Added: 5 years ago
From: edmarxxx
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  • Herbie

  • Herbie plays his solo masterfully....

  • Great stuff!

  • 67年のマイルス・デヴィス"フットプリンツ"のライヴ映像­、このどこか冷めた各ソロがそそるといえばそそるんだが・・不可­思議カルテットだ! #jazzm

  • studying miles is absolutely essential to ANYONE wanting to play modern jazz today... this group wrote the book on everything since coltrane and he was in the early quintet too...all great jazz today springs from miles.(and bird)

  • Quite possibly the greatest musical gathering to have ever graced the planet Earth. Their only rivals are, arguably, the Coltrane classic quartet. Tony Williams sympathy and reaction with the soloists will be studied and listened to a thousand years from now. And in that time in the future the Miles Davis classic quintet from this period will take it's rightful place alongside Bach, Ellington, and Beehtoven as the greatest ever. As far as I am concerned it already belongs there.

  • I often wonder if we will ever see a group of performers such as these again. Equally talented artists may exist at this very moment, dedicated to the music in a way that challenges the status quo and accepted art forms. They can only be heard if we listen. The kid next door could be the creator of a new musical genre!

    Remember there's more to be heard than what's on MTV.

  • @eustaceflynn try Wayne's 4tet i saw 'em twice (2OO1 & 2OO3) it's really close imo

  • The intuitive, incendiary relationship between Carter + Williams has never been equaled in a small group setting.

    This includes Trane + company.

  • Amazingly evocative tune, written by shorter, these guys were way ahead of and behind the times

  • Wow. The whole band is made of geniuses. I play that tune on my gig and I enjoy hearing it from the masters every time.

  • Eerily beautiful.

  • this has always been one of wayne's most haunting melodies.

  • The Art of Chromaticism.

  • 2:47 ... <3

  • this quintet was sthg else, musical freedom at its best (Wayne's still doin it, saw him live 2 times(2001 & 2003) words can't describe 8)

    Hearing Herbie's solo beginning without any drumming reminds me of a story Miles tells in his bio: they were giggin in Japan and Tony had just bought a new tape recorder and before he had any chance to say a word about it, Herbie began to explain how it worked.Tony was so pissed that he stopped playing during the 1st piano solo that evening!!! 

  • Far out! If you want to know what genius sounds like, listen to this. Possibly the greatest group ever to have played in any idiom.

  • to be present there......

  • "They played like Gods...." european headlines read. This is IMO the greatest quintet of all times. I have all their albums and was too young to have had the honor of witnessing these performances. Thank you for posting this today.

  • its of my opinion that this group of musicians, in all genres, is the greatest collective unit ever assembled in western music.

  • Omg Coltrane is a beast..!

  • @amendez92

    Coltrane had been dead for over five months at the time of this performance! That's Wayne Shorter!

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  • how many artist are blessed to play in two of the greatest ensembles of the genre'....MILES DAVIS !

  • is this on dvd,if so please anyone e-mail me the title,I am a Miles Davis fanatic

  • THIS IS THE BEST JAZZ!!

  • 3:53 - Herbie touches the keys a little louder. What follows is something magical.

  • This piece will leave a FOOTPRINT in jazz history.

  • written by Wayne & recorded over 2 yrs earlier------LOVE this perf.

    Thanks!!!

  • AAAAAAAAAA what happened there?!?!

  • Wow. A lot spacier than the album version. I've never heard Tony Williams shut up for that long.

  • Despite the lineup, it is inaccurate to refer to this as "The Miles Davis Quintet", a moniker for the band whom was disbanded in 1958. Great cut though!

  • @OriginalMountainMan - not inaccurate at all - in fact, that's what they were billed as and that's what their albums said. This is just the second great quintet. Trane talked to Wayne about going over to Miles from The Messengers...But really? The writing, chiefly Shorter's, was far cooler than the old stuff, far ahead of it's time with very advanced harmonic concepts.

  • @fr3lonbrun I love the old quintet, too, but I agree, the second quintet was beyond anything else. I don't think there's been an acoustic jazz quintet to date that has gone as far as they did. Also, OriginalMountainMan loses points for unnecessary and incorrect use of the word "whom."

  • @fr3lonbrun I love the old quintet, too, but I agree, the second quintet was beyond anything else. I don't think there's been an acoustic jazz quintet to date that has gone as far as they did. Also, OriginalMountainMan loses points for unnecessary and incorrect use of the word "whom."

  • Untouchable. This group represents the pinnacle of human artistic achievement, in my opinion, and this tune in particular is so free (without being "free jazz").

  • @vargaso Really priceless that we all are free to have different opinions.

  • omg!! Herbie went n!!!

  • Only 226,00 views? This is the baddest tune by any of Miles' bands IMO. What a lineup! This and the first quintet are my favorite eras. I was fortunate enough to see Miles in Philly in 1985 I believe, the guitarists were Mike Stern, and possibly John Scofield. Awesome! Kind of Blue was what got me hooked on jazz, a top 5 island must have. I love the way they play outside off the chords in this piece, as Bruno put it, something I've yet to figure out how to do.

  • Thank God for YouTube! It was worth every penny they paid for it. How else could someone like me watch this amazing quintet perform?

  • " out of key? -- thats called 'playing outside' and blabbidbla" It's good to see it's all been codified and what have you, hey let's teach it in a school. dflskdflskjflskfdjlkfj Wait, I've just received word from Sun Ra, who is on planet jungjybones. he's hanging with the miles quintet right now...they say it was the cosmic crackling of moons and the attitude of rebellion against sad styrofoam thoughts that let them telepathically groove so...

  • @MexicanChiliHead might be the best youtube comment I've seen to date

  • The blueprint for modern jazz... the greatest band ever assembled.

  • You are watching the baddest group ever assemble in my humble opinion. I have been listening to jazz for many years, and no other group played with the fire or passion that this group did. Miles best band ever. I love each member of the group, for they all brought something special to the band. Jazz had never seen a drummer like Tony Williams before (although Max Roach was the King). Wayne Shorter and Herbie Hancock compositions, were outstanding and the rock of the group Ron Carter.

  • @keith3355 The most you credit Ron Carter with is being a rock? He is one of the most creative bassists of all time, especially with this band. If you would actually listen to what he's doing, you'd know that he's more than "the rock of the group."

  • @Parvenu333 First, let me say Miles second quintet is my favorite quintet. You don't have to tell me about the importance of Ron Carter to the group. I am more than aware of his contributions to the group. He was the most recorded bass player of the sixties and seventies.

  • @keith3355 Sorry, I thought you were another one of those people that thinks the bass player doesn't do anything but play ones and fives all day long.

  • I'm still dumbfounded that this is just the outtake, sounds killer to me...

  • supreme interplay between tony and miles. then between carter and miles, then shorter and herbie, and so on. how on earth did they achieve this level of freedom whilst making the thing into a coherent structure and form? absolutely surreal.

    interesting to see miles telling shorter to take it down a notch when he hands over after his first solo, this happens quite a bit on footage from this time. I really think he was trying to rein in the wild man tony williams.

  • "Footprints" is originally composed by who??

  • @srav2 Wayne Shorter (His version is on his 1966 album 'Adam's Apple')

  • @Cianaodh1 Oh yes...I knew about it but I didn't know that Shorter was the real composer...thanks

  • Miles' dad who was a dentist, helped him to kick H only after being shamed into it after an encounter w/ Max Roach on a Harlem street corner. Roach actually didn't slam or hassle Miles about his H jones. Roach commented him on what he was wearing!

  • Is that Herbie on piano?

  • @GreenRhythms Correct!

  • thanks...

  • The only current group to currently play at this level is, in my opinion,...

    The Wayne Shorter Quartet. Not surprising, I suppose.

  • Sounds like future, not past...

  • great to see miles stopping tony at 5:12 (they where at the end of the 7 bar of the blues, is in 6/4) this really shows how he directed the band and the music!!

    (sorry for my english)

  • @roka899 word i saw that that was pretty funny

  • ooh seems like a touched some nerve here. Read Miles' biography. He was not a Junkie is whole life,just for some years ...the junkie period is described as an hell,where basically the only thing he did was heroin,and did'nt play much out

  • please stop fighting in the comments and enjoy the music....

  • COOL IS FOREVER....

  • I'd Love To Be A Junkie If I Could Create Like This

  • @eddiemambo : the fact that Miles has been addicted to heroin for some years,has NOTHING to do with the awesome music that he had in his head ! Drugs never wrote music.

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  • @kentworth100 only one member was ever a junky, and that over 10 years prior to this video

  • and the closest problem any of them had at that time, was wayne shorter with drinking, but that wasn't even too bad

  • Haha. Jealousy is so transparent. lol

  • WOW ! .. Great clip of this classic line up ... Tony's on fire here !

  • haha they melted the tune! i love it!

  • The epitome of Free Bop. Too in to be out, too out to be in. What this rhythm section did above all is flirt with disaster whilst never really ever failing in their experimentation. They had supreme confidence and rapport and they listened to each other with their hearts as well as their ears. Not many humans have ever achieved this level of artistic fulfillment in a group situation.

  • why did miles made that "listen goddamm" gesture then?

    i understand what your saying, its just only that with Miles doing that, i wonder.

  • Because Miles was a notorious @sshole? :)

  • thats true..but...if everyone would have courage to be 100 percent themseves everyone would be an asshole..i think :)

  • probably. i just think they were not that syncronized on that take

  • I can only think of one other..Coltrane-Tyner-Garrison­-Jones.

  • @jibsmokestack1  Well said. Peace. : )

  • My favourite ! Incredible...

  • whos drumming?

  • Tony Williams

  • shorter writes badass songs

  • he is a genius improvisor too, some of the most interesting ideas I've heard

  • in my opinion wayne is the baddest improviser of all times(of whats beeing recorded at least)

  • I agree, once you start investigating his recordings you see he doesn't repeat himself and he comes out with so many amazing fresh ideas, he's the zen buddhist of jazz...in fact I think he is one too!

  • Nah, he's an American. We do this sort of thing all over the place, in all sorts of fields. Just look around. ;-)

  • @snubbs741 indeed

  • "The egg-scramblers knew who everyone was talking about." -Wayne Shorter

  • What is so brillant too in the solo of Wayne Shorter is also the way Herbie, Ron and Tony follow him so fast!

  • One of the genius aspects of Miles is that he understood if he let Tony play how he did that it would let the music go to these places. If he told Tony to "just play some motherf#%kin time" this shit wouldn't have happened.

  • haha he would have said it like that too

  • lol hmm actually from what i was reading the other day Davis had to force williams to play like that, when he first joined he played traditionally behind miles and only went crazy for colemen, so davis turned around and was like "what don't you fuckin play like that for me?" and aparently davis also said during Seven Steps of Heaven, williams never used the bass drum, so he made him. Davis partly picked these young kids just so he could manipulate them, "old musicians are too stubborn"

  • i dont know bout williams but i heard the opposite of miles. i heard in an interview of miles davis that coltrane used to ask him a bunch of question bout he should play and miles would get mad, saying if i hird you as a professional musician, i wanted your playing. play the way you play.

  • nah what i said came directly from miles mouth too, he contradicted himself alot, with coltrane i mean he already loved how he played so questions like that of course got him mad, but with the 2nd quintet he was going somewhere new that hadn't been heard before, so he had to give them direction.

  • Wayne Shorter plays one of the most brilliantly conceived solos in the history of jazz here. It is a composer's solo, a seamless unity of every structural facet imaginable. It is astonishing, moving, and profound. So great. Beyond great. It is transcendent.

  • cool story, bro.

  • Thank you, shoegazer.

  • Thats innovative jazz right there. so Creative and spontaneus.

  • R I P Miles Dewey Davis !!!!!!

  • Tony Williams sure goes bananas in this take. Favorite drummer ever...he posseses the power of a storm...

    Sandemose

  • Yes he does go 'bananas'...but by this time [1967] that was just normal for Tony................and maybe

    you can realize why it was just a 'matter of time' before he had to [eventually] leave Miles...

    B.T.W.: this clip does not show the entire performance...a couple of minutes are cut out...from Wayne's & Herbie's solos....

  • Yeah!!!!doo-bop!we primus,we suck!!!!!!!

  • Incredible. Nothing has been done that creative and "band thought and played" in jazz or any music since....

  • Very cool...I love Miles Davis, and this song Footprints are so great...

    Fudido...Miles Davis é demais, o time, o groove e todo o resto!!!

  • al quintetto&serata. che roba.

  • Who said that?

    I am the dollar bill.

    Don't like to work

    and I never will.

  • This is HOT... way out of the box...

  • Wow and I thought the "miles smiles" version was out there. That these guys can play so outside yet still keep the form and do it with perfect time, together as a band, is awe-inspiring. Trust me, they all know exactly where they are at all times.

  • This is only Wonderful

  • Tony Williams groovin

  • herbie plays the piano, miles on the trumpet, probably ron carter on the bass, tony williams on the drums, oh and wayne. a minor blues with an altered turn around smoked by the baddest band on the planet.

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  • @bry3921 It surely was Ron Carter on bass....that was the best quintet ever. Magic alchemy among astounding talented musicians.

    OVER THE TOP. HYSTORY OF FREE JAZZ.

  • To me, this is the ultimate in jazz! Thanks

  • This Music is of the Highest Order, Enough Said.

  • No, my friend, no free jazz here. "Footprints" is actually a minor blues of 12 bars. Out of key? That's called "playing outside", which means that they are leaving the "common" path of the harmonic structure and play "off the chords". But when you listen to it closely, you may notice that they are still pretty "inside" here.

  • yeah this is more avant-garde in nature, they're experimenting with new ideas in regard to melody

  • Thanks a lot! That's exactly what I wanted to say. We German jazz fans are just too much of professors and can't find short and easy terms LOL

  • yes indeed!

    very well!

    ..

    but at the solos in the midde they spend many bars on the chords :

    in fact they playn "slower" than at the intro or outro

    didnt they?

  • jazz isn't played like to a drum machine perfect rhythm rather it flows, it's fluid, and yes it grooves too, listen to Charlie Parker, or Wes Montgomery

  • yes indeed!

    very well!

    ..

    but at the solos in the midde they spend many bars on the chords :

    in fact they playn "slower" than at the intro or outro..

  • Playing outside IS 'free." Count the measures!

  • Astute observation. They go back and forth, in and out, out and in. This group, along with the Coltrane Quartet and some Ellington-Strayhorn bands/compositions, is the pinnacle of Jazz thus far.

  • well

    playn they free or not?

    bruno say yes and you say not,

    is jazz so ambiguos?

  • the tune has a form, and they start in the form, but leave it (go free but still referencing the tune) in wayne's solo, herbie starts his solo outside of the form (still "free"), but brings the form back at the end of his solo

  • what makes you think they gave up the form?

  • @BrunoJazzmanLeicht Therein was the problem. Trane, Miles, Dolphy (sp.l) deviated from the harmonic structures and we almost lost Jazz as an American original. Took me years to appreciate "Miles Runs the Voodoo Down" but only then as a sound defined in a Humanities Class. The Spirit, Mind and Body can only accept sounds of harmonies. The public could not accept this Jazz experiment especially when we knew that so many musicians without talent. Look at early John Klemmer the late Klemmer

  • @publius352 -- You, meaning the US-Americans, you never "lost jazz"; it's still there. Maybe that some sort of jazz lost its audiences; but that happens as soon as the tunes become too advanced for the "casual" listener. -- Sorry, but who is John Klemmer? -- Ahh, one of the smoothies. I've looked him up. That's not "jazz", that's just a product.

  • this is a good wine. Miles Smiles, great album ever.

  • weird, wild stuff.

  • wowowowowoowowowowowwoowwo

  • Wow! Sounds good fast or slow!

  • YT is a funny place. If you are a bit ironic about anything, the clueless children who infest this site get too excited. Get a life people.

  • Thanks for this timeless video. Miles rules!

    For more great jazz feel free to visit my blog. The link is my profile.

    Thanks a bunch,

    Brew

  • they play quite "free" jazz ,

    or so it seems ..

    they play often many notes out of key?

    the phrasing is very fragmented ,

    not so catchy tough..

    wdo you think about?

  • Holy shit these guys are riding the cosmos!

  • Sensational performance.

  • amazing

  • nice this solo of wayne shorter!!

  • they play quite "free" jazz ,

    or so it seems ..

    they play often many notes out of key?

    the phrasing is very fragmented ,

    not so catchy tough..

    wdo you think about?

  • Miles lives in Runcorn. He plays at The Cat and Devil pub every Tuesday night after the bingo. I know, because I help him on his allotment on weekends.

  • 為什麼他們發揮這樣的深層次源於其純原創

  • basically all they need/want to do is state a simple theme or motif at the start at end. between these the soloist may do as they please, perhaps choosing to take influence from the theme, or even denying it.

  • That was beautiful

  • chill man, it was poor humour based on anothers comment. miles was alive as well.......may the jazz gods forgive and let me see how the altered is the same as the lydian dominant....oh it actually is

  • no jedum, herbies on the drums and miles is but a mythical figure

  • lol

  • erm... you disgracefull being... herbie hancock is a PIANIST!!!!!!!!!!!!!!

  • Wayne's solo grows on me everytime i listen to it.

  • i wouldn't say that around here if i was you. ahaha

  • Jedum's comment is so far the funniest comment I've seen here on youtube when it comes to jazz. hehehe

  • This quintet and Coltrane's quarter from 63-66 were the peak of Jazz.

    It has not been approached since.

  • Man this is awesome...what happened to Miles?...probably nothing I don't know but is that Herbie on keys?

  • Miles dead for 18 years. Yes herbie.

  • get a life, moron. I have not time for idiots like you.

  • try commenting on Britney Spears or Miley Cyrus...you know, your silly little world.

  • gods...

  • The master piano playing and horn playing is what makes this tune.

  • the master drumming of the GREAT Tony Williams is the key to this tune... RIP my friend Tony

  • What a gorgeous, brilliant performance. Jazz is such a state of mind, such a state of muscular-ideology. This group's sound was every bit as brilliant and distinct as Coltrane's Quartet and Ellington's Orchestra.

    Miles was so dam cool!!!! Just an iceberg. Haha. He just walked off the stage. You have to be The Man to do that, plain and simple. That's that American Swagger. haha

    That's a muscular-ideology.

  • Man, Tony was so unpredictable! He was like a firecracker.

  • all of these guys were MASTERS of their respective instruments!!i think miles said this one one of his favorite bands...

  • You have heard the expression

    "keep an open mind" haven't you? Well,

    being mature opens up the world that you've missed.

    Be good!