Art- you bless me man!!!!!! You are a cat, Doing this tune for my Berklee class in a couple of weeks- really inspiring. Also totally dig your Minor Swing video- Keep posting. All the best.
Funny how this came from classical, which came from medieval dancing music, which has come from ancient yet monotonous music that I actually find more soothing than this.
great way to play with your fingers only. I do this for blues playing and sometimes rock - oh and country too. I dont know why more people dont use their fingers more theres so much control there that you cant get with a pick. Brilliant playing and ace guitar too.
hey, Paco de Lucia over here. Just kiddin'. You sound really good, and it doesn't sound wimpy either. Fingerstyle can be kinda...edgeless, particularly on bebop heads...you know what I mean. But you have a good blowing sound. Rock on.
God how I love this tune. It's like he's talking to us.
Yeah,was going to say the right hand technique looks very much textbook for any classical gutstring technique also.Very cool.Triplets too triplity?llamutha.
Id wear a freakin cowboy hat if i could play free form fingerstyle jazz like that.Reminds me a lot of someone playing a fretless bass.Great job.Already have the sheet music for blues from Alice but having lot of trouble with it.Keep up the great playing.
Great Job on this tune. you gotta love those bird changes huh?lol Also, anyone feel free to check out my solo piano version of Blues for Alice on my channel, I'm looking for feedback. Please and thanks!:)
pmitchinson's masculinity is threatened by a hat, lol! Now THAT'S gay! As for the playing -- excellent job! Your hat's fine, your playing's great, keep up the good work.
You're 8th notes are way too triplety, it doesn't swing. play them straighter! otherwise nice job, hard tune. also you should have played the triplets in bar 9 what you did was rank
hey really nice playing, original too, like a bass. @gumbooze yh hes right thats the main stuff, but you can really have some fun with tunes like this when you get going, like learning the modes and substituting d dorian instead of the minor 7 chords, have fun!
What a lot of players do not even address and I feel it's important, is the fact that this song in particular, but this music generally, moves in 4ths, or moves in semitones. If you look at this piece, after bar 1 (F major I play it), the music moves in a series of 4ths until the progression moves in descending chromatic 2/5s until you hit the 2/5/1 and the 3/6/2/5 in F, to bring us home again.
Hey pyyanaguy how do you define blues? 1 chord 4 chord 5 chord? 16 bar song form 32 bar song form. I think blues as an art form has evolved from the cotton fields and Robert Johnson through the Cities and infused by Jazz players, folk, rock etc. The chords and phrases have been around before American slavery.
I played piano full-time for 40 years, behind some sophisticated jazz singers and I'm familiar with big expanded changes, etc. I'm not an old-time, primitive Blues purist. It just strikes me that you start to stretch things so far and then they become something else - I mean, if you're going to use labels at all.
But, fair enough, as some other hip people here have pointed out - it's a Blues by definition.
Just for curiosity, though (not argument): How do you define Blues?
listen to the bass and harmonic movement while he's soloing. It should be pretty hard to confuse this with anything but blues. Its also a bebop tune so stylistically is supposed to sound a bit contorted (although this particular cover could pass for a straight blues).
@jamboliboli You are correct, those are the chords. However it might be worth taking another look at what I wrote. You seem to have missed the point that it's essentially the same as what you've written. I guess it's a sort of reverse engineering approach.
@YusefGuitarum Yeah dude sorry, it's a basic twelve bar essentially as you say. I mustn't have picked up on what you said. Up to the B FLAT 7, it's the same as Confirmation as well. The same drop, then cycle through to the 4th of the key just at a higher tempo.
Where did you find this backing track? I need one for this tune to make a college jazz guitar audition cd.. I downloaded an aebersold one that is way too slow, but I definately need one like this. If there is any way you could email me this track it would be greatly appreciated. Thank you
Nice playing, but that's a Blues? I 'm not a label Nazi, &
I respect the complexity and skill, but isn't there a point beyond which 99 out of a hundred people who consider themselves Blues fans would say something like: "So there's a Blues hiding in that whirlwind of chord changes and sophistication?"
I hope this doesn't bring a flurry of insults or worse. I dig Jazzy Blues and Bluesy jazz, but you can only embellish an omelet so much before it's quiche or something. Anybody agree?
@pyannaguy Tell that to Bird... I know what you mean, but If it gets to the four chord in bar 5 and has some sort of turn around staring in bar 9, most consider it a blues.
yeah this definately is a blues. what parker did though was substitute the standard blues changes for more complicated modal structures. but the head of this song can be played over a standard 12 bar blues and also the changes can be used to solo over any 12 bar blues backing.
jejeje if you dont know his a great bebop player and those chords are not the ones that charlie uses to play cause in the omnibook are just simple arrangments for people to play i realize that in the barcelona taller de musicos for one of the teachers
listen to the original head, charlie's band goes back to Fmaj7 on the 7th bar, not that iii/VI sub. and the Fmaj7 on the 11th bar is subbed for A-7...
I can't be sure (people do get away playing badass with some crazy technique) but I would bet that your bass-style fingering is hindering your playing.
@pmitchinson didn't realize hats could be homosexual...hatosexual? Gay, straight, or bi, the playing is superb! inspiring Thanks for posting this vid, and thanks for the comment pmitchinson (seriously).
the melodic minor scale, the lydian dominant (lydian with a b7), lydian augmented (lydian with a #5) and the altered scale (locrian with a b4) are all examples of "jazz scales".
those are some of the modes of the melodic minor scale, they are used in jazz.
Although he asked for something safe, and most likely in a language he can understand - The Major scale is an excellent place to play in for jazz when you add in an appropriate amount of slides and chromaticism (basically going from a note that's not on the major scale into a note on the major scale). Take this particular song, you can play in the Key of F major - Throw in some chromatic notes and hurray, you've got yourself a safe "jazz scale"
Hi, there is no special jazz scale. The main sclale is F major with some chromatics notes like said Koreandflow, and chords arpegios. You can also play the relative minor scale : D minor Harmonic, but the most important is to listen to the chords background and try to find the good note in the scale that will give a nice color.
Dominant sevens are the trickiest because you can use alot of substitutions other than mixolydian, especially if your trying to sound bluesy, but know your major scale and arpeggios in all positions, then learn relative mode theory (EbMaj7=Cm7), at that point your mind will internalize the fingerboard much more effectively
Comment removed
CptChaos88 3 weeks ago
Dig your right hand style man. Very cool.
chooseyourblues 2 months ago
Muito bom!!!!!!!
tatacass1 2 months ago
nice licks out front...got stale on the 2nd chorus heading out...but overall, i can hear u put in the time! good shit man
johnbradleyaustin 2 months ago
I dig it the most!
59jimkay 2 months ago
Art- you bless me man!!!!!! You are a cat, Doing this tune for my Berklee class in a couple of weeks- really inspiring. Also totally dig your Minor Swing video- Keep posting. All the best.
Bbm7b5b9 2 months ago
You should alternate your arpeggios when going down the neck to make your solo sequence less predictable . Nice sound
mancini54 3 months ago
Kickass!!!!!
trystandamastaa 3 months ago
C'est bien! continues!!
skate5580 3 months ago
Nice!!!!!!!!!!
freemusicclass 4 months ago
Excelent!
JoelGuitar100 4 months ago
Funny how this came from classical, which came from medieval dancing music, which has come from ancient yet monotonous music that I actually find more soothing than this.
Great playing though, no bullshit.
Dennemark 4 months ago
trascriptions? tabs? guitar pro? my friend :) give us
pasamelallave 5 months ago
Very nice playing indeed!
grodisbollis4 6 months ago
great way to play with your fingers only. I do this for blues playing and sometimes rock - oh and country too. I dont know why more people dont use their fingers more theres so much control there that you cant get with a pick. Brilliant playing and ace guitar too.
fieldfullofthistles 6 months ago
I really like your sound, your feel, and the cool hat!
Modes9 6 months ago
please i need a Blues in Bb key,,, help... somehting from parker?
pasamelallave 6 months ago
@pasamelallave Bloomdido .... a bit fast... but great!
alienlove1 3 months ago
This has been flagged as spam show
Blus on dohugter !Il loviu!
The125585 6 months ago
Blus on dohugter !Iloviu!
The125585 6 months ago
Smooth. Sweet guitar I might add.
JGPorcello 8 months ago 2
you play bass too man? got the right hand down from the looks of this! :)
joebandana 8 months ago 2
finger my ass please sayang
kering2 8 months ago
@kering2 haha ko tau main camni ke wei susah siak
kenteles 5 months ago
So are you playing it in the key of A?
FunkMuker 8 months ago
Amazing phrasing !!
acoustiqueapple 8 months ago 6
i am beyond jealous
flotch93 8 months ago 2
jazz is king of music
MrPasekin 9 months ago 13
Great job. That must feel good to play that. I am just a beginner.
jeffmonk 9 months ago
hey, Paco de Lucia over here. Just kiddin'. You sound really good, and it doesn't sound wimpy either. Fingerstyle can be kinda...edgeless, particularly on bebop heads...you know what I mean. But you have a good blowing sound. Rock on.
God how I love this tune. It's like he's talking to us.
thelonious1234 10 months ago
her rigth hand maybe is like a bass player, nice improvisation
MrArdelco1970 10 months ago
@MrArdelco1970 excuse me, " his"
MrArdelco1970 10 months ago
Yeah,was going to say the right hand technique looks very much textbook for any classical gutstring technique also.Very cool.Triplets too triplity?llamutha.
redwashre 10 months ago
Id wear a freakin cowboy hat if i could play free form fingerstyle jazz like that.Reminds me a lot of someone playing a fretless bass.Great job.Already have the sheet music for blues from Alice but having lot of trouble with it.Keep up the great playing.
redwashre 10 months ago
GREAT JOB and that hat is not Gay its bluesy
RomanAR87 11 months ago
Niceeeeeee
Lukasoncapeta 11 months ago
Great Job on this tune. you gotta love those bird changes huh?lol Also, anyone feel free to check out my solo piano version of Blues for Alice on my channel, I'm looking for feedback. Please and thanks!:)
gospelkeys07 1 year ago
very nice!!!
MrAmebas 1 year ago
a Feodora would have done it for me :P
spike4379 1 year ago
swingin!
dawg469 1 year ago
ah jancuk
Juicer15 1 year ago
reminds me of good times
pask994 1 year ago
pmitchinson's masculinity is threatened by a hat, lol! Now THAT'S gay! As for the playing -- excellent job! Your hat's fine, your playing's great, keep up the good work.
JeddMcHead 1 year ago
This has been flagged as spam show
sounds like Band in a Box. and your solo... was a great start then you resulted to ascending and descending scales.
Groundbrawl 1 year ago
Comment removed
Groundbrawl 1 year ago
I do like this "groovy swing...' thanks to you et bravo!
papyslapet1 1 year ago
amazing right hand
larry3393 1 year ago
Great Fighting! You're An Up & Coming Boxer!
derekpillers2 1 year ago
You're 8th notes are way too triplety, it doesn't swing. play them straighter! otherwise nice job, hard tune. also you should have played the triplets in bar 9 what you did was rank
carlisme 1 year ago
@carlisme a swing feel is tripleting the 8th notes insteaf of playing them straight
binky69 1 year ago
You're 8th notes are way too triplety, it doesn't swing. play them straighter! otherwise nice job, hard tune
carlisme 1 year ago
I tip my hat to you sir. I had to play this tune with a combo during my senior year of high school and it was painful.
You make the tune really bounce.
deejayplox 1 year ago
Comment removed
VariationsOnSwing 1 year ago
@VariationsOnSwing
would you say that to a sax player or pianist
het maybe the guy's bald and want to keep a youthful appeal
WHATEVER
it is about the music not FTV dude/dudette
redseabopper 1 year ago
Comment removed
VariationsOnSwing 1 year ago
@VariationsOnSwing I like Wearing my T-Pain top hat =(
saron380 1 year ago
Joli !!!
gg5167 1 year ago
sup kool kats...always wanted to say that! nice playing, working to get good at blues/jazz. thanks Art Feile.
hmmsmellslikefish 1 year ago
Looked like some killer classical technique right there.
TheReighnart 1 year ago
Love that hat, love that tune, and for sure love that sound man!!!
Konginess 1 year ago
dig the hat.... what amp u using bro?
larry3393 1 year ago
hey really nice playing, original too, like a bass. @gumbooze yh hes right thats the main stuff, but you can really have some fun with tunes like this when you get going, like learning the modes and substituting d dorian instead of the minor 7 chords, have fun!
PTNMusic 1 year ago
Great Playing, Just want to ask you a question: Is that a ES175 You're playing on?
What make and model?
Thank you,
Keep up the Great Work!
roge69charger 1 year ago
What a lot of players do not even address and I feel it's important, is the fact that this song in particular, but this music generally, moves in 4ths, or moves in semitones. If you look at this piece, after bar 1 (F major I play it), the music moves in a series of 4ths until the progression moves in descending chromatic 2/5s until you hit the 2/5/1 and the 3/6/2/5 in F, to bring us home again.
jamboliboli 1 year ago
nice work man, just make sure you dont rush, you rushed a little at times. what a great tune. its a tough one
mifsuddd 1 year ago
My head is spinning! FANTASTIC!
312chicagoadam 1 year ago
you got some mean chops brother!
I give you some major props.
nikki6morales 1 year ago
man i just love the 16 first seconds, what chords did you use? nice playing
girottox 1 year ago
thats soouunds great broo!!!!!!
supermanche 1 year ago
Defining factor in blues is IV7 in bar 4
loclannogrady 1 year ago
@loclannogrady Pretty sure you mean bar 5.
YusefGuitarum 1 year ago
@YusefGuitarum Doh ... Yes I do ...
loclannogrady 1 year ago
Nice!
loclannogrady 1 year ago
Nice Hat
Kortatu123 1 year ago
great job!!!!!!! I love it and ive been showing all my students! All the best to you
bentpcat 1 year ago
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I like a your playing!! but dont like the hat!! are you bald?
squizzy104 1 year ago
Nice playing.
musiccalgary 1 year ago
J'ai beaucoup aimé. Je place dans mes favoris.
Thanks a lot and see you later.
Mich
micdroe 1 year ago
Don't worry man!. Maybe you are not Pat Martino, but you play quite clear and well. I wish i played like you...
mindisaction 2 years ago
Hey pyyanaguy how do you define blues? 1 chord 4 chord 5 chord? 16 bar song form 32 bar song form. I think blues as an art form has evolved from the cotton fields and Robert Johnson through the Cities and infused by Jazz players, folk, rock etc. The chords and phrases have been around before American slavery.
babinm 2 years ago
I played piano full-time for 40 years, behind some sophisticated jazz singers and I'm familiar with big expanded changes, etc. I'm not an old-time, primitive Blues purist. It just strikes me that you start to stretch things so far and then they become something else - I mean, if you're going to use labels at all.
But, fair enough, as some other hip people here have pointed out - it's a Blues by definition.
Just for curiosity, though (not argument): How do you define Blues?
pyannaguy 1 year ago
listen to the bass and harmonic movement while he's soloing. It should be pretty hard to confuse this with anything but blues. Its also a bebop tune so stylistically is supposed to sound a bit contorted (although this particular cover could pass for a straight blues).
bootryfly 1 year ago
@pyannaguy
It's standard 12 bar blues, just a few substitutions thrown in.
Essentially F F F F Bb Bb F F Gm C7 F F
ii V or iii iv ii V leads into most of the changes
YusefGuitarum 1 year ago
@YusefGuitarum
No that's wrong. The tonic takes a drop, then everything moves in 4ths and semitones:
/F---/ Emin7-A7/ Dmin7-G7/ Cmin7-F7/ Bflat7---/ Bflatmin7-Eflat7/ Amin7-D7/ Aflatmin7-Eflat7 /Gmin7---/ C7---/ Amin7-D7-/ Gmin7-C7-/
jamboliboli 1 year ago
@jamboliboli You are correct, those are the chords. However it might be worth taking another look at what I wrote. You seem to have missed the point that it's essentially the same as what you've written. I guess it's a sort of reverse engineering approach.
YusefGuitarum 1 year ago
@YusefGuitarum Yeah dude sorry, it's a basic twelve bar essentially as you say. I mustn't have picked up on what you said. Up to the B FLAT 7, it's the same as Confirmation as well. The same drop, then cycle through to the 4th of the key just at a higher tempo.
jamboliboli 1 year ago
Where did you find this backing track? I need one for this tune to make a college jazz guitar audition cd.. I downloaded an aebersold one that is way too slow, but I definately need one like this. If there is any way you could email me this track it would be greatly appreciated. Thank you
Porksoda10189 2 years ago
Nice playing, but that's a Blues? I 'm not a label Nazi, &
I respect the complexity and skill, but isn't there a point beyond which 99 out of a hundred people who consider themselves Blues fans would say something like: "So there's a Blues hiding in that whirlwind of chord changes and sophistication?"
I hope this doesn't bring a flurry of insults or worse. I dig Jazzy Blues and Bluesy jazz, but you can only embellish an omelet so much before it's quiche or something. Anybody agree?
pyannaguy 2 years ago
@pyannaguy Tell that to Bird... I know what you mean, but If it gets to the four chord in bar 5 and has some sort of turn around staring in bar 9, most consider it a blues.
shapedy 2 years ago
yeah this definately is a blues. what parker did though was substitute the standard blues changes for more complicated modal structures. but the head of this song can be played over a standard 12 bar blues and also the changes can be used to solo over any 12 bar blues backing.
jonoforbes 1 year ago
jejeje if you dont know his a great bebop player and those chords are not the ones that charlie uses to play cause in the omnibook are just simple arrangments for people to play i realize that in the barcelona taller de musicos for one of the teachers
miltopoyyuri 2 years ago
whatever melody you're using over the E-7b5 and the A7 sounds awful compared the original
b4nt2k 2 years ago
Dont go criticizing him when you probably could not do better (or even close). Hes very good and i think it sounds great!
Jamesns35 2 years ago
Impressive . You just proved there's at least a minority of musicians who really knows what music sounds like :)
Pepperlaid 2 years ago
Bit too fast,but awesome!
jaapznl 2 years ago
wow. great...i'm learning this song just now.
22side 2 years ago
Excellent Thanks
737flyhigh 2 years ago
very good nice
MultiBEATA 2 years ago
Those are some great bebop lines man, good job. i like seeing the finger technique too.
grayconv 2 years ago
cool
djangoramsey 2 years ago
awesome
astaire2012 2 years ago
well done! that's some right hand technique you've got there.
Cainer666 2 years ago
tablaturas
victor038 2 years ago
Great man You really like Jazz and I can see it.
liveandletdiedude 2 years ago
can anyone tell me what the chords are in this song?
Joulboy 2 years ago
It's just a blues progression with a lot of substitutions.
mrkrauley 2 years ago
just a blues progression?
the first 3 bars are in different keys....
erasedcitizen77 2 years ago
Yes, with a lot of substitutions... read.
mrkrauley 2 years ago
Comment removed
exvotivezach 2 years ago
Fmaj7 / Em7b5 A7b9 / Dm7 G7 / Cm7 F7 / Bb7 / Bbm7 Eb7 / Am7 D7 / Abm7 Db7 / Gm7 / C7 / Fmaj7 D7 / Gm7 C7 / Fmaj7
hf
dunno if its the right key btw...
TheMotherCK 2 years ago
F/Em7b5 A7/ Dmi7 G7/ Cmi7 F7/ Bb7/ Bbmi7 Eb7/ Ami7/Abmi7 Db7/ Gmi7/C7/F7/Gmi7C7
thel0ne0ne 2 years ago
Almost, The original is:
Fmaj7/Em7b5 A7b7/Dm7 G7/ Cm7 F7/ Bb7/BBm7 Eb7/Am7 D7/Abm7 Db7/ Gm7/ C7/ F/ Dm7/Gm7 C7/
MrGuhuhu 2 years ago
i copied it right from the omnibook.
thel0ne0ne 2 years ago
listen to the original head, charlie's band goes back to Fmaj7 on the 7th bar, not that iii/VI sub. and the Fmaj7 on the 11th bar is subbed for A-7...
b4nt2k 2 years ago
One should be able to play however they choose. Who's to say what regimine an artist should follow?
G7flat5 2 years ago
Screw the comments, keep playing. You're awesome.
HenrySpock 2 years ago
you got swing!!!! 5 starS!!!!!
krismerius 2 years ago
?????????????
Tototwice 2 years ago
Your good enough to get the head right, so do it! A couple notes in there are suspect. Your perky playing is fun!
handdancin 2 years ago
great job man, you re really good,
HendrixcommaMartin sucks
skizzofreud 2 years ago
du bist gut
yuehchopin 2 years ago
I can't be sure (people do get away playing badass with some crazy technique) but I would bet that your bass-style fingering is hindering your playing.
HendrixcommaMartin 2 years ago
Why do u say that...bass players have been doin it for ever. I think he is really a very good player........
Tototwice 2 years ago
Yah but bass players have been doing it on bass, which is designed for that kind of technique. Guitar isn't.
HendrixcommaMartin 2 years ago
classical guitar style*
feelee15 2 years ago
the hat is badass, how can you like jazz and not fedoras.
ilovechugs 2 years ago
I love your unique style. Don't ever stop playing!
headbanger623 2 years ago
the hat's a bit gay, but great work!
pmitchinson 2 years ago 22
@pmitchinson damn, not gay, he is a hippster!
BeatBay 1 year ago
@pmitchinson pff nice work. AND nice hat
MAnuciao79 1 year ago
@pmitchinson didn't realize hats could be homosexual...hatosexual? Gay, straight, or bi, the playing is superb! inspiring Thanks for posting this vid, and thanks for the comment pmitchinson (seriously).
chumlymau 1 year ago
Hey man I'm diggin it? Great playing. I dig the finger style. Great sound too.
zinnington 2 years ago 11
Hes playing with the rigt hand just like you play bass, nice!
Gangsterjens 2 years ago
great approach, nice sound too! take a listen to my There Will Never be Another You when you get a chance, and give me some tips!
MattHeister 2 years ago
Hey Man..Great Job...Love the fingerstyle arrangements..
p
boneyroney 2 years ago
wow all i can say is wow great job using rest strokes
cheezlespaul 2 years ago
Great job, a little sloppy in some parts, but nice overall!
samoanthunder08 2 years ago
Sweet man. Real smooth. So calm and cool.
editsafemode 2 years ago
Man, you rock...well jazz actually...
Jlestido 2 years ago
pretty good
smartgerman123 2 years ago
good solo
giuliomedici 3 years ago
I love your playing....I hate your hat. I guess that's a ying-yang sort of thing.
uniblob 3 years ago 2
he plays guitar like i play bass almost. weird!
RussMaGuss 3 years ago
you have a strange picking technique
GLeone221 3 years ago
Different strokes for different folks =)
Simto 2 years ago 2
well done. i just started playing this song and "au privave" today.
mihirmaiden18 3 years ago
What problem are you having with the modes? Maybe I can help.
guitarcolossus 3 years ago
that was smooth man, the bird would be pleased. keep it cool!
funkyfoolfromVanNuys 3 years ago
I Love Your Playing!!!
Very beutiful Sound and soling
I listen to you and I remember Django Reinhart
walterockmx 3 years ago
can i ask somethin?..is ther any safe
''jazz scale'' out ther...
gumbooze 3 years ago
the melodic minor scale, the lydian dominant (lydian with a b7), lydian augmented (lydian with a #5) and the altered scale (locrian with a b4) are all examples of "jazz scales".
those are some of the modes of the melodic minor scale, they are used in jazz.
gabriel2099 3 years ago
Although he asked for something safe, and most likely in a language he can understand - The Major scale is an excellent place to play in for jazz when you add in an appropriate amount of slides and chromaticism (basically going from a note that's not on the major scale into a note on the major scale). Take this particular song, you can play in the Key of F major - Throw in some chromatic notes and hurray, you've got yourself a safe "jazz scale"
Koreanflow 3 years ago
Hi, there is no special jazz scale. The main sclale is F major with some chromatics notes like said Koreandflow, and chords arpegios. You can also play the relative minor scale : D minor Harmonic, but the most important is to listen to the chords background and try to find the good note in the scale that will give a nice color.
ArtFeile 3 years ago
all of them. in every position.
tomeflipstaythecrown 3 years ago
Dominant sevens are the trickiest because you can use alot of substitutions other than mixolydian, especially if your trying to sound bluesy, but know your major scale and arpeggios in all positions, then learn relative mode theory (EbMaj7=Cm7), at that point your mind will internalize the fingerboard much more effectively
thejazzman8 1 year ago
great playing
schwenman 3 years ago
love that. after watching it, i'm learning it. however, its still fast for me ;)
Prikoliz 3 years ago
beautiful!! jazz!!!!! 0.o
krismerius 3 years ago
what kind of scales are you using here?
tdawg0993 3 years ago
This has been flagged as spam show
are you bass player
sebhartke 3 years ago
that's great man. I don't know how you do that without a pick! 5 stars
guitarttimman 3 years ago
awesome music
Desert00Storm 3 years ago
check tha verion of JOse Pepe Vera of this son and leave some comments
leyva905 3 years ago
nice sound buddy
JazzySaxE 3 years ago
nice lines but it sounds as if you've been playing along with band in a box to much. try and sort out your feel and you'll sound great
fakesoundsjazz1983 3 years ago
This has been flagged as spam show
very cool stuff.
LostMurf 3 years ago 4
Here Here
jsymons1985 3 years ago
buena improvisacion !!
GaBoCapoeira 3 years ago
great! very good sound too :)
donsrleone 3 years ago
One of the nicest jazz hats I have seen.
Boingusboingus 3 years ago 4
nice [= lol
okcorrigan 3 years ago
Very Nice and original playing. congrats.
Ricardo Tamez
calitot 3 years ago
Should learn the head prop. solo OK but a bit sloppy
konnyblom 3 years ago 2
looks like an ES175, but headstock diff color
overandout58 3 years ago
pizzicato,pizzicato que bien,personalmente me gusta tocar así...
harerigel 3 years ago
you are the proof that jazz can be beautiful
shezri 3 years ago
nice hat..., and even better playing.
dantheguitarman88 3 years ago
Really nice playing my friend.
lukeev 3 years ago
Hey! fantastic!
LUCfromargentina 3 years ago
Nice playing. I thought I am the only person who plays
classical technique on a jazz guitar (I don't play jazz nearly
as good as you, though). I am actually fast with my fingers
than with a pick, but that is probably just me.
Fingerstyle gives a lot of freedom for polyphonic stuff
(chords plus walking bass etc.).
Unplugged the pick often sounds nicer on steel strings, though, especially using a heavy pick with one of the blunt "tips".
c330user 3 years ago
awesome!!! and you look the bizniz too with that hat on! haha!
nice job man
loadedlar 3 years ago
nice
piawpiaw21 3 years ago
unusual finger style = works though !
overandout58 3 years ago