!
MortenFaerestrand 9 months ago
Morten I love this stuff and you're a great educator, but do you think you could mic your speech? It would help a lot with volume imbalance issues.
charlesneedham 9 months ago
@charlesneedham Yeah, I may have to do something about it, I try to even the volume out with a limiter, but it may not be enough. Have you tried listening with head phones?
MortenFaerestrand 9 months ago
This video is a good example of what makes the internet so amazing
Thanks Morten
ngertch 9 months ago
@ngertch Thank you, yes the internet is indeed amazing! :)
MortenFaerestrand 9 months ago
Greg Howe Does these hammer ons from nowhere =]
Rg1527 9 months ago
@Rg1527 I was not aware of that! I haven't really listened to him, he does a bit of right hand tapping too, doesn't he?
MortenFaerestrand 9 months ago
@MortenFaerestrand just a little bit, not alot. He's more of a fusion player than a jazz one though
Rg1527 9 months ago
@Rg1527 exactly, that makes it a little bit different, when you play with distortion. But it works then too, obviously..:)
MortenFaerestrand 9 months ago
for example:we all have to forget the technique for drivin' a car.well a guitar needs a little bit longer to forget!
RaerY1959 9 months ago
forget technlcs,play,what you've never played before.that's a key to your own playin'
RaerY1959 9 months ago